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An occasional blog about populist politics and popular music, not necessarily at the same time. LinksLocal Links My Other Websites Music Politics Others Networking Music DatabaseArtist Search: Website SearchGoogle: Recent Reading
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Tuesday, September 24, 2024 Music Week
September archive (in progress). Music: Current count 42995 [42976] rated (+19), 26 [23] unrated (+3). After an abbreviated Speaking of Which yesterday, this is an even shorter Music Week. For most of last week, I've been prepping the house for arrival of a contractor, to fix the collapsed ceiling in a small upstairs bedroom. Main thing there was moving 25 years of accumulated living out to somewhere else. Some things got thrown away, but most -- including three bookcases of books -- just had to find temporary storage elsewhere. Contractor arrived today, and should have another couple days of work, after which I intend to refinish (mostly paint) everything, including a closet that long been the most wretched corner of a 100-year-old house. So I haven't had much time to listen to music, or to write. Expect no more (and probably less) for next week, and probably the week after -- hopefully the bedroom will be done by then, but I expect project repercussions to spread far and wide. I'm looking forward to these weeks, figuring they'll produce more tangible accomplishments than I've felt from writing all year. Indeed, I'm rushing this out now, so I can go back to my closet and get a couple more hours of work in. Downside is that it can be physically wearing. One minor accomplishment last week was when I fixed one of my "inventory reduction" dinners on Saturday: I turned shrimp and vegetables from the freezer, the end of a bag of dried pasta, and some aging items in the refrigerator into a small dinner of: shrimp with feta cheese, penne puttanesca, pisto manchego, and a lemon-caper sauce with green beans, artichoke hearts, and prosciutto; followed by a chocolate cake with black walnut frosting (one of my mother's standards). I have nothing much to say about this week's music, other than that the Ahmad Jamal records were suggested by a question. I thought "why bother?" at first, then "why not?" New records reviewed this week: Benjamin Boone: Confluence: The Ireland Sessions (2023 [2024], Origin): Alto saxophonist, has some good records, especially the pair backing poet Philip Levine. Trio with bass and drums plus scattered guests, including singer JoYne on three songs. They're nice enough, but the saxophone is better. B+(***) [cd] Michael Dease: Found in Space: The Music of Gregg Hill (2022 [2024], Origin): Trombonist, also baritone sax, has more than one album per year since 2010. Hill is a Michigan-based composer with no records of his own, but several of his students have released tributes to him recently, and this is Dease's second. Large group, eleven pieces, and probably the best yet. B+(***) [cd] Delia Fischer: Beyond Bossa (2024, Origin): Brazilian singer-songwriter, plays piano/keyboards, recorded two albums 1988-90 as part of Duo Fênix, solo albums after that. As the title implies, the atmosphere here is familiarly Brazilian, but there is much more going on, including interaction of many dramatic voices, which suggest opera (or at least concept album). Not something I feel up to figuring out, but seems exceptional. B+(***) [cd] Heems: Veena (2024, Veena Sounds): New York rapper Himanshu Suri, formerly of Das Racist, named his album (like his label) after his mother. His earlier 2024 album, Lafandar, tops my non-jazz list. This one is iffier, and not just because they redo the old phone message thing. B+(***) [sp] Jason Kao Hwang: Soliloquies: Unaccompanied Pizzicato Violin Improvisations (2024, True Sound): Exactly what the title promises, which sets an upper bound on how enjoyable this can be, but he comes remarkably close to hitting the mark. Hwang became our greatest living jazz violinist when Billy Bang passed, and is a safe bet to maintain that claim until he, too, is gone. A- [cd] Miranda Lambert: Postcards From Texas (2024, Republic Nashville): Country singer-songwriter, debut 2005, probably the most consistent one since, even if you count her Pistol Annies side project. Another batch of good songs. A- [sp] Matt Panayides Trio: With Eyes Closed (2023 [2024], Pacific Coast Jazz): Guitarist, based in New York, fourth album since 2010, a trio with Dave LaSpina (bass) and Anthony Pinciotti (drums). B+(**) [cd] Anne Sajdera: It's Here (2024, Bijuri): Pianist, some solo (two tracks), some trio (two more), some with various horns (four). B+(*) [cd] Jason Stein: Anchors (2022 [2024], Tao Forms): Bass clarinet player, based in Chicago, leads a trio with Joshua Abrams (bass) and Gerald Cleaver (drums). Billed as his "most personal album to date," impressive when he hits his stride, but seems to back off a bit much. B+(***) [cd] Nilüfer Yanya: My Method Actor (2024, Ninja Tune): British pop singer-songwriter, father is Turkish, third album. Didn't grab me right away, like the first two, but snuck up. B+(***) [sp] Recent reissues, compilations, and vault discoveries:
Old music: Charles Bell and the Contemporary Jazz Quartet: Another Dimension (1963, Atlantic): Pianist (1933-2012), only released two albums, one called The Charles Bell Contemporary Jazz Quartet in 1961, this this one a couple years later. Four originals, covers of "Django," "Oleo," and "My Favorite Things," with guitar (Bill Smith), bass (Ron Carter), and drums (Allen Blairman). B+(***) [sp] Ahmad Jamal: Poinciana (1958 [1963], Argo): Early compilation LP, took the title song from Live at the Pershing, then tacked on seven songs from his September sets at the Spotlite (released in 1959 as Portfolio of Ahmad Jamal; Ahmad's Blues also comes from the Spotlite stand, but only two songs there are dupes from here). So this seems like a sampler for more definitive editions. B+(**) [r] The Ahmad Jamal Trio: The Awakening (1970, Impulse!): With Jamil Nasser (bass) and Frank Grant (drums). B+(**) [r] Ahmad Jamal: Live in Paris 1992 (1992 [1993], Birdology): French label, founded 1992 and ran up to 2005, associated with Disques Dreyfus. Mostly trio with James Cammack (bass guitar) and David Bowler (drums), with alternates on one track. B+(*) [sp] Ahmad Jamal: I Remember Duke, Hoagy & Strayhorn (1994 [1995], Telarc): Covers as noted, plus a couple originals along those lines. With Ephriam Wolfolk (bass) and Arti Dixson (drums), but they don't add much. B+(*) [sp] Ahmad Jamal: The Essence, Part 1 (1994-95 [1995], Birdology): The first of three volumes the label collected, this from live sets in Paris -- six quartet tracks with piano, bass (James Cammack), drums (Idris Muhammad), and percussion (Manolo Badrena), plus two tracks from New York with a different bassist (Jamil Nasser) and George Coleman (tenor sax). I wish we had more of the latter -- his bits are really terrific -- but without him I'm still reminded of how bright Jamal's piano is. A- [sp] Ahmad Jamal: Big Byrd: The Essence, Part 2 (1994-95 [1996], Birdology): More quartet tracks from the same dates in Paris and New York, with guests Joe Kennedy Jr. (violin) on one track, Donald Byrd (trumpet) on the other (the 15:13 title track). B+(***) [sp] Ahmad Jamal: Nature: The Essence, Part 3 (1997 [1998], Birdology): A later studio session from Paris, with the same quartet -- James Cammack (bass), Idris Muhammad (drums), Manolo Badrena (percussion) -- joined by Othello Molineaux on steel drum. Stanley Turrentine (tenor sax) drops in for one track, and is terrific. B+(**) [sp] Unpacking: Found in the mail last week (incomplete):
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