An occasional blog about populist politics and popular music, not necessarily at the same time.
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Monday, August 29, 2022
Music: Current count 38595  rated (+43), 52  unrated (+1).
This is the last Monday in August, so wraps up the August archive (link above). I'll do the indexing later, but for now, the count for the five-week month is +212 rated, -25 unrated. Latter number failed to drop this week because I got a big package of fall releases from Matt Merewitz. All of the pending promos in my queue have September or October release dates. I jumped the gun a couple times below, but generally held myself back.
Two notable, relatively young jazz musicians died last week: Jaimie Branch (39, trumpet/vocals), and Joey DeFrancesco (51, organ). The latter is survived by his father, another organ player, Papa John DeFrancesco. The Branch list will direct you to a couple of A- live albums, but misses the side-credits, which include A- work with James Brandon Lewis, Dave Rempis, Rob Mazurek, and Heroes Are Gang Leaders (Lewis again, but worth noting in their own right).
Also passed last week was producer Creed Taylor (93). He started at Bethlehem Records in the 1950s, headed up ABC's Impulse! label during its 1960s heyday, and ran his own CTI label in the 1970s (results there were mixed, but the 1970s were a tough decade for above-ground jazz).
The Wichita Eagle finally published an obituary for Dotty Billings -- I wrote a bit about her a couple weeks ago. It's a pretty deep survey of a remarkable life. We were fortunate to have known her, and counted her a friend.
Christian Iszchak has published another of his excellent An Acute Case consumer guides. As usual, I'm struggling to keep up. Phil Overeem published a remarkable one-record-per-year list on Facebook. That steered me to the Dead Moon comp, and convinced me to give Tommy Womack some deeper listening. Phil mentions recent reading of a Womack memoir, but as far as I can tell, doesn't specify: Dust Bunnies (2018) seems to be the most recent, but there's also Cheese Chronicles (2008). (I haven't done an album dive on his early Government Cheese group, but I have a 2-CD compilation from 2010 as a high B+.)
Now I'm wondering if I didn't shortchange Loudon Wainwright III's Years in the Making. It's hard to listen to these long multi-CD sets by streaming. Besides, the box violates my album cover formatting standards, but it's more or less at the same level. On the other hand, it's an odds & sods compilation, whereas the Dead Moon and Tommy Womack 2-CD sets are true career summaries.
I wrote another fairly long Speaking of Which last week, posted late last night. It's been suggested that I should break the long paragraphs up, but that runs against my formatting concept. Also the fact that I'm reading it in my text editor instead of on the browser screen, but mostly that I'm exhausted by the first pass and never feel like taking the extra time for an edit. (On the rare occasions when I do, I inevitably wind up changing lots of things. E.g., I just added a line to the Madeleine Ngo item: "Economics has long prided itself on being 'the dismal science,' but its attraction to sadists is less often recognized.")
I should also note that I've changed the website home page to do an automatic redirect to the blog. Another reader request, and a fairly easy one to do. I should probably write a new explainer page.
Only got the new router half-installed: I was gratified to at least get the wired machines working, but still need to work on the wireless and other details. Will resume work on that after this is posted.
Still feeling pretty awful. At east I'm fairly functional, but it's hard to get enthusiastic about anything these days. Summer has gone by in a blur, which is probably a good thing, since (using 100°F days as a standard) this is easily the 4th hottest summer since we moved here in 1999. (Could rank higher if we used 90°F days, or average highs, or average temperature.) Still not done: September usually doesn't cool off much until the last week, and maybe not then. Of course, it's not all weather, and not all pain. At least I have lots to do -- something I have a knack for turning into frustration.
In my article search, I noticed this piece -- Men have fewer friends than ever, and it's harming their health. It doesn't quite describe me, but I've been pretty isolated since the mid-1960s, and most of the time I've gotten by ok, so it's hard to tell. But I can see how isolation has increased -- that was the point of Robert Putnam's 2000 book, Bowling Alone -- and the only mitigating factor I've seen since then has been the rise of virtual friendships through shared interests (probably most of the people I interact with most days).
New records reviewed this week:
Aitch: Close to Home (2022, Capitol): British (Manchester) rapper Harrison James Armstrong, first studio album after several EPs and singles that charted in UK. B+(*)
JD Allen: Americana Vol. 2 (2022, Savant): Tenor saxophonist, refers back to his 2016 album Americana, which was subtitled "Musings on Blues and Jazz." Originals here, aside from "This World Is a Mean Old World" and "You Don't Know Me." With Gregg August (bass) and Rudy Royston (drums), plus Charlie Hunter (guitar on 8 tracks). Allen remains an impressive saxophonist, but this seems a little muddy. B+(**) [cd] [08-26]
Roxana Amed: Unánime (2022, Sony Music Latin): Jazz singer from Argentina, debut 2004, moved to US in 2013, only second album since then. Band includes Martin Bejerano (piano) and Dafnis Prieto (drums), and most songs -- only two co-credit Amed -- have featured guests. B+(***) [cd] [09-16]
Chouk Bwa & the Ångströmers: Ayiti Kongo Dub #1 (2022, Bongo Joe, EP): Haitian group, sometimes Chouk Bwa Libète, teamed up with the Belgian production duo -- they have a previous album together, Vodou Alé (2020). Three tracks, 19:04. B+(*) [bc]
Chronophage: Chronophage (2022, Bruit Direct Disques): Indie band from Austin, debut 2017, moved to New York in 2021, third album (following two self-released cassettes). B [bc]
Stella Donnelly: Flood (2022, Secretly Canadian): Australian singer-songwriter, second album, first showed a knack for cataloguing and skewering "male assholes." Some of that here, but not quite as sharp. B+(**) [sp]
Matthew Fries: Lost Time (2021 , Xcappa): Pianist, fifth album, trio with John Hébert (bass) and Keith Hall (drums), original material, dedicates this album to his late mother. B+(**) [cd] [09-23]
Phoebe Green: Lucky Me (2022, Chess Club): Pop singer/songwriter from Manchester, first album after an EP (aside from a self-released CDR from 2016). B+(**) [sp]
Lauran Hibberd: Garageband Superstar (2022, Virgin): Brit singer-songwriter from Isle of Wight, first album after several singles, title stakes out her pitch and claim, and the best pieces sound like some kind of femme Ramones with a bit of Bowie complex. B+(***) [sp]
Julia Jacklin: Pre Pleasure (2022, Polyvinyl): Australian singer-songwriter, started in the garage band Phantastic Ferniture, third solo album. B+(*)
Calvin Keys: Blue Keys (2022, Wide Hive): Guitarist, originally from Omaha, headed to California in 1969 and cut his debut in 1971 (recently reissued). With Gary Bartz (alto sax), Steve Turre (trombone), Henry Franklin (bass), Babatunde Lea (percussion), plus seven others in smaller print. Ends on a strong groove. B+(**) [sp]
Kyle Kidd: Soothsayer (2022, American Dreams): Singer (songwriter not clear), from Cleveland, started in Mourning [A] BLKstar (four albums 2017-20, heard of but haven't heard), solo debut, intro reads "living as a queer, androgynous person," gets a lot of support, transcending genre as easily as gender. B+(*) [bc]
Kokoroko: Could We Be More (2022, Brownswood): British 8-piece Afrobeat band, led by Sheila Maurice-Grey (trumpet), first album after several singles and EPs. B [sp]
Clemens Kuratle Ydivide: Lumumba (2021 , Intakt): Swiss drummer, first album was called Murmullo, so he called the group on his second Clemens Kuratle Murmullo. Ydivide is a new quintet, with alto sax (Dee Byrne), piano (Elliot Galvin), guitar (Chris Guilfoyle), and bass (Lukas Traxel). I'm most impressed when the sax charges ahead. B+(*) [sp]
Steve Lacy: Gemini Rights (2022, RCA): Guitarist in r&b/hip-hop collective The Internet, second solo album after a Demo EP. Should be funkier or smoother or something. B [sp]
The Mountain Goats: Bleed Out (2022, Merge): Singer-songwriter John Darnielle's band, 21st album since 1994. Not sure of the lyrics, which extoll or maybe just call out revenge, "wage wars get rich die handsome," "make you suffer," an endless supply of oxygen and hostages, and lots of blood -- reportedly written during a "pandemic spent devouring classic action films." That leaves strong images, and the music is as appealing as ever. A- [sp]
Lucas Niggli/Matthias Loibner: Still Storm (2022, Intakt): Swiss drummer, albums since 1993, most share headline credits with others and vary accordingly -- I especially like his albums with Aly Keita and Jan Galega Brönnimann. Loibner is from Austria, records since 2001, plays hurdy gurdy and adds some electronics. Starts ambient, grows from there. B+(**) [sp]
Panda Bear & Sonic Boom: Reset (2022, Domino): Singer-songwriter Noah Lennox, co-founder of Animal Collective in 1999 and still involved with them, while maintaining a solo career since, well, 1999. Working here with English producer Peter Kember, who he's collaborated with off and on since 2011. I haven't cared for what I've heard in the past -- 3 of 8 albums; 7 more from Animal Collective, never topping B+(*) -- but this is often clever, with some sonic depth and intricacy. Still, I've heard many of the hooks elsewhere (most obviously from the Drifters). B+(**) [sp]
Silvan Schmid: Augmented Space (2019-20 , Ezz-Thetics): Swiss trumpet player, first album, solo, credit also for amplifier on the title piece, which he manages to get some rhythm out of. B [bc]
Scorpion Kings X Tresor: Rumble in the Jungle (2020 , Blaqboy): Credit per cover, where Scorpion Kings are South African amapiano producers DJ Maphorisa and Kabza De Small, and Tresor is Mukengerwa Tresor Riziki, a singer originally from Congo, credited as writer of these 14 pieces (99:00). B+(***) [sp]
Superorganism: World Wide Pop (2022, Domino): Indie pop band, based in London but with international members from the Far East (Japan, Korea, Australia, New Zealand). Second album, sets out to unify the world, but not without a little fragmentation. B+(***) [sp]
Tank and the Bangas: Red Balloon (2022, Verve Forecast): New Orleans-based funk group, half-dozen mostly live albums since 2014, second on this label following 2019's Green Balloon, Tank is singer/rapper Tarronia Ball. B+(***) [sp]
WA Records: If You Fart Make It Sound Good: Ciclo De Improvisacion: Liberada (2018 , WA): From Barcelona, a label and/or collective or perhaps just an ad hoc set of electroacoustic experiments, with most pieces apparently named for their artists, or unnamed by the artists. Not many farts, unless trombones count. Gets better toward the end. B [bc]
Loudon Wainwright III: Lifetime Achievement (2022, StorySound): Folk singer-songwriter, debut 1970, crossed 75 with his 25th studio album. He has been counting the years at least since 2012's Older Than My Old Man Now. He reminds us here that his father died at 62, and he's enough of an ironist to know he's living on borrowed time, turning it into a game where he can do what he wants "for fun and free." Doesn't seem he sweated the music much, even when on the odd occasion he cranked up his band. But he still has things to say, and is finding more all the time. A- [sp]
Miguel Zenón: Música De Las Américas (2022, Miel Music): Alto saxophonist, from Puerto Rico, debut 2022, has won a MacArthur fellowship. Quartet with Luis Perdomo (piano), Hans Glawischnig (bass), and Henry Cole (drums), playing the leader's original compositions. Several guest spots, including one vocal, but most dazzling of all is the sax. A- [cd] [08-26]
Recent reissues, compilations, and vault discoveries:
Brasil Novo (, Música Macondo): Curated by DJ Tahira (from Sao Paulo) and Tim Garcia (London), eight tracks -- "contemporary," other sources say "over the last fifteen years," and talk about hard-to-find 20th century roots -- something called samba de coco, from the more African-influenced nordeste. B+(**) [bc]
Tommy Womack: 30 Years Shot to Hell: An Anthology (1987-2017 , Schoolkids, 2CD): Singer-songwriter from Kentucky, more alt-rocker than country but his songs can fit and teach them a thing or two. Started with the band Government Cheese, which provides four songs here, plus three more for two bands he played in with Will Kimbrough (The Bis-Quits, Daddy), which leaves 35 from his solo work. More than half is remarkable, rest has a chance. May be too much, but he's entitled to include it all. A- [sp]
Dead Moon: Echoes of the Past (1988-2004 , Sub Pop, 2CD): Garage rock band from Oregon, founded 1988, led by Fred Cole (singer/guitarist), with Toody Cole (bass, his wife) and Andrew Loomis (drums). Recorded studio 10 albums through 2004, 4 more live, plus a couple early compilations picking up singles and stuff. I'm not finding any dates here, but Cole saw this as a final summing up: they toured Europe in support of the album, then broke up. Nothing here is great enough to be deemed essential, but none of it is disappointing either. I don't see myself wanting to explore further, but as a chunk of history, this is a pretty fair memento. A- [r]
Esquire's All American Hot Jazz Sessions (1946-47 , RCA): Esquire was (still is, despite numerous ups and downs) a magazine, founded in 1933. It ran a jazz poll piece in 1943, which to organizing concerts. I'm not sure when they stopped, but Playboy, which eclipsed them in the 1960s, ran its own jazz poll for many years. This rounds up their mostly swing-oriented picks for 1946-47, with extra cuts from related artists (Jack Teagarden, Lucky Thompson). I wish it was easier to decipher the credits -- Discogs is no help -- but the first All Stars lead off with Louis Armstrong singing and Duke Ellington on piano, with Johnny Hodges on alto and Don Byas on tenor; the second group only repeats Charlie Shavers, but picks up Buck Clayton, Coleman Hawkins, and Teddy Wilson (among others). Leonard Feather is MC, and claims 8 writing credits. CD adds 5 extra cuts, by Art Tatum, Erroll Garner, and Mildred Bailey. B+(**) [cd]
Michael Jon Fink: A Temperament for Angels (2004, Cold Blue Music, EP): Electronic music composer. Discogs credits him with 7 recordings (4 albums, 2 singles/EPs, 1 miscellaneous), most 2001-04 with outliers (1982, 2014, 2019); also played in the Negative Band on a Stockhausen album I remember from 1975. This is considered a single, but as a single 28:24 piece should at least count as an EP. Ambient electronics, occasional strings and cymbal. B+(*) [cd]
Jim Fox: The City the Wind Swept Away (2004, Cold Blue Music, EP): Electronic music composer, has a handful of records 1998-2013, this one a 22:25 single, performed on piano, strings (a quartet), and trombones (3). Still ambient. B+(*) [cd]
T.D. Jakes: Praise & Worship (1978-98 , Verity/Legacy): Kind of a big deal among the holy rollers, styles himself as the bishop of an unaffiliated Dallas megachurch, The Potter's House, broadcasting his sermons as The Potter's Touch. He's hobnobbed with Bush and Obama, appeared on Dr. Phil and in a handful of films, some based on his novels (a subset of the 30+ books he's published). He works his choir hard, having them solo at the start and for breaks, but they're also foils for his own spiels, which I find amusing but are no doubt as meant as sincere and even profound -- at least as much as this consummate showman can muster. B+(**) [cd]
Draco Rosa: Vino (2008, Phantom Vox): Singer/songwriter from Puerto Rico, started out in boy band Menudo (with Ricky Martin, whose breakout album Rosa produced), went solo in 1988 as Robby. This one is in Spanish, including covers of Cohen and Dylan. Mainstream rock feel, although that may be misleading. B [sp]
Swing-Groups: 1931 to 1936 [Robert Parker's The Golden Years in Digital Stereo] (1931-36 , ABC): Parker (1936-2004) was an Australian audio engineer who developed a process for converting old 78 rpm records to digital stereo. He used this to release several dozen CDs of public domain material, some single-artist sets (Fred Astaire, Bing Crosby, Fats Waller, Gracie Fields, Al Bowly), but most were topical compilations, ranging from Opera 1904 to 1935 to Saucy Songs 1928 to 1938. This grabs 16 songs from as many big bands, most but not all as white as the cover pic. Sound seems good, but I'm not one to be picky. B+(**) [cd]
The Three Johns: Eat Your Sons (1990, Tupelo): Side project for Mekon guitarist Jon Langford, with John Hyatt (vocals), Philip "John" Brennan (bass), and a drum machine. Ran from 1981-98, producing several great records, especially 1986's The World by Storm, then regrouped for this swan song in 1990. Postpunk, has the urgency but less clear on the mission. B+(**) [lp]
Loudon Wainwright III: Surviving Twin (2017, StorySound): A live performance, recorded as a documentary by Christopher Guest for Netflix, so this counts as a soundtrack. Solo, alternates new songs about his namesakes -- figuring himself as a "surviving twin" to his late father -- with spoken word pieces written by his father. I don't have a lot of patience for the latter, and doubt I'd ever play them again, but they kept me interested, even as I felt they ran too long. B+(*) [sp]
Loudon Wainwright III: Years in the Making (1973-2018 , StorySound, 2CD): Back cover continues with "Forty-five years of offbeaten tracks, and hitherto unheard Loudoniana: A comprehensive 2-CD audiobiography, orphaned album cuts, live recordings, radio appearances, home demos, and much more. Fun by and for the whole family (PG13) with an accompanying booklet filled with dozens of documents, drawings, doodles, and drafts, historical, ephemeral, and otherwise in between." [Caps reduced, punctuation added.] Possible that the booklet provides some dates, but the last song is refers to the occasion of his 71st birthday (he was born in 1947), so I took that and subtracted 45, which goes back to his 4th album (the first one he wrote a title to, Attempted Moustache). Could go earlier, but not much. Some covers, some songs I recognized, some I didn't, like the one that goes "I woke up and I felt so bad/ . . . /Feels like we're right on the brink/ But it ain't Gaza/ No, it ain't Gaza/ It's not as bad as Gaza/ or the Ukraine." That was probably written 5-8 years ago, but feels prety timely right now. B+(***) [sp]
Vickie Winans: Praise & Worship (2003-06 , Verity/Legacy): Gospel singer, birth name Bowman, from Michigan, sang with International Sounds of Deliverance as a teenager, married Marvin Winans (of the gospel group Winans), solo debut in 1985. This draws on her two albums for Verity (plus a live track), long on chorus and bombast. B-
Tommy Womack: Stubborn (2000, Sideburn): Thought I'd check out some of his earlier albums I had missed. This was the oldest I found on Spotify, second in his list. Opens rockabilly, has some interesting songs. B+(**) [sp]
Tommy Womack: Circus Town (2002, Sideburn): Most songs are memorable, the hot ones like "You Can't Get There From Here" instant hits, the ballads take a little longer, unless the jokes are especially obvious. One highlight is everything you need to know about "The Replacements." A- [sp]
The Tommy Womack Band: Washington D.C. (2002 , self-released): Radio shot, title reflects where it was recorded, nothing much you'd consider political. Band credit emphasizes loud and fast, which suits them fine. Not sure whether these songs are original here, but I recognize a number of them from the 30 Years compilation. B+(***) [sp]
Tommy Womack: Namaste (2016, self-released): Title a greeting used in yoga. One song cites the Dalai Lama to become a better Christian, but after surveying ancient Rome and Jerusalem, he concludes ("God Part III"): "I believe in Beatles, I believe in love." Ten more songs, some trivial, some funny, a closer that is plainly lovely, all worth hearing again. A- [sp]
Added grades for remembered lps from way back when:
Unpacking: Found in the mail last week:
Sunday, August 28, 2022
Speaking of Which
OK, here's another week. Apologies for the occasional repetition, and less-than-ideal sorting. I keep finding more shit, and eventually it stinks up the place. As I recall, Warren Wake used to call this sort of thing "shovelware."
