Wednesday, February 17, 2021

No Music Week

February archive (in progress).

The last two weeks have been brutal. My wife fell and broke her leg. While she was in the hospital, I developed an infection and was sick for the better part of a week. And, as most of you are no doubt aware, it's been brutally cold in the Midwest, even as far south as Wichita (with the whinging even louder in Texas). Second longest stretch of sub-20F weather in history, hitting a low the other day of -17F. Snow more days than not, and while it still doesn't amount to more than six inches, none of it has melted. Looks like it will stay below freezing through Friday, then edge over, then finally warm up a bit next week.

Laura got home from hospital last Friday, and we've been struggling on all accounts -- although the first days were the worst, and we're doing a bit better day-by-day. Haven't been out since Friday, aside from taking the trash/recycle cans to the curb on Monday, where they remain untouched. I made a grocery store run on Thursday. Picked up a chicken (since boiled, then baked under biscuits), a piece of chuck steak (since fried, then baked with mushroom gravy), some hamburger (turned that into sloppy joes), and beef/lamb for a future meatloaf. All old family comfort dishes. Took a break from that yesterday and made a Chinese classic, Ants Climbing Tree, with cellophane noodles and ground pork, with garlic and scallions, bean paste, cooked in chicken stock. I bought the essential ingredients many months ago. We can probably go weeks pulling things out of the freezer, although staples we normally keep fresh like potatoes and onions are in short supply.

One thing I haven't done is listen to new music, let alone write about it. I usually have a bit of a down after wrapping up a year, but lately I've stuck with old reliables, mostly from the travel cases (Mississippi John Hurt at the moment, preceded by Stevie Wonder and Curtis Mayfield). Started to stream Ethan Iverson's Bud Powell album, but only made it four cuts in. When I realized I wasn't going to have anything to report for Monday's Music Week, I reconciled myself to not reviewing anything until I do a "No Music Week" post. Main thing I wanted to accomplish there was to catalog my incoming mail, which I had neglected for a couple weeks. Took me to Thursday to catch up with the "unpacking." The resulting top line looks like this:

Music: Current count 34957 [34955] rated (+2), 253 [233] unrated (+20).

The +2 fixes some bookkeeping errors. Related to that, note that I muffed the previous week's count, revising the rated count down from +68 to +58. Still 43 shy of 35,000. Odds of hitting that next week would be 4-6 normally, but this is no normal week. The +20 is the unpacking below. No actual reviews to offer this week, so I'm not even holding anything back. Not sure whether there will be a Music Week on Monday. Depends on whether I can shift out of this rut.

Rush Limbaugh died this week. The only time I actually listened to him was a few days in early 2009. We hired a guy to install tile in our kitchen, and he and his son came in with a big boom box tuned to Limbaugh. I was at first pleasantly surprised to find out that Obama is a socialist, but like all of Limbaugh's spew, that turned out to be way off the mark. But lack of direct contact didn't shield me from his impact. He probably ranks as the most toxic figure in American politics ever. I have yet to find any piece that remotely does him justice -- although even efforts to be "fair and balanced" show him to be totally repulsive. If you want to read something, you might start with Zack Beauchamp: Rush Limbaugh's toxic legacy. As the author points out, "The Republican Party he poisoned is very much alive."

One particular grudge I have against Limbaugh is that he used a book title I had been toying with: The Way Things Ought to Be. I've been thinking about that title recently, as I've found myself less and less interested in either writing about how vile the Republicans are -- a major concern during the GW Bush years, not that anything they've done since has blunted my outrage -- or what the Democrats need to do to more effectively resist and overcome the Republican derangement (more of an inclination during the Trump years than reiterating the obvious). That always struck me as an aspirational title rooted in basic philosophy and ethics, and that's the sort of thing I feel like working out now. Needless to say, Limbaugh's book was nothing of the sort. Published in 1992, it was mostly a hatchet job on Anita Hill. If you recall the name, you'll recognize several of the levels on which that was inappropriate. (One that I wasn't aware of was that Clarence Thomas officiated over Limbaugh's third wedding, two years after the book was published.)

Just noticed that Jamaican toaster Ewart Beckford, better known as U-Roy, has just died, at 78. I strongly recommend the one early record I've heard: Your Ace From Space (1969-70 [1995], Trojan). But many more followed. Maybe I'll check out some more.

Minor bookkeeping points:

  • I've decided to start tracking downloads in the "Pending" section of my Year 2021 music file, and in the "Unpacking" section of my Music Week reports. I needed a mechanism to keep track of records I've downloaded, and that seems like the most obvious way to do so. I am, however, still not entering those records into my database until I've reviewed them.
  • I've decided to treat all of this week's NoBusiness package as 2021 records (flagged "-20") in the file above. Official release date was Nov. 15, 2020, and I was aware of a couple in my 2020 Tracking File, but I've usually filed late promos in the year received. Just unusual here to have such a large batch.
  • I've changed the formatting of the Music Year 2021 file, putting the lists into tables tagged with the grades. I've wanted to do for ages, and it's a good sign that I mustered the programming chops to do it today.

Unpacking: Found in the mail last week:

  • Derek Baiey/Mototeru Takagi: Live at FarOut, Atsugi 1987 (NoBusiness -20)
  • Dan Blake: Da Fé (Sunnyside) [03-12]
  • Ian Charleton Big Band: A Fresh Perspective (none) [03-16]
  • The Dynamic Les DeMerle Band Featuring Bonnie Eisele: Hot Night in Venice: Live at the Venice Jazz Club (Origin)
  • Rebecca Dumaine and the Dave Miller Trio: Someday, Someday (Summit) [03-12]
  • Frank Gratkowski/Achim Kaufmann/Wilbert de Joode/Tony Buck: Flatbosc & Cautery (NoBusiness -20)
  • Barry Guy: Irvin's Comet (NoBusiness -20)
  • Jazz Worms: Squirmin' (Capri)
  • Katarsis 4: Live at the Underground Water Reservoir (NoBusiness -20)
  • Reza Khan: Imaginary Road (Painted Music) [03-26]
  • Johan Lindström Septett: On the Asylum (Moserobie)
  • Juozas Milasius/Tomas Kulavicius/Dalius Naujokaitis/Lithuanian Young Composers Orchestra: Live at Willisau, 1993 (NoBusiness -20)
  • Charlie Porter: Hindsight (OA2)
  • Reggie Quinerly: New York Nowhere (Redefinition) [03-12]
  • RED Trio & Celebration Band: Suite 10 Years Anniversary (NoBusiness, 2CD -20)
  • Sam Rivers Quartet: Braids [Sam Rivers Archive Project, Volume 4] (1979, NoBusiness -20)
  • Schapiro 17: Human Qualities (Summit) [03-12]
  • Idit Shner: Live at the Jazz Station (OA2)
  • John Stowell/Dan Dean: Rain Painting (Origin)
  • Masauyki JoJo Takayanagi/Nobuyoshi Ino/Masabumi PUU Kikuchi: Live at Jazz Inn Lovely 1990 (NoBusiness -20)
  • Thumbscrew: Never Is Enough (Cuneiform): download [02-26]
  • Sabu Toyozumi/Mats Gustafsson: Hokusai (NoBusiness -20)
  • Nate Wooley/Liudas Mockunas/Barry Guy/Arkadijus Gotesmanas: NOX (NoBusiness -20)

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