Blog Entries [60 - 69]

Monday, April 29, 2024

Music Week

April archive (in progress).

Tweet: Music Week: 74 albums, 17 A-list

Music: Current count 42200 [42126] rated (+74), 31 [30] unrated (+1).

Two weeks of listening here, although it seems like much longer, so much so that I can barely remember hearing the earliest entries, let alone why. I mean, where did all those Walter Davis albums come from? Probably Clifford Ocheltree, but didn't that start with Billy Boy Arnold? I think Ride came from a list of Pitchfork reviews -- that's certainly where I noticed Austin Peralta. Little things like that set me off on various tangents.

One thing that helped is that I finally sorted my demo queue by release date (as opposed to order received, with variations), so I could be reasonable sure I could just grab something and not worry about it not being released for 2-3 months. Still, new records came in almost as fast as old ones got played, so the unrated count barely moved. And it should be noted that several top-rated albums this week only got reviewed because I was sent CDs -- most obviously: Broder, Core, Four + Six, Schwartz, Shner.

Still, I've largely lost track of new releases that don't find me. And I'm nearly helpless when it comes to downloads (although I did manage to dig out a batch of Ivo Perelmans -- no idea whether I managed to catch up, but another one came in the mail today, so definitely not). I may have to break my 2024 resolution not to do tedious projects like the EOY list (which in some earlier iterations also tracked review grades or in some cases mere mentions). I've already let my tracking list spread out, but I haven't maintained it regularly enough for it to be very useful.

Last week's Music Week was the victim of an executive decision to first finish a Book Roundup post that I started several weeks earlier, but kept researching ever deeper on. Even so I didn't manage to notice a single one of the books Michael Tatum reviewed in his first Books Read (And Not Read) column. (Note to self: check out that New York Times list he cites. The fiction half is beyond my ken, but I have previously noted seven of the non-fiction fifty, with one more in the draft file.)

After Book Roundup, I had to finish a Speaking of Which, also started but held up. It's fair to say that we're living in what the Chinese would call "interesting times" -- so much so that nearly everywhere I turned I ran into pieces that seemed like noting (317 by the time I posted Sunday evening) and commenting on (15302 words). And even while I'm trying to knock this out by end-of-Monday, every break I take results in me adding more notes to Speaking of Which. (Look for red stripes on right border.)

I appear to have recovered from my big tech problem of the last few weeks: I haven't been able to send email, with all efforts producing a "AUP#CXSNDR" error, which is some kind of dirty look the system gives you without ever explaining why. I contacted Cox to find out why, and, well, I didn't. I did learn a bunch about their customer service department, exploring endless variations of five or six basic scripts for not helping you while eventually steering the conversation around to "it must be your fault" and "why don't you bug someone else about it?"

First, there's "Oliver," their chatbot, occasionally relieved by "live people," who seem to be playing a Turing game to see if you can discern whether their stupidity is artificial or organic. Then there's their phone service, which starts with a gauntlet of menu options and numbers you have to peck in, before you arrive at a "level one" person, who acknowledges your problem, thanks you profusely for being such a good customer, and ultimately passes you off to a "level two" person, who presumably will actually help you.

Mostly what "level two" people do is fill out tickets that get passed to supposedly more technical people who are firewalled from customer contact, presumably because their time is so precious, or because your time is deemed without value or utility. You are then advised that it takes them 72 hours to get to the ticket, and even then never on a weekend or after business hours. Eventually, they write one line in the ticket and close it, and someone (probably a "level two") calls you once and leaves you a garbled message in your voice mail. (Never once did we actually catch a callback.) When you call them back for more information, the number they leave is the original gauntlet number, and all they can wind up doing is reading you the one-liner, which they don't understand either, and open another ticket, where you have to repeat all the information again.

This took over two weeks, with frustration levels rising, especially when they got sidetracked on clearly irrelevant asides. (I could do four more paragraphs on them, but the details hardly matter. In the end, I recalled one garbled message, and gave it enough thought to devise a test. It was "your email is working, but there is a security problem with tomhull.com." The obvious, and still unaswered, question is what is that security problem? But the right question was what does my email have to do with "tomhull.com"?

The answer to that seems to be that I had included a link to my website in my email signature, which evidently they scanned and did something wholly improper with. The reason they might do something like that is because normally all of their customers look like Cox, but some of them may be bad actors, so Cox would like to give their customers other identities they can then discriminate against. So, once Cox decided to treat my email like it came from tomhull.com, they then consulted their various email blacklists, saw tomhull.com on one, and rejected it (with no explanation or evident recourse). As far as I know, there was no good reason for them to do so, but I'll probably never find out, because the people who decide these things are insulated from feedback, much like Cox is.

I tested this hypothesis by removing my signature line, and hitting send. It hung, I canceled, and hit send again, and then it worked. Losing the signature line is a small price to pay compared to dealing with what Scott Adams caricatured as "the preventers of information services." Now I have a month's backlog of email to go through and reply to as still seems relevant. If you were expecting to hear from me but didn't, try again.

Last Monday in April, so the monthly archive (link above) is done, but not yet indexed. I also still need to index the Book Roundup, among lots of unfinished business. Stil have house projects, and much more tidying up. Book writing is on hold, and I'm beginning to wonder if that will ever change. I've had to do little bits of programming lately, which remain fun although a bit nerve-racking. Weather is nice here, for a short while until the heat comes.

New records reviewed this week:

Nicki Adams/Michael Eaton: The Transcendental (2023 [2024], SteepleChase LookOut): Piano and tenor saxophone duo, based in Brooklyn, second album together. They relate this to Gunther Schuller's "third stream" movement, for reasons not obvious to a classical-phobe like myself, and pick their way through several Joe Henderson pieces, expertly. B+(**) [r]

John Basile: Heatin' Up (2024, StringTime Jazz): Guitarist, ten or so albums since 1985, thoughtfully called the first one Very Early. B+(*) [cd]

Owen Broder: Hodges: Front and Center, Vol. Two (2021 [2024], Outside In Music): Alto saxophonist, also plays baritone, more from the sessions that generated Vol. One in 2022, four songs Johnny Hodges had a hand in writing, four more he left his indelible mark on. Comparing them against the originals would be hopeless, but they certainly evoke the swing era Hodges towered over. With Riley Mulkerkar (trumpet), Carmen Staaf (piano), Barry Stephenson III (bass), and Bryan Carter (drums). A- [cd]

Paul Brusger: A Soul Contract (2022 [2023], SteepleChase): Bassist, several albums since 2000, mainstream quintet here with Eric Alexander (tenor/alto sax), Steve Davis (trombone), Rick Germanson (piano), and Willie Jones III (drums). B+(*) [sp]

Caporaso Ensemble: Encounter (2023 [2024], Psychosomatic): Guitarist André Caporaso, who has some records going back to 1984, leads a quintet with Jim Goetsch (soprano sax), David Strother (electric violin), Tony Green (bass), and Breeze Smith (drums). Effective fusion. B+(*) [cd] [04-26]

The Castellows: A Little Goes a Long Way (2024, Warner Music Nashville, EP): Three sisters from Georgetown, Georgia, last name Balkcom (Eleanor, Lily, and Powell), moved to Nashville, signed a contract, released two catchy singles late 2023, expanded into this 7-song, 22:10 mini-album. B+(**) [sp]

The Core: Roots (2022 [2024], Moserobie): Norwegian jazz group, founded 2001, released eight albums 2004-10, back for one more here. Saxophonist Kjetil Mřster is the best-known member, but Espen Aalberg (drums) wrote four (of six) pieces, with one each for Mřster and Steinar Raknes (bass), zero for Erlend Slettevoll (piano). Expansive, like Coltrane's legendary quartet. A- [cd]

Arnaud Dolmen/Leonardo Montana; LéNo (2023 [2024], Quai Son): French duo, Guadeloupian drummer and Brazilian pianist, "long-time collaborators," several separate albums each. I'm not seeing any other credits here, other than "chorus." The rhythm tracks sweep one along, the piano commenting thoughtfully. B+(**) [cdr]

Dave Douglas: Gifts (2023 [2024], Greenleaf Music): Trumpet player, one of the most acclaimed since the mid-1990s, I've often been unmoved by his albums but never doubted his chops, or his commitment to forming challenging groups. Here he adds James Brandon Lewis to a long list of heavyweight champ saxophonists, as well as two younger players we'll hear more from: Rafiq Bhatia (guitar) and Ian Chang (drums). Slips a four-song Billy Strayhorn medley as the sweet center of a sandwich of originals, blurring the edges so they all flow together. A- [cd]

Four + Six: Four + Six (2024, Jazz Hang): The Four is a saxophone quartet of Mark Watkins, Ray Smith, Sandon Mayhew, and Jon Gudmundson. Their names adorn the top border of the cover, so by one convention I often follow, I could have listed them for the artist credit, but then I should also follow the "Plus Six" named in the other borders, from left to bottom to right: Derrick Gardner (trumpet), Vincent Gardner (trombone), Corey Christiansen (guitar), Justin Nielsen (piano), Braun Khan (bass), Kobie Watkins (drums). But only three or four of those names ring a bell for me -- I'm a bit confused on my Gardners -- and I usually save the cover-listed instruments for the body. Saxophonist Mark Watkins composed and arranged this, upbeat, richly textured, superb big band lacking only the conventional brass overload. A- [cd]

Eric Frazier: That Place Featuring "Return of the Panther Woman" (2024, EFP Productions): Percussionist (congas here, trap drums, djembe, piano, tap dance elsewhere), sings, based in Brooklyn, website offers ten albums but Discogs comes up far short, at least under "(4)." His Carribbean funk is loosely engaging, Gene Ghee's sax helps, no complaints when a piano-conga duet stretches out. B+(***) [cd]

Kenny Garrett & Svoy: Who Killed AI? (2024, Mack Avenue): Alto/soprano saxophonist, a breakout star in the 1990s, back here with a duo with Russian electronica producer Mikhail Tarasov, who has several albums since 2005 (they seem to be most popular in Japan). Some vocals. Some interesting ideas that don't go very far. B+(**) [sp]

María Grand With Marta Sánchez: Anohin (2024, Biophilia): Saxophonist-vocalist from Switzerland, based in New York, fourth album since 2017, a duo with the pianist. Emphasis is more on voice, but I prefer the saxophone. B+(*) [sp]

Frank Gratkowski/Ensemble Modern: Mature Hybrid Talking (2022 [2024], Maria de Alvear World Edition): German avant-saxophonist, many albums since 1991, plays flute and alto here, conducting the twelve-piece chamber jazz group -- flute/clarinet/oboe/bassoon, trumpet/trombone, piano, violin/cello/bass, no drums -- through the single 45:08 composition. B+(**) [sp]

Noah Haidu: Standards II (2023 [2024], Sunnyside): Piano trio, with Buster Williams (bass) and Billy Hart (drums), following up on their 2023 album, itself preceded by a 2021 Keith Jarrett tribute. B+(**) [cd]

Alexander Hawkins/Sofia Jernberg: Musho (2023 [2024], Intakt): British pianist, rather prolific since 2011, accompanies the Ethiopian-born but (sources agree) Swedish jazz singer, most often showing up with avant-leaning groups like Fire! Orchestra and Koma Saxo. Has some moments, but mostly fairly arch art song. B+(*) [sp]

Ill Considered: Precipice (2024, New Soil): British group, dozen-plus albums since 2017, looks like this iteration is back-to-basics, with just sax (Idris Rahman), bass (Liran Donin), and drums (Emre Ramazanoglu). B+(***) [sp]

Matt Lavelle/Claire Daly/Chris Forbes: Harmolodic Duke (2023, Unseen Rain): Trumpet player, credits start in 2001, including large groups led by Butch Morris and William Parker, developed bass clarinet as a second instrument, plays alto and piccolo clarinet here, with Daly on baritone sax and Forbes on piano. Did a Harmolodic Monk album in 2014, again the aim here is to put an Ornette twist on a classic. Needs more study than I can muster, or more swing than they're willing to allow. B+(**) [sp]

Matt Lavelle: In Swing We Trust (2022, Unseen Rain): Trio, names below the title are Phil Sirois (bass) and Tom Cabrera (drums), so this has rhythm even if it is somewhat at odds with what I think of as swing. Lavelle plays trumpet, bass and E-flat piccolo clarinets. B+(**) [sp]

Matt Lavelle: The House Keeper (2022 [2023], Unseen Rain): Quintet, other names on cover mostly familiar from recent albums: Claire Daly (baritone sax), Chris Forbes (piano), Hilliard Greene (bass), Tom Cabrera (drums). B+(**) [sp]

Matt Lavelle & the 12 Houses: The Crop Circles Suite Part One (2022 [2024], Mahakala Music): Starting from an idea he first articulated in the 1990s, the trumpeter-composer describes this as his "life's work," or half of it anyway, the first six pieces in a 12-piece suite, with "Crop Circles 7-12" still in development. B+(***) [sp]

Andy Laverne: Spot On (2023 [2024], SteepleChase): Pianist, from New York, started with Woody Herman 1973, debut 1978, 36th album on this label, quartet with Mike Richmond (bass), Jason Tiemann (drums), and impressive newcomer Ben Solomon (tenor sax). B+(**) [sp]

Shawn Maxwell: J Town Suite (2023 [2024], Cora Street): Alto/soprano saxophonist (also flute), seventh album since 2005, this one backed by electric bass, keyboards, and drums. Nice ending. B+(**) [cd] [05-01]

Ron McClure: Just Sayin' (2024, SteepleChase): Bassist, started in 1960s, has close to two dozen albums as leader, composed eight (of ten) songs here, a quartet with Anthony Ferrara (tenor sax), Michael Eckroth (piano), and Steve Johns (drums). Very solid mainstream outing, especially for Ferrara. B+(***) [sp]

Ava Mendoza/Dave Sewelson: Of It but Not Is It (2021-22 [2024], Mahakala Music): Duets, guitar and baritone sax, two Mendoza arrangements of William Parker lyrics, so voice too -- Sewelson a gruff blues declaimer, Mendoza adds some harmony and callback. B+(***) [sp]

Cornelia Nilsson: Where Do You Go? (2022-23 [2024], Stunt): Swedish drummer, based in Copenhagen, first album as leader, combines two trio sessions, one with pianist Aaron Parks, the other with tenor saxophonist Gabor Bolla, both with Daniel Franck on bass. Both sides are pretty impressive. B+(**) [sp]

The Michael O'Neill Sextet: Synergy: With Tony Lindsay (2021 [2024], Jazzmo): Saxophonist (tenor/soprano, bass clarinet), sextet with Erik Jekabson (trumpet), John R. Burr (piano), bass, drums, and extra percussion, swings, swaggers even, with Lindsay singing eleven songs -- a Burr original, some standards, three songs from Stevie Wonder, one from Bill Withers. B+(**) [cd]

Chuck Owen & Resurgence: Magic Light (2019-23 [2024], Origin): Pianist (also accordion and hammered dulcimer), based in Florida, started his Jazz Surge as a big band in 1995, this edition is slimmed down -- a no-brass sextet, with Jack Wilkins (sax), Sara Caswell (violin), Corey Christiansen (guitar), bass, and drums, plus Kate McGarry singing five (of eight) songs, the only non-original being the opener, "Spinning Wheel." B+(*) [cd]

Charlie Parr: Little Sun (2024, Smithsonian Folkways): Folk/blues singer-songwriter from Duluth, plays resonator guitar and banjo, couple dozen albums since 2002. B+(*) [sp]

Ivo Perelman Quartet: Water Music (2022 [2024], RogueArt): Avant tenor saxophonist from Brazil, started releasing albums in 1989, did a duo with pianist Matthew Shipp in 1996, and they've released scores of albums ever since, probably more than the years Lincoln counted at Gettysburg. Both not only play a lot together, they're happy to let others join in, especially when they contribute as much as Mark Helias (bass) and Tom Rainey (drums) do here. A- [cdr]

Ivo Perelman/Chad Fowler/Reggie Workman/Andrew Cyrille: Embracing the Unknown (2024, Mahakala Music): Tenor sax, stritch/saxello, bass, and drums. B+(**) [sp]

Ivo Perelman/Barry Guy/Ramon Lopez: Interaction (2017 [2024], Ibeji Music): Tenor sax, bass, drums/tabla. An exceptionally fine outing for the saxophonist, divided into two parts (73:52 + 55:18). A- [dl]

Ivo Perelman/Mark Helias/Tom Rainey: Truth Seeker (2022 [2024], Fundacja Sluchaj): Tenor sax/bass/drums trio, his ideal format (apologies to Shipp), especially when he gets a bassist this remarkable. A- [dl]

Ivo Perelman/Tom Rainey: Duologues 1: Turning Point (2024, Ibeji Music): Tenor sax and drum duets, seven unnamed files, no telling how many more "duologue" albums are planned. B+(***) [dl]

Rich Perry: Progression (2022 [2023], SteepleChase): Tenor saxophonist, from Cleveland, mainstream, regular albums since 1993, quartet here with Gary Versace (piano), Jay Anderson (bass), and John Riley (drums). B+(**) [sp]

PNY Quintet: Over the Wall (2022 [2024], RogueArt): Free jazz meeting in France: Steve Swell (trombone), Rob Brown (alto sax), Michel Edelin (flutes), Peter Giron (bass), John Betsch (drums). Most brought songs, and the rest they improvised. B+(**) [cdr]

Dave Rempis/Pandelis Karayorgis/Jakob Heinemann/Bill Harris: Truss (2023 [2024], Aerophonic/Drift): Alto/tenor/baritone saxophone, with piano, bass, and drums. Two long pieces. I've grown accustomed to the free jazz thrash, finding it both stimulating and relaxing, heightened, of course, by the fascinating various stretches of foreplay. A- [cd] [04-23]

Ride: Interplay (2024, Wichita): English shoegaze band, four albums 1990-96, third album since they regrouped in 2017. B+(*) [sp]

Angelica Sanchez/Chad Taylor: A Monster Is Just an Animal You Haven't Met Yet (2023 [2024], Intakt): Piano and drums duo. B+(***) [sp]

Marta Sanchez Trio: Perpetual Void (2023 [2024], Intakt): Spanish pianist, based in New York, albums since 2008, trio here with Chris Tordini (bass) and Savannah Harris (drums). B+(***) [cd]

Radam Schwartz: Saxophone Quartet Music (2023 [2024], Arabesque): Keyboard player, mostly organ, first album 1988, second on Muse 1995, maybe a half-dozen approximately soul jazz albums since. This one is something else, with Schwartz not playing but arranging for a saxophone quartet (Marcus G Miller, Irwin Hall, Anthony Ware, Max Schweber), with isolated guest spots (guitar, vocal, percussion). Starts off delightful, mixes it up from there, ends with "My Ship." A- [cd] [05-01]

Shabaka: Perceive Its Beauty, Acknowledge Its Grace (2022 [2024], Impulse!): British saxophonist Shabaka Hutchings, parents from Barbados, bills this as "his solo debut album," but I've counted one previous one as Shabaka (now deemed an EP, at 28:36), two as Shabaka & the Ancestors, plus his dominant presence in groups Sons of Kemet, Melt Yourself Down, and The Comet Is Coming. Limits his tenor sax here to one track, as he plays clarinet (3), shakuhachi (2), flute (6), and svirel (1), with a rotating cast of guests, leaning hard on the harps (Brandee Younger and Charles Overton), exotic instruments (André 3000, Rajna Swaminathan), electronics (Surya Botofasina, Floating Points), and spot vocalists (Elucid, Eska, Anum Iyapo, Laraaji, Lianne La Havas, Moses Sumney, Saul Williams). I'm tempted to slag this off as new agey, but it's not so bad B+(**) [sp]

Idit Shner & Mhondoro: Ngatibatanei [Let Us Unite!] (2023 [2024], OA2): Alto saxophonist, based in Oregon, as is her group, although they channel Zimbabwe, most directly through percussionist John Mambira (and vocal on the title cut), but with music far more universal. A- [cd]

Sarah Shook & the Disarmers: Revelations (2024, Abeyance): Grew up as a homeschooled fundamentalist in North Carolina, didn't turn out that way, fourth album, more rock than country. B+(**) [sp]

Skee Mask: ISS010 (2024, Ilian Tape): German techno producer Bryan Müller, from Munich, also released records as SCNTST (2013-18), title denotes 10th album in this series. Steady beats. B+(*) [sp]

Geoff Stradling & the StradBand: Nimble Digits (2023 [2024], Origin): Pianist, also plays electric and synths, leads a very raucous big band here with occasional extras (mostly Latin percussion) through nine originals plus "Poinciana." B+(***) [cd]

Jordan VanHemert: Deep in the Soil (2023 [2024], Origin): Alto saxophonist, Korean-American, based in Oklahoma, has several previous albums, leads a very flash all-star sextet of Terrel Stafford (trumpet), Michael Dease (trombone), Helen Sung (piano), Rodney Whitaker (bass), and Lewis Nash (drums), through two originals, two from the band, and four more or less standards. B+(**) [cd]

Recent reissues, compilations, and vault discoveries:

Chet Baker & Jack Sheldon: In Perfect Harmony: The Lost Album (1972 [2024], Jazz Detective): Two West Coast trumpet players, both sing sometimes -- Baker more often, or at least more famously, but I like Sheldon's extra swing -- backed by Jack Marshall (guitar), Dave Frishberg (piano), Joe Mondragon (bass), and Nick Ceroli (drums). Eleven tracks, 36:16. B+(**) [cd] [04-20]

John Coltrane Quartet + Stan Getz + Oscar Peterson: Live/Dusseldorf March 28, 1960 (1960 [2024], Lantower): Another live set from a much recorded European tour, the Quartet at this point with Wynton Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums). This sounds like Peterson dominates the piano (does Kelly even play?), while Getz is less imposing on tenor sax. B+(*) [r]

Franco & OK Jazz: Franco Luambo Makiadi Presents Les Editions Populaires (1968-1970) (1968-70 [2024], Planet Ilunga): Like James Brown, Franco's earliest recordings date from 1956, but he didn't really hit his stride until the 1970s, so this late-'60s compilation can still be considered early, rough, not quite ready, but it's pretty exciting nonetheless. Belgian label looks to have much more worth checking out. A- [bc]

Gush: Afro Blue (1998 [2024], Trost): Scandinavian trio -- Mats Gustafsson (reeds), Sten Sandell (piano), Raymond Strid (drums) -- mostly recorded 1990-99 with a couple later reunions. This one recorded live in Stockholm, with two variations of Sandell's "Behind the Chords" (27:22 + 18:53) and 19:17 of the Mongo Santamaria title song. B+(***) [bc]

Yusef Lateef: Atlantis Lullaby: The Concert From Avignon (1972 [2024], Elemental Music, 2CD): Tenor/soprano saxophonist (1928-2013), originally Bill Evans, one of the first major jazz figures to adopt a Muslim name and a pan-African worldview, also one of the first to incorporate flute as a major part of his sonic toolkit. Quartet with Kenny Barron (piano), Bob Cunningham (bass), and Albert "Tootie" Heath (drums). B+(**) [cd]

Merengue Típico, Nueva Generación! (1960s-70s [2024], Bongo Joe): From the Dominican Republic: "Curated by Xavier Daive, aka Funky Bompa, the compilation unveils rare '60s and '70s gems, providing a glimpse into a transformative period following the fall of the Trujillo regime." The genre dates back to the 19th century, when accordions came over on German trade ships. Just ten brief singles, 32:13, hard to resist, like polka or cajun played dizzyingly fast. A- [sp]

Austin Peralta: Endless Planets [Deluxe Edition] (2011 [2024], Brainfeeder): Jazz pianist, also plays soprano sax, regarded as a prodigy, moved from classical to jazz at 10, won a prize at 12, released his first album at 16, died at 22, a year after this third album, touted now as the first jazz release on the label (executive producer aka Flying Lotus). Hints at fusion but never gets too comfortable, repeatedly fracturing the rhythm, filling with Strangeloop electronics, and giving the saxophonists (Zane Musa and Ben Wendel) free reign. Adds a vocal by Heidi Vogel toward the end. Deluxe edition adds a second LP of variations -- doesn't add much, other than cost, but reminds us of the loss. A- [sp]

Rail Band: Buffet Hotel De La Gare, Bamako (1973 [2024], Mississippi): Band from Bamako in Mali founded 1970, lead singer to 1982 was Salif Keita, who went on to Les Ambassadeurs and a successful solo career, at least through 2018. The band carried on as Super Rail Band, but their 1970-83 period is best documented on three 2-CD Syllart/Sterns sets. Both Discogs and the label list this LP reissue as Rail Band, but Christgau reviewed it as Buffet Hotel de la Gare, which is how I parsed the cover, adding the smaller-print Bamako -- it is a venue they played regularly at -- but I stopped short of other splotches of print. A- [r]

Sonic Youth: Walls Have Ears (1985 [2024], Goofin'): Official release of a 1986 bootleg drawn from three UK concerts, situated between Bad Moon Rising and Evol -- in my database, their two weakest albums, well before the albums I took to be breakthroughs (Daydream Nation and Dirty). So, songwise, nothing here rings a bell, but soundwise, which is what really matters with them, it's mostly here, and there are really terrific stretches -- basically, any time they real momentum going, especially when Kim Gordon is on a rant. B+(***) [sp]

Sun Ra: At the Showcase: Live in Chicago 1976-1977 (1976-77 [2024], Jazz Detective, 2CD): Two shows, long on their space shtick, judging from audience response must have been much more fun to witness than they are to listen to now. Your mileage may vary, but in my favorite Sun Ra discs the groove finds some miraculous way to escape Earth's gravity. This feels more like a revival, which can be tough on non-believers. B+(*) [cd]

Art Tatum: Jewels in the Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings (1953 [2024], Resonance, 3CD): Legendary pianist (1909-56), remarkable facility -- a friend noted that he often sounds like three guys playing at once -- starting with his 1933 solos (later collected as Piano Starts Here) up to the remarkable series recorded by Norman Granz from 1953-56, later boxed up as The Tatum Solo Masterpieces and The Tatum Group Masterpieces -- the latter's session with Ben Webster is an all-time favorite. These sets are mostly trio, with Everett Barksdale (guitar) and Slam Stewart (bass), occasionally dropping down to solo. I wouldn't rate this among his very best work, with the later sets going through his trademark motions, but the first disc is a real delight. A- [cd]

Mal Waldron/Steve Lacy: The Mighty Warriors: Live in Antwerp (1995 [2024], Elemental Music, 2CD): Piano and soprano sax giants, often played as a duo, but are joined here by Reggie Workman (bass) and Andrew Cyrille (drums), who are precisely the rhythm section one might pray for. Long pieces, timed for four 23-25 minute LP sides, the two shorter ones Monk covers, a shared bond. A- [cd]

Old music:

Billy Boy Arnold/Jimmy McCracklin/Charlie Musselwhite/Christian Rannenberg With Keith Dunn/Henry Townsend with Ben Corritore: The Walter Davis Project (2013, Electro-Fi): Davis (1911/1912-63) was a blues pianist-singer, born in Mississippi, ran off to St. Louis, left a bunch of unrecorded songs, featured here. Rannenberg produced, with Arnold singing nine (of 18) songs. B+(***) [sp]

Walter Davis: Volume 1: 2 August 1933 to 28 July 1935 (1933-35 [1994], Document): Blues singer-songwriter, born in Mississippi, ran away to St. Louis, started singing with Roosevelt Sykes and Henry Townsend, taught himself piano, and wound up recording 150 songs from 1933-52, available on seven CDs on this Austrian label, with selections on various other labels (all in Europe; I don't think RCA has touched him since 1970's Think You Need a Shot, but even that was only released in UK and France). Scratchy masters, par for the course with this label, but at least they give you dates and credits: note that Sykes plays piano on 1-15, Davis 16-25, with Townsend and/or Big Joe Williams on guitar. B+(***) [sp]

Walter Davis: Volume 2: 28 July 1935 to 5 May 1937 (1935-37 [1994], Document): Hitting his stride here, his piano is serviceable but lacks the sparkle of Sykes, his vocals and songs credible and easy to listen to, but he rarely rises to the level of Tampa Red or Big Bill Broonzy, to cite two comparable but often superior artists. B+(**) [sp]

Walter Davis: Volume 3: 5 May 1937 to 17 June 1938 (1937-38 [1994], Document): Not sure whether he's running out of steam, or I am. B+(*) [sp]

Walter Davis: Volume 4: 17 June 1938 to 21 July 1939 (1938-39 [1994], Document): From "Good Gal" to "Love Will Kill You." B+(*) [sp]

Walter Davis: Volume 5: 21 July 1939 to 12 July 1940 (1938-39 [1994], Document): Eight tracks in the middle here have Davis playing piano behind Booker T. Washington -- his entire Bluebird output, just short two 1949 tracks from being his complete works. The fit is pretty seamless. B+(**) [sp]

Walter Davis: Volume 6: 12 July 1940 to 12 February 1946 (1940-46 [1994], Document): Three sessions up to 5 December 1941, a long break, then picks up one track from 1946. B+(**) [sp]

Walter Davis: Volume 7: 12 February 1946 to 27 July 1952 (1946-52 [1994], Document): Three more tracks from 1946, four more from 1947, more sessions from 1949-50, and one last one in 1952, just before his career was ended by a stroke, not long after he turned 40 (he died a decade later, in 1963). B+(**) [sp]

Walter Davis Trio: Illumination (1977, Denon Jazz): Jazz pianist (1932-90), not related to the blues pianist, played with Dizzy Gillespie (1956-57) and Art Blakey (1959-61), led one Blue Note album in 1959 as Walter Davis Jr. (Davis Cup, with Donald Byrd and Jackie McLean). Resumed his career with this second album, mostly trio with bass (Buster Williams) and drums (Art Blakey or Bruno Carr), plus flute (Jeremy Steig) on one track. B+(*) [sp]

Walter Davis Jr. Trio: Scorpio Rising (1989, SteepleChase): Last album, a piano trio with Santi Debriano (bass) and Ralph Peterson (drums), the title song an original from his 1977 album, with two more originals plus three standards. B+(**) [sp]

Hazel Dickens & Alice Gerrard: Who's That Knocking? (1965 [2022], Smithsonian/Folkways): Bluegrass singers, first album, Dickens (1925-2011) is the real deal from West Virginia, father a banjo-playing Baptist minister, most of her six brothers coal miners. Gerrard (b. 1934) came out of Seattle, got into folk music at Antioch College, moved to DC and joined Dickens and future husband Mike Seeger in the Strange Creek Singers. Only knock I have against this is that all 15 songs, plus 11 more (including some of their best), have long been available on CD as Pioneering Women of Bluegrass, but if you gotta have vinyl, this should suit you well. B+(***) [sp]

Hazel Dickens & Alice Gerard: Won't You Come and Sing for Me (1973 [2022], Smithsonian/Folkways): Their second Folkways album together, came out the same year as one on Rounder called Hazel & Alice which I've long regarded as their best. This opens very strong. A- [sp]

Radam Schwartz: Two Sides of the Organ Combo (2017 [2018], Arabesque): Organ player, albums (but not many) from 1988, divides this into a "smooth side" and a "groove side": the former with vibes (Bryan Carrott), tenor sax (Mike Lee), and drums (Andrew Atkinson); the latter with trumpet (Marcus Printup), alto sax (Anthony Ware), guitar (Charlie Sigler), and drums (Atkinson again). B+(**) [sp]

Sonic Youth: Confusion Is Sex (1983, Neutral): I paid them no mind until Christgau warmed up to them on Sister (1987), after badmouthing their debut EP (C), this initial album (C+), and more (rising to B+ for Evol, which I guess I did check out, registering a B- in my database -- my grades continued to trail his, until they matched on Daydream Nation, and I liked Dirty even more). But when I finally did give the debut a chance -- in a 2006 reissue that was more bonus tracks than not -- I was impressed enough for B+(***). And with the newly-reissued 1985 bootleg (an A-, per Christgau) sounding pretty good, I figured it's time to fill in the holes, at least in their studio discogrpahy. (I can't see myself going through their dozens of live archives, but Joe Yanosik did, so maybe I'll get to a couple more.) They now seem to have had a pretty good idea of how they wanted to sound from the beginning, but without much sense of how to form that sound into songs. The Kim Gordon vocals work a bit better, and they get a freebie with the Stooges cover. B+(**) [sp]

Sonic Youth: Kill Yr Idols (1983, Zensor, EP): Four-track EP (20:58), recorded live at the Plugg Club in NYC, released in Germany, later tacked onto DGC's CD reissue of Confusion Is Sex, where it's quite at home. B+(**) [sp]

Sonic Youth: Bad Moon Rising (1985 [1986], Blast First): Second studio album, originally an 8-track LP (37:09), CD a year later added 4 bonus tracks (15:01), mostly dead weight, but the album already had a lot of that. B [sp]

Sonic Youth: Anagrama/Improvisation Adjoutée/Tremens/Mieux: De Corrosion (1997, SYR, EP): First in a series of self-released experimental asides, four tracks, 22:35. B+(*) [r]

Sonic Youth: Slaapkamers Met Slagroom/Stil/Herinneringen (1997, SYR, EP): Three tracks, 28:30, title translates from Dutch as "bedrooms with whipped cream." B+(*) [r]

Sonic Youth: Live in Los Angeles 1998 (1998 [2019], Sonic Youth Archive): Cover says "Los Angeles, CA * Veterans Wadsworth Theatre * May 28, 1998," but we'll go with the more economical Bandcamp title. This is the one archive title that Christgau reviewed after Joe Yanosik compiled his consumer guide to the whole archive, so seems like the obvious place to dip into, "standing on the shoulders of giants," etc. Context is between A Thousand Leaves and NYC Ghosts and Flowers, both A- in my book, but not albums I have much recollection of -- I wonder if by this point their sound hadn't become so comfortable any iteration would suffice. Starts with "Anagrama," which remains a warm-up exercise, and meanders a fair bit, but packs multiple high points, which prove how terrific they could be. B+(***) [bc]

Sonic Youth: The Destroyed Room: B-Sides and Rarities (1994-2003 [2006], DGC): Opens with a 10:22 outtake from Sonic Nurse, closes with the "full version" (25:48) of of a track cut down to 19:35 on Washing Machine. Pretty trivial, but as someone who used to play "Sister Ray" to calm his nerves, I can't completely dismiss the latter. B+(*) [r]

Unpacking: Found in the mail:

  • Karrin Allyson: A Kiss for Brazil (Origin) [05-17]
  • John Ambrosini: Songs for You (self-released) [06-01]
  • Roxana Amed: Becoming Human (Sony Music Latin) [05-02]
  • Isrea Butler: Congo Lament (Vegas) [06-01]
  • Caporaso Ensemble: Encounter (Psychosomatic) [04-15]
  • Carl Clements: A Different Light (Greydisc) [05-23]
  • Coco Chatru Quartet: Future (Trygger Music) [lp] [03-28]
  • Devouring the Guilt: Not to Want to Say (Kettle Hole) [06-08]
  • John Escreet: The Epicenter of Your Dreams (Blue Room Music) [06-07]
  • Ethel & Layale Chaker: Vigil (In a Circle) [05-17]
  • Layale Chaker & Sarafand: Radio Afloat (In a Circle) [05-17]
  • Galactic Tide Featuring Andy Timmons: The Haas Company Vol. 1 (Psychiatric) [06-01]
  • Phillip Golub: Abiding Memory (Endectomorph Music) [06-21]
  • Jake Hertzog: Longing to Meet You (self-released) [06-01]
  • The Bruce Lofgren Group: Earthly and Cosmic Tales (Night Bird) [06-01]
  • Bruno Rĺberg Tentet: Evolver (Orbis Music) [06-01]
  • Jason Robinson: Ancestral Numbers (Playscape) [05-14]
  • Marta Sanchez Trio: Perpetual Void (Intakt) [04-19]
  • Radam Schwartz: Saxophone Quartet Music (Arabesque) [05-01]
  • Luke Stewart Silt Trio: Unknown Rivers (Pi) [05-03]
  • Natsuki Tamura/Jim Black: NatJim (Libra) [05-17]
  • Amber Weekes: A Lady With a Song: Amber Weekes Celebrates Nancy Wilson (Amber Inn) [06-01]
  • Randy Weinstein: Harmonimonk (Random Chance) [05-15]
  • Christopher Zuar Orchestra: Exuberance (self-released) [05-11]

Ask a question, or send a comment.

Sunday, April 28, 2024

Speaking of Which

I started working on this around Wednesday, April 17, anticipating another long and arduous week. But I thought I'd be able to get in a Book Roundup before posting, so I numbered my draft files accordingly. When that didn't happen (which was like the second or third week in a row), I decided to hold back Speaking of Which and Music Week until I posted the Book Roundup. That turned out to be Thursday, April 25. This draft has picked up a few new pieces along the way, but I'm only getting back to it in earnest on April 26.

I thought then I might try to wrap it up in a day, but was soon overwhelmed by all the new material I had missed. So now it's slipped to Sunday, making this a two-week compilation, but at least putting me back on the usual schedule. Another thought I had on resuming was that I should write an introduction to summarize my main points. Probably too late to do anything like that this week, but over the last couple days, I've expanded on many of these pieces where the articles seemed to call for it. So I'll leave it to you to fish out the essential summaries.

I decided to push this out Sunday evening, even though I didn't quite manage to hit all the sources I wanted. Perhaps I'll catch some misses on Monday, while I'm working on the also delayed Music Week. They'll be flagged, as usual, like this paragraph. (Note that my initial counts are about double typical weeks, which makes this easily the longest Speaking of Which ever. So while I've been slow posting, I haven't been slacking off.)

A few noted tweets:

  • Tanisha Long: Nothing radicalizes a generation of debt burdened young people like sending 26 billion dollars to fund a genocidal terror state.
    [To which, The Debt Collective added]: Telling generations of young people that there isn't enough money for free college or free healthcare and then spending billions to commit the gravest assault on Gaza really does elicit a very particular type of rage.

  • Robert Wright: [Reacting to headline: Democrats Upbeat After Sudden Wins on Ukraine and Auto Worker] This is naive. The only way the Ukraine funding becomes a political asset for Biden is if there's a peace deal before November. Otherwise Trump has him right where he wants him: spending tax dollars on an endless war.

  • Tony Karon: [Commenting on a Jewish Voice for Peace tweet] Shkoyach! It's actually anti-Semitic to conflate Jews with Israel - all my adult life I've been an anti-Zionist Jew, because I want no part of an apartheid state whose existence is based on sustained racist violence on the people it displaced and subordinated.

    Some who've been raised to put a blue-and-white calf above Jewish values now dread Israel being recognized as a genocidal apartheid state. They're not unsafe, they're uncomfortable. But 10000s of Jews stand up for Palestinian freedom - because it's the Jewish thing to do.

    [Tweet links to their statement: We're fighting to stop a genocide. Slanders against our movements are a distraction.]

  • Nathan J Robinson: Joe Biden might want to read about what happened to one of his Democratic predecessors who also presided over a war unpopular with young people and had a party convention scheduled in Chicago.

  • Max Blumenthal: Genocide friendly gentile gov Greg Abbott swore allegiance to a foreign apartheid state
    UT students are under occupation
    [photo of Abbott in wheelchair with kippah prostrating himself to the temple wall is emblematic of America's political class; I still have to ask, why does this play so well to basically antisemitic Christian nationalists?]

  • Greg Sargent: Agree with this from @lionel_trolling: Trump's trial "cuts him down to size" and reveals him as "a common, banal criminal."
    FWIW, we did a pod episode with polling on how the trial makes Trump look "grubby" and "small" and why this wrecks his aura.

    In the criminal trial in Manhattan and the Supreme Court oral arguments, the two different sides of Donald Trump are fully on display. On the one hand, in Alvin Bragg's criminal trial, we have Trump-in-himself: he's a petty conman, a quasi-gangster, who lives in a world of pornstars and pay offs to tabloids. There he's an old man who is falling asleep in court. And maybe not because he's aging either: the Trump trial is actually kind of boring; it's quotidian sleaze that can't break through the news about Gaza and the student protests. People have criticized Bragg's decision to prosecute Trump, but it occurred to me that maybe there's a quiet brilliance in the move; it cuts Trump down to size and shows him to the world to be just what he is: a common, banal criminal. It even made me wonder at the wisdom of my insistence on Trump's fascistic qualilties. Does not that just add to his myth? Perhaps he is just kind of a nothing.

    There is no reason to think Trump's trial helps him outside his MAGA base.
    "He is not the alpha. He is falling asleep. HE is subjected to censure," says @anatosaurus. He looks "small" and his conempt for the law . . .

  • Ryan Grim: [commenting on an Ari Fleischer counterfactual that "If Students for Trump launched encampments at colleges . . . every student would be immediately arrested, discipline and the camps torn down"] If cops started beating up and arresting a bunch of college Trump supporters the left would probably chuckle at the irony but oppose the abuse and defend their basic rights. I certainly would do both, and that's ok.

Greg Magarian reports from Washington University, St. Louis:

If you've been wondering about the content of pro-Palestinian campus protests, I just got back from one. Things I did NOT hear or see: (1) Even the barest aspersion cast on Jewish people or any Jewish person. The only appearance of the word "Jew" or any variation thereon was as a self-identifier (e.g., "Jews Against Genocide"). (2) Even the barest deviation from peacefulness and good order. If you haven't been to a public protest, I can tell you that protest organizers know their work well. They're way too disciplined to indulge "rioting." (3) Anything that a reasonable person could construe as a call for violence against Israeli civilians. Resistance to occupation, Palestinian self-determination, anti-Zionism? Sure. Every human being has the right to speak up and out for their own aspirations. This movement is about equal Palestinian humanity -- no more, no less.

Magarian also posted this video and comment:

This is what my university did today. It was a peaceful protest. The university administration decided to respond with violence. Wash U's support for Israel has gotten much easier to understand: institutions that believe might makes right, that have no problem stomping on anyone who gets in their way, have to stick together.

Also see this post on St. Louis by Tinus Ritmeester (not sure how I got into the "with others" list, but thanks), which also includes a longer report from Megan-Ellyia Green.

Also, note this protest sign: "Over 200 zip-tied Palestinians found executed in a hospital & you are upset at our protest???"

A Howard Zinn quote is making the rounds again: "They'll say we're disturbing the peace, but there is no peace. What really bothers them is that we are disturbing the war."

Initial count: 317 links, 15,302 words. Updated count [05-01]: 328 links, 16,177 words.

Top story threads:

Israel:

Israel vs. Iran:

Israel vs. world opinion: First, let's break out stories on the rising tide of anti-genocide protests on American university campuses:

  • Spencer Ackerman: [04-25] Now the students are "terrorists": "Politicians and administrators are playing the 9/11 Era hits against students protesting a genocide -- and want to badly to kill them."

  • Michael Arria:

  • Narek Boyajian/Jadelyn Zhang: [04-25] We are occupying Emory University to demand immediate divestment from Israel and Cop City.

  • Nandika Chatterjee: [04-16] Republican Senator Tom Cotton urges followers to attack pro-Palestine protesters who block traffic.

  • Fabiola Cineas: [04-18] Why USC canceled its pro-Palestinian valedictorian: "As the school year winds down, colleges are still grappling with student speech."

  • Julian Epp: [04-16] Campus protests for Gaza are proliferating -- and so is the repression.

  • Henry Giroux: [04-26] Poisoning the American mind: Student protests in the age of the new McCarthyism.

  • Luke Goldstein: [04-26] Pro-Israel groups pushed for warrantless spying on protesters.

  • Chris Hedges: [04-25] Revolt in the universities: Also note: [04-25] Princeton U. police stop Chris Hedges' speech on Gaza.

  • Caitlin Johnstone: [04-26] Will quashing university protests and banning TikTok make kids love Israel?

  • Sarah Jones:

  • Ed Kilgore: [04-26] The GOP is making campus protests a 2024 law-and-order issue: At last they've finally found a law that they want to enforce. And they sure aren't afraid of looking like authoritarian thugs in doing so. That's the rep they want to own.

  • Branko Marcetic: [04-24] Why they're calling student protesters antisemites: "They want us talking about anything other than the genocide in Gaza."

  • James North: [04-20] The media is advancing a false narrative of 'rising antisemitism' on campus by ignoring Jewish protesters.

  • Nushrat Nur: [04-20] Long live the student resistance: "University administrators fail to understand that student activists have glimpsed a remarkable future in which Palestinian liberation is possible. The Gaza Solidarity Encampment at Columbia University is an inspiration to stay the course." Or maybe they do understand, and just don't want to see it happen?

  • Andrew O'Hehir: [04-28] Columbia crisis: Another massive failure of liberalism: "Columbia's president capitulated to the right-wing witch hunt -- and only made things worse."

    I intend to work my way back around to the instructive case of Columbia president Minouche Shafik, who apparently believed she could galaxy-brain her way around the protest crisis -- and avoid the fate of ousted Harvard president Claudine Gay, among others -- by capitulating in advance to the House Republicans' witch-trial caucus, taking a hard line against alleged or actual antisemitism, and finally calling the cops on her own students. Spoiler alert: None of that was a good idea, and she probably didn't save her job anyway.

    When he returns to Shafik, he nominates her "if you wanted to choose one individual as the face of 'neoliberalism' for an encyclopedia netry." But more important is this:

    First of all, it's more accurate to say that the media-consuming public is riveted by the contentious political drama surrounding those scenes of campus discord than by the protests themselves, which are a striking sign of the times but hardly a brand new phenomenon. . . . It's also worth noting that America's extraordinary narcissism -- another quality shared across the political spectrum -- creates a global distortion effect whereby the deaths of at least 34,000 people in a conflict on the other side of the world are transformed into a domestic political and cultural crisis. Nobody actually dies in this domestic crisis, but everyone feels injured: Public discourse is boiled down to idiotic clichés and identity politics is reduced to its dumbest possible self-caricature.

    I hate the both-sides-ism here: I don't doubt the shared narcissism and symbol-mongering, but "on the other side of the world" a nation with a long history of racial/ethnic discrimination and repression has advanced to the systematic destruction of a large segment of its people -- the applicable legal term here is "genocide" on a level with few historical analogues. So the dividing line -- opposing the practice of genocide, or supporting it mostly by trying to obscure the issue -- is very real and very serious, even if none of the American protesters are living in terror of their own homes, food sources, and hospitals being bombed. Moreover, while Israel/Gaza may be literally as distant as Congo, Myanmar, or Ukraine, it is a lot closer emotionally, especially for American Jews, who are most sharply divided, but also for any American who believes in equal rights, in freedom and justice for all -- people who would normally support the Democratic Party, but now find themselves torn and ashamed by a President who seems aligned and complicit with the forces committing genocide.

  • Katherine Rosman: [04-26] Student protest leader at Columbia: 'Zionists don't deserve to live': "After video surfaced on social media, the student said on Friday that his comments were wrong." I dropped the name, because after the retraction, why should he have to live in Google fame forever just for a casual remark? But the New York Times considers this news, because it fits their mission as purveyors of Israeli lines, especially larded with further comments like "it's one of the more blatant examples of antisemitism and, just, rhetoric that is inconsistent with the values that we have at Columbia" and "there's a danger for all students to have somebody using that type of rhetoric on campus." Doesn't that just echo the official rationale for having all those students arrested?

    Personally, I would never think such a thing, much less say it, nor would most of the people offended enough by genocide to show up at a protest, but really who are we to make a major issue out of such sentiments? There's a Todd Snider lyric that captured a very common, if not quite ubiquitous, credo, which is "in America, we like our bad guys dead."

    If some guy goes berserk and starts shooting up a school or church, then is shot himself, we rarely count him among the victims. We have presidents who go order the assassination of prominent political figures, then go on TV and brag about their feats, expecting a bump in the polls. As for Israelis, they're clearly even more bloodthirsty than we are. But we should all drop whatever we're doing and condemn some guy who fails to empathize with people who are furthering genocide?

    We're fortunate so far that few people who oppose what Israel has been doing view its architects and enablers and fair-weather friends with anything remotely resembling the fear, loathing, and malice Israel has mustered. That's especially true in America, where so few of us are directly impacted, leaving us free to moralize as we may. But human nature suggests such luck won't hold. The longer this war, which is purely a matter of Netanyahu's choice, goes on, the more desperate become, the more despicable Israelis will appear, the more the violence they've unleashed, the more hatred will wash back on them. And when it does, sure, decry and lament those who fight back and their victims, but never forget who started this, who sustained it, and who could have stopped it at any point and started to make amends. (And surely I don't need to add that the bomb started ticking long before Oct. 7.)

  • James Schamus: [04-23] A note to fellow Columbia faculty on the current panic: "The current 'antisemitism panic' at Columbia University is manufactured hysteria weaponized to quell legitimate political speech on campus and give cover to the larger project of ethnic cleansing in the West Bank and, now, of course, Gaza."

  • Bill Scher: [04-25] The divestment encampments don't make any sense: "The demand that universities unload any investments having to do with Israel is half-baked and bound to fail." Really? Granted, the investment money at stake isn't enough to cause Israel to flinch, but the very idea that anyone -- much less elite institutions in Israel's most loyal ally -- would choose to dissociate itself from Israel on moral grounds is likely to sow doubt elsewhere. Otherwise, why would Israelis go into such a tizzy any time they hear "BDS"? But more importantly, divestment is a direct tie between the university and Israel, and one that can be discretely severed by university administrators who discover that doing so is in their best interest. Divestment gives protesters a tangible demand, and it is one that universities can easily afford, so it offers a chance for a win. Moreover, the dynamic is pretty easy to understand, because we've done this sort of thing before. The odds of success here are much better than anything you might get from trying to lobby your representative, or for boycotting a store that sells Israeli hummus. Also, this shows that students are still organizable (and on long-term, relatively altruistic grounds), probably more so than any other segment of society, despite generally successful efforts to reduce higher education to crass carreerism. Despite the dumb pitch, the article's back story on South Africa gives me hope. Sure, this generation of Israeli leaders is more Botha than De Klerk, but so was De Klerk until he realized that a better path was possible. That's going to be harder with Israel, mostly because they still think that what they're doing is working. The protests show otherwise, and the more successful they are, the better for everyone.

    [PS: Per this tweet, the philosophy department chair at Emory University says, "Students are the conscience of our culture."]

  • Matt Stieb/Chas Danner: [04-28] University protests: the latest at colleges beyond Columbia.

More on the Israel's propaganda front, struggling as ever to mute and suppress the world's horror at the genocide in Gaza and to Israel's escalation elsewhere from apartheid to state/vigilante terror.

  • Michael Arria:

  • Zack Beauchamp: [04-16] Tucker Carlson went after Israel -- and his fellow conservatives are furious: "Carlson mainstreamed antisemitism for a long time, and conservatives seemed not to care. Then he set his sights on Israel." When it comes to dunking on Carlson, I don't much care who does it:

    • Daniel Beaumont: [04-26] The Big Bang: Israel's path to self-destruction.

    • M Reza Benham: [04-26] Manipulation politics: Israeli gaslighting in the United States: "A country does not become cruel overnight. It takes intent, years of practice and strategies to effectively hide the cruelty." Dozens of examples follow, especially on Israel's master of American politicians. "Israeli gaslighting has reached into and exerted influence in almost every segment of American society. Consequently, Israel has grown into an entity unbound by borders, exempt from international law and able to commit genocide with impunity." Also note: "And while Israel continues its intense bombing in Gaza, Biden signed legislation on 24 April allocating another $26.4 billion for Tel Aviv to continue its atrocities."

    • Ronen Bregman/Patrick Kingsley: [04-28] Israeli officials believe ICC is preparing arrest warrants over war: "The Israeli and foreign officials also believe the court is weighing arrest warrants for leaders from Hamas." That would be consistent with past efforts to charge both sides with war crimes, but it opens up an interesting possibility, which would be for Hamas leaders to surrender to the ICC for trial, which would presumably protect them from Israeli assassination, and would largely satisfy Israel's demands that Hamas's leadership in Gaza be dismantled. It would also give them a chance to defend themselves in public court, where they could make lots of interesting cases. It would show respect for international law, even if it demands sacrifice. And it would put Israel on the spot to do the same. I'd like to see that.

    • Jonathan Chait: [04-17] Conservatives suddenly realize Tucker Carlson is a lying Russian dupe: "What changed?" I don't quite buy the idea that Carlson is a "Russian dupe" but he has so little redeeming social value that I don't care what you call him. Still, you have to wonder, when Israel starts losing the antisemites, what will they have left?

  • Jonathan Cook: [04-26] How an 'antisemitism hoax' drowned out the discovery of mass graves in Gaza.

  • Dave DeCamp:

  • Connor Echols: [04-24] Israel violating US and international law, ex officials say: "An independent task force has given a detailed report of alleged Israeli war crimes to the Biden administration."

  • Thomas L Friedman:

    • [04-26] Israel has a choice to make: Rafah or Riyadh: I suspect that most Israelis regard Friedman as nothing more than a "useful idiot," which is to say he's useful when he says what he's supposed to -- as when he repeated their "six front" theory in an attempt to entice Biden into launching a war of distraction with Iran -- and an idiot when he tries to think for himself and to offer them advice. [Cue famous Moshe Dayan quote.] This is an example of the latter, though you can hardly blame Friedman, since this is based on things he was told to think. Some day the relevant secrets will be revealed, and we'll all have a good laugh over how Trump and Biden got played over the Abraham Accords -- or how Kushner played everyone, since he wound up with billions of Saudi money for a deal that never had to happen. Israel never cared the least bit for any of them, but went along with Qatar and Morocco because they were totally harmless deals that cost them nothing and helped manipulate the Americans (much like their phony war with Iran, which the deals propose to turn into some grand alliance).

      The Saudis couldn't quite stoop that low because they still have some self-respect -- they are, after all, the trustees of Mecca and Medina -- but strung Kushner along with cash, and more generally the Americans with potentially lucrative arms deals. But if Friedman's choice is real, Israel would much rather demolish the last Palestinian city in Gaza, rendering it uninhabitable for whoever manages not to be killed in the process, than have a chance to play footsie with the decadent but despised Saudis. But they may also suspect it isn't really real, because it's always been so easy to manipulate the Americans and their Arab friends, who've always proved eager to accommodate whatever Israel wants.

    • [04-16] How to be pro-Palestinian, pro-Israeli and pro-Iranian. While the title suggests that Friedman might be capable of thinking creatively, searching out some kind of mutually beneficial win-win-win solution, pinch yourself. By "pro-Iranian" he means anti-Ayatollah, which is to say he's no more prepared to deal with the real Iran than Netanyahu and Biden are. And by "pro-Palestinian" he means totally domesticated under a fully compliant Palestinian Authority, as separate-and-unequal as any imaginary reservation. Sure, by "pro-Israeli" he probably means free of Netanyahu, but he'd be less of a stickler on that point.

  • Binoy Kampmark: [04-28] Israel's anti-UNRWA campaign falls flat.

  • Naomi Klein: [04-24] We need an exodus from Zionism: "This Passover, we don't need or want the false idol of Zionism. We want freedom from the project that commits genocide in our name." Klein spoke at a Passover seder in Brooklyn:

  • Alan J Kuperman: [04-16] Civilian deaths in Gaza rival those of Darfur -- which the US called a 'genocide'.

  • Judith Levine: [04-25] Why we need to stop using 'pro-Palestine' and 'pro-Israel': "The safety and security of Palestinians and Jews are interdependent, so we should use language carefully." Good luck with that. I know I try to be precise and respectful in my terminology, but it's always a struggle: we are necessarily talking about groups of people, despite every grouping, whether self- or other-identified, having exceptions and individual variations that undermine every attempt to generalize. At some point, you have to concede the impossibility of the task, and admit not just that the terms are imprecise but that we shouldn't put so much weight on them.

    I've considered writing an article on this: "Why I've never called myself 'pro-Palestinian,' but I don't care if you do." Part of what I feel here is that Palestinian nationalist groups, even ones nominally on the left, have a sorry history of ambition and exclusion which I've never approved of in principle, and have found to be counterproductive politically. But mostly, I don't trust any nationalism, even one that would presume to include me among the elect. (Although I've found that people who would divide us into nations will continue to subdivide so that only their own clique comes out on top, which somehow never saw me as fit for their supremacy.)

    On the other hand, I've never doubted that Palestinians should enjoy the same human rights as everyone else, provided they accord the same rights to others. But most people who describe themselves as pro-Palestinian believe exactly that. Their self-label is meant to convey solidarity with people they rightly see as oppressed, people they hope to advance not to dominance but to equal rights. I don't think that this is the clearest way of expressing their support, but who am I to object to such tactical quibbles? I felt much the same way when Stokely Carmichael started talking about Black Power. Sure, like all power, that could be abused, but for now the deficit was so great one had little to worry about. And the trust expressed would only help to build the solidarity the movement needed.

    By the way, see the Robert Wright article below for a story along these lines, where Norman Finkelstein suggests that when saying "From the river to the sea," it would be clearer and safer to say "Palestinians" will be free" instead of "Palestine." That makes sense to me, but as Wright noted, he was immediately followed by another speaker, who repeated the standard line and got bigger applause. I could see giving up after that, but isn't that the worst of all scenarios?

  • Sania Mahyou: [04-26] Inside the first French university encampment for Palestine at Sciences Po Paris.

  • Stefan Moore: [04-23] Israel's architect of ethnic cleansing: "The spectre of Yosef Weitz lives on." Now there's a name I know, but haven't heard of in a while. Weitz was head of the Land Settlement Department for the Jewish National Fund, which was the Zionist entity charged with buying up parcels of Palestinian land as Jewish immigrants sought to take over the country. In 1937, after the Peel Commission recommended that Palestine be partitioned with forced transfer, Weitz became head of the Jewish Agency's Population Transfer Committee, so he was the original bureaucratic planner of what became the Nakba.

  • Colleen Murrell: [04-26] How the Israeli government manages to censor the journalists covering the war on Gaza.

  • James North: [04-15] A secret internal 'NYTimes' memo reveals the paper's anti-Palestinian bias is even worse than we thought. North has been documenting reporting bias and outright propaganda in the NY Times long enough he can't possibly be as surprised, let alone shocked, as says. NY Times, regardless of pretensions to high-minded objectivity, has always been a party-line organ. Still, it's nice to be able to see explicit directions and reasoning on terminology, rather than just having to sniff out the distortions. For more on this, see the original leak story, and more:

  • Kareena Pannu: [04-17] How the UK media devalues Palestinian lives: "The UK media's coverage of the killing of World Central Kitchen workers shows how much Palestinian life is devalued."

  • Vijay Prashad: [04-24] Elites afraid to talk about Palestine: "The Western political class has used all tools at its disposal to support Israel's genocide while criminalizing solidarity."

  • Fadi Quran/Fathi Nimer/Tariq Kenney-Shawa/Yawa Hawari: [04-17] Palestinian perspectives on escalating Iran-Israel relations. Many interesting points here; e.g., from Kenney-Shawa:

    Iran's highly-choreographed attack achieved exactly what it intended, gaining valuable intel on Israeli, American, and regional air defense capabilities, costing Israel and its US benefactors over $1 billion in a single night, proving Israel's dependency on the US, and further eroding Israel's image of military invincibility. In doing so, Iran also sent a clear message that its drones and missiles could cause significantly more damage if launched without warning, while still preserving a window for de-escalation.

    Also, from Hawari:

    For Netanyahu, picking a fight with Iran was the only thing that could save him from near-certain political demise. As the Gaza genocide rages on, the Israeli military remains unable to secure its stated objective: the eradication of Hamas and the return of the hostages. This, in addition to the fact that he faces major corruption charges and overwhelming domestic opposition to his leadership, makes Netanyahu at his most dangerous.

    The Israeli prime minister has, for years, built his political career on arousing fear of Iran and its nuclear capabilities among the Israeli public. Internationally, the Israeli regime has long positioned itself as a Western bulwark against Iran and tied its security to that of Western civilization itself. Netanyahu has also exploited Palestine-Iran relations to justify Israel's continued oppression of the Palestinian people as a whole. This is a narrative that has particularly taken hold during since the start of the current genocide.

    This was published by Al-Shabaka, which bills itself as "the Palestinian Policy Network." Some other recent posts:

  • Balakrishnan Rajagopal: [01-29] Domicide: The mass destruction of homes should be a crime against humanity.

  • Jodi Rudoren: [04-05] Why an immediate ceasefire is a moral imperative -- and the best thing for Israel. Editor-in-chief of Forward, she's made some progress since her October 9, 2023 column, where she wrote: "The coming days and weeks will be awful. Israel has no good options." I don't mean to rub it in, but there was one good option back then. Give her credit for finding it eventually. Too many others are still pretending they can't do otherwise.

  • Robert Tait: [04-27] Sanders hits back at Netanyahu: 'It is not antisemitic to hold you accountable'. His own piece:

  • Philip Weiss:

  • Robert Wright: [04-26] This feels like Vietnam: I mentioned this piece under Levine above, for its discussion of language. The analogy to the Vietnam War protests has been noted elsewhere but is still has a long ways to go:

    The last two weeks have been more reminiscent of the Vietnam War era than any two weeks since . . . the Vietnam War era. After the mass arrest of students at Columbia University failed to squelch their anti-war protest encampment, the attendant publicity helped inspire protests, and encampments, at campuses across the country.

    We're nowhere near peak Vietnam. As someone old enough to dimly remember the protests of the late 1960s (if not old enough to have participated in them), I can assure you that college students are capable of getting way more unruly than college students have gotten lately.

    I can't do this subject justice here, so will limit myself to two points. One is that thanks to the AIPAC-dominated political culture in Washington, both parties are totally aligned with Israel, although few in either party did so from core beliefs. This matters little on the Republican side (where core beliefs tend to be racist, violent, and repressive), but leave Democrats more open to doubt and persuasion. Lacking any better political base, that's what demonstrations are good for, and why there's hope they may be effective. It's also worth noting that Occupy Wall Street, which was pretty explicitly anti-Obama but not in any way that could benefit the Republicans, had at least two major successes: one was popularizing the "1%" line to highlight inequality; the other was in making student debt relief a tangible political issue -- one that Biden has finally embraced.

    The other point is that it will be important both to the protesters and to the Democrats to keep the demonstrations focused and not allow the sort of descent into chaos that Republicans exploited with Vietnam. (And which, as we've already seen with Abbott in Texas, and with the recent anti-BLM police riots, they are super-psyched to exacerbate now.) I'm reminded here of Ben-Gurion's famous "we will fight the White Paper as if there is no war, and fight the war as if there is no White Paper." His tact allowed him to win both fights, which is to say he fared much better than Johnson and Daley did in 1968.

    Needless to say, there will be more pieces like this coming our way:

  • Dave Zirin: [04-26] How the US media failed to tell the story of the occupation of Palestine: Interview with Sut Jhally.

PS: For some reason I no longer recall, I happened to have had a tab open to a piece from Spiked, so I took a look at their home page. It seems to be a right-wing UK site -- Wikipedia traces its roots to "Living Marxism," but also also notes support from Charles Koch -- but whatever it's clearly in the bag for Israel now, with articles on: "Iran, not Israel, is escalating this war"; "Is it now a crime to be a Jew in London?"; "Hamas apologism has taken Australia by storm"; "The Islamo-left must be confronted"; as well as a lot of articles about "gender ideology" and "woke capitalism" and one on "Why humanity is good for the natural world." Right-wingers seem to be inexorably drawn to Israel.

America's increasingly desperate and pathetic empire:

Election notes:

Trump, and other Republicans: Trump's New York porn-star hush-money trial has started, so let's go there first:

More Republicans in the news (including more Trumps):

Biden and/or the Democrats:

  • Charles M Blow: [04-17] The Kamala Harris moment has arrived.

  • Gerard Edic: [04-23] Why is the Biden administration completing so many regulations? "The answer is the Congressional Review Act, which Republicans in a second Tumpp presidency could use to further attack the administrative state. Finalizing rules early protects them from this fate."

  • Jordan Haedtler/Kenny Stancil: [04-16] Democrats must start to distinguish themselves on insurance policy: "Amid a crisis for homeowners, Democrats have done little while Republicans pursue an agenda of bailouts and deregulation." I think, and not just due to climate change, insurance will become the number one political issue in America, as private industry is no longer able to charge enough to cover the necessary payouts (and still make the profits they expect).

  • Ed Kilgore: [03-18] This year's Democratic Convention won't be a replay of 1968: Didn't I say as much last week?

  • Paul Krugman:

    • [04-09] Stumbling into Goldilocks.

    • [04-23] Ukraine aid in the light of history: Compares the current vote to Lend-Lease in 1941, which most Republicans opposed before Pearl Harbor rallied them to war. Doesn't allow that they might have had good reasons for doing so, and accepts uncritically that Lend-Lease proved to be the right thing to do in 1941, implying that reasons then and there are still valid here and now. That case is pretty weak on almost every account, not that history between such unlike cases offers much guidance anyway.

    • [04-25] Can Biden revive the fortunes of American workers?: "He's the most pro-labor president since Harry Truman." I had to laugh at that one. Truman was very anti-union after the war ended in 1945, and his threats against strikers probably contributed to the debacle of 1946, which gave Republicans a majority in Congress, which (with racist southern Democrats) they used to pass Taft-Hartley over his veto. He recovered a bit after that, but no subsequent Democat made any serious efforts -- even when Johnson seemed to have a favorable Congress -- to reverse the damage. I'm not sure Krugman is technically wrong, but he's talking about slim margins at both ends.

  • Harold Meyerson: [04-15] Biden's Gaza policy could create a replay of Chicago '68: If Israel is still committing genocide in Gaza, Biden will certainly face (and deserve) protests, but will Chicago police riot again? -- that was, after all, the real story in 1968, and much of the blame there goes directly to Mayor Richard Daley.

  • Ahmed Moor: [04-17] As a Palestinian American, I can't vote for Joe Biden any more. And I am not alone: "The president's moral failure in Gaza has taken on historic proportions, like Lyndon Johnson's in Vietnam before him." I understand the sentiment, and I think Biden's team should take the threat of defections like this one -- and it's not just Palestinians who are thinking like that -- and get their act together. But come November, no one's just pro-Palestinian or pro-Israeli or any other single thing. Politics is complicated, and ideal choices are hard to come by.

  • Timothy Noah: Yes, Joe Biden can win the working-class vote.

  • David Smith: [04-28] 'Stormy weather': Biden skewers Trump at White House correspondents' dinner: One of the few favorable things I had to say about Trump's presidency is that he sidelined this annual charade of chumminess. And it's not like the White House press has been doing Biden many favors over the last three years. But I guess the material writers came up with this year was too good to miss?

Legal matters and other crimes:

Climate and environment:

Economic matters:

Russia/Ukraine War:

Around the world:

Taylor Swift: New album dropped, presumably a major event. I've been too busy to focus on it, but will get to it sooner or later.

Other stories:

Daniel Brown: [04-19] Oldest MLB player turns 100: Roomed with Yogi Berra, stymied Ted Williams: I clicked on this because I had to see who, after having noted the deaths of Carl Erskine (97) and Whitey Herzog (93) earlier in the week. And the answer is . . . Art Schallock! Not a name I recall, and I thought I knew them all (especially all the 1951-55 Yankees, although 1957 was the first year that actually stuck in my memory) Previous oldest MLB player was George Elder, and second oldest now is Bill Greason -- neither of them rings a bell either, but the next one sure does: Bobby Shantz!

Robert Christgau: [04-17] Xgau Sez: April, 2024: Perhaps because I'm disappointed I get so few questions my way, I thought I'd add a couple personal notes to his answers:

  1. I haven't actually read more Marx than Bob admits to here (at least not much more, and virtually nothing since I shifted focus circa 1975), so like him I'd refer inquisitive readers to the now quite long and deep tradition -- although at this point I'm not exactly sure where I'd start. (I started with historians like Eugene Genovese, art critics like John Berger, and economists like Paul Sweezy, followed by a lot of Frankfurt School, especially Walter Benjamin.) But his recommendation of Marshall Berman's Adventures in Marxism has me intrigued, so I think I'll order a copy. I have, but have never read, Berman's All That Is Solid Melts Into Air, which came out after I lost interest (long story, that), but has always struck me as the probably closest analogue to the book I sometimes imagined writing on Marx (had my career gone that direction: working title was Secret Agents, after a Benjamin quip about Baudellaire). But I did read, and much admired, Berman's first book, The Politics of Authenticity: Radical Individualism and the Emergence of Modern Society, which gets us at least half way there. (By the way, while I largely blanked out on Marxism after 1975, I broke the ice recently with China Miéville's A Spectre Haunting, which was like meeting up with an old friend.)

  2. Bob didn't search very hard for an answer to the question about "immediate astonishment" -- he checked off several 2023 records, then remembered two formative experiences from from sixty years earlier -- but had he consulted me, I could have reminded him of one: I was present when he opened and immediately played Marquee Moon, and I was even more impressed by the intensity of his reaction than I was by the music I was hearing. Although I had read much in the Voice about Television, I had never heard anything by them, so for me it took time to adjust.

    For me, the most obvious answer was another record I first heard in Bob's apartment: Ornette Coleman's Dancing in Your Head, which was an even more obviously perfect title than The Shape of Jazz to Come. As for real early records, which for me started around 1963, everything I bought was already baited with singles I already loved, but the first album side I really got into was on my fourth purchase, Having a Rave-Up With the Yardbirds -- the hits were on the first side, but I came to like the raves on the second side even more (above all the cover of "Respectable"). But I couldn't tell you if that was "instantaneous." I did buy Sgt. Pepper when it came out, with much hype but no presold singles, and I quickly came to love it as much as anyone else did.

  3. We didn't go to the 1994 Rhode Island festival, but Bob and Carola stayed with us in Boston before and after, so we were among the first to hear their unmediated reaction before it was sanitized for print. I've heard the Richie Havens dis so many times, both from Bob and from Laura Tillem, that I wondered whether they had shared the same traumatic concert experience, but she says not.

Tom Engelhardt: [04-21] A story of the decline and fall of it all. The editor-first, writer-as-the-occasion-arises, who has done more than anyone else over the last twenty years to help us realize that the American Empire is failing and floundering and never was all that useful let alone virtuous in the first place, has entered his 80s, feeling his own powers also dwindling, and growing more morose, as so many of us do. I'm tempted to quote large swathes of this article, but instead, let me do some editing (almost all his own words, but streamlined):

If Osama Bin Laden were still alive today, I suspect he would be pleased. He managed to outmaneuver and outplay what was then the greatest power on Planet Earth, drawing it into an endless war against "terrorism" and, in the process, turning it into an increasingly terrorized country, whose inhabitants are now at each other's throats.

As was true of the Soviet Union until almost the moment it collapsed in a heap, the U.S. still appears to be an imperial power of the first order. It has perhaps 750 military bases scattered around the globe and continues to act like a power of one on a planet that itself seems distinctly in crisis: a planet that itself looks as if it might be going to hell, amid record heat, fires, storms, and the like, while its leaders preoccupy themselves with organizing alliances and arming them for Armageddon.

It's strange to think about just how distant the America I grew up in -- the one that emerged from World War II as the global powerhouse -- now seems. Yet today, the greatest country on Earth (or so its leaders still like to believe), the one that continues to pour taxpayer dollars into a military funded like no other, or even combination of others, the one that has been unable to win any war of significance since 1945, seems to be coming apart at the seams, heading for a decline and fall almost beyond imagining.

I'm reminded here that Tom Carson, reviewing 1945 from the cusp of 2000, declared that the worst thing that ever happened to America was winning World War II. He might well have added that the second worst thing was the collapse of the Soviet Union: the essential ally in winning WWII, the opponent that allowed the Cold War to remain stable, and the void the US has spent thirty-plus years trying to fill in, and ultimately resurrect, with fantasies of imperial glory. I'd add that the third worst thing is the genocide in Gaza, where the Holocaust has returned in the form of America's spoiled, even more brattish and brutish Mini-Me.

Like Engelhardt, I've been fortunate to have lived my whole life in, and mostly conscious of, this arc. I'm a bit younger: I was born the week China entered the Korean War, ending the American advance and hopes of swift victory, so it was perhaps a bit easier for me to see that the remainder was all downhill. I was struck early on by the arrogance of power -- a familiar phrase even before William Fullbright used it as a book title -- and even earlier by the hypocrisy of the powerful. One of the first maxims I learned was "power corrupts, and absolute power corrupts absolutely." I was an introspective child, cursed with the ability to see deep into myself, and to approximate what others see, even over vast time and space. I was schizophrenic. I embraced radicalism, searching for roots, and found reason, a way of constructing frameworks for understanding. As a method, it was so incisive, so clear, so aware, that I had to put it aside for decades just to try to live a life, but it never left me, nor I it, as two decades of notebooks (most reorganized here) should attest.

Céline Gounder/Craig Spencer: [04-16] The decline in American life expectancy harms more than our health. Related:

  • Michael Hiltzik: [2023-04-05] America's decline in life expectancy speaks volumes about our problems. I may have cited this article before. The county map looks familiar. On a state level, lower average age of death lines up pretty close to Republican votes, although within those states, powerless Democratic enclaves (e.g., in Mississippi and South Dakota) are hit worst of all.

Constance Grady: [04-11] Why we never stopped talking about OJ Simpson.

John Herrman: [04-19] How product recommendations broke Google: "And ate the internet in the process." A long time ago, I put a fair amount of thought into what sort of aggregate information modeling might be possible with everyone having internet connections. Needless to say, nothing much that I anticipated actually happened, since business corruption crept into every facet of the process, making it impossible to ever trust anyone. It may look like the internet made us shallow and venal and paranoid, but that's mostly because those were the motivations of the people who rushed to take it over.

Jonathan Kandell: [04-19] Daniel C Dennett, widely read and fiercely debated philosopher, dies at 82: "Espousing his ideas in best sellers, he insisted that religion was an illusion, free will was a fantasy and evolution could only be explained by natural selection."

Whizy Kim: [04-17] Boeing's problems were as bad as you thought: "Experts and whistleblowers testified before Congress today. The upshot? "It was all about money."

Eric Levitz: I originally had these scattered about, but the sheer number and range suggested grouping them here.

  • [04-12] What the evidence really says about social media's impact on teens' mental health: "Did smartphones actually 'destroy' a generation?" Reviews Jonathan Haidt's book, The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness. Hard to say without not just having read the book but doing some extra evidence. Haidt seems like a guy who tries to look reasonable so he can sneak a conservative viewpoint in without it being dismissed out of hand. Levitz seems like a smart guy who's a bit too eager to split disputes down the middle. I suspect there are other factors at work that don't fit anyone's agenda.

  • [04-13] Don't sneer at white rural voters -- or delude yourself about their politics: "What the debate over "white rural rage" misses." Refers to the Tom Schaller/Paul Waldman book, White Rural Rage: The Threat to American Democracy, which has been much reviewed, including a piece cited here by Tyler Austin Harper: An utterly misleading book about rural America. Levitz makes good points, nicely summed up by subheds:

    1. Rural white people are more supportive of right-wing authoritarianism than are urban or suburban ones
    2. Millions of rural white Americans support the Democratic Party
    3. Rural white Republicans are not New Deal Democrats who got confused
    4. The economic challenges facing many rural areas are inherently difficult to solve.
    5. Most people inherit the politics of their families and communities

    Further reading here:

  • [04-19] Tell the truth about Biden's economy: "Exaggering the harms of inflation doesn't help working people."

  • [04-23] The "feminist" case against having sex for fun: "American conservatives are cozying up to British feminists who argue that the sexual revolution has hurt women."

  • [04-24] Trump's team keeps promising to increase inflation: "Voters trust Trump to lower prices, even as his advisers put forward plans for increasing Americans' cost of living." Four steps:

    1. Reduce the value of the US dollar
    2. Apply a 10 percent tariff on all foreign imports
    3. Enact massive, deficit-financed tax cuts
    4. Shrink the American labor force

Rick Perlstein:

  • [04-17] The implausible Mr Buckley: "A new PBS documentary whitewashes the conservative founder of National Review." Hard to imagine them rendering him even more white. Also on Buckley:

  • [04-24] My dinner with Andreessen: "Billionaires I have known." First of a promised three-part series, "because you really need to know how deeply twisted some of these plutocrats who run our society truly are." Then after sharing the story of their meeting, he concludes: "There is something very, very wrong with us, that our society affords so much pwoer to people like this."

Jeffrey St Clair: [04-19] Roaming Charges: How to kill a wolf in society.

Michael Tatum: Books read (and not read): First post on the author's new blog, "Michael on Everything." Nice supplement to my own last week Book Roundup, especially as he catches books I missed, and writes about them with much more care.

Astra Taylor/Leah Hunt-Hendrix: [03-12] What is solidarity and how does it work?: Introduction to the authors' book, Solidarity: The Past, Present, and Future of a World-Changing Idea. Related:

Li Yuan:

  • [04-08] What Chinese outrage over '3 Body Problem' says about China: "Instead of demonstrating pride, social media is condemning it." The review also inadvertently says much about America, like how we insist on cartoonishly simple framing of Chinese history, and how we insert more westerners into a Chinese story to make it more "relatable" and still expect them to be thankful for their leftovers. I'm critical enough of America's own chauvinists and sanitizers of history that I disapprove of the same things in other countries -- e.g., the Turkish taboo against so much as mentioning the Armenian genocide -- and I don't doubt that there is some of this same spirit in much of the Chinese reaction. But that hardly give us the right to dictate how they should view their own history, especially as we have so little sense of it.

  • [02-29] China has thousands of Navalnys, hidden from the public. Of this I have no doubt. Every political system, no matter how coercive, breeds its own dissent. Countries that tolerate and even encourage dissent are often better off, and tend to look down their noses at those who don't, but all countries adjust as they see fit. Unfortunately, many think they can solve their problems through repression, and we have no shortage of people who think like that in America.

Li Zhou: [04-18] Jontay Porter's lifetime NBA ban highlights the risks of sports gambling. Also, evidently, the lure. Jeffrey St Clair says: "People who watch NBA or NHL games are hit with as many as three gambling ads per minute."

Ask a question, or send a comment.

Thursday, April 25, 2024

Book Roundup

I've been doing these book roundups almost as long as I've been blogging. I've long held to the idea that the state of human knowledge is realized in books -- newspapers and magazines, and the less literary forms that proliferate on the internet may be ok for "first drafts," but to be taken seriously, one needs to put it into a more permanent format, secured both by and for time. So my idea here is to spend a few days looking around to see what's new or recent (or in some cases just new to me), then write up some notes, usually from reading blurbs and customer comments, often by looking at samples, and in very rare cases by actually reading the book.

This process often results in me buying and reading more books, but in most cases I figure the research itself is sufficient. There is an element of consumer guidance here, as I hope these lists will help you decide what to read (and what to skip), to the extent our interests intersect. Nearly everything below comes from history, philosophy, and/or social science (including economics), but especially where politics are involved. Those have been my dominant interests going back to the mid-1960s, and almost exclusively since 2000, when I lost my job as a software engineer and found myself with a lot of free time (mostly thanks to a hard-working and politically astute wife). Occasionally some other interest will sneak in -- I write a lot about music but don't read much, at least in book form; before 2000, I read a lot of popular science (making up ground for my lack of formal education) and business management (I kept on top of what my bosses were thinking), but even then I rarely read fiction, and see no way I can survey it now.

The format of late has been to do short blurbs for a batch of forty books each post, followed by a list of other things I felt like noting but not saying much about. I often wound up tacking "related" lists onto the top-forty, so that section started to sprawl. Last time (Sept. 23, 2023) I decided to contain the sprawl, and hopefully expedite the schedule, by cutting the top section down to 30, promising to drop down to 20 next time -- the hope there was to get posts out in a more timely fashion. But since I didn't, I figured I'd shoot for 30 this time, then upped it to 40, then added in a few more I figured were done enough to move out of the drafts file (where a couple hundred more rough drafts and briefly noted remain).

Pictures are books listed below that made it to my Recent Reading list (also including books I've ordered but haven't gotten into yet):

  • Ned Blackhawk: The Rediscovery of America
  • Linda Dittmar: Tracing Homelands
  • Leah Hunt-Hendrix/Astra Taylor: Solidarity
  • John B Judis/Ruy Teixeira: Where Have All the Democrats Gone?
  • Steven Kahn: Illiberal America
  • Shaul Magid: The Necessity of Exile
  • Tricia Romano: The Freaks Came Out to Write
  • Timothy Shenk: Realigners
  • Richard Slotkin: A Great Disorder

Here are 40+ more/less recent books of interest in politics, the social sciences, and history, with occasional side trips, and supplementary lists to group related titles:

Daron Acemoglu/Simon Johnson: Power and Progress: Our Thousand-Year Struggle Over Technology and Prosperity (2023, PublicAffairs): Acemoglu is an economist who does big picture studies of "the historical origins of prosperity, poverty, and the effects of new technologies on economic growth, employment, and inequality," often emphasizing the role of institutions (or their absence or shortcomings), as in two previous books with James Robinson: Why Nations Fail: The Origins of Power, Prosperity, and Poverty (2012), and The Narrow Corridor: States, Societies, and the Fate of Liberty (2019). Johnson is also an economist, formerly chief at the IMF, who with James Kwak wrote a bestseller, 13 Bankers (2010), about the 2008 financial meltdown. I tend to be skeptical of writers trying to work at this level, but the authors do seem to understand not just that technology is a powerful driving force, but that exactly where it takes us is subject to political choice -- if, that is, we have any choice in the matter. They open with a quote from Norbert Wiener (1949): "If we combine our machine-potentials of a factory with the valuation of human beings on which our present factory system is based, we are in for an industrial revolution of unmitigated cruelty. We must be willing to deal in facts rather than in fashionable ideologies if we wish to get through this period unharmed." I would suggest working on that second sentence a bit more, as facts are rarely recognized except through a haze of ideology, and what's fashionable often diverges from what one really needs.

Elliot Ackerman: The Fifth Act: America's End in Afghanistan (2022, Penguin): Former Marine, five tours in Iraq and Afghanistan, worked for CIA, has written several well-regarded novels, returned for the end and didn't like what he saw. This is much touted as a powerful work that is critical of all US administrations -- bear in mind that's not exactly the same thing as critical of the war they created -- but it strikes me as impossible for someone so deeply embedded to be able to see much beyond the battle lines.

  • Adam Wunische: Unwinnable Wars: Afghanistan and the Future of American Armed Statebuilding (paperback, 2024, Polity). Author has a long history as a military and CIA analyst, but also did some research at Quincy Institute, and admits that "armed statebuilding is overdetermined for failure."
  • Séamus Ó Fianghusa (Fennessy): The Pullout Sellout: The Betrayal of Afghanistan and America's 9/11 Legacy (paperback, 2021, Im Úr Blasta).

Tim Alberta: The Kingdom, the Power, and the Glory: American Evangelism in an Age of Extremism (2023, Harper): Shows how American evangelicals have embraced right-wing politics under the guise of Christian Nationalism, seeing Donald Trump as their savior and redeemer, through which God might bring the nation back to its intended state of grace. It's a very heady mix, ominous to anyone who just wants to get along in an increasingly complex and diverse society. Some related books (including some pushback):

  • Anthea Butler: White Evangelical Racism: The Politics of Morality in America (2021, The University of North Carolina Press).
  • Guthrie Graves-Fitzsimmons: Just Faith: Reclaiming Progressive Christianity (2020, Broadleaf Books).
  • Jack Jenkins: American Prophets: The Religious Roots of Progressive Politics and the Ongoing Fight for the Soul of the Country (2020; paperback, 2021, Harper One).
  • Kristin Kobes Du Mez: Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation (2020; paperback, 2021, Liveright).
  • Robert P Jones: The Hidden Roots of White Supremacy and the Path to a Shared American Future (2023, Simon & Schuster).
  • Sarah McCammon: The Exvangelicals: Loving, Living, and Leaving the White Evangelical Church (2024, St Martin's Press).
  • Elizabeth Neumann: Kingdom of Rage: The Rise of Christian Extremism and the Path Back to Peace (2024, Worthy Books).
  • Bradley Onishi: Preparing for War: The Extremist History of White Christian Nationalism -- and What Comes Next (2023, Broadleaf Books).
  • Jim Wallis: The False White Gospel: Rejecting Christian Nationalism, Reclaiming True Faith, and Refounding Democracy (2024, St Martin's Essentials).
  • NT Wright/Michael F Bird: Jesus and the Powers: Christian Political Witness in an Age of Totalitarian Terror and Dysfunctional Democracies (paperback, 2024, Zondervan).

Eric Alterman: We Are Not One: A History of America's Fight Over Israel (2022, Basic Books): "This book is a history of the debate over Israel in the United States." But has there really been a debate? I suspect that much in this book will come as news even to the American Jews and Evangelicals (presumably the subject of the chapter "Alliance for Armageddon") who most reflexively and vehemently cheer Israel. The "special relationship" of America for Israel -- an affection that is welcomed by Israelis but clearly not reciprocated -- desperately needs to be reexamined in light of the instant and unblinking rallying of virtually the entire American political class when Israel set on its course of genocide against Gaza.

Isaac Arnsdorf: Finish What We Started: The MAGA Movement's Ground War to End Democracy (2024, Little Brown): There is a large and growing shelf of books lamenting various threats to democracy (some of which I'll tack on here), but few get specific to the threat, even though their greatest fears are clearly articulated at every Trump rally. The problem is not some abstract threat to the cherished concept of democracy, but a specific political movement which seeks to seize power, by any means at its disposal, and to use that power to punish its enemies and to perpetuate itself. More books on various aspects of this:

  • Ari Berman: Minority Rule: The Right-Wing Attack on the Will of the People -- and the Fight to Resist It (2024, Farrar Straus and Giroux).
  • Joan Donovan/Emily Dreyfuss/Brian Friedberg: Meme Wars: The Untold Story of the Online Battles Upending Democracy in America (2022, Bloomsbury): Investigates how the right wing has weaponized social media, especially in their reduction of political argument to memes, where meaning is often reduced to tribal identity.
  • James Davison Hunter: Democracy and Solidarity: On the Cultural Roots of America's Political Crisis (2024, Yale University Press): Keywords fit here and/or under solidarity, but aims at deeper study of social mechanics rather than some activist agenda.
  • Robert Kagan: Rebellion: How Antiliberalism Is Tearing America Apart -- Again (2024, Knopf).
  • Steve Levitsky/Daniel Ziblatt: Tyranny of the Minority: Why American Democracy Reached the Breaking Point (2023, Crown). Authors of How Democracies Die (2018).
  • Barbara McQuade: Attack From Within: How Disinformation Is Sabotaging America (2024, Seven Stories Press).
  • David Neiwert: Red Pill, Blue Pill: How to Counteract the Conspiracy Theories That Are Killing Us (2020, Prometheus).
  • David Neiwert: The Age of Insurrection: The Radical Right's Assault on American Democracy (2023, Melville House).
  • Tom Nichols: Our Own Worst Enemy: The Assault From Within on Modern Democracy (2021, Oxford University Press): Professor at US Naval War College.
  • David Pepper: Saving Democracy: A User's Manual for Every American (2023, St Helena Press).
  • Brynn Tannehill: American Fascism: How the GOP is Subverting Democracy (2021, Transgress Press).
  • Miles Taylor: Blowback: A Warning to Save Democracy From the Next Trump (2023, Atria Books): The "senior Trump administration official" who published A Warning in 2019. Most of us worry more about This Trump.

Walter Benjamin: Radio Benjamin (paperback, 2021, Verso): Famous German literary critic (1892-1940), wrote and presented radio programs from 1927-33, bringing his insights and curiosity to the new medium. This gathers the surviving transcripts from his programs (424 pp).

Lauren Benton: They Called It Peace: Worlds of Imperial Violence (2024, Princeton University Press): Blurb suggests an alternate sub: "A sweeping account of how small wars shaped global order in the age of empires." "Small wars" is a term Max Boot popularized to describe conflicts where the US -- and Europe has many more examples -- attacked some relatively defenseless enclave, