For what little it's worth, I sent a ballot to the Village Voice
Pazz 'n' Jop poll tonight. In the main event, the albums are:
- K'Naan: The Dusty Foot Philosopher (IM Culture) 16
- William Parker: Double Sunrise Over Neptune (AUM Fidelity) 10
- The Roots: Rising Down (Def Jam) 10
- Vijay Iyer: Tragicomic (Sunnyside) 10
- Steven Bernstein's Millennial Territory Orchestra: We Are MTO (Mowo!) 10
- Raphael Saadiq: The Way I See It (Columbia) 10
- Nik Bärtsch's Ronin: Holon (ECM) 10
- Hayes Carll: Trouble in Mind (Lost Highway) 8
- Orchestra Baobab: Made in Dakar (Nonesuch) 8
- The Mountain Goats: Heretic Pride (4AD) 8
Breakdown is 4 jazz, 6 not; of the latter, 2 hip-hop (1 American,
1 African), 1 country, 2 r&b (1 American, 1 African), and 1
singer-songwriter posing as a group. No white rock bands, although
Drive-By Truckers didn't miss by much.
Also voted for four songs, but I don't keep track of songs in any
systematic way, so they're hardly worth listing -- well, Hayes Carll's
"She Left Me for Jesus" is definitely worth the listen.
The overwhelming majority of what I listen to these days is jazz,
which despite my genuine affection for it has become more of a job
than anything else. I get a significant percentage of all of the new
jazz released (something like 25-35%, skewed a bit toward the more
prominent releases, although I still miss a lot of avant-fringe I
wish I could hear), so my jazz list is healthy-sized and more than
a little authoritative (not that many people share my tastes). I get
very little non-jazz (country and hip-hop have totally dried up; I
still get some world music, but not nearly as much as I used to). In
an ideal world I'd play as much (or more) non-jazz as jazz -- I had
a glimpse of that world back when I had a Rhapsody account (not that
Rhapsody opens every door). Indeed, Rhapsody accounted for 17 of 33
records on my non-jazz A-list (actually, several more were heard
first on Rhapsody, then obtained later -- Raphael Saadiq improved
his standing significantly that way; makes me wonder about some
others.)
Since my jazz and non-jazz lists work on totally different scales,
it might be best to separate them out. The non-jazz, including vault
music, breaks out this way:
- K'Naan: The Dusty Foot Philosopher (IM Culture)
- The Roots: Rising Down (Def Jam)
- Hayes Carll: Trouble in Mind (Lost Highway)
- Orchestra Baobab: Made in Dakar (Nonesuch)
- The Mountain Goats: Heretic Pride (4AD) **
- Drive-By Truckers: Brighter Than Creation's Dark (New West) **
- Old 97's: Blame It on Gravity (New West) **
- Les Amazones de Guinée: Wamato (Sterns Africa) **
- James McMurtry: Just Us Kids (Lightning Rod) **
- Jesus H Christ & the Four Hornsmen of the Apocalypse: Happier Than You (Jesus Christ Rocks)
- Tokyo Police Club: Elephant Shell (Saddle Creek) **
- Al Green: Lay It Down (Blue Note)
- Conor Oberst (Merge) **
- Bob Dylan: Tell Tale Signs: The Bootleg Series Vol. 8: Rare and Unreleased 1989-2006 (Columbia, 2CD)
- The B-52s: Funplex (Astralwerks) **
- The Hold Steady: Stay Positive (Vagrant) **
- Liz McComb: The Spirit of New Orleans (GVE/Sunnyside)
- Gabi Lunca: Sounds From a Bygone Age, Vol. 5 (1956-78, Asphalt Tango)
- Todd Snider: Peace Queer (Aimless, EP)
- No Age: Nouns (Sub Pop) **
- The Kills: Midnight Boom (Domino) **
- Kate Nash: Made of Bricks (Geffen)
- Jeffrey Lewis: 12 Crass Songs (Rough Trade) **
- Loudon Wainwright III: Recovery (Yep Roc) **
- Robert Forster: The Evangelist (Yep Roc) **
- Cephas & Wiggins: Richmond Blues (Smithsonian/Folkways)
- Duke Robillard: A Swingin' Session With Duke Robillard (Stony Plain)
- Wreckless Eric & Amy Rigby (Stiff)
- Radiohead: In Rainbows (TBD)
- Toumast: Ishumar (Real World) **
- Dominique Cravic & Les Primitifs du Futur: Tribal Musette (Sunnyside)
- Alan Jackson: Good Time (Arista) **
- Jenny Lewis: Acid Tongue (Warner Brothers) **
I reported the jazz list in a recent post, but I keep fiddling with it,
so here's where it currently stands, with Summer Suite crashing
the top ten since I filed my Voice Jazz Critics ballot (again, including
vault music):
- William Parker: Double Sunrise Over Neptune (AUM Fidelity)
- Vijay Iyer: Tragicomic (Sunnyside)
- Steven Bernstein's Millennial Territory Orchestra: We Are MTO (Mowo!)
- Nik Bärtsch's Ronin: Holon (ECM)
- Rob Brown Ensemble: Crown Trunk Root Funk (AUM Fidelity)
- Satoko Fujii Orchestra New York: Summer Suite (Libra)
- Scott Fields Freetet: Bitter Love Songs (Clean Feed)
- Mostly Other People Do the Killing: This Is Our Moosic (Hot Cup)
- Kris Davis: Rye Eclipse (Fresh Sound New Talent)
- Vandermark 5: Beat Reader (Atavistic)
- Randy Sandke: Unconventional Wisdom (Arbors)
- Adam Lane/Lou Grassi/Mark Whitecage: Drunk Butterfly (Clean Feed)
- François Carrier: The Digital Box (Ayler, 7CD)
- Jorge Lima Barreto: Zul Zelub (Clean Feed)
- The Roy Campbell Ensemble: Akhenaten Suite (AUM Fidelity)
- Kenny Garrett: Sketches of MD (Mack Avenue)
- Fieldwork: Door (Pi)
- The Soprano Summit: In 1975 and More (1975-79, Arbors, 2CD)
- Mike Ellis: Bahia Band (Alpha Pocket)
- Mike Reed's People, Places & Things: Proliferation (482 Music)
- Bill Frisell: History, Mystery (Nonesuch, 2CD)
- Anthony Braxton/Milford Graves/William Parker: Beyond Quantum (Tzadik) **
- Sonny Rollins: Road Shows Vol. 1 (Doxy/Emarcy)
- Ben Allison & Man Size Safe: Little Things Run the World (Palmetto)
- Patricia Barber: The Cole Porter Mix (Blue Note)
- William Parker Quartet: Petit Oiseau (AUM Fidelity)
- Cassandra Wilson: Loverly (Blue Note)
- Donny McCaslin Trio: Recommended Tools (Greenleaf Music)
- Ulf Wakenius: Love Is Real (ACT)
- David Murray/Mal Waldron: Silence (Justin Time)
- The Gust Spenos Quartet: Swing Theory (Swing Theory)
- Dick Hyman/Chris Hopkins: Teddy Wilson in 4 Hands (Victoria -07)
- Satoko Fujii Trio: Trace a River (Libra)
- Jerry Bergonzi: Tenor Talk (Savant)
- Dave Douglas & Keystone: Moonshine (Greenleaf Music)
- Scott DuBois: Banshees (Sunnyside)
- The Microscopic Septet: Lobster Leaps In (Cuneiform)
- Bill Cole's Untempered Ensemble: Proverbs for Sam (Boxholder)
- Steven Bernstein: Diaspora Suite (Tzadik)
- Oleg Kireyev/Feng Shui Jazz Project: Mandala (Jazzheads)
- Mary Lou Williams: A Grand Night for Swinging (1976, High Note)
- François Carrier/Michel Lambert/Jean-Jacques Avenel: Within (Leo)
- Raoul Björkenheim/William Parker/Hamid Drake: DMG @ the Stone: Volume 2 (DMG/ARC)
- Anat Cohen: Notes From the Village (Anzic) *
- Maceo Parker: Roots & Grooves (Heads Up, 2CD)
- Art Pepper: Unreleased Art, Vol. III: The Croydon Concert, May 14, 1981 (1981, Widow's Taste, 2CD)
- Rudresh Mahanthappa's Indo-Pak Coalition: Apti (Innova)
- Steve Reid Ensemble: Daxaar (Domino)
- Paul Shapiro's Ribs and Brisket Revue: Essen (Tzadik)
- Horace Silver: Live at Newport '58 (1958, Blue Note)
Like all year-end lists, mine leaves one basic question unanswered:
what records were considered, and what were not? The former, at least,
is addressed in my full
Year 2008 file. As for the things
I didn't listen to, my
2008 Year End List Mentions
file provides a rough picture, with the blue/green lines things I have
checked out, the black things I haven't. The latter with 10+ mentions
(presumably the prime critic-tested contenders) are:
TV on the Radio: Dear Science;
Bon Iver: For Emma, Forever Ago;
MGMT: Oracular Spectacular;
Nick Cave: Dig, Lazarus, Dig!!!;
Girl Talk: Feed the Animals;
Hercules and Love Affair: Hercules and Love Affair;
Sigur Rós: Með Suð I Eyrum Við Spilum Endalaust;
Deerhunter: Microcastle;
Elbow: The Seldom Seen Kid;
M83: Saturdays=Youth;
Cut Copy: In Ghost Colours;
She & Him: Volume One;
Shearwater: Rook;
Beach House: Devotion;
David Byrne/Brian Eno: Everything That Happens Will Happen Today;
Flying Lotus: Los Angeles;
Fucked Up: The Chemistry of Common Life;
Kings of Leon: Only by the Night;
Crystal Castles: Crystal Castles;
Frightened Rabbit: The Midnight Organ Flight;
Metallica: Death Magnetic;
Of Montreal: Skeletal Lamping;
Lucinda Williams: Little Honey.
Some of those (Girl Talk, Hercules, Byrne/Eno) I do hope to listen to
soon. TV on the Radio swept last year with a record I didn't get much
out of. It seems likely to sweep again this year -- competition seems
limited to Fleet Foxes, Portishead, Vampire Weekend, and Santogold,
all of which I have heard and find quite unexciting.