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An occasional blog about populist politics and popular music, not necessarily at the same time. LinksLocal Links My Other Websites Music Politics Others Networking Music DatabaseArtist Search: Website SearchGoogle: Recent Reading
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Tuesday, October 8, 2024 Music WeekSeptember archive (in progress). Music: Current count 43015 [43007] rated (+8), 42 [42] unrated (+0). As I explained in my "PS" last week, I didn't expect to blog much this week. I did catch a break yesterday, and posted a fairly respectable Speaking of Which (131 links, 7251 words), but that was the first day I managed to listen to much new music, which is why this Music Week has anything at all, but as you can see, not much -- nothing A-listed, some solid high B+ (which next week will include Terrence McManus: Music for Chamber Trio), as I've been working through my rather stuffed promo queue in release date order. I left Speaking of Which so abruptly when I posted last night that it would have been easy to add more stuff today. But I decided the more sensible approach is to open a new draft file right away, and start putting anything new and notable there. I have a trick devised to suppress display of unfinished draft posts, but for now I'll let this one go up in normal blog order, its incomplete nature implicit in its date (October 14) and the "(draft)" in the title. I usually only update the website when I have new posts, but if I do, you can observe whatever progress I've made. Next week should be a bit better, for blogging that is, but there are still lots of distractions, and a lot of other work to do. The project of sorting out 75 years of accumulated life from my childhood home isn't really finished, but we made a lot of progress, and can take a break before going back to it. I have several boxes of stuff here, and will probably pick up some more later in the week. I did manage to find one day to rustle up some dinner before my brother and his wife headed back to Washington. My niece is still here for a couple more days. My upstairs bedroom/closet project has languished, but I need to return to it, making it top priority after I post this. (But then I blew all afternoon, so I may get nothing done on it today. I did go buy a tool belt -- something I've never felt the need for before, but I need to be able to stand on a stool in a very confined space with at least five tools handy, including power drill and screwdriver.) Still mostly doing wall repair at this point, with painting after that. At least we got the paneling cut, which among other things means I don't have to get the walls very good. Once I finally get going, I figure I have about three days of work to go, plus whatever it takes to move back into the room. So I should wrap that up within the week, but it will take a lot of time away from here. Seems like I've been plagued with a lot of minor tech problems lately: nothing insurmountable, but every little thing chews up a lot more time than seems right, and adds to my sense of ever increasing decrepitude. New records reviewed this week: El Khat: Mute (2024, Glitterbeat): "Home-made junkyard band" from Tel Aviv, a quartet led by multi-instrumentalist Eyal El Wahab, whose roots are in Yemen. Third album. Arab groove with extra angst. B+(*) [sp] Forq: Big Party (2024, GroundUP): Jazz fusion group, led by Henry Hey (keyboards), one 1999 album and several since 2014, a fairly long list of players here. Seems to have some intersection with Snarky Puppy. B+(*) [cd] Satoko Fujii Quartet: Dog Days of Summer (2024, Libra): Japanese pianist, has run many groups for many albums since the mid-1990s, bills this particular one as her "jazz-rock fusion quartet," a revival "after an 18-year pause" -- Bacchus was recorded in 2006 and released in 2007, also with Hayakawa Takeharu (bass), Tatsuya Yoshida (drums), and Natsuki Tamura (trumpet), after four previous 2001-05 albums -- I've heard three, liked Zephyros (2003) a lot, but I didn't care for Bacchus at all. b>B+(***) [cd] Alden Hellmuth: Good Intentions (2023 [2024], Fresh Sound New Talent): Alto saxophonist, based in New York, first album, shifty postbop quintet plus guest trumpet/keyboards on several tracks. B+(***) [cd] Keefe Jackson/Raoul van der Weide/Frank Rosaly: Live at de Tanker (2022 [2024], Kettle Hole): Tenor saxophone/bass clarinet player, from Chicago, live set in Amsterdam with a local bassist and another Chicagoan on drums. B+(***) [cd] Simon Moullier: Elements of Light (2023-24 [2024], Candid): Vibraphonist, several albums since 2020, this mostly quartet with piano-bass-drums, plus a guest spot each for Gerald Clayton (piano) and Marquis Hill (trumpet). B+(*) [cd] Patrick Shiroishi: Glass House (2023-24 [2024], Otherly Love): Alto saxophonist, from Los Angeles, prolific since 2014, no musician credits given here although there is a lot of piano/synths in the mix. B+(*) [sp] Recent reissues, compilations, and vault discoveries: Raphael Roginski: Plays John Coltrane and Langston Hughes (2024, Unsound): Polish guitarist, albums since 2008, this reissue first appeared in 2015. eight Coltrane tunes plus two originals, solo guitar, adding voice (Natalia Przybysz) on two pieces built around Hughes texts. Reissue adds four bonus tracks on a second CD. B+(**) [sp] Old music: None Unpacking: Found in the mail last week:
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