Wrapping up, I saw this tweet from Steve M. (who, if you ever look at Twitter, you should be following):
That was attached to a Fox segment where the hosts were discussing "a Missouri school board plan to allow teachers to spank students with parental consent." But it could have referred to damn near everything they do. They're evil, and millions of people have become meaner and dumber for exposing themselves to their shameless propaganda.
Steve M's blog is also worth following. I don't pay very close attention to primary elections, but he tells me pretty much all I need to know (and then some). Recent stories:
He also writes some at Crooks & Liars:
Also from Rick Perlstein (also worth following), our foremost historian of the US right:
When Obama won in 2008 and I saw that Volcker was his top economic adviser, I cringed. Volcker became Chair of the President's Economic Recovery Advisory Board (until 2011, when he resigned and was replaced by former GE CEO Jeffrey Immelt). Perhaps even more consequential for Obama were economists Lawrence Summers and Jason Furman, who got a mention below.
I've also seen tweets of Senators Lindsey Graham and Josh Hawley threatening riots if Donald Trump is charged and arrested. One tweet, by Tim Hannan, asks: "Is that a threat? Or are you insinuating someone should get away with crimes because there is a threat of violence? Or are you finally admitting Donald Trump can cause riots?"
Dean Baker: [08-22] Bernie Sanders Makes the Washington Post Oped Page: We Don't Need Government-Granted Patent Monopolies to Finance Drug Research: I followed the link to Caleb Watney/Heidi Williams: [08-22] Drug pricing reforms can hurt innovation. Here are 3 ways to prevent that. But one of those three ways proposes extending monopoly rights, so you're better off sticking with Baker, who's pushed this issue hard for many ears now. Moreover, I think it could be pushed harder than even Baker does. I'd say that all drug development should be publicly funded, that the science developed should be shared, and that the testing should be open sourced. I'd also point out that while it would be cheaper and more productive in the long run for the US to replace all private funding, drugs are by their nature an international product. One could negotiate international agreements to share much of the cost of development. The result would be more competition than at present, including manufacturing, which would no longer be tied to patent rights. Also:
Zack Beauchamp: [08-24] How do we know who's winning in Ukraine? The real answer is that there is no winning in this or any other war. There is a map if you think territory matters much: Russia has consolidated gains in the east and southeast, north of Luhansk, and west of Donetsk to Kherson, linking up the breakaway regions of Crimea and Donbas. Early in the war, Ukrainian forces concentrated on defending the major cities of Kyiv and Kharkiv, offering little resistance on the southern front, as Russian forces invaded from Crimea. The move to expand west from Donbas didn't happen until later, after Russia gave up on Kyiv, and refocused on Mariupol. The map shows Ukrainian counteroffensives, which have gained a small amount of ground east of Kharkiv and north of Kherson, but the current map isn't much different from one 2-3 months ago. It's hard to see much ground changing hands from here on, but the destruction of fighting a stalemated war could increase. US weapons shipments to Ukraine have shifted to missiles and drones that can attack sites well beyond the fronts (potentially risking attacks inside pre-war Russia -- already started in disputed Crimea). Russia still has the ability to attack anywhere in Ukraine, even as far removed from the battle lines as Lviv and Odesa. Of course, the map doesn't account for lives ended or maimed, for the destruction of infrastructure and other property, the dislocation of millions of people, the economic costs, for Russia the costs imposed by severe sanctions, which also redound to hurt the rest of the world economy, and for the US and its "allies" many billions of dollars that could have been used for real problems but are being wasted on unnecessary war, one that will only harden feelings and darken prospects for many years to come. So, yes, it's hard to tell who's winning, because that's the wrong question.
Tom Boggioni: [08-28] Truth Social is headed for bankruptcy. Also:
Kevin Carey: [08-24] Biden's big new student loan forgiveness plan, explained. This will be a test of whether an eminently reasonable centrist compromise can survive politically, where the left position is that education, at least in state-supported colleges and universities, should be a right as far as a student wants to take it, and the right position is that people who can't afford to pay for higher education should remain in penury until the last dime of their debt is accounted for. As a practical matter, the right position is untenable, which is why we have a hopeless maze of rules and programs for offering and (in some cases) excusing debt, which several generations of students have been forced into as state austerity has relentlessly fobbed off public investment in favor of private debt. For someone my age, college was mostly affordable, debt was minimal (but I still hated every bit I had to pay off, and not just because I got screwed out of a degree), and there were decent-paying alternative careers (I managed). Later generations, however, faced fewer options, and more obstacles, and the result is that most of this country suffers under the dead weight of politically-induced debt, which is possibly the single main reason generations after mine have had to face declining opportunities -- and nowadays even declining life expectancies. My big complaint about this plan is that it doesn't address the present and future problem of more people having to take on ridiculous debt just to get the bare education they need -- and we need for them to have -- not just to prosper but to survive. Beyond that, sure, the limits are too low, and the means-testing is discriminatory and provocative, but this is a meaningful step, one we have to defend, one that we must because the arguments we're going to be hit with are seductively wrong and ultimately destructive, and have to be overcome to make any further progress.
Steve Coll: [08-27] A Year After the Fall of Kabul: Coll wrote the book on Afghanistan (Ghost Wars: The Secret History of the CIA, Afghanistan, and Bin Laden, From the Soviet Invasion to September 10, 2001) before everyone else did and he had to write another (Directorate 5: The CIA and America's Secret Wars in Afghanistan and Pakistan), so he's the obvious choice for this assignment. However, his subhed misses the point: "For the Biden Administration, supporting the Afghan people without empowering the Taliban is the foreign-policy case study from hell." First, the Taliban are already in power, so the worry about "empowering" them is pure crap. Second, the only way the US can "support the Afghan people" is through the Taliban. Anything else is war, and the last thing the Afghan people need is more war. The only conclusion possible from US policy since the Taliban seized power is that the US doesn't want -- and probably never wanted -- to help Afghans. Otherwise, they'd put their bruised egos aside and offer something respectful and constructive.
Ryan Cooper: [08-23] The Big Bet on Natural Gas Is Blowing Up in the World's Face: "It's not clean, it's not cheap, and it's not a bridge fuel to anyplace good." Still, the article is mostly about Russian gas, which has become a political chip in the Ukraine War, which as is so often the case is used to reinforce another separate point. Sure, gas is not clean -- burn it and you get carbon dioxide and water, don't and you're leaking a more potent greenhouse gas -- but it's a lot cleaner than coal, both in its energy equation and in the impurities that also get released by burning it. That led to the "bridge fuel" argument, which made more sense in the 1990s, when wind and solar were more expensive than they are now. I'll have more to say about this under Krugman, below.
David Dayen: [08-19] The Real Inflation Reduction Acts. On the Inflation Reduction Act: "The policies here are fine, but too much of Democratic political positioning involves concealment, and I think it generates natural but unnecessary skepticism." On the other hand, he offers the Ocean Shipping Reform Act of 2022 (OSRA 2022) as an example of a law which lowers prices by increasing competition.
Igor Derysh: [08-24] Florida GOP primary loser Laura Loomer cries fraud: "I'm not conceding because I'm a winner". If that last word was a blank, what would you fill in? I suspect the most common pick would be "jackass" (or something comparable but probably more scabrous). If you can stand more on Loomer, see Ali Breland: [08-24] Laura Loomer Loses GOP Primary, Opportunity to Vie for Most Racist Congressperson.
Thomas B Edsall: [08-24] When It Comes to Eating Away at Democracy, Trump Is a Winner. One of those NY Times writers who's taken the newsletter bug, but tends to go for quantity rather than quality, devoting much of his pieces to quoting the latest academic studies of things he's used to covering as news -- I'm reminded here of Karl Rove's taunt about the "reality-based community" being reduced to studying what Rove's crowd were creating through their actions. Edsall studies Trump like that, which makes him useful as a summarizer of conventional wisdom, but a somewhat less than acute critic. For another recent example, see: [08-03] Trump Has Big Plans for 2025, and He Doesn't Care Whether You Think He'll Win, where he points out: "This is no idle threat; Trump has taken some lessons from his first term." His conclusion: "Trump is not just going to walk away and let other candidates stir his toxic political brew." As Trump continues to dominate the news, some more pieces:
Amy Goodman: [08-24] "War Poisons Everybody": Remembering Howard Zinn on His 100th Birthday: He was a historian, died in 2010 at 87, best known for his A People's History of the United States, but I remember him as a peace activist back in the 1960s (I don't recall whether I read his 1967 book Vietnam: The Logic of Withdrawal, but that's about when I first became aware of him. This collects several interviews from 2001-09.
Gabrielle Gurley: [08-25] Democrats in Danger of Missing the Marijuana Moment.
Ed Kilgore: [08-22] Ludicrous Kansas Abortion Recount Could Be the Wave of the Future. After losing their anti-abortion referendum by a 59-41 margin, a couple of its proponents insisted on forcing a recount. It was only a partial recount, because they couldn't raise enough money to pay for a full one. But they tried anyway, because they couldn't imagine losing an election in a state they were sure they had locked up. Surprisingly enough, they did manage to nudge the margin 93 votes in their direction, leaving the No margin at 165,000.
Daniel Larison: [08-26] Whose war is the US fighting in Syria, and why? With ISIS demolished, the persistence of US forces in Syria is beginning to remind me of stories of Japanese soldiers creeping out of the jungles of New Guinea to resume a war they hadn't heard had ended 20-30 years before. I would have been as happy as any of you had the Assad regime fallen in the Arab Spring, but that didn't happen, and hanging out and taking pot shots like outlaw bands isn't going to change a thing. Also see:
Andrew Latham: [08-22] What if China is not rising, making it more dangerous? Review of Hal Brands and Michael Beckley: Danger Zone: The Coming Conflict with China, the latest of a steady stream of books on how China threatens US global supremacy, inevitably leading to conflict and perhaps escalating to war -- because the one thing American experts on China and Russia cannot conceive of is the US adopting a less commanding and confrontational global stance. The twist here is that the authors see the escalation risk coming not from China's hubristic ambition to rule the world, but from the sense that aggression is the only way to save China from its internal contradictions and decline. Others have argued that much, and their track record of predicting declines in Chinese economic growth is abysmal. The net combination suggests America needs urgently to prepare for war (which will be sold as deterrence, because we all know how well that works). On the other hand, their historical analogies should give us pause: were Germany in 1914 and Japan in 1941 really suffering such a degree of decline that they saw no alternative to war? In 1914 some Germans thought their odds against Russia were better then than they might be a decade hence, but the underlying assumption was one of German expansion. Japan in 1941 may be an easier case, but that's only because Japan started its war in 1937, against China, and that war was faltering, compounded by the American oil and steel embargo. On the other hand, if you want to point to a declining empire desperate to score military points, isn't the US the obvious candidate? Is it really a coincidence that a year after the debacle in Kabul, the US is back in the driver's seat with the bankrolling of Ukraine against Russia?
Andrea Mazzarino: [08-14] A Military Rich in Dollars, Poor in People: "And the Frayed Social Safety Net That Goes With It." Military recruitment seems to be down, and will probably drop more if people can get an education otherwise. Meanwhile, services for veterans keep becoming more expensive, even as they benefit an ever-smaller segment of society. Coming out of WWII, it was easy to expand benefits for veterans: because there were so many, those programs had broad (if imperfect) affects. Those days are over. And while both parties give lots of lip-service to veterans, only the Democrats are inclined to do anything about it, and they're under increasing pressure not to limit their programs to veterans.
Harold Meyerson: [08-26] 'Pro-Life': America's Most Patently Absurd Misnomer: "The relationship between anti-abortion states and concern for human life is certifiably inverse."
Nicole Narea: [08-25] DACA is in jeopardy. Can the Biden administration save it?
Anne Nelson: [08-26] A Rare Peek Inside the Vast Right-Wing Conspiracy: Recently uncovered documents reveal the inner workings of the Council for National Policy ("a secretive network of powerful conservatives").
Yasmin Rafiei: [08-25] When Private Equity Takes Over a Nursing Home.
Zach Rosenthal/Mary Beth Gahan/Annabelle Timsit: [08-22] At least one dead after Dallas area hit by 1-in-1,000-year flood. This follows three more 1-in-1,000-year rain events, in St. Louis, eastern Kentucky, and southeastern Illinois.
Greg Sargent/Paul Waldman: [08-25] Leaked audio of a billionaire GOP donor hands Democrats a weapon.
Robert J Shapiro: [08-22] Yes, Americans Are Better Off Under Biden: "Households have seen a stunning rise in employment and income, even considering inflation." We're going to be seeing more pieces like this, as there should be -- one thing Democrats have never been much good at is "tooting their own horn." But one shouldn't get smug and complacent here. Everything good that Democrats have done since Biden took office could have been done better with more Congressional support, which means getting more Democrats elected. And people need to understand that their future depends on their political support. Shapiro also wrote [08-22] Forget FDR. Biden Is a Major President in His Own Right. Related here:
Jeffrey St Clair: [08-26] Roaming Charges: Nuclear Midnight's Children: Starts with the nuclear peril in Ukraine, which segues into a rather scathing attack on those who've used recent natural gas shortages as reason enough to revive the nuclear power industry. (Personally, I'm open-minded about nuclear power, but think advocates have to come up with agreed solutions on several problems first: what do you do with radioactive waste? how do you prevent proliferation of nuclear weapons? and how do you prevent reactor sites from acts of war?)
He quotes a Lawrence Summers tweet: "Every dollar spent on student relief is a dollar that could have gone to support those who don't get the opportunity to go to college." So much wrong with this it's hard to know where to start, but I'd start by questioning whether the people who came out of college with debt actually got the "opportunity to go to college." If you get my drift, you'd see that student loan relief is precisely going to the people who Summers claims to be advocating for. Beyond that, every expense on anything can be opposed as an opportunity cost to something else one would rather see. Do we need to start comparing lists? St Clair's comment offers one example: "Just retitle your degree a Toxic Asset -- which it probably is -- and the entirety of the loans that paid for it will be forgiven with interest in no time." He then points out that the average size of PPP loans to businesses "forgiven without a bleat from Summers or anyone else" was $109,000. He follows that up with a list of members of Congress who got their loans forgiven: one as high as $4.3 million, but the line that pops out for me is Matt Gaetz ($476,000). He also notes that "Trump had more then $280 million in loans forgiven and failed to pay taxes on most of the money he pocketed." Also this:
Chris Stirewalt: [08-28] What I Learned About Media Rage After Getting Fired From Fox. He was political editor at Fox News when they called the 2020 election for Biden. Interesting that he survives currently as a senior fellow at the American Enterprise Institute. This piece was excerpted from his book Broken News: Why the Media Rage Machine Divides America & How to Fight Back.
Margaret Talbot: [08-28] Justice Alito's Crusade Against a Secular America Isn't Over: "He's had win after win -- including overturning Roe v. Wade -- yet seems more and more aggrieved. What drives his anger?"
Kenneth P Vogel/Shane Goldmacher: [08-022] An Unusual $1.6 Billion Donation Bolsters Conservatives: The guy's name is Leonard Leo, operating through a group called the Marble Freedom Trust. Also see the Washington Post editorial [08-28] A $1.6 billion donation lays bare a broken campaign finance system.
Sarah Vowell: [08-28] What's With All the Fluff About a New Civil War, Anyway?
Bryan Walsh: [08-28] Americans keep moving to where the water isn't: After all, "the housing is cheaper and plentiful -- but climate change and extreme weather are worsening."
I've been reading Tariq Ali's new book on Winston Churchill. I've never read any of Churchill's books, nor any of the numerous hagiographies, but I've gathered a pretty comprehensive view of the man over the years -- enough so that I can picture him set in a Mt. Rushmore-like monument of the great monsters of the 20th century (Hitler, Stalin, and Mao are, for us Americans at least, automatic picks, but can't you just imagine Churchill poking his mug out in Theodore Roosevelt's cranny, behind Hitler and Stalin to his left, and flanked by Mao on his right? Ali's subtitle was His Times, His Crimes, and Ali's 432 pages don't come close to exhausting the subject.
One omission I expected something on was the Greco-Turkish War (1919-22), which broke out after Kemal defied the terms of Ottoman surrender to create an independent Turkish Republic. Britain was exhausted after the Great War, but encouraged Greece to grab as much of Asia Minor as possible, with disastrous consequences. Churchill was Secretary of State for War and Air in this period (1919-21), and as such was directly responsible for ordering poison gas in Iraq (in case you ever wondered where Saddam Hussein got such an idea). His role in the Greco-Turkish War would have been a bit more indirect, but it was exactly the sort of thing he would have done. The book does include material on Churchill's scheme to attack the Ottoman Empire at Gallipoli in 1915 (which cost him his post as First Lord of the Admiralty), and on Britain's role in defeating the anti-Nazi resistance in and after WWII. (One thing I'm skeptical of is Ali's tendency to treat the post-1945 Labor government of Clement Attlee and Ernest Bevin as a mere extension of Churchill's government -- which they were part of until the 1945 elections, when Churchill tried to hog the glory and got soundly booted out of government. Greece does seem to be one case where Attlee followed through on decisions Churchill had initially made. On the other hand, Churchill was lucky to be spared having to deal with independence in India and Palestine -- not that Attlee and Bevin handled either at all well.)
Still, I've learned a few things I hadn't previously known here. Consider this paragraph (p. 365):
Of course, I was aware of a long affinity of antisemites for Zionism. Arthur Balfour, the British minister who attached his name to the declaration of Britain's intent to establish a "Jewish homeland" in Palestine, was well known as an antisemite. From the beginning, From the very beginning, Zionists assumed that antisemitism was so ingrained in Europe that safety can only be gained by leaving Europe. Theodor Herzl and his followers rarely missed an opportunity to pitch Zionism to imperial powers as a way of solving their "Jewish problem." Zionists scored their big diplomatic breakthrough not because Britain was enlightened but because it wasn't. But even with the British, the idea was less to get rid of their own Jews than to build a supposedly loyal white colony with refugees from Eastern and Central Europe (of course, that also helped deflect them from entering the UK). The first modern European state to seek to expel Jews was Nazi Germany, so as soon as Hitler seized power, the Zionist Yishuv started negotiating exit visas for Jews to immigrate to Palestine. This became the Fifth Aliyah (1929-39, a period when Jewish immigration came mostly from Germany). Even so, the numbers were limited by the British and by the Yishuv itself. During this period, Germany was still considering other forced emigration schemes, like expelling Jews to Madagascar or Siberia, so the surprise isn't that Nazis would approve of Zionism, but that they viewed it as a possible "final solution." It wasn't until later that Nazis realized that expulsion was unworkable, so they settled on extermination, giving the word Endlösung its current, bitter tone.
PS: For a recent piece on the tortured relationship of Zionism and antisemitism, see Peter Beinart: [08-26] Has the Fight Against Antisemitism Lost Its Way? People with informed misgivings about Israel's treatment of Palestinians are routinely charged with antisemitism, even if they are Jewish (or dismissed as "self-hating Jews") or progressives who fully support the right of Jews to live in their own countries. Meanwhile, most classic antisemites have become fervent supporters of Israel -- especially Christians who view the establishment of Israel as a prophesied step toward the apocalypse, when true Christians will rise to heaven, and Jews, well, won't. (My grandfather was one such person; I remember that from a conversation we had when I was a child. David Lloyd George was another such person. He was the Prime Minister of the UK who issued the Balfour Declaration committing Britain to creation of a "Jewish homeland.")
In its early days, the suggestion that criticism of Israel was antisemitic cut the Zionists some slack, especially among the left, where people were especially sensitive to classic antisemitism. But 75 years after the founding of Israel, 55 years after the seizure of Gaza and the West Bank (whose occupants are still denied basic human rights), 40 years after Israel's cruel and senseless attack on Lebanon, 20 years after the last even remotely progressive Israeli government, it's gotten hard for Jews and others used to living in peace and prosperity away from Israel to feel any sort of obligation to defend the racist thugs who run Israel these days. Yet it is true that we are seeing not just a rise in anti-Israeli feeling these days, but a totally separate rise in anti-Jewish agitation. People my age can still keep this straight, but I fear younger people will be confused, with "antisemite" reduced to an epithet to use arbitrarily. This is not unlike recent propaganda turn in Russia and Ukraine arguing over which side has the Nazis.
I'm off on a bit of a tangent here, so let me return to Beinart:
One more point: what bothers me about Americans who offer blind, dogmatic support to Israel has less to do with their support for oppression and injustice abroad -- of course I disapprove, but I generally don't think Americans should moralize over other nation's internal affairs -- but because I fear that they see Israel as a model for the United States: in their construction of a repressive and racist domestic regime, and in the violence and subversion they so readily resort to when facing other countries. The U.S. has gone way too far down those paths already, and we need to reverse course and treat our own people and the rest of the world with newfound respect and charity. And sure, the latter point suggests that even if we don't go so far as to criticize Israel for its sins against human rights and international peace, at least we stop enabling and subsidizing its worst impulses.
Monday, August 22, 2022
Music: Current count 38552  rated (+32), 51  unrated (-9).
Another lousy week, this one again cutting into my listening, as I struggled to find things as well as to write. Still managed to come up with two A- records early in the week (Dangermouse/Black Thought, Megan Thee Stallion). On Thursday, Robert Christgau posted his vacation-delayed Consumer Guide. I had previously recorded grades for 12 (of 14) albums, but mostly lower grades (exception was the Regrettes aptly-titled Further Joy, near the top of my 2022 list). Given that the week was already wasted, I decided to do some re-listening, and several of those albums got better. It helped that Dan had since my initial review sent me a CD. Also that I picked up a physical of Beyoncé: after the revised review below was written, but I noticed much more detail, which helped push it up the list. Senn was probably a just case of shifting weight to the good parts from the less inspired parts. And Lizzo? I went through five more passes, each starting with songs I loved and ending with me having lost attention somewhere in the second half. On a sixth play, I forced myself to pay attention all the way to the end. The second half does have some good stuff, but only if you work at it. That's not my definition of A-list pop. I also gave Kari Faux (a 2021 album I heard and quickly forgot) another spin, and left it at B+(*). Also the Regrettes, which I moved up a bit to the top slot on this year's list. (I didn't bother rewriting the review, which you can find back in June.)
Of the two records I hadn't heard, The Paranoid Style was on my radar, but hadn't been available until this week. Folk and Great Tunes From Siberia and the Far East isn't on my streaming services. (The sample is worth its 2:38, but doesn't prove that 2-CD will be worth the trouble.) I will note that the Russian "republics" -- why the quotes? that's what they're called, while what we call "Russia" is officially a federation of republics -- Christgau has "never heard of" are confused with misspellings, which doesn't attest much to the documentation.
I also wasted time writing a new review of África Negra's Antologia Vol. 1, only to find that I already had one (back in May), same grade but with group name misspelled. I was pretty sure I had heard that one, but couldn't find it until it was too late.
I do have a fairly long Speaking of Which to show for last week. I've had to fiddle with it a few times since: adding the Marcotte example, tuning the Soros language, fixing typos (the 'c' key on this keyboard seems to be on strike) and mental lapses (Barry, not Bobby, Bonds). Still has some points I can see weaving into a book.
I didn't get to this week's releases in my tracking and metacritic files (tracking file is up to 2638 albums, with 896 of my grades). Not much happening in August, anyway, and I'll catch up soon enough. More pressing for me is installing a new mesh wireless router. I'm bugged that it comes with zero documentation, other than "download the app and follow instructions." That's the same sort of "idiot proofing" that came with my printer, which still doesn't work properly, possibly because it's impossible to understand how it's supposed to work. Hopefully, the new wireless will end my wife's complaints about dead spots for her portable devices. I'm still wired for pretty much everything, so the impact on me is more likely to be breaking things.
Speaking of breaking things, I need to install the new Ubuntu release this week. Also need to do some programming. No idea what I'll be listening to.
New records reviewed this week:
Richard Baratta: Music in Film: The Sequel (2022, Savant): Drummer, mostly involved in film production over the last 35 years, did an album of Music in Film in 2020 (subtitle The Reel Deal), returns with a sequel here, mostly familiar tunes, arranged by pianist Bill O'Connell, with Vincent Herring (alto sax), Paul Bollenback (guitar), bass, and percussion. B+(*) [cd] [08-26]
Mike Clark/Leon Lee Dorsey Featuring Mike LeDonne: Blues on Top (2022, Jazz Avenue 1): Drums, bass, piano. LeDonne brought two songs (including the title), the 7 covers mostly jazz standards, with "Willow Weep for Me" and "Can't Buy Me Love" the outliers. B+(**) [cd]
Jeff Coffin: Between Dreaming and Joy (2022, Ear Up): Saxophonist, from Massachusetts, based in Nashville, plays all of them, plus clarinets, flutes, melodica, percussion, coke bottles, and "bungee chair bass." Debut 1999, recorded a lot after that with Béla Fleck and Dave Matthews, his own discography picking up after 2015. Opens with a couple of appealing funk/groove pieces, diversifies later, which can mean Brazilian and Moroccan percussion, DJ Logic's turntablism, or his flute. B+(**) [cd] [08-26]
Danger Mouse & Black Thought: Cheat Codes (2022, BMG): Producer Brian Burton, debut 1999, got more attention for his 2004 Grey Album mash-up of the Beatles' White Album and Jay-Z's Black Album, has a wide range of albums since then, most notably here duos with rappers Doom (Dangerdoom) and Cee-Lo (Gnarls Barkley), hooks up here with Roots rapper Tarik Trotter, who has a lot to say. A-
Michael Dease: Best Next Thing (2022, Posi-Tone): Trombonist, a dozen albums since 2010, lines up a particuarly strong sextet here with Alex Sipiagin (trumpet), Rudresh Mahanthappa (alto sax), Renee Rosnes (piano), Boris Kozlov (bass), and Rudy Royston (drums). B+(*) [sp]
DJ Premier: Hip Hop 50: Vol. 1 (2022, Mass Appeal, EP): Chris Martin, from Houston, half of Gang Starr, later PRhyme, has a lengthy production discography. Five-track (14:00) EP starts to recognize 50 years of hip-hop, each track with a guest star (or 2): Joey Bada$$, Rapsody/Remy Ma, Nas, Run the Jewels, Lil Wayne/Slick Rick. B+(**)
Billy Drummond and Freedom of Ideas: Valse Sinistre (2022, Cellar): Drummer, not related to bassist Ray Drummond (although they played together in a trio called the Drummonds, with Renee Rosnes, who at the time was married to Billy). Wikipedia only credits him with four albums (plus four for the Drummonds), but his side credits run over 350. Impressive group here, with Dezron Douglas (bass), Micah Thomas (piano), and Dayna Stephens (sax). B+(***) [cd]
Fade In: Live Fast, Die a Legend (2021 , Clean Feed): Italian trio: Federico Calcagno (bass clarinet/clarinet), Pietro Ella Barcellona (contrabass), Marco Luparia (drums). First group album, Calcagno has a 2019 album and a few side credits. B+(**) [bc]
Michael Hackett/Tim Coffman Sextet: Western Skies (2022, Summit): Leaders play trumpet/flugelhorn and trombone. Third album for Hackett, first for Coffman (although he has more side credits). Group includes alto sax (Sharel Cassity), piano, bass, and drums, with a couple more credits for extra percussion. B+(*) [cd]
Art Hirahara: Ascent (2022, Posi-Tone, EP): Pianist, has been busy the last couple years as producer/label owner Marc Free kept him in the studio, anchoring a house band for all his other artists. Solo here, brief: 3 songs, 10:40. B+(*) [sp]
Art Hirahara: Verdant Valley (2022, Posi-Tone): Pianist, plays some organ, leads the label's "house band" with Boris Kozlov (bass) and Rudy Royston (drums) here as everywhere, plus Donny McCaslin (tenor sax/alto flute) to brighten it all up, and spread joy. B+(***) [sp]
Hudson Mohawke: Cry Sugar (2022, Warp): Scottish DJ/producer Ross Birchard, first alias was DJ Itchy, fourth album since 2009 (not counting his collaboration TNGHT). A bit heavy on the pedal. B+(*) [sp]
Kiwi Jr.: Chopper (2022, Sub Pop): Indie band from Toronto, third album. Upbeat. Catchy. B+(***)
Darren Litzie: My Horizon (2022, Summit): Pianist, first record, has two saxophonists (one doubling on flute) as well as bass and drums, wrote 5 (of 10) pieces, opening with Cole Porter and closing with Monk. B+(*) [cd]
Russ Lossing: Folks (2017 , Sunnyside): Pianist, a couple earlier albums but discography picks up around 2000. This is a trio with John Hébert (bass) and Michael Sarin (drums). B+(**) [sp]
Russ Lossing: Metamorphism (2017 , Sunnyside): Same piano trio, plus Loren Stillman on alto sax. Title split over two lines without hyphen, but most sources take it as a single word. B+(**) [sp]
Brian Lynch and Spheres of Influence: Songbook Vol. 2: Dance the Way U Want To (2018 , Holistic MusicWorks, 2CD): Trumpet player, one of Art Blakey's last Jazz Messengers, albums since 1988, postbop but also quite a bit of Latin jazz, especially with Eddie Palmieri. Decided to reclaim his legacy by re-recording it, which he started with Songbook Vol. 1: Bus Stop Serenade. Second disc reprises the same songs in radio or alternate versions. B+(***) [cd]
Arlo McKinley: This Mess We're In (2021 , Oh Boy): Country singer/songwriter from Cincinnati, released his debut (Arlo McKinley & the Lonesome Sound) in 2014. Second album since, both on the late John Prine's label. He grows on you, but he's a little short in the humor department. B+(*) [bc]
Megan Thee Stallion: Traumazine (2022, 1501 Certified/300 Entertainment): Rapper Megan Pete, Wikipedia has this as her second studio album, Discogs as her third album, I'd also count the "archival" Something for Thee Hotties. I love everything I've heard by her, and I'm perplexed why others harbor doubts. This feels old style, a bit conservative or at least even-tempered by her standards. Also sports more name guests. Still plenty impressive. A-
T.S. Monk: Live: Two Continents One Groove (2014-16 , Storyville): Drummer, full name Thelonious Sphere Monk III, played in his famous father's group in the 1970s, other than his name is best known for a funk single in 1981 ("Bon Bon Vie"), Discogs divides his work between T.S. Monk (a funk group, 3 albums) and Thelonious Monk Jr. (6 albums), but he's identified as T.S. Monk on all nine. This is a sextet, his first album since 2003, selected from sets in New York and Bern, with Josh Evans (trumpet), Willie Williams (tenor sax), Patience Higgins (alto sax), Helen Sung (piano), Dave Stryker (guitar), and Kenny Davis (bass). B+(*) [sp]
The Paranoid Style: For Executive Meeting (2022, Bar/None): Singer-songwriter and sometime rock critic Elizabeth Nelson, husband Timothy Bracy, and several others, third album, serviceable rock and roll, the speed lets her work more words in, and drop more names (like Barney Bubbles, P.G. Wodehouse, Steve Cropper, and Doug Yule). Ends with a straight cover of "Seven Year Ache," plucked from a list of possibles that probably runs into the hundreds. A- [sp]
Ethan Philion: Meditations on Mingus (2021 , Sunnyside): Chicago bassist, arranged ten Mingus compositions for 10-piece band, with Russ Johnson (trumpet) and Geof Bradfield (tenor sax/bass clarinet/flute) the most familiar names in the band. No real surprises: great music, with some juicy bass parts. B+(***) [cd] [08-26]
Gonzalo Rubalcaba/Aymée Nuviola: Live in Marciac (2021 , 5 Passion): Pianist and singer, both from Cuba, both based in Florida. I prefer their 2020 album together (Viento Y Tiempo: Live at the Blue Note Tokyo), probably because the extra rhythm steadies her vocals, whereas she's very much in the spotlight here. B+(**) [cd]
Alex Sipiagin: Ascent to the Blues (2022, Posi-Tone): Russian trumpet/flugelhorn player, moved to US in 1990, played in big bands before his 1998 debut. Has recorded extensively ever since, mostly for mainstream labels Criss Cross and Posi-Tone. He's joined here by Diego Rivera (tenor sax) and the label's rhythm section (Art Hirahara, Boris Kozlov, Rudy Royston). B+(**) [sp]
Sylvan Esso: No Rules Sandy (2022, Loma Vista): Electropop duo from North Carolina, Amelia Meath and Nick Sanborn, fourth studio album. B+(***)
Alune Wade: Sultan (2022, Enja): Originally from Senegal, based in Paris, sings some but main instrument is bass guitar, so this is long on groove. Long on everything else, too. B [sp]
Kelsey Waldon: No Regular Dog (2022, Oh Boy): Country singer-songwriter from Kentucky, fifth album since 2010, rings true as always. B+(***) [sp]
Recent reissues, compilations, and vault discoveries:
Miles Davis Quintet: Live Europe 1960 Revisited (1960 , Ezz-Thetics): Part of a Norman Granz package tour, his last tour with John Coltrane, backed by Wynton Kelly, Paul Chambers, and Jimmy Cobb, with five long takes of four songs ("So What" opens and closes), total 75:23. Material has been reissued a number of times, most definitively in Miles Davis & John Coltrane: The Final Tour: The Bootleg Series Vol. 6 (4-CD), which like this is superb throughout. A- [bc]
Frank Kimbrough: 2003-2006: Lullabluebye/Play (2003-06 , Palmetto, 2CD): Pianist, originally from North Carolina, moved to New York and taught at NYU and Juilliard, died in 2020 (at 64), which has occasioned a reevaluation: I, for one, was never much of a fan, until his 2017 Monk's Dreams, and even more so the multi-artist Kimbrough in 2021. His first album appeared in 1998, but he's best known for his 2003-14 run on Palmetto. This reissues his first two albums there, a trio with Ben Allison and Matt Wilson, and another trio with Masa Kamaguchi and Paul Motian. I underrated both at the time, especially Lullabluebye. B+(***) [cd]
Horace Silver Quintet: Live New York Revisited (1964-66 , Ezz-Thetics): Pianist, original leader of the Jazz Messengers, which under Art Blakey invented hard bop. Silver continued with his own quintet, writing some of the most indelible melodies in jazz, especially during this period (this offers two takes of "Afrian Queen," one each of: "Song for My Father," "The Natives Are Restless Tonight," "Que Pasa," "The Tokyo Blues," and "Señor Blues"). With Joe Henderson a tour de force on tenor sax, Carmell Jones or Woody Shaw on trumpet, plus bass and drums. A [bc]
Cecil Taylor: Mixed to Unit Structures Revisited (1966 , Ezz-thetics): First three tracks come from a 1962 album credited to Gil Evans Orchestra (Into the Hot, the follow up to Out of the Cool), but they are distinct from the other three tracks: for starters, Cecil Taylor wrote and played piano on these three, while John Carisi wrote and Eddie Costa was the pianist on the other three. Taylor's cuts featured Archie Shepp, Jimmy Lyons, Henry Grimes, and Sunny Murray; the others went with Gene Quill, Phil Woods, Barry Galbraith, Osie Johnson, etc. When Impulse got around to reissues in 1998, they decided to pull the Taylor cuts out and combine them with a Roswell Rudd session from 1966 (Rudd and Ted Curson played on "Mixed" in the 1961 session; only Rudd returned for the later tracks, so the reissue felt short-changed). This replaces the Rudd tracks with one of Taylor's most famous 1960s albums, with Lyons, Eddie Gale (trumpet), Ken McIntyre (alto sax/bass clarinet), Grimes and Alan Silva (bass), and Andrew Cyrille (drums). B+(***) [bc]
Cecil Taylor: With (Exit) to Student Studies Revisited (1966 , Ezz-Thetics): Student Studies was a quartet set -- piano, Jimmy Lyons (alto sax), Alan Silva (bass), and Andrew Cyrille (drums) -- recorded in Paris (58:47), originally released as 2-LP in 1973 by BYG, with some later reissues as The Great Paris Concert. This opens with a 19:20 sextet piece -- same group plus Bill Dixon (trumpet) and Henry Grimes (bass) -- from the Blue Note album Conquistador!, bringing this to 78:13. Big finale. B+(***) [bc]
Milton Nascimento: Yauarete (1987, Columbia): Brazilian singer-songwriter, guitarist, a major figure since his 1967 debut, albeit one I have next to no experience with. The fast ones have some interesting twists. B+(**) [sp]
Grade (or other) changes:
África Negra: Antologia Vol. 1 (1981-95 , Bongo Joe): [See review.] A-
Beyoncé: Renaissance (2022, Parkwood/Columbia): Last name Knowles, started out in Destiny's Child -- no need to note that any more. She is probably the biggest pop star in America, at least since her 2013 eponymous album, although she's less familiar to me than any contender I can think of. I thought her first 3-4 albums were crap, and even when she got better, I doubt I've played any of them more than 2-3 times. Consensus seems to be that this one is her best yet. I can't argue. I know I should be impressed by her encyclopedic mastery of disco and house beats, and on some level I am, but when I recognize one, I recall liking it better where it came from. [was: B+(***)] A- [cd]
Dan Ex Machina: All Is Ours, Nothing Is Theirs (2022, self-released): New Jersey band and/or singer-songwriter Dan Weiss -- not the drummer, nor the other drummer, but known to me mostly as a rock critic. Several albums and EPs on Bandcamp, little noted elsewhere. This batch was written 2003-11, played live and eventually recorded over the last decade, with shifting lineups, but they get better as the record goes on (and as you play it more). One called "Drinking and Driving (Separately)" finally delivers everything that the pre-rock-and-roll scolds feared. [was: B+(***)]] A- [cd]
Frank Kimbrough: Lullabluebye (2003 , Palmetto): [was: B] B+(***) [cd]
Frank Kimbrough: Play (2005 , Palmetto): [was: B] B+(**) [cd]
Lizzo: Special (2022, Atlantic/Nice Life): R&B singer Melissa Jefferson, fourth album, breakthrough was her third, so this seems more like a second. Starts with three or four possible hits, but fades toward the end -- maybe "fades" isn't the right word for the music, which is strong enough, but doesn't hold my attention like it should. [was: B+(**)] B+(***)
The Regrettes: Further Joy (2022, Warner): [See review.] [was: A-]: A [sp]
Derek Senn: The Big Five-O (2022, self-released): Singer-songwriter from San Luis Obispo, three previous albums, claims he's sold out a venue in Aberdeen ("where his Americana's more popular than with the Americans"). Some topical songs, some personal, at least one on the "Zeitgeist." Mostly mild-mannered, but "Texas Legislature" riles his blood. [was: B+(**)] A- [sp]
Unpacking: Found in the mail last week:
Sunday, August 21, 2022
Speaking of Which
In his book on Churchill: His Times, His Crimes, Tariq Ali offers this quote from George Kennan on "the political psychology of the West in relation to Russia in 1917" (where Churchill sent British troops to try to "nip Bolshevism in the bud"):
Churchill viewed all his enemies this way, but this is still a pretty good description of how Americans view the war in Ukraine -- or for that matter, how most protagonists in most wars have viewed their enemies, at least in the last century or so, as the traditional craving for loot and plunder came to be seen as uncouth. (Even in the 19th century, when loot and plunder was clearly the goal, politicians learned to speak of "civilizing missions" and such.) War has never worked like that. Even if one imagines moral differences at the start of a war, they soon disappear over its course. The US, for instance, entered WWII thinking that precision bombing would minimize civilian casualties, and ended the war levelling whole cities with atom bombs.
As Louis Menand noted in his section on Kennan in The Free World, Kennan had a pretty low opinion of democracy. So did Churchill, although he allowed that all other systems are worse. (At least democracies allowed him to retire in disgrace, perhaps to return again.) Americans like to tout democracy to others, but have a pretty tawdry record of practicing it at home, with a long history of contempt for voters -- one that Republicans these days are especially keen on, but Demorats have a pretty spotty record as well, especially where it comes to limiting the inordinate influence of money.
Andrew Atterbury: [08-21] DeSantis uses cash and clout to reshape Florida school races: The money helps build his personal political machine. The focus on school boards signals that he thinks his brainwashing agenda is a winner.
Bruce Bartlett: [08-10] I Quit the GOP and Moved Left. Will Liz Cheney Do the Same? Not likely, but after writing the rest of this I have to allow a slight chance. I still don't trust Bartlett, but at least he built his career on trying to argue that Republicans were better people than Democrats. He wrote a whole book on how conservatives are more generous and care more about their families. He wrote another one on how the Party of Lincoln was still less racist than many Democrats. He was wrong, and eventually admitted as much, but in trying to pretend Republicans were something they weren't, he prefigured his move left. He at least had a shred of integrity. Maybe she does as well, but it's different. She grew up trading on her father's far right brand, deeply imbued in militarism and crony capitalism, so it's reasonable to think she holds the same beliefs, but maybe it was all an act: she's really the DC insider she grew up as, and was never that comfortable going back to Wyoming to validate her political cred. (She failed in her Senate campaign, then lucked out with a House seat, which she immediately turned into a slot in the Republican House leadership.) That she lost her primary suggests less that Trump has real pull in the state than that the locals never really trusted her, not least because she never really was one of them. (They may not have trusted her father either, who abandoned them as soon as he wrangled a posh job in Washington.) She may have initially gambled that she could lead the Republicans back to true conservatism, but soon discovered that the best she could do with her hand was enjoy the publicity, even as it demolished any prospects for a career in Republican politics. Better to be a martyr for principle than to slink back into obscurity like Adam Kinzinger or Jeff Flake. She reminds me of Hillary Clinton: both had to sit back and chafe while knowing they could do a better job as president than the amiable morons they served (GW Bush in her case; sure, Bill Clinton was less of a moron, but he did have his dumb spots). Whether she moves left or not will depend much on who she hangs out with in the next few years: her ambition is the given, where it takes her is secondary, even though that's what matters to other people. I can think of dozens of scenarios that will pay her much more than her House salary, but it's not worth my time to speculate, other than to note that if she runs for president in 2024 as a Republican, she will get crushed much worse than in Wyoming, and that if she runs a spoiler campaign as an independent, she's unlikely to get as many votes as Gary Johnson did in 2016 (3.27%). It's probably still good publicity to encourage such speculation now -- an embarrassing number of pundits can think of nothing better to write about -- but I doubt she will be willing to expose herself to such brutal numbers. Better to enjoy her present celebrity, and indulge in a little buckraking. Also on Cheney:
Ben Burgis: [08-18] Salman Rushdie's Stabbing Should Remind Us That Free Speech Is a Nonnegotiable Progressive Value. Also on Rushdie:
Jonathan Chait: [08-19] Mitch McConnell's Terrible Candidates Are His Own Fault: Subhed ("This happened because the GOP decided not to confront Trump's election lies") is way off base. Republicans are nominating terrible candidates because Republicans, even ones who are not personally evil, are naturally attracted to really badass candidates. That's why their primaries are full of ads where candidates shoot their enemies. And while most of us are properly offended by both their behavior and by the stupidity that justifies it, this isn't something new: "I'd rather be right" was a 1964 Barry Goldwater bumper sticker. If McConnell, who was pretty emphatic in rejecting Trump's election lies, really feels that sorry for himself, he could switch his party affiliation. He'd probably be welcomed, and most Republicans think he's a RINO anyway.
David Daley/David Faris: [06-29] Democratic Strategies That Don't Court Disaster: This is a couple months old, responding to the the Supreme Court's overturning of Roe v. Wade, but it's a subject I expect to return to. Principles matter, but so do tactics, and Democrats haven't been much good at either. I wasn't very impressed with Faris's "fighting dirty" tactics, but there's something to be said for fighting, especially over things that are important and practical. Here's a line that caught my eye: "Yes, the nation is in this dangerous position because the Republican Party has swerved decisively toward authoritarianism. But this lurch has not happened in a vacuum. Over and over again, the forfeit of democratic freedoms has come about via the right's wing's opportunistic exploitation of a pronounced pattern of Democratic toothlessness in the face of bared GOP fangs."
Kelly Denton-Borhaug: [08-16] Is Moral Clarity Possible in Donald Trump's America? Tom Engelhardt starts his introduction with a story from a recent Trump book (The Divider: Trump in the White House, by Peter Baker and Susan Glasser), where Trump is complaining to John Kelly about US generals not showing him as much loyalty as German generals accorded Adolf Hitler. ("Why can't you be like the German generals?") Hitler's generals wound up trying to excuse themselves as "just following orders," which is exactly what Trump expects of his minions. Author has a book: And Then Your Soul Is Gone: Moral Injury and U.S. War Culture. She tries to come up with some exceptions, but Liz Cheney isn't very convincing. She cites two recent books that illustrate the lengths to which most Republicans are willing to go to stay in Trump's good graces: Mark Leibovich: Thank You for Your Servitude: Donald Trump's Washington and the Price of Submission, and Tim Miller: Why We Did It: Travelogue from the Republican Road to Ruin. This reminds me that when you're talking about an "authoritarian personality" you're not talking about would-be dictators like Hitler and Trump, but about the good folk who freely follow them, even to complete and utter ruin.
Connor Echols: [08-19] Diplomacy Watch: Talks to end the war are back on the agenda: Not a lot of good news here, but after both sides accused the other of risking nuclear disaster, they've finally agreed to worry about it. Some more articles on Ukraine. I'm not much inclined to cite pieces bragging about or deploring long-distance attacks (Ukraine has started to hit deep in Crimea), or accounts that sanctions are crippling Russia or not -- staples of war propaganda. The first batch is from a recent (and possibly ongoing?) Washington Post series about who knew what when:
Melissa Gira Grant: [08-11] Why the Right Can't Quit Its Antisemitic Attacks Against George Soros. Even if it's pure coincidence that the Republicans's chosen billionaire boogieman ("puppet master") is Jewish, when they attack him, they almost inevitably fall back on classic anti-semitic tropes, which seem to be embedded in their genetic heritage. Reminds me that Fred Koch and Fred Trump were nazi-sympathizers back in the 1930s, but few dwell on that given the more recent crimes of their progeny offer plentiful targets.
Jonathan Guyer: [08-15] No one has been held accountable for the catastrophic Afghanistan withdrawal: What do you expect? No one has been held accountable for the orders-of-magnitude more disastrous 20+ year war. No one is every really held accountable for America's foreign policy debacles, largely because they're never freely debated and critiqued before it's too late. At least the final withdrawal, regardless of how ugly it may have seemed, ended the war: the first positive turn in more than 20 years. Still, articles like this make me nervous. For one thing, they exaggerate and isolate the problem: the final withdrawal was far less catastrophic than any given year of the war. It doesn't compare poorly to comparable events, like the evacuation of Saigon. Although many Afghans sought to leave the country as the Taliban took over, the exodus looks to be far less than with Vietnam. The obvious explanation for poor planning is that Americans from Biden down felt they needed to demonstrate faith that the US-installed Afghan regime could stand on its own without US military support (which had, in any case, always been a mixed blessing). Both the US-backed regime in Vietnam and the Soviet-backed regime in Afghanistan had managed to survive for a couple years after foreign troop withdrawals. It's easy in retrospect to see how this situation was different, but no one in the administration could have argued that ahead of time -- had they done so, they would have been dismissed as defeatist. Second point is that Republicans are looking to hang Afghanistan on Biden, whose approval figures dropped below 50% at that very moment. Democrats can point to the Trump agreement on withdrawal, much as Obama pointed back to Bush's agreement to withdraw from Iraq, but that doesn't seem to be a very convincing argument. Critics will always argue that if we hadn't withdrawn we'd still be able to hold the government together and support our clients, ignoring the fact that doing so only protracted a tragic war. More on Afghanistan:
Rebecca Heilweil: [08-17] Airlines are trying to resurrect the Concorde era. Partly they're desperate to take advantage of rising inequality by offering exclusive services for the rich. Let's face it, in a more equal world they wouldn't be so concerned with sorting us by class when we get on public transportation.
Sean Illing: [08-14] How capitalism ensnared some of its radical critics: Interview with Stuart Jeffries, author of Everything, All the Time, Everywhere: How We Became Postmodern. This reminded me that Gilles Deleuze invented the term "postmodernism" in 1979. It made no sense to me until I saw it used for architecture, and that reminded me that modernism always sought to push boundaries, but limits were hit at different times -- "modern" typefaces hit theirs with Giambattista Bodoni in the 18th century. The avant-garde in art and music pretty much did their thing in the 1960s, by which time the world didn't have much more that could be modernized. Jefferies (following Deleuze) thought that postmodernism, in letting us escape from the tyranny of the modernist vector, could be liberating, but he has a convenient scapegoat for its failure: neoliberalism. The term now is mostly used by its critics, but it was initially proclaimed by its adherents (much like "New Democrats" and "New Labor"). It would be more accurate to describe it as a degenerate tendency in liberalism, one whose plotline parallels Breaking Bad. Liberalism initially sought a set of freedoms for a set of people, both of which were rather limited by the imaginations of early liberals, but the initial idea spurred people to want more freedoms for more people, until the latter became universal. Neoliberalism limits that spread, not by arguing with the principle (as conservatives do) but by restricting the permissible methods (preserving or restoring the crude capitalism of earlier eras). Unclear to me how this restricts postmodern art, but it does create an ever-widening division of classes, ensuring that the liberal ideal of broad freedoms for all people can never be met.
Ellen Ioanes: [08-14] After the latest clash with Israel, Gazans' struggle continues.
John E King: [08-17] Paul Sweezy Was One of the 20th Century's Great Economic Thinkers.
Will Leitch: [08-17] The 'Real' Home-Run Record is 73, not Not 61. He does mention the Roger Maris asterisk, but not why it ever existed, with no mention of Babe Ruth let alone Ford Frick. I gather that Aaron Judge, who is one of the very few contemporary baseball players I've actually heard of, is on a pace to top 61 home runs this (Maris) season, but probably not 73 (Barry Bonds).
Steve M: [08-19] Threatening Federal Agents: It's a Felony and a Campaign Stunt!: This is about Republican Florida State House candidate Luis Miguel, who wants to introduce a bill where "all Floridians will have permission to shoot FBI, IRS, ATF and all other feds ON SIGHT!" Whether he's a cynic, as the author believes, or simply insane, he's gotten some traction. "Much of the Republican electorate thinks the most batshit insane right-wing proposals sound perfectly reasonable, and the rest might not agree but don't think they're at all objectionable."
Dana Milbank: [08-04] The GOP is sick. It didn't start with Trump -- and won't end with him. An excerpt from the Washington Post columnist's book: The Destructionists: The Twenty-Five-Year Crack-Up of the Republican Party. I'm a little suspicious that Milbank only goes back 25 years, basically to Newt Gingrich, because Gingrich (much like Trump today) was clearly a manifestation of a pre-existing malady, a deep sickness in the American soul that only seemed new because no one else had previously acted it out so flamboyantly. But we should be thankful whenever anyone draws attention to the continuity in the Republican program to screw us over so completely.
Ian Millhiser: [08-19] The 4 major criminal probes into Donald Trump, explained.
Eve Ottenberg: [08-19] The Biden-Trump Persecution of Julian Assange: This is the clearest example since 9/11 of the US pursuing a political vendetta for no better reason than spite and arrogance. At least with 9/11, the hunting down of Al Qaeda's leader was tied to thousands of deaths at their hand. What did Assange do to merit so much vitriol? Exposing some secret documents that hardly mattered? More like thumbing his nose at American power, which when you get down to it, was Al Qaeda's core crime -- just writ much more dramatically. Author quotes one famous chicken hawk asking, "can't we just drone him?" This story has gone well beyond sick and embarrassing.
Will Porter: [08-20] Biden Steps Up Somalia Strikes After Redeploying Troops. Follow up on [03-16] Over 1 Million Somali Children Near Starvation as Pentagon Plans New Troop Deployment. Also see:
Matt Stieb: [08-18] The Accountant Flips on Trump's Empire: Trump Organization CFO pled guilty to 15 charges, most dealing with tax evasion, and agreed to testify in a further trial of the Organization itself (how that is not a trial of its owner isn't clear to me).
Margaret Sullivan: [08-21] My final column: 2024 and the dangers ahead.
Monday, August 15, 2022
Music: Current count 38520  rated (+46), 60  unrated (-17).
I wrote a fairly substantial Speaking of Which last week, posting it on Sunday. I added another link and comment on China/Taiwan today, prompted by mail from Crocodile Chuck. War gaming is not my thing, but every scenario I've been able to imagine is bad to worse for everyone involved. Of course, that was also true for Russia's invasion of Ukraine, but the dangers of China invading Taiwan are probably an order of magnitude greater. Chuck is so worried by Biden's complicity-verging-on-taunting that he's feeling nostalgic for Trump, but he's in Australia, so would escape many of the horrors another Trump term would entail. I also think he underappreciates how unstable Trump is, especially if his hand-picked cronies decide to challenge his manhood.
Made a sizable dent in the unrated albums list this week. The records I picked up here were mostly filed in the cases I originally set up when we moved here in 1999. 17 of the remaining 60 are new promos, so I know where they are, and I'll pick them up routinely over the next few weeks (11 are still advances). The others are going to prove harder to find, but a big chunk were 2006-08 promos I never bothered with, so they may be hiding out together. (In any case, I probably had good reason for ignoring them.) Then there are a couple large boxes. I graded the Sinatra this week based on past grades (plus streaming the one I missed).
New records reviewed this week:
Kyle Aho: Rituals (2021 , OA2): Pianist, some electric keyboards, teaches at Missouri State, second album as leader plus some side credits, most songs have words from various literary sources, Christin Bohrisch sings, Randy Hamm plays sax and flute, band also includes trumpet, cello, bass, and drums. B [cd] [08-19]
Quentin Baxter Quintet: Art Moves Jazz (2022, BME): Drummer, recorded this in South Carolina, has a couple albums plus a group called Ranky Tanky. Hard bop quintet with trumpet (Charlton Singleton), tenor sax (Mark Starbank, piano, and bass, plus a couple guest spots. Opens and closes with Monk, in between has an original suite, three Jimmy Heath pieces, one by Robert Watson. B+(*) [cd] [08-12]
Bobby Bradford & Friends: Jackie Robinson: Stealing Home (2018 , Cryptogramophone): Cornet player, born 1934, moved to Los Angeles in 1953, got a commission to write a piece honoring Robinson's centennial. Friends include saxophonists Vinny Golia and Chuck Manning, William Roper (tuba/euphonium and spoken vocals), plus piano, bass, and drums. B+(**) [bc]
Raymond Byron: Bond Wire Cur (2021 , ESP-Disk): Last name Raposa, died at 41 a month after this came out, born in Indiana, grew up in California, started in Castanets c. 2005, played on records with Sufjan Stevens and Chris Schlarb. Label calls this "weird rock," although I'd lean more toward "weird folk." Back cover lists 10 more names as "featuring," but this feels pretty solo. B+(***) [lp]
Willi Carlisle: Peculiar, Missouri (2022, Free Dirt): Folksinger from the Ozarks, earned his credentials the new-fashioned way, with a BA in Writing and Performance Studies and a MFA in Poetry, plus two self-released albums before moving up to a named label. B+(***) [sp]
Cheekface: Too Much to Ask (2022, self=released): Indie g-b-d band from Los Angeles, third album, singer Greg Katz is clear enough you get all the jokes, and they are legion -- isn't it about time for a Dead Milkmen revival? Single is presumably "We Need a Bigger Dumpster." A- [sp]
Lindsay Clark: Carpe Noctem (2022, Audio Sport): Folkie singer-songwriter, based in Portland, fifth album since 2009, title translates as "seize the night." She doesn't. B [sp]
Avishai Cohen Trio: Shifting Sands (2021 , Naïve): Israeli bassist, based in New York, close to 20 albums since 1998. Trio with Elchin Shirinov (piano) and Roni Kaspi (drums), playing originals plus one trad piece. B+(**) [sp]
King Princess: Hold On Baby (2022, Zelig/Columbia): Pop singer-songwriter Mikaela Mullaney Straus, identifies non-binary, second album. B+(**)
Lauv: All 4 Nothing (2022, Virgin): American pop singer-songwriter Ari Leff, debut a middling hit (16), second album. Catchy in a rather unassuming way. B+(*) [sp]
Lil Silva: Yesterday Is Heavy (2022, Nowhere): British dj/producer, first album after 12 years of singles and side credits. Mixes the pop up front, then goes on a long meander. B+(*) [sp]
Meridian Brothers: Meridian Brothers & El Grupo Renacimento (2022, Ansonia): Colombian group, led by Elbis Alvarez since 2006, not sure whether you'd label them salsa or cumbia, but the reference here is to 1970s salsa dura, aided by hypothetical collaborators from the era. B+(**) [sp]
Kyle Motl: Hydra Nightingale (2019-21 , Infrequent Seams): Bassist, more than a dozen credits since 2015, takes this one solo, with one original piece, four more from composers I don't recognize, one of those augmented with spoken word snatches, mostly from Ronald Reagan not really explaining the economy. B+(***) [cd]
Tami Neilson: Kingmaker (2022, Outside Music): Country singer-songwriter, born in Canada but based in Auckland, New Zealand; fifth album, has done rockabilly and Patsy Cline, spreads this out a bit more, but still snags a duet with Willie Nelson. Ends strong. B+(***) [sp]
Ben Patterson: The Way of the Groove (2022, Origin): Trombone player, second album, background in USAF Airmen of Note, original pieces with guitar (Shawn Purcell), keyboards, bass, and drums, plus tenor sax (Luis Hernandez) on 4/10 tracks. B [cd] [08-19]
Pussy Riot: Matriarchy Now (2022, Neon Gold, EP): Per Wikipedia, "a Russian feminist protest and performance art group," with "a membership of approximately 11 women," although I suspect that is variable and erratic. The long article identifies various download releases, but doesn't attempt a discography. Discogs lists three albums and six singles/EPs (but not this one, a "mixtape" of 7 songs, 19:11). No trademark punk here. Starts light pop, ends up with something like a march, most arresting song goes "I want to hear 'fuck you'." Whatever they are, they're certainly not part of Putin's war machine. B+(*)
RedGreenBlue: The End and the Beginning (2018 , Astral Spirits): Chicago trio -- Paul Giallorenzo (synthesizer, pump organ, electronics), Charlie Kirchen (bass), Ryan Packard (drums, electronics) -- plus Ben Lamar Gay (cornet, electronics) on the second side ("The End"). The cornet helps. B+(*) [bc]
Mark Rubin (Jew of Oklahoma): The Triumph of Assimilation (2021, Rubinchik): Mostly hillbilly banjo tunes framing loose translations of Yiddish poems. This can get a bit heavy (e.g., the closer "Spin the Dreidel"). Remarkable, but I'd appreciate a bit more humor, as in "Down South Kosher." B+(**) [bc]
Charlton Singleton: Crossroads (2022, BME): Trumpet player from South Carolina, second album a decade after his debut, plays in Ranky Tanky with most of Quentin Baxter's quintet, not only steps out front here but brought his own compositions. B+(**) [cd] [08-12]
Josh Sinton: Steve Lacy's Book of Practitioners, Vol. 1 "H" (2021-22 , FIP): Solo baritone sax, working his way through six Lacy compositions. Sinton's quartet Ideal Bread released three albums of Lacy compositions (2008-14, the latter 2-CD). Obvious appeal limits due to tricky music and instrument, but this is serious stuff. B+(**) [cd] [08-12]
Trio Xolo: In Flower, in Song (2019 , 577): Avant sax trio, no one I've ever heard of before: Zachary Swanson (bass, also the composer), Derrick Michaels (tenor sax), Dalius Naujo (drums). Seems like there are dozens of comparable records, but this one kept growing on me. A- [cd] [08-19]
Chris Walden: Missa Iubileum Aureum (Golden Jubilee Jazz Mass) (2022, Origin): Composer, big band arranger, has done a lot of soundtracks, German-born, based in Los Angeles. Played by LMR Jazz Orchestra, with St. Dominic's Schola Cantorum and featured vocalists Tierney Sutton & Kurt Elling. C- [cd] [08-19]
Neil Young + Promise of the Real: Noise & Flowers (2019 , Reprise): Band formed by Willie Nelson's son Lucas in 2010, has recorded on its own through 2021, backed Young on two studio albums, a soundtrack, and a live album 2015-18, tagged along for this 2019 tour of Europe, playing Young's standard songbook. Rocks hard, sound so-so, nothing you haven't heard before. B+(**)
Recent reissues, compilations, and vault discoveries:
Albert Ayler Quintet: At Slugs' Salloon 1966 Revisited (1966 , Ezz-Thetics): Tenor saxophonist, quintet set with brother Donald Ayler (trumpet), Michael Samson (violin), Lewis Worrell (bass), and Ronald Shannon Jackson (drums). This set has been kicking around a long time. It's always struck me as strained but not quite to the breaking point. B+(*) [bc]
Bad Brains: Bad Brains (1982, ROIR): DC hardcore punk band, first album, gimmick was that they were rastafaris and peppered their thrash metal with reggae nods, but nothing you can skank to. B+(**) [sp]
Bad Brains: Rock for Light (1983, PVC): Second album, a bit slicker I suppose, but is that a plus? B [sp]
Bob Brookmeyer: Back Again (1978 , Gazell): Valve trombonist (1929-2011), has a reputation as an arranger, so his records tend to be overly thought out. But this quintet didn't need much direction to satisfy him: Thad Jones (flugelhorn/cornet), Jimmy Rowles (piano), George Mraz (bass), Mel Lewis (drums). A- [cd]
Desole: A Story to Tell (2006, Abacus): Indie band from Arizona, accents optional but not on cover. As best I recall, I got a promo at the time and never found time to play it. Doesn't look like they ever recorded anything else, so now it's just a checklist item. Not awful, but a bit fancy/artsy, aimed at arenas they never came close to. B
Julie Dexter/Khari Simmons: Moon Bossa (2006 , Brash Music): British soul/jazz singer, moved to Atlanta in 1999, four albums 2002-11, Simmons is an Atlanta-based producer, credits lacking but figure him for the easy groove, which only occasionally reminds one of Brazil. [ex-CD] B+(*)
Disques Vogue: In Paris Highlights (1948-56 , RCA): French jazz label, established 1947 by Léon Cabat and Charles Delaunay, appears to be unrelated to the American label Vogue Records, but a British offshoot was founded in 1951, initially named Vogue Records, later Vocalion. The labels were bought up by BMG, RCA Victor, and eventually Sony Music. RCA did a series of of ten CD reissues c. 1995, for which this is a sampler. The artists are famous Americans who passed through Paris, some live, others studio. This picks out 20 tracks, some nice ones, but the series is rather mixed. B+(**) [cd]
Peggy Duquesnel: Summertime Lullaby (2009 , Joyspring Music): Standards singer, plays piano, Discogs lists three albums (including a 2-CD Xmas), website links to a new album, Piano for My Soul (filed under "New Age/Meditation"; Amazon product description says it's her 16th self-released album). Very serviceable, especially her piano. [ex-CD] B
Elmore James: The Classic Early Recordings 1951-1956 (1951-56 , Virgin, 3CD): Major blues figure, born in Mississippi, eventually made his way to Chicago, hit on his signature guitar riff on his first single ("Dust My Broom"), returned to it often, died at 45 in 1963, leaving 12 years of records, nearly all superb, although Rhino's Robert Palmer-selected 1993 compilation (The Sky Is Falling: The History of Elmore James) is possibly all you need. These early cuts are also available in less redundant 1-CD packages -- Let's Cut It: The Very Best of Elmore James (1991) and Blues Kingpins (2003) are two I own and recommend highly -- but when the trick is this good redundancy isn't much of a complaint. His later compilations, like Shake Your Money Maker: The Best of the Fire Sessions (2001) and King of the Slide Guitar (1992) are even better, and The Complete Fire and Enjoy Recordings (3-CD, from 1995) doesn't suffer either. A-
Rafael Karlen: The Sweetness of Things Half Remembered (2014, Pinnacles Music): Australian tenor saxophonist, first album, only a couple more since. Backed by piano (Steve Newcomb) and string quartet. It is gently paced and rather lovely, although the strings are still a bit arch for my taste. B+(***) [bc]
Kent Kessler: Bull Fiddle (2001 , Okka Disk): Chicago bassist, probably best known in the Vandermark 5 (1997-2010), but he's played in number of more/less related groups, including several with Rodrigo Amado. This is his only album as sole leader, but he's joined by Michael Zerang (drums) on 4/12 tracks. B+(**) [cd]
Ken Peplowski/Howard Alden: Concord Duo Series: Volume Three (1992 , Concord): Discogs decided the title was the Ken Peplowski & Howard Alden, but spine and elsewhere use the slash. My title is on the front over as a logo, but not on the spine. Back cover adds "Recorded Live at Maybeck Recital Hall." In the label's prime, Concord rounded up every notable mainstream pianist in the country to do a solo set there. Their 1992-96 Duo Series ran out at 10, mostly musicians whose careers were revived by the label. Peplowski plays clarinet and tenor sax, Alden guitar. Both lean toward swing era standards, but here they look back to Jelly Roll Morton and Bix Beiderbecke, and into the bop era with Charlie Parker and Lennie Tristano. B+(***) [cd]
Maurice Peress: The Birth of Rhapsody in Blue: Paul Whiteman's Historic Aeolian Hall Concert of 1924 (1996, Musicmasters): His name seems like a joke on first acquaintance these days, but Paul Whiteman (1890-1967) was the biggest jazz band leader in 1920s, with sales of nearly two million for a 1920 release, and numerous other hits: he had much more to do with the 1920s being called "the jazz age" than Armstrong or Ellington. He employed some of the best-known white jazz musicians of the age (Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Jack Teagarden, Bunny Berrigan, many more), as well as singers like Bing Crosby and Mildred Bailey (also, crossing the color line, he backed Paul Robeson on his classic "Ol' Man River"). One of his biggest coups was staging the 1924 debut of George Gershwin's jazz-influenced "Rhapsody in Blue." Peress (1930-2017), who started in New York under Leonard Bernstein and went on to conduct many orhestras, as well as to write Dvorak to Duke Ellington: A Conductor Explores America's Music and Its African American Roots, reconstructed Whiteman's concert and conducted, featuring Ivan Davis and Dick Hyman on piano. I recall Gary Giddins praising this in his campaign to get more jazz played by classical repertory orchestras. B+(***) [cd]
Bobby Previte: Empty Suits (1990, Gramavision): Drummer, albums since 1986, also guitar, keyboard, percussion, electronics, and vocals here. Group is a quintet with trombone (Robin Eubanks), guitar, keyboards, and bass, plus a half dozen guests, most famously Elliott Sharp (guitar) and Marty Ehrlich (alto sax). Music has elements of fusion but is otherwise hard to pin down. B+(**) [cd]
Maddy Prior/June Tabor [Silly Sisters]: No More to the Dance (1988, Shanachie): English folk singers, not sisters, both born in 1947, Maddy the better known due to her fronting of Steeleye Span. June's first album was a 1976 duo with Maddy called Silly Sisters, reunited here, the cover with both credits. Both have many solo albums and collaborations since the late 1970s. Very trad, not my thing, but nice together. [ex-CD] B+(*) [sp]
Raise Your Window: A Cajun Music Anthology Vol. 2: The Historic Victor/Bluebird Sessions 1928-1941 (1928-41 , Country Music Foundation): Previous volume was called Le Gran Mamou, and covers the same years, with many of the same artists, but this is the one I happened to stumble on. Classic stuff, expertly selected and annotated. I'd be surprised if Vol. 1 isn't every bit as good. A- [cd]
Mark Rubin (Jew of Oklahoma): Southern Discomfort (2015, Rubinchik): "Oklahoma-born, Texas-reared, and now living in New Orleans," spent some time in Austin where he founded the bands Killbilly and Bad Livers (better known, he played upright bass and tuba). First album under this moniker. A- [sp]
Frank Sinatra: Capitol Records Concept Albums (1953-61 , Capitol, 14CD): Growing up, I didn't care much for him as a singer, but always thought he was a terrific actor, and occasional songs from the 1960s charmed me. So I hardly knew anything before his founding of Reprise in 1961 until well after the fact. His early work divides into three neat eras: as a big band singer, especially with Tommy Dorsey (1940-42); a declining period with Columbia (1946-52); and his revival with Capitol (1953-61). A decade before Elvis, he was the nation's biggest teen dream. After Elvis, he was the very definition of adult music. Straddling those periods, he was the first major LP artist: while his "concept albums" fell short of the term as I knew it in the 1970s, each formed a coherent whole, while most other LPs dissoled into hits + filler. His voice was unique, smooth and precise, simply masterful. His bands ranged from perfunctory to bombastic, or often sunk into a morass of strings. I had merely sampled him when I picked this slim box up in a going-out-of-business sale, figuring it would be nice to own them all, but more often than not I went to streaming sources to plug the holes. When I finally got to this, I had heard all but the final album (Point of No Return), with its perfect vocals adorning a maudlin string backup. Individual album grades follow. B+(***) [cd]
Hank Snow: 16 Top Tracks (1961-65 , RCA): Part of RCA's "Diamond Series": at least 25 single-artist comps with 16 tracks each, all released in 1988 with stock artwork proclaiming "Digitally remastered from original recordings." I only count 6 country artists (Waylon Jennings, Willie Nelson, Dolly Parton, Charley Pride, Jim Reeves, and Snow), mixed in with 1930s jazz (Benny Goodman, Fats Waller), early rock (Elvis Presley, Duane Eddy) and soul (Sam Cooke, Eartha Kitt), plus some outliers (Mario Lanza, Jose Feliciano). I loved Snow's 1985 duo with Willie Nelson (Brand on My Heart, so this is probably the first collection of his I bought. Turns out it was assembled from early 1960s albums, two of which were covers of other people's hits, so the only Snow smash here is "I've Been Everywhere." The next Snow comp I bought picked up his early (1949-56) hits: I'm Movin' On and Other Great Country Hits, which came out in 1990. Highly recommended, but 1997's The Essential Hank Snow sweeps the field, from 1950-73. Best discovery here is "The Last Ride," but he also does pretty credible takes on others like Don Gibson and Dave Dudley and Johnny Horton. B+(***) [cd]
Songs From Chippy (1994, Hollywood): Chippy was a musical theatrical play, written by Jo Harvey Allen and Terry Allen, set in West Texas in the 1930s. The Songs were recorded in Joe Ely's home studio, the various artists including the Allens, Ely, Butch Hancock, Robert Earl Keen, Wayne Hancock, and Jo Carol Pierce. These artists probably have a dozen A-list albums between them (more if you include Pierce's ex-husband, Jimmie Dale Gilmore, who came out of the same Lubbock plain). Lots of prime songs here, especially Ely's trademark groove. A couple I even recognize from elsewhere (like Wayne Hancock's "Thunderstorms & Neon Signs" and Pierce's "I Blame God"). A- [cd]
Stompin' Western Swing: Roots of Rock 'n' Roll Vol. 2 (1936-41 , President): British label, founded 1957, started in mainstream pop, had some success with disco imports in the 1970s. This Roots of Rock 'n' Roll series ran to 7 volumes, given a free hand by the EU's 50-year copyright limit to pick essential records. It started with Vol. 1: Big Band, Blues & Boogie, which just from reading the song list I'd be hard pressed to improve on (leads off with "Flyin' Home," "The Honeydripper," "Walk 'Em," "Minnie the Moocher," eventually hitting "Five Guys Named Moe," before ending with Big Bill Broonzy and Arthur "Big Boy" Crudup). This one has a bit less to pick from, but hits everyone you'd expect, from Milton Brown, Hank Penny, Bob Wills, and Cliff Bruner through the Modern Mountaineers and the Blue Ridge Playboys. There are comparable western swing sets, but few that end this strong. A- [cd]
A Taste of Soca (1993-94 , Ice): A contraction of "soul of calypso," first defined by Lord Shorty in 1975, seems like a parallel to the development of reggae to dancehall and ragga, the rhythm harder and the words cruder than with calypso. Eddy Grant founded the label to compile calypso classics, but went on to release a fair amount of contemporary soca, of which this is a sampler. I'm a sucker for the beats, but still prefer the wordsmiths, which here include Duke as well as Sparrow. B+(***) [cd]
Abdul Wadud/Leroy Jenkins: Straight Ahead/Free at Last (1979, RED): Cellist (1947-2022), born Ronald DeVaughn, father of r&b singer Raheem DeVaughn, played in Black Unity Trio (1971), several albums each with Julius Hemphill and Arthur Blythe. Duo here with the violinist, with two side-long pieces written by Jenkins. B+(***)
Unpacking: Found in the mail last week:
Sunday, August 14, 2022
Speaking of Which
PS: Added another China/Taiwan link [08-15].
Two local friends, distinguished for their writing, teaching, and political activism, died in the last few days: Steve Otto (66) and Dottie Billings (89, obit not yet available, pictures stage right). I knew them through the Peace Center, and they were also involved in DSA (which I've never been involved with). Steve has been a freelance writer, and has several books to his credit. I didn't know him well, but always wished he had turned his blog posts about local KS politicians (especially Rep. Todd Tiahrt) into the vicious little book they deserved. He lived out of town, in Maize, so I rarely saw him, and we never really clicked, though we had much in common. My wife knew him better, through the Peace Cener board.
I knew Dottie better, and knew people who took anthropology courses from her at Wichita State. We had her and her husband Jim Phillips over for dinner several times. She would regale us with stories about growing up in Milwaukee when it still had a Socialist mayor, and challenge us to do more, but was always appreciative of what we did manage.
Tweet of the week, from The Drunk and Learned Armadillo of Doom:
Context was an Elise Stefanik tweet about "Joe Biden's baby formula crisis," arguing that it "should NEVER have happened," with no mention of the Biden administration's good work to resolve the problem. Steve M. replied:
For another example, Zachary D. Carter noted:
Sarah Burris: [08-10] Trump pleads the 5th in NY probe after claiming only guilty people do that. Not one of his greater hypocrisies, but he should take this as a learning experience, and become less intemperate when others exercise their constitutional rights. But calling a deposition "a witch hunt" is more ignorance than hypocrisy. He's been handled with kid gloves compared to practically anyone else who's run up against the justice system, and not just because he has a phalanx of lawyers.
Dave DeCamp: [08-11] Sweden Agrees to Extradite Man to Turkey After NATO Deal: Turkey has demanded the right to incarcerate and most likely torture Turks who left the country, mostly for political reasons, as the price of agreeing to NATO membership for Sweden and Finland. I've argued we need an international law securing the right to exile. That would seem to apply here. I rarely understand such an obsession with getting your "pound of flesh."
Connor Echols: [08-12] Diplomacy Watch: Ukraine digs in as its Western support ebbs: "Despite the risk of a Russia-friendly government in Italy and reduced support from the US, Kyiv is showing no appetite for negotiations." I still haven't seen any evidence from Putin that he wants to negotiate, but Zelensky's repeated vows to take back every inch of Russian-occupied territory, including Crimea (annexed by Russia in 2014), show him to be hardly less intransigent. Even if Ukraine could retake the territory, the cost both to soldiers on both sides but also to civilians will be horrific. The obvious deal is to cease fire and run fair elections in the disputed areas. Russia would have to agree to withdraw from areas that voted it out. Once that is done, with reasonable guarantees that neither side will restart hostilities, the sanctions against Russia can be lifted. A sticky issue is whether people who left their homes will still be able to vote, but that is a problem that only gets worse as the war grinds on. I'd like to see a second referendum scheduled for 5-10 years ahead, which can act as a check on the winners of the first referendum delivering the recovery they no doubt will promise, but I can't dictate terms like that. Although I always liked the 1967 UN resolution phrasing about "the inadmissability of the acquisition of territory by war," that hasn't kept Israel from continuing its control of territories seized from Jordan, Syria, and Egypt 55 years ago. The prospects of forcibly ejecting Russia from Russian-majority regions of Ukraine are no better, but a referendum deal (even one that leads to a pro-Russian result) would both end the current bloodbath and offer some principled hope for resolving similar conflicts in the future. (It would, for instance, be better to have pro-Russian referendums in Abkhazia and South Ossetia and settle those disputes than let them fester indefinitely to preserve the pretense that they belong to Georgia. I can think of another half-dozen obvious candidates, including Taiwan.) Echols also wrote [08-10] US foreign arms sales spike to nearly $20B in the dog days of summer. Buyers include Germany, Saudi Arabia, UAE, Netherlands, Kuwait, Taiwan, and Norway. Some more on Ukraine:
Thomas Edsall: [08-10] How We Think About Politics Changes What We Think About Politics. Draws heavily on Poli Sci papers, but the conclusion fits experience. One thing we've noted is how Republicans became more likely to hold anti-abortion views as the party became increasingly identified with those views, while Democrats became more supportive of abortion rights. The study also shows that party elites are even more susceptible to partisan issue alignment (so the effect is not just due to the threat of purges, which happens in both parties, but much more aggressively in the Republican). Also see the note from Dean Baker: [08-10] Thomas Edsall Can't Even Consider That the Way We Structure Markets Creates Inequality.
Tom Engelhardt: [08-11] The Decline and Fall of Everything (Including Me).
Richard Falk: [08-12] Connecting Toxic Memories: Hiroshima and Nuremberg: It's been 77 years, but some people still remember. Also:
Chas Freeman: [08-09] How China and the US Threaten Each Other: "The Sino-American relationship is proof positive that, if you disregard a country's interests or treat it like an enemy, you can and will make it one." That's an important insight, one that you rarely hear in any facet of American life, especially in foreign policy (where its value should be most obvious). Russia is a good example: they humored the US through the 1990s, even after NATO started encroaching ever closer, through Bosnia and Kosovo, even after Putin came to power and watched the US move through the graveyards of Afghanistan. But still the US kept closing in, expanding NATO into the Baltic states, fomenting revolutions in Georgia and Ukraine, until Putin finally snapped -- hence the war in Ukraine. China, too, has been patient and understanding, but the US is snipping at its borders, trying to stir up its minorities (in Tibet and Xinjiang), carping over Hong Kong, arming Taiwan, levying tariffs, talking about a "pivot to Asia." It's almost as if the US wants war with China. I seriously doubt that, but there are business interests that would profit handsomely from the threat. If both sides were absolutely clear about the other's intentions, it might just be a bit of Kabuki for the home crowds, but the lack of understanding in the US is huge and getting worse, and that's dangerous -- all the more so because Xi Jinping doesn't seem to be coping with hostile signals much more intelligently than Putin has. I know people who see WWIII looming. They are not likely right, but they are not categorically wrong either. PS: Here's an interview with Freeman from [08-02], with the transcript. More on China:
Susan B Glasser/Peter Baker: [08-08] Inside the War Between Trump and His Generals: My impression was that when Trump entered the White House in 2017, he was inclined to be totally deferential to the military, to let them handle trouble spots any way they wanted, as long as it reinforced the other image Trump wanted to project: that he was one tough motherfucker. But by 2017, most generals had assumed a defensive crouch, trying to recover from the numerous self-inflicted injuries of the War on Terror. And when Trump did push one of his own ideas, it was usually bad -- one the authors point out here was the decision to send the military to patrol the Mexican border, to help with immigration enforcement. This is an excerpt from a new book, The Divider: Trump in the White House 2017-2021. The authors have previous books together on James Baker and Vladimir Putin.
Dylan Gyauch-Lewis: [08-11] Why Is Larry Summers Engaged in Science Denial About Inflation? I had no interest in the title, until I read the subhed: "It could be his conflicts of interest." Oh yeah, that! The article is based on The Revolving Door Project, which sounds like something we need.
Homma Hosseinmardi: [08-12] Why Cable News Still Has a More Polarizing Effect Than Social Media. That strikes me as true. There's a lot of bullshit on social media, but users have much more control over what I see (even ads, though I'd like to have more), so tend to stay in their neighborhood (mind is populated by relatively sane persons, with a couple relatives as exceptions).
Jake Johnson: [07-26] Biden Told Not to Give Publicly Owned Covid-19 Vaccine Tech Over to Corporations. Johnson also wrote [06-17] WTO Deal on Vaccine Patents Decried as a 'Sham' Dictated by Rich Nations, Big Pharma. Thanks to this government generosity, Brett Wilkins: [08-03] Moderna Revenue Shows Pandemic Has Been 'Lucrative Smash-and-Grab' for Big Pharma.
Bonnie Kristian: [08-13] Americans Are Too Pampered and Neurotic to Fight a Civil War: "Thank goodness for laziness." I considered linking to Richard E Rubenstein: [08-12] Talking Sense About "A New American Civil War", but this piece cuts to the point quicker. As someone who thinks that we face a lot of major problems, and that a dangerously large segment of the public are working to make them even worse, and that said segment isn't even approachable by reason, even by appeals to their own interest, I'm the sort of person who should be extra-sensitive to the prospects of civil war, but I still don't feel it. One test was Jan. 6, 2021, and I understand why many people were horrified by what happened then. But I never for a moment doubted that the cops would restore order, and after that law and some sense of normalcy. What we do have to worry about are anti-democratic legal maneuvers that the Republican-packed courts might uphold, and not-really-random acts of violence.
Dylan Matthews: [08-08] How effective altruism went from a niche movement to a billion-dollar force. I'm pretty skeptical of charities, but note this for future reference -- not that I have an informed opinion on the subject. PS: Turns out a flurry of articles have come out on this, most tied to the release of William MacAskill's book, What We Owe the Future. His previous book was Doing Good Better: How Effective Altruism Can Help You Help Others, Do Work that Matters, and Make Smarter Choices about Giving Back (2015).
AJ McDougall: [08-07] MAGA Clothing Brand Busted Over Fake 'Made in USA' Tags.
Aryeh Neier: [08-14] The Appalling Attack on Salman Rushdie Is an Attack on Free Speech: Back in the 1980s, Iran's Ayatollah Khomeini was in a protracted pissing contest with Saudi Arabia over the spiritual leadership of the Islamic world. The division between Sunni and Shiite was at the root of this, but each side staked out extremist ground within that division. This started in 1979, when Khomeini overthrew the Shah, when Saudi radicals seized control of the Grand Mosque, when Iranian students took hostage of US embassy personnel in Tehran, and continued through the 1981-89 war initiated by Iraq, with the backing of the Saudis and their allies (including, ultimately, the US). In 1989, shortly before his death, Ayatollah Khomeini issued a fatwa calling for the faithful to kill Salman Rushdie, whose novel (The Satanic Verses) was held to as blasphemous to Islam. The book had already elicited demonstrations, both in the UK and India/Pakistan, sometimes violent. In some sense the fatwa was a mere publicity stunt, but in the context it was taken as a deadly threat. Rushdie went into hiding, appearing in public only with extra security (although that seems to have lapsed in recent years). Iran has paid little attention to the fatwa since Khomeini died, but his successor never revoked it. At this point, no one seems to know how closely the assault was linked to the fatwa, or indeed whether it had anything to do with it. Many of us had hoped that the extreme polarization of the 1980s would give way to acceptance of Iran as a normal nation -- hopes that have been repeatedly strained by the Ayatollah's old enemies across the Persian Gulf, by the Iran's even more virulent later enemy, and by their allies in the US. (Trita Parsi's 2007 book, Treacherous Alliance: The Secret Dealings of Israel, Iran, and the United States, has a full accounting of how Israel, which had remained cozy with Iran through the 1980s, turned against them once Iraq ceased to be a serious threat -- it appears that Israel needs an existential enemy to keep its alliance with the US profitable.) Unfortunately, if Iran is responsible for this horrific crime, there's no real way to hole them accountable -- at least not one that doesn't further isolate and embitter Iran. PS: For the latest, see [08-14] Salman Rushdie taken off ventilator as 'road to recovery' begins, agent says. Also:
Jordan Michael Smith: [08-09] Focus on the Israel Lobby Gets U.S. Foreign Policy Wrong: Review of Walter Russell Mead: The Arc of Covenant: The United States, Israel, and the Fate of the Jewish People. Tries to argue that American "policymakers increased their support for Israel because they believed it was in the United States' strategic interest, rather than on principle." Supposedly, this disproves the notion that American politicians are simply being manipulated by AIPAC, but he winds up falling back on an ideological crutch: "The United States' bond with Israel is based on love for a strong, isolated country that embodies a macho Judeo-Christian heritage, is vengeful, and subdues its foes." That sentence embodies several fallacies. The success of AIPAC is largely based on their skill at manipulating such misunderstanding.
Jeffrey St Clair: [08-12] Roaming Charges: Gaza by Bomblight. Intro, on Israel's latest bombing of Gaza and its long list of precedents, is worth reading, even if you know it already. "Israel exists; therefore Gaza must be bombed. As long as Israel exists, Gaza will be bombed. Israel defines itself by what it is not. Israel is not Gaza. The more Israel bombs Gaza, the more deeply it becomes its true self." Much more, including a curt summary of the FBI finally looking at Trump instead of their usual prey, and many climate items (e.g., a picture of the waterless Loire River, noting that it is "the source of cooling water for 12 of France's nuclear power plants."
Emily Stewart/Li Zhou/Rebecca Leber: [08-07] The Inflation Reduction Act, explained: "The climate bill is also a health care bill (and it does a few things on taxes, too)."
Brynn Tannehill: [08-11] The Republican Plan to Devastate Public Education in America. More trouble with "thinking" about education:
Nick Turse: [08-10] Post-9/11 era one of the most militarily aggressive in US history: "Aeria has conducted nearly 400 interventions since its founding, with more than a quarter in the last 30 years."
Jeanne Whalen: [08-09] A new era of industrial policy kicks off with signing of the Chips Act. Back when Trump was pulling tariffs out of his ass, I liked to note that tariffs make no sense unless you have a national industrial policy to take advantage of them. The US didn't have a policy, didn't even believe policies were a good thing. Republicans and neoliberal Democrats alike believed that businesses should be free to build or buy anything they want from anywhere they like, even if that means sending manufacturing jobs abroad in search of cheaper workers and more profits. So this bill is a big change, even if cloaked under a veneer of anti-Chinese "national security" rhetoric and larded in favor of the already rich. Whether it's a good thing will depend on myriad details, but the principle that manufacturing decisions can be influenced by the public interest is a major change. Other pieces:
Natasha Hakimi Zapata: [08-01] Boris Johnson's (Far From Final) Bill for Damages.
I saw a Jasper ad on Facebook, touting "NEW AI WRITES CONTENT FOR YOU," claiming "Start writing articles 10X faster." This offers people who suspect the web is heading for oblivion, drowned in a sea of hack content, an obvious target for blame, but humans are pretty efficient creators of crap content even without AI. So this ad, like so many, is targeted mostly at folks who don't know any better. One thing I'd like to see is a program that could read any piece of content and spit out a percentage likelihood that the piece was written by a machine. This could be embedded in a browser with a little meter up in one of the info bars. Google could use such a program to weigh its search options (not that anything but advertising seems to matter to them these days). Of course, that would lead the SEO experts to tricks to rig the standings. Ever since Turing's test, there's been a thin line between Artificial Intelligence and Artificial Stupidity.
The idea isn't new. Back in the 1980s, I imagined writing a program that could generate letters to my mother, who was more concerned with hearing from me than with what exactly I had to say. Ultimately, I didn't bother, but I'm not sure she wouldn't have been happier had I did. Back then the more interesting idea was developing tools to help writers write better. Researchers at Bell Labs developed something they called Writer's Workbench, but it got dropped from their UNIX releases, and I'm not aware of any efforts to reimplement it as free software. The commercial program Grammatik was available for a while, and ultimately incorporated into WordPerfect, but I'm not aware of similar tools these days, even though they should be much more sophisticated and useful. I routinely run my pieces through a wrapper program I wrote based on GNU spell, but it misses a lot of stuff that WWB could have caught in the 1980s. I can imagine much more useful tools, which could help people write better, but wonder whether their development isn't being inhibited by the business plans of big tech companies, which mean to keep AI embedded in products they can exploit commercially, often to our detriment.
Also on Facebook, Gretchen Eick underlined a section from a Carl Sagan book (The Demon-Haunted World, 1995):
Monday, August 8, 2022
Music: Current count 38474  rated (+44), 77  unrated (+2).
Still pretty down and out, but I forced myself to compile a Speaking of Which, rushed out without any editing Sunday evening (with a couple minor edits today, and a bit more on Taiwan, where my natural predeliction for sanity may have been too optimistic -- after all, I didn't think Putin would invade Ukraine in March, and couldn't imagine continuing the war this long, despite having a pretty good understanding of US provocations).
Nothing much to add to the music below. Pain and ennui may have contributed to the dearth of A-list albums. I had a tough time coming up with things to listen to, and didn't have a lot of patience with those I found. Toward the end of the week, I was desperate enough to start picking items off Chuck Eddy's 2008 list. Of the B+(***) albums, the one I came closest to picking was Calvin Harris: Funk Wav Bounces Vol. 2 (much better than the 65/6 at AOTY). Another one that might benefit from extra time is Moten/López/Cleaver. The Expert Witness group seems to really like Amanda Shires, but I didn't hear it.
I'll review Trio Xolo next week, but with nothing else to show for this week, I'm putting the cover stage right. I played it three times before the cutoff without making up my mind, then three more times after. It doesn't drop until Aug. 19, so no need to rush it. Most of what's in the queue doesn't come out until later.
I'll try to catch up on some neglected correspondence later this week. Wish I could say I'm feeling better, but at least I'm coping better.
New records reviewed this week:
49 Winchester: Fortune Favors the Bold (2022, New West): Alt-country band from Virginia, fourth album since 2014. Got twang, will take it all the way to the county line. B [sp]
Omar Apollo: Ivory (2022, Warner): Singer-songwriter from Indiana, parents Mexican, actual name Omar Apolonio Velasco, first album after a couple EPs. Draws on r&b, voice can edge into falsetto, drops in the occasional song in Spanish. B+(**) [sp]
Lee Bains + the Glory Fires: Old-Time Folks (2022, Don Giovanni): Southern rock band, out of Birmingham, fourth album since 2012. Song titles include "Outlaws," "Gentleman," "Rednecks," "Caligula," and "God's A-Working, Man." B+(**) [sp]
Axel Boman: Luz (2022, Studio Barnhus): Swedish electronica producer, singles from 2008, two albums before this year's pair of releases (with Quest for Fire). A couple vocals, valid enough. B+(**) [sp]
Axel Boman: Quest for Fire (2022, Studio Barnhus): More, released same day, separate digital albums, but if you want vinyl, they come packaged as a 3-LP set. I'd give this one a slight edge, both on beats and reduced vocals. B+(***) [sp]
Breath of Air: Breath of Air (2019-20 , Burning Ambulance): Trio of Brandon Ross (guitar), Charles Burnham (violin), and Warren Benbow (drums). Ross only has three albums as a leader, but a lot of side credits going back to Archie Shepp in 1975, including the group Harriet Tubman. B+(***) [bc]
Alan Broadbent Trio: Like Minds (2021 , Savant): Pianist from New Zealand, many abums since 1978, Discogs credits 13 to his Trio, currently with Harvie S (bass) and Billy Mintz (drums). One original, a mix of standards and bop classics. [sp]
Kevin Cerovich: Aging Millennial (2022, CVJ): Trombonist, from Overland Park, Kansas, seems to be his first album (after a stretch in the Airmen of Note). Credits also include drums, vocals, keyboard, bass, guitar, percussion, and programming, as he seems to do it all. I rather like the trombone, but not much else. B [cd]
Dan Clucas/Kyle Motl/Nathan Hubbard: Daydream and Halting (2021 , FMR): Clucas plays cornet, violin, and moxeño (a wind instrument from Bolivia, looks like a bamboo flute), and is backed by bass and drums. B+(***) [cd]
Caleb Wheeler Curtis: Heat Map (2021 , Imani): Alto/tenor saxophonist, from Michigan, fifth album since 2018, group gets front-cover recognition: Orrin Evans (piano), Eric Revis (bass), Gerald Cleaver (drums). Strong showing. B+(***) [cd]
Lucky Daye: Candydrip (2022, Keep Cool/RCA): R&B singer-songwriter David Brown, from New Orleans, second album. Nice vibe. B+(***) [sp]
Vladislav Delay: Isoviha (2022, Planet Mu): Finnish electronic musician Sasu Ripatti, who's used several other names (Luomo is one I recognize) going back at least to 1999. This one tripped and fell into some kind of industrial meatgrinder. B [sp]
Duke Deuce: Crunkstar (2022, Quality Control/Motown): Memphis rapper Patavious Isom, third album, an early single called "Crunk Ain't Dead." B+(*)
DJ Black Low: Monate WA Piano EP (2022, Black Low Music, EP): Young South African Amapiano DJ Sam Austin Radebe, album Uwami was picked up last year by Awesome Tapes From Africa. Then this "EP" (6 songs, 33:43) showed up on streaming services with no press, no explanation. Feels sketchy, unrushed. No piano that I can discern. B+(**) [sp]
Doechii: She/Her/Black B*tch (2022, Top Dawg Entertainment/Capitol, EP): Rapper Jaylah Hickman, from Tampa, fourth EP (five tracks, 13:02). B+(**) [sp]
Domi & JD Beck: Not Tight (2022, Apeshit/Blue Note): Self-described as "the internet's most hyped jazz duo": "DOMi" is French "saxophone prodigy" Domitille Degalle, Beck is a "sheep investigator" from Texas. No credits, but I'm hearing keyboards and percussion, fey vocals (more his than hers), and guest spots from Herbie Hancock, Kurt Rosenwinkel, Anderson Paak, Thundercat, Mac DeMarco, Busta Rhymes, and Snoop Dogg. Jazz quotient is about as irreal as their professed interest in quantum physics. B- [sp]
Coco Em: Kilumi (2022, InFiné): Nairobi, Kenya DJ, mixes basic but catchy beats behind guest vocals. Short: 7 songs, 30:19. B+(*) [sp]
Gas: Der Lange Marsch (2021, Kompakt): German ambient techno producer Wolfgang Voigt, released four albums under this alias 1996-2000, three more since 2017. "The Long March" -- mostly uphill. B+(*) [sp]
Ghais Guevara: May Ur Melanin Shield U From Ragnarok (2020, self-released, EP): Philadelphia rapper, virtually no press available on him, but this seems to be the first of several releases. Short and fast (10 songs, 25:36). B+(**) [sp]
Ghais Guevara: There Will Be No Super-Slave (2022, self-released): First full-length album (15 songs, 44:23). Politics a bit more obscure here, but I'm more bothered by the artier turn in the music. B+(*) [sp]
Ghais Guevara: Black Bolshevik (2021, self-released, EP): Eight songs (22:39): "been a rough year, fuck everything else, just prep for the revolution." B+(**) [sp]
Calvin Harris: Funk Wav Bounces Vol. 2 (2022, Columbia): Scottish DJ Adam Richard Wiles, called his 2007 debut I Created Disco, released Vol. 1 of this in 2017 -- all of his albums seem to be big hits, so he's rolling in money. He spent some of that on big name guests here (Dua Lipa/Young Thug, Charlie Puth/Shenseea, Justin Timberlake/Halsey/Pharrell Williams, Jorja Smith/Lil Durk, etc.). My choice cut is "New to You," with Normani/Tinashe/Offset riding a cheesy recycled disco riff. B+(***) [sp]
Shawneci Icecold Quartet: Coldtrane (2021, Underground 45): Young pianist who does hip-hop on the side, fell in with some well-known avant-jazz folks: Daniel Carter (reeds), Michael Bisio (bass), and Whit Dickey (drums). Nobody's pushed too hard. Short (34:44). B+(**) [cd]
José Lencastre: Inner Voices (2020-21 , Burning Ambulance): Portuguese saxophonist (alto/tenor), albums since 2017, some very good. This is solo, but mostly tracking two horns (or electronics?), so tends to sound like a small sax choir. B+(*) [bc]
Allison Miller/Carmen Staaf: Nearness (2021 , Sunnyside): Drums and piano duo, second album together. B+(**) [sp]
Moderat: More D4ta (2022, Monkeytown): German electronica supergroup, combining members from Modeselektor and Apparat. Fourth album, following II and III. B+(**) [sp]
John Moreland: Birds in the Ceiling (2022, Thirty Tigers): Country singer-songwriter, bounced around as a child but grew up in Tulsa. Albums since 2008. This one seems rather laid back. B+(*) [sp]
Fred Moten/Brandon Lopez/Gerald Cleaver: Moten/López/Cleaver (2020 , Reading Group): Poet, cultural critic, author of books like In the Break: The Aesthetics of the Black Radical Tradition (2003) and The Undercommons: Fugitive Planning & Black Study, speaks here backed by bass and drums. Seems to be his first album. B+(***) [bc]
Nancy Mounir: Nozhet El Nofous (2022, Simsara): Egyptian singer, plays violin and other instruments, first album, sounds rather antiquated. B [sp]
Nakama: New World (2021 , Nakama): Norwegian collective/label, half-dozen albums as a group since 2015, more for individuals (especially bassist-composer Christian Meaas Svendsen) and other side projects. Quintet: two sax/clarinet players (Klaus Ellerhusen Holm and Andreas Røysum), piano (Ayumi Tanaka), bass (Svendsen), and drums (Andreas Wildhagen). B+(**) [bc]
Rico Nasty: Las Ruinas (2022, Sugar Trap/Atlantic): Rapper Maria-Cecilia Kelly, second album or eighth mixtape (sources differ). B+(**) [sp]
Maggie Rogers: Surrender (2022, Capitol): Singer-songwriter from Maryland, graduate of Harvard Divinity School, second album, 2019 debut charted 2, so this is getting a lot of attention. Starts off solid enough. B+(*)
The Sadies: Colder Streams (2022, Yep Roc): Canadian alt-country band, debut 1998, backed Neko Case and collaborated with Jon Langford, founder Dallas Good died in February (evidently after this was recorded). I don't hear much country in this one. B
Serengeti: Kaleidoscope III (2022, Audio Recon): Chicago rapper David Cohn, very prolific since 2003. I've found three versions of this: a 5-track EP on Spotify, and both 9- and 12-track versions on Bandcamp, with similar but different titles (the latter seems to be available on CD or vinyl, which appeals to my sense that physical objects are the real thing). Stories interesting enough, but flows so easily it seems a bit slight. B+(**) [bc]
Amanda Shires: Take It Like a Man (2022, ATO): Country singer-songwriter, fiddle player, seventh album since 2005. Some striking songs, some bogged down in strings. B+(**) [sp]
Sinkane: Cartoons of the Night Vol. 1: Live 2019 (2019 , City Slang): Ahmed Abdullahi Gallab, born in London, parents from Sudan, moved to US when he was 5, tenth album since 2007. B- [bc]
Miró Henry Sobrer: Two of Swords (2022, Patois): Trombonist, first album, "a rhythmically harged homage to Catalonian artists," in two "acts," mostly narrated by Francesca Sobrer, with other vocals, but most appealing is the trombone. B+(**) [cd]
Whatever the Weather: Whatever the Weather (2022, Ghostly International): British electronica producer Loraine James, three albums under her own name, tries her hand at ambient here: never an exciting move. B [sp]
Jack White: Entering Heaven Alive (2022, Third Man): Former White Stripe, fifth solo album, second this year, no better than the previous. B- [sp]
Recent reissues, compilations, and vault discoveries:
Kabaka International Guitar Band: Kabaka International Guitar Band (1977 , Palenque): Nigerian Igbo highlife group, led by G. Kabaka Opara, Discogs lists 13 albums 1977-89. Text says this was recorded in the mid 80s, but the four songs all appear on a 1977 album. B+(***) [bc]
The Chap: Mega Breakfast (2008, Lo/Ghostly International): British experimental pop band, 7 albums 2001-12, two since then (2015, 2019). Has a jerky insouciance that might prove interesting if you're into that sort of thing. B+(**) [sp]
New Bloods: The Secret Life (2008, Kill Rock Stars): Art-punk band from Portland, three women, violin-bass-drums, all sing some, none notably. Eleven songs count as an album, even if they only add up to 23:36. Comes close but slips a bit toward the end. B+(***) [bc]
Ashlee Simpson: Bittersweet World (2008, Geffen): Short-lived pop star, younger sister of Jessica Simpson, released three albums 2004-08, first two platinum, got dropped when this one fell short, has done some acting since, and a 2018 EP with husband Evan Ross (Ashlee + Evan). B+(**) [sp]
Joris Teepe Quintet: For Adults Only (1998 , Postcards): Dutch bassist, debut 1995, recorded this in New York at Smalls Jazz Club, features two saxophonists he had been working with (Don Braden and Chris Potter), David Hazeltine (piano), and Bruce Cox (drums). B+(**) [sp]
Unpacking: Found in the mail last week:
Sunday, August 7, 2022
Speaking of Which
After the Kansas referendum on abortion rights, I figured I should post something this week. I've felt all along that the amendment would be defeated in a fair election, while also recognizing that nothing in the wording or scheduling of this issue was meant to be fair. Some of my reasoning is explained below. Of course, even the margin won't alter the will of the anti-abortion forces to come up with some other way to strip Kansans of their rights. The next big battle will be in November, when Kansas elects a new governor: the Republican legislature will continue to pass outlandish bills, but if Democrat Laura Kelly wins they'll have to override her veto. (Republicans currently hold a "veto-proof" majority, but just barely, so we'll also be closely watching minor shifts there.)
Underreported below is the Ukraine War, which continues to grind on, with Ukraine making minor progress in the South toward Kherson, and Russia trying to expand its Donbas enclaves. The war itself has mostly degenerated to long-distance shelling. (Most alarming: Rocket attacks at Zaporizhzhia power plant raise fears of 'nuclear catastrophe'.) Meanwhile, no reported interest on any side for cease fire and talks (other than allowing one ship of grain to leave Odesa).
In late-breaking news, [08-07] Senate approves Inflation Reduction Act, clinching long-delayed health and climate bill, with concessions to Manchin and Sinema, including Republicans block cap on insulin costs for millions of patients (vote was 57-43 in favor of the cap, but in our great democracy that wasn't enough). Vox has an explainer. Also Rebecca Leber: The Senate just passed one of the biggest bills to fight climate change, ever.
Spencer Ackerman: [08-01] First Impressions on the Execution of Ayman al-Zawahiri. Author calls his blog "Forever Wars," of which this is another mark in the forever timeline. Like many other markers, this could be used as a pivot point to exiting the process which generates future terrorists faster than it can wipe them out. Related:
David Badash: [08-06] Rick Scott tells CPAC Democrats' policies are 'evil,' the 'militant left' is the 'enemy' and the 'greatest danger we've ever faced': I've been reading Heather Cox Richardson's history of the Republican Party, To Make Men Free, which recounts Republican claims that Democrats were set on destroying the country going back to the 1870s. (Evidently, the red baiting started immediately after the 1871 Paris Commune, although the Federalists made similar complaints about the Jacobins in the 1790s.) With the New Deal in the 1930s, when it was the Democrats who saved America from the greatest economic collapse in American history, Republican hysteria only became more strident. That Republicans like Scott are dialing their madness up even more now just shows that even they recognize that they have no solutions for our increasingly perilous problems. Of course, Scott was just warming up the crowd for the main event. See Bob Brigham: [08-07] Trump at CPAC: 108 minutes in speech filled with 'unapologetic fascism'.
Peter Baker: [08-04] U.S. Offer to Swap Russian Arms Dealer for Griner Highlights Uncomfortable Choices: The arms dealer is Viktor Bout, arrested in and extradited from Thailand on charges that could just as easily be levied against hundreds of American arms merchants, but the US is one of the very few nations with the means and will to pursue such cases. Brittany Griner, at least, was in Russia when she committed her "crime" -- one which, until recently, the US would have prosecuted her for, though she's enough of a celebrity she would likely have gotten off lightly in our vastly unequal system of justice. (Jeffrey St Clair, link below, notes that "Griner's 9.5-year sentence is actualy 6 months less than John Sinclair got for possession of 2 joints in Michigan in 1971.) In Russia, however, her celebrity may be working against her: while her incarceration isn't winning Putin any "hearts and minds," it does remind us he still wields considerable power. Still, I didn't flag this piece because I want to weigh the relative merits of injustice here and there, or the delicate balance of incentives involved in prisoner swaps. I just want to remind you that the world would be simpler and fairer if we had an international law and protocol that allowed political prisoners to go into exile if they find willing host countries. Both Bout and Griner would easily qualify, without all the messiness of negotiations. And the US wouldn't embarrass itself trying to extradite Julian Assange. PS: Some background history: Here are some prisoner swaps that freed Americans.
Nina Burleigh: [07-31] Right-Wing Extremists Are Making Fiction Come True: "Can Democrats craft a winning message off a smorgasbord of misogynist madness?"
Kevin Carey: [08-03] Why Is America Fractured? Blame College, a New Book Argues. Review of Will Bunch: After the Ivory Tower Falls. I recall Bunch writing a good book about how bad Ronald Reagan was: Tear Down This Myth: How the Reagan Legacy Has Distorted Our Politics and Haunts Our Future (2009).
Amy Cheng: [08-05] Indiana passes near-total abortion ban, the first state to do so post-Roe; Amber Phillips/Tom Hamburger: [08-06] Abortion law in Indiana leads to fallout for state, politics; Ellen Francis: [08-06] 'Not her body, not her choice': Indiana lawmakers on abortion ban: One thing the Kansas vote didn't do was to dissuade Indiana Republicans from passing the first post-Dobbs abortion ban law. For a summary, see Amanda Marcotte: [08-05] Republicans learn the lesson of Kansas: Indiana takes repulsive abortion debate behind closed doors.
Fabiola Cineas: [08-05] Why the Justice Department made a move in the police killing of Breonna Taylor. It may not be possible to prosecute cops for going on a wanton killing spree, but that doesn't excuse them from filing false and misleading paperwork.
David Gelles: [08-05] How Republicans Are 'Weaponizing' Public Office Against Climate Action: "A Times investigation revealed a coordinated effort by state treasurers to use government muscle and public funds to punish companies trying to reduce greenhouse gases." Sometimes "evil" is not hyperbole.
Tareq S Hajjaj/Yumna Patel: [08-05] 10 Palestinians, one child, killed in Israeli attack on Gaza. Israel decided they could assassinate one of the leaders of Islamic Jihad. The rest were collateral damage. Islamic Jihad "retaliated" with some rockets (which didn't hit anyone), so expect Israel to escalate its slaughter. For updates: [08-06] Gaza's only power plant shuts down as Israeli airstrikes continue; and [08-07] Gaza death toll climbs to 43 amid ceasefire reports.
Steph Herold: [08-03] Hollywood's Role in Stigmatizing Abortion. Good article as far as it goes, but it misses one key point, which is that abortions don't work as stories: typically, a woman has a few bad days fretting over the decision, then makes it, does it, and gets on with her life. A rare example where you saw exactly that was in Prime Suspect, where it took up no more than 5 minutes in a season about something else. However, had that happened in the movie Juno, that would have been the end of the story -- instead, it turned into this really ridiculous fairy tale of a young-but-actually-loving couple generously giving their baby away to a rich-but-likable older couple. It's easy to think of movies that helped people get past traditional bigotry, racism and homophobia, but that's because they could build relatable stories around them. Those stories are a big part of why the right so hates Hollywood. But abortion isn't that kind of story, so it's always been easiest just to ignore it.
Fred Kaplan: [08-02] Nancy Pelosi Just Lit a Match at the Dynamite Factory. On the House Speaker's much publicized trip to Taiwan, occurring as it does as the Biden administration has been talking up China as a potential enemy while bankrolling a major war in Ukraine. Also:
Ezra Klein: [08-07] I Didn't Want It to Be True, but the Medium Really Is the Message: A dive into some media theorists (especially Marshall McLuhan and Neil Postman), finding they were onto something. Klein covers the same territory in his interview with Sean Illing [07-26] How We Communicate Will Decide Whether Democracy Lives or Dies. Illing interviews book authors for Vox, but having co-written a book (The Paradox of Democracy: Free Speech, Open Media, and Perilous Persuasion, with Zac Gershberg), he contrived for Margaret Sullivan to interview him: [07-31] Free speech is essential for democracy. Could it also be democracy's downfall?.
Jonathan Martin: [08-07] Liz Cheney Is Ready to Lose. But She's Not Ready to Quit. I'm ready for her to lose, too, but I wouldn't be surprised if she survives: people in Wyoming don't like to be told what to do, even by morons like Trump. And while I don't mind giving her credit for her work on the January 6 Committee, we should be clear that if she managed to survive and recast the Republican Party in her image, it wouldn't be one iota better than the degenerate party she declaims. Also: Liz Cheney's Latest Fans: Democratic Donors: What a waste!
Jane Mayer: [08-06] State Legislatures Are Torching Democracy: Ohio, for example.
Casey Michel: [08-04] The Kleptocrat Who Bankrolled Rudy Giuliani's Dive for Dirt on Biden: Dmitro Firtash.
Ian Millhiser: [08-02] The uncomfortable problem with Roe v. Wade. A fairly deep and useful background piece on Roe v. Wade and its recent overturn, touching on questions of due process and enumerated vs. unenumerated rights. Much of this will be familiar to readers of Millhiser's Injustices: The Supreme Court's History of Comforting the Comfortable and Afflicting the Afflicted.
Viet Thanh Nguyen: [07-22] Asking "What About . . . ?" Is Essential to Achieving Justice: "Selective empathy prevents us from making connections." War in Ukraine is most obviously on his mind, but he offers examples going back to the 1864 Sand Creek massacre (which reminded me of a crusade in medieval Europe, where the order was to kill everyone, leaving it to God to sort the innocent from the guilty). From Vietnam, he notes that Lt. William Calley was convicted of murder at My Lai, but "a considerable portion of the American people sympathized more with the American murderer . . . than with the Vietnamese dead." With this in mind, feel free to read Masha Gessen: [08-01] The Prosecution of Russian War Crimes in Ukraine, where Ukrainians have identified 25,000 cases so far, but I'd wager none of them involve victims of Ukrainian firepower, even among their own people. Sure, one might argue that none of these crimes would have occurred had Russia not invaded, so Putin bears a unique responsibility there, but it also seems clear that Ukraine and its suppliers and cheerleaders haven't put a lot of effort into negotiating an end to this war. And once again, Americans are especially conspicuous among the self-sanctifiers.
Alex Pareene: [07-11] The Never-Ending War on the Woke: "Or what the Democratic center has failed to learn over the past three decades." Or what it's learned all too well: that the more threatening Republicans seem, the better they can deliver on their own value-proposition, which is to keep the left down, so "centrist" Democrats can deliver greater profits to the rich donors they cultivate. Pareene starts with the example of 1994, where at least some of Clinton's strategists cheered on the Gingrich revolution as a way to neutralize the "dead wood" Democrats who had dominated Congress as far back as any of them could remember. Having demolished the Party (and especially its labor base), liberal Democrats had little choice but to rally behind Clinton in 1996, and a second term that sowed seeds for the disastrous Bush terms to follow. Obama's 2014 debacle followed suit, not least because he stocked his administration with Clintonian "centrists." And now Biden is widely expected to blow 2022 as badly. But I'd submit that things are different this time. The only constant is that the "centrist" hacks are still working to prevent change, but who's listening to them any more? How can anyone seriously believe that Democrats would do better if only they were more racist? (E.g., see Eric Alterman: [08-05] It's Not Wokeism That Threatens Our Democracy.)
John J Pitney Jr: [08-05] Democrats Are Running as Opposition Party: "This year, the Supreme Court and Trump have made it possible for Democrats to run as a check on Republican extremism."
Nathan J Robinson:
Kevin Roose: [08-06] Don't Expect Alex Jones's Comeuppance to Stop Lies: The trial went against Jones, ordering him to pay $45 million to parents of children murdered at Sandy Hook Elementary School in 2012. I'm not much in favor of defamation lawsuits, but Jones crossed a lot of lines, and did so knowingly and maliciously, so some kind of comeuppance is in order. "But, even if Mr. Jones's career is ruined, his legacy of brazen, unrepentant dishonesty will live on -- strengthened, in some ways, by the knowledge of exactly how far you can push a lie before consequences kick in."
Richard Silverstein: [08-05] Aipac Pumps $30-Million into Democratic Primaries to Defeat Israel Critics. Israel not only interferes with US elections more than Russia, they don't even try to hide it.
Sarah Smarsh: [08-03] Why the Defense of Abortion in Kansas Is So Powerful. Author grew up here, and wrote a powerful memoir that was especially conscious of the hardships and dim prospects endured by teenage mothers (Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth). More pieces on the Kansas vote:
Jeffrey St Clair: [08-05] Roaming Charges: The Mad-Eyed Lady of Pac Heights. I've been recommending his columns regularly, figuring his insights make up for his occasional lapses of taste and decorum. But his opening screed on Pelosi and Taiwan goes way beyond my own criticisms, and I never care for his regular potshots at Bernie Sanders (even if one also hits Rand Paul). So, fine, skip the first half, and read about Brianna Grier. Also the one about the Oklahoma Board of Education.
Amy B Wang: [08-03] Sen. Johnson suggests ending Medicare, Social Security as mandatory spending programs: This tells us two things: one is that Johnson doesn't have the vaguest idea how Medicare and Social Security work, so he has no idea how hard it is to replace them with any other even remotely acceptable scheme; the other is that he wants to kill them, but for now he'll settle for being able to hold them ransom every year so they can extort concessions, like Republicans currently do with the debt limit. If people understood what he was asking for, public support would be less than 5% (although it could still be a majority of the people who donate to his campaign, especially if weighted by how much). Which raises another question: Michelle Cottle: [08-07] Why Is Ron Johnson Still Competitive Despite, You Know, Everything?
Li Zhou/Natalie Jennings: [08-03] 4 winners and 1 loser from the Kansas, Missouri, Arizona, and Michigan primaries: I don't think I've commented on any primary elections before this week, and I don't have much to say here. The only races I'm seriously interested in are ones that pit D vs. R, and it doesn't much matter to me which D or which R. So while I would have preferred Andy Levin and Lucas Kunce to have won their primaries, I'll happily take the less promising Democrats who won, and mildly dissent from the notion of "Loser: Progressives." As for "Winner: Democratic meddling in GOP races," I think that's dubious tactically, but it matters little to me whether Peter Meijer or his Trump-backed challenger won. I'm also dubious about how big a trend that is, or whether cross-voting D's had much effect. I know Democratic-leaners here in KS who register R so they can vote in contested and more consequential primaries, but I've never heard of one voting for the more toxic candidate (e.g., Kris Kobach). In any case, the numbers are so vanishingly small it's hard to see them ever having any effect. Perhaps when it comes to donors, it's more of a thing, but no more likely to work. Amy Davidson Sorkin: [08-03] A Bad Democratic Bet in the GOP Primaries talks mostly about Peter Meijer's primary loss, but if he really wanted Democrats to support him, shouldn't he have switched parties? And short of that, why should we care? And if this really is a thing, is there any reason not to think that Republican donors aren't doing the same thing to Democrats?
Monday, August 1, 2022
Music: Current count 38430  rated (+47), 75  unrated (-2).
Nothing much to say this week, except I'm still here, and functional at a fairly minimal level.
Recommended music links:
New records reviewed this week:
Beabadoobee: Beatopia (2022, Dirty Hit): British pop singer-songwriter, Beatrice Laus, originally from the Philippines, second album. B+(***) [sp]
Beyoncé: Renaissance (2022, Parkwood/Columbia): Last name Knowles, started out in the group Destiny's Child -- no need to note that any more. She is probably the biggest pop star in America, at least since her 2013 eponymous album, although she's less familiar to me than any contender I can think of (unless Mariah Carey or Katy Perry count?). I thought her first 3-4 albums were crap, and even when she got better, I doubt I've played any of them more than 3-4 times. I'm tempted to attribute the improvement to hiring better people. She employs a lot of them here, recycling riffs from disco and house, and burying herself deep in the mix. Much of it is remarkable, but elusive, and when I do recognize something, I remember it better. B+(***)
Jane Ira Bloom/Mark Helias: Some Kind of Tomorrow (2020 , Radio Legs): Pandemic lockdown project, soprano sax and bass duets. B+(**) [sp]
Jane Ira Bloom: Picturing the Invisible: Focus 1 (2022, self-released): Soprano saxophonist, duets with Allison Miller (drums), Miya Misaoka (koto), and Mark Helias (bass), "inspired by the science photography of legendary NYC photographer Berenice Abbott," recorded by Ulrike Schwarz of Anderson Audio. Digital only, can't find any label claim. B+(***) [sp]
Steve Cardenas/Ben Allison/Ted Nash: Healing Power: The Music of Carla Bley (2021 , Sunnyside): Guitar, bass, reeds. Bley has been covered more extensively than any other composer of her generation, but I still can't pick her tunes out, and don't get what makes her stand out. Still, very nice pieces. B+(***) [sp]
Do'a: Higher Grounds (2022, Outside In Music, EP): Jazz singer, plays guitar and piano, grew up in Albania, of "German/Italian/Iranian" ancestry, recorded this eclectic short album (7 songs, 26:11) with a mostly Latin band working remotely. "I Fall in Love Too Easily" is a touchstone. B+(*) [cd]
Steven Feifke: The Role of the Rhythm Section (2022, La Reserve): Pianist, based in New York, has a previous big band album, this one an upbeat trio with Dan Chmielinski (bass) and Bryan Carter (drums). B+(*) [sp]
William Flynn: Seaside (2019 , OA2): Guitarist, apparently his first album, is Director of Jazz Studies at Wichita State University (no, I don't know him, pathetic as that seems), wrote this during a month-long winter retreat in Seaside, Florida, and recorded it in Kansas City with piano-bass-drums, voice on two tracks. B+(**) [cd]
Ronnie Foster: Reboot (2022, Blue Note): Organ player, had a run of albums on Blue Note 1972-75, a couple more for Columbia (to 1979), side work with George Benson and Stevie Wonder, returns with his first album in 36 years. Covers include Wonder's "Isn't She Lovely," and a vocal on "Hey Good Lookin' Woman." B+(*) [sp]
J-Hope: Jack in the Box (2022, HYBE): South Korean rapper Jung Ho-seok, first studio album after a 2018 mixtape, but much better known as a member of BTS. Part English, part Korean -- the latter means nothing to be, but the beats feel agreeably cartoonish. B+(*)
Sheila Jordan: Live at Mezzrow (2021 , Cellar Live): She makes it sound like she started as a groupie chasing after Charlie Parker, but she was singing in Detroit before the move to New York, and she studied with Lennie Tristano and Charles Mingus before she married Duke Jordan. But aside from a song for George Russell and a 1962 album for Blue Note, she didn't start recording regularly until she was 36, with Roswell Rudd's Flexible Flyer. After that, she didn't slow down until her 80s, and did this live set at 92, intimately backed by piano (Alan Broadbent) and bass (Harvie S) -- both have long been devoted to her. Her voice no longer stops you in your tracks, and her timing is no longer perfect, but she still scats and ad-libs, so you hang on every word. B+(***) [sp]
Geoffrey Keezer & Friends: Playdate (2021-22 , MarKeez): Pianist, albums since 1988, played in Art Blakey's final 1990 band (post-Marsalis, but with Brian Lynch, Steve Davis, Javon Jackson, and Essiet Essiet). Friends here include Ron Blake (tenor/soprano sax), Shedrick Mitchell (organ), Richie Goods (bass), and Kendrick Scott (drums), as well as guest spots, including too many strings. B+(*) [cd] [08-12]
Stan Killian: Brooklyn Calling (2021 , Sunnyside): Tenor saxophonist, from Texas, based in New York, third album, quartet with Paul Bollenback (guitar), bass, and drums. B+(**) [sp]
Gerard Lebik/John Edwards/Paul Lovens: Lepomis Gibbosus (2015 , Fundacja Sluchaj): Tenor saxophonist, from Poland, Discogs lists 10 albums since 2010, in a trio with bass and drums. Impressive together, but slips into too many doldrums. B+(*) [bc]
Lizzo: Special (2022, Atlantic/Nice Life): R&B singer Melissa Jefferson, fourth album, breakthrough was her third, so this seems more like a second: starts strong, drags a bit. B+(**)
Mabel: About Last Night . . . (2022, Polydor): Last name McVey, middle name Alabama-Pearl, father is English music producer Cameron McVey, mother is Neneh Cherry, 2019 debut album was called High Expectations. Second album, cover photo sports blonde hair and lighter skin, but I suppose it could be her. Beats similar to her mother's best albums, none of the songs hook like "Buffalo Stance." B+(**) [sp]
Francisco Mela/Shinya Lin: Motions Vol. 1 (2021 , 577): Cuban drummer, has been leaning toward free jazz in recent records, in a duo with the New York-based prepared pianist, who cites John Cage and Cecil Taylor as influences. B+(***) [bc]
Meridian Odyssey: Earthshine (2021 , Origin): Seattle sextet, second album, recorded this in Alaska (where guitarist Martin Budde hails from). Drummer Xavier Lecouturier produced, most of the group contribute songs, including Santosh Sharma (tenor sax), Noah Halpern (trumpet), Dylan Hayes (piano), and Noah Feldman (bass). Natty postbop. B+(*) [cd]
Flo Milli: You Still Here, Ho? (2022, RCA): Rapper Tamia Monique Carter, from Mobile, first studio album after a 2020 mixtape (Ho, Why Is You Here?). B+(**)
Tobin Mueller: Prestidigitation (2022, self-released): Keyboard player, several albums since 2005, also plays rock but this doesn't sound like fusion. More like big band, but the credits don't bear that out. Paul Nelson plays guitar, and Woody Mankowski sings "America," which I found touching at first, then cloying. B- [cd]
Nina Nastasia: Riderless Horse (2022, Temporary Residence): Folkie singer-songwriter, from Los Angeles, seventh album since 2000, first since 2010. Just guitar and voice, but rings true enough. B+(*) [sp]
Sinéad O'Brien: Time Bend and Break the Bower (2022, Chess Club): Irish spoken word poet, music has a dark, atmospheric allure. B+(***) [sp]
Peaness: World Full of Worry (2022, Totally Snick): Three women, guitar-bass-drums indie pop band from Chester, England, second album (but billed as their debut). B+(**) [sp]
Phelimuncasi: Ama Gogela (2022, Nyege Nyege Tapes): Gqom trio from Durban, South Africa. Beats are hard and dense, and vocals blend in (not that I could understand them anyway, although I gather there is a political dimension). A- [sp]
Carol Sloane: Live at Birdland (2019 , Club 44): Jazz singer, debut 1962, recorded regularly up to 2010, was 82 when she recorded this set of standards, backed by Mike Renzi (piano, d. 2021), Jay Leonhart (bass), and Scott Hamilton (tenor sax). B+(***) [sp]
Spinifex: Beats the Plague (2021, Trytone): Sextet based in the Netherlands, with saxophonists Tobias Klein and John Dikeman, trumpet (Bart Maris), guitar (Jasper Stadhouders), bass (Gonçalo Almeida), and drums (Philipp Moser), with albums as far back as 2005. They claim an interest in fusion, more punk than funk, but it mostly manifests as noise. More interesting is when they cut loose and play free. B+(**) [cd]
Jamie T: The Theory of Whatever (2022, Polydor): British singer-songwriter, last name Treays, fifth album since 2007, other albums have charted top-ten in UK and nowhere else. Has some talent, but nothing makes me want to figure out what or how. B [sp]
Xiomara Torres: La Voz Del Mar (2022, Patois): Colombian singer, working with Bay Area vibraphonist Dan Neville and others, mostly exploring Afro-Colombian tunes from the Cali region. Odd song out is "Let It Be." B+(*) [cd]
Chucho Valdés & Paquito D'Rivera Reunion Sextet: I Missed You Too! (2022, Sunnyside): Cuban jazz stars, piano and alto sax/clarinet, played together in Irakere up to 1980, when D'Rivera left for the U.S., while Valdés continued to lead the band until 2005, establishing an international reputation. This was recorded in Miami, with Cuban expats Diego Urcola (trumpet) and Dafnis Prieto (drums), plus bass and extra percussion. B+(**) [sp]
Luis Vicente/Seppe Gebruers/Onno Govaert: Room With No Name (2019 , Fundacja Sluchaj): Portuguese trumpet player, backed by piano ("unprepared") and drums. B+(*) [bc]
Joshua Ray Walker: See You Next Time (2021, State Fair): Dallas-based country singer-songwriter, third album. B+(**) [sp]
Water Damage: Repeater (2022, 12XU): Austin group, two bassists, three drummers, bowed guitar and synthesizer, no vocals, three pieces that grind on (7:13) and on (12:03) and on (22:18). A- [sp]
Walt Weiskopf European Quartet: Diamonds and Other Jewels (2022, AMM): Big-toned tenor saxophonist, part of a generation of more/less mainstream players who emerged in the 1990s, has never sounded better than with this quartet, formed in 2016 with Carl Winther (piano) and Anders Mogensen (drums), adding Andreas Lang (bass) in 2019. A- [cd] [08-19]
Working Men's Club: Fear Fear (2022, Heavenly): Electropop band from Sheffield, UK, metallic sound reminds one of new wave bands like New Order, but they never quite take off. Second album, much like the first. B+(**) [sp]
Recent reissues, compilations, and vault discoveries:
Phelimuncasi: 2013-2019 (2013-19 , Nyege Nyege Tapes): Early gqom singles, variously produced by DJ Scoturn, DJ MP3, or Menzi, politically aligned left, not that I can tell you why. B+(***) [sp]
Clark Terry Big Bad Band: Live in Holland 1979 (1979 , Storyville): Trumpet player, apprenticed in big bands (Count Basie, Duke Ellington), appeared on some classic bebop albums, his occasional vocals earned him the nickname Mumbles, lived to be 94. Conventional 17-piece group, but few names I recognize. B+(*) [sp]
Bo Van De Graaf: Eccentric Music for Audio Hunters (2002-16 , Icdisc): Dutch saxophonist, plays in the big band I Compani, also responsible for Bo's Art Trio and Bo's Da Bomb. If I'm reading the notes correctly, this was collected from scattered live performances, with compositions for: 25 car horns; 25 wind instruments & piano; 2 hurdy-gurdies & accordion; violin & 15 female voices; "campfiresong"; "the freejazz karaoke." I rarely like odd concept pieces, and the car horns is no exception. But it does end on a nice note. B [cd]
George Coleman/Tete Montoliu: Dynamic Duo (1977 , Timeless): Tenor sax and piano duo. B+(*) [sp]
George Coleman: Amsterdam After Dark (1978 , Timeless): Tenor sax quartet with piano (Hilton Ruiz), bass (Sam Jones), and drums (Billy Higgins). B+(**) [sp]
Ingrid Laubrock: Who Is It? (1998, Candid): German saxophonist, first album, based in London at the time. Quintet with Kim Burton (keyboards/accordion), Ife Tolentino (guitar), bass, and percussion. Closes with a vocal on a Brazilian tune. B+(**) [sp]
Ingrid Laubrock: Some Times (2001, Candid): Second album, plays soprano/alto/tenor sax and sings (a song), with Julian Siegel (alto/tenor sax and bass clarinet), trumpet, trombone, piano, guitar, bass, and drums. B+(***) [sp]
Ingrid Laubrock With Liam Noble & Tom Rainey: Sleepthief (2007 , Intakt): Trio recorded in London -- sax, piano, drums -- a year before Laubrock moved to New York. B+(***) [sp]
Lizzo: Lizzobangers (2009-13 , Virgin): First album, released 2013, then picked up and reshuffled for a major label. Started out as a rapper here, which adds some snap. B+(**)
Lizzo: Coconut Oil (2016, Nice Life/Atlantic, EP): Between albums 2 and 3, six songs, 19:28. B+(**)
Slickaphonics: Wow Bag (1982, Enja): Jazz-funk group, first of five 1982-88 albums, I filed them under Ray Anderson's name (trombone, lead vocals) but most of the songs were written by Allan Jaffe (guitar) and/or Mark Helias (bass). With Steve Elson (tenor sax) and Jim Payne (drums). Rhythm is trickier than other funk bands, but vocals are weaker. Anderson's later Alligatory Band returned to this concept, while his relationship with Helias became BassDrumBone. B+(**) [sp]
Slickaphonics: Modern Life (1984, Enja): Second album, writing credits pretty evenly spread out except for new saxophonist Daniel Wilensky. B+(*) [sp]
Bob Stewart: Then & Now (1995-96 , Postcards): Tuba player, started with Arthur Blythe in 1977, chances are if you heard a tuba in a non-trad jazz album between then and about 2010, it was either Stewart or Howard Johnson. Wide range of material here, three originals, covers of Jelly Roll Morton and Ornette Coleman, a standard ("You Don't Know What Love Is"), two songs each by guests Carlos Ward (alto sax) and Taj Mahal (guitar and vocals). Some bits seem a bit off, but the tuba ties it all together. B+(***) [sp]
Limited Sampling: Records I played parts of, but not enough to grade: -- means no interest, - not bad but not a prospect, + some chance, ++ likely prospect.
Unpacking: Found in the mail last week:
Sunday, July 31, 2022
Speaking of Which
Mostly just noting things this week, although I couldn't help but make the occasional comment.
Louis Anslow: [07-31] Peter Thiel's Candidates Are More Unabomber Than Tech Bro.
Emily Badger/Margot Sanger-Katz/Claire Cain Miller: [07-28] States With Abortion Bans Are Aong the Least Supportive for Mothers and Children. No surprises here.
Dean Baker: [07-29] The Semi-Conductor Bill and the Moderna Billionaires. Unlike Republicans, Democrats at least try to do good things. But they seem incapable of doing them in ways that don't create windfalls for the already-rich. Baker doesn't draw this conclusion, but has examples that point that way (e.g., the "chips" bill).
Zachary D Carter: [07-29] On Economics and Democracy. A good, general lesson about the New Deal, Keynes, and now. He also suggests that Republicans today are no worse than Democrats were in 1931, so if they could just come up with their own FDR, they could conquer all. But he doesn't nominate any candidates.
Rachel M Cohen: [07-27] The big upcoming vote on abortion rights in Kansas, explained. Also Peter Slevin: [07-30] The first post-Roe vote on abortion.
David Dayen: [07-28] Cut Off Private Equity's Money Spigot. "It is genuinely hard to find a more destructive economic force in America today than the private equity industry."
Andrew Desiderio: [07-28] Pelosi and China: The making of a progressive hawk. An oxymoron? Or just a moron? Related: [07-25] US Officials Grow More Concerned About Potential Action by China on Taiwan. These soto voce concerns are exactly what the Biden administration was doing with Russia prior to the invasion. They can be viewed as taunting or goading, daring China to verify their predictions. Seems especially foolish as long as the war with Russia is going on. Haven't the armchair generals learned that two-front wars are something to avoid?
David Friedlander: [07-25] Why Republicans Stopped Talking to the Press.
Lisa Friedman/Jonathan Wiseman: [07-27] Delay as the New Denial: The Latest Republican Tactic to Block Climate Action.
Jonathan Guyer: [07-29] What think tank drama tells us about the US response to Russia's war: Also see Politico's report: Atlantic Council cuts ties to Koch-funded foreign policy initiative. Koch has his fingers in a number of foreign policy initiatives -- the only one I'm familiar with is the Quincy Institute, which is headed by conservative anti-war historian Andrew Bacevich, and has published many articles I have cited over the years -- including Stand Together, and the Stimson Center, which will take over the Koch-financed NAEI (New American Engagement Initiative). NAEI's previous home was the Atlantic Council, which is largely funded by European governments and "is pro-NATO by design." What seems to be happening is that the think tanks are under increasing pressure to line up behind Ukraine and against Russia. Two related notes: Matthew Rojansky ("director of the Kennan Institute at the Woodrow Wilson Center") was blackballed from possible appointment to Biden's NSC because he wasn't hawkish enough on Russia (see Biden won't bring on board controversial Russia expert); Joseph Cirincione, a leading expert on nuclear proliferation, charging the Quincy Institute with pro-Russian bias (see America's Top Anti-War Think Tank Is Fracturing Over Ukraine). Robert Wright has written a detailed review of Cirincione's charges: Anti-war think tank attacked.
Michael Hudson: [07-29] American Diplomacy as a Tragic Drama.
Dhruv Khullar: [07-25] Living Through India's Next-Level Heat Wave.
Robert Kuttner: [07-29] Another Airline Merger That Would Worsen Inflation: JetBlue buys Spirit Airlines.
Sharon Lerner: [06-30] How Charles Koch purchased the Supreme Court's EPA decision.
Ron Lieber: [07-26] The Case of the $5,000 Springsteen Tickets: Welcome to "dynamic pricing."
Ian Millhiser: [07-25] Gavin Newsom's plan to save the Constitution by trolling the Supreme Court.
Judith Newman: [07-26] The Power of Negative Thinking: Quotes Whitney Goodman: "Positivity lingo lacks nuance, compassion and curiosity."
Rick Perlstein: [07-22] They Want Your Child: "How right-wing school panics seek to repeal modernity and progress." Or, more pointedly: "What they're after is crushing the power of their children -- and all of ours -- to choose their own life: to, in other words, acquire the ability to become free." As Perlstein explains, conservative panics over education are a perennial: he cites instances back to 1923, but could have noted the prohibitions against teaching slaves to read and write. The flip side of this fear that liberals are training students to think for themselves is the belief that good, conservative education can train students who will grow up to respect social hierarchies. (Michael B Katz's The Irony of Early School Reform explains how mid-19th century Massachusetts proponents of mandatory universal education sold their program as a way to "socialize" Irish immigrants.) I've personally found that coercive education is as likely to produce rebellion as obedience, but maybe that's just me. One thing it's not capable of doing is stopping the clock.
Jeremy W Peters: [07-29] Fox News, Once Home to Trump, Now Often Ignores Him: It's been more than 100 days since Fox last interviewed Trump. Given that Fox is the real power in Republican politics, this may mean that Rupert Murdoch has decided to move on. However, Fox was cool on Trump early in the 2016 campaign, so I'm reluctant to read much into this.
Jake Pitre: [07-29] The Internet Doesn't Have to Be This Bad. Review of Jonathan Crary: Scorched Earth: Beyond the Digital Age to a Post-Capitalist World.
Mitchell Plitnick: [07-28] AIPAC declares war on any support of Palestinian human rights.
Alexander Sammon: [07-25] It's Time for Public Pharma: Not the worst idea, but better still would be to end drug patents. Development and testing would be funded through public sources (which could be pooled across nations, as the benefits should be shared by all nations), with funding targeted to medical needs, and all information publicly shared. Approved drugs could then be manufactured competitively, with strict limits on marketing.
Jeffrey St Clair: [07-29] Roaming Charges: Tell Tom Joad the News.
Peter Wade: Trump Sides With Russia Over Brittney Griner.
Robert Wright: A couple pieces from his archive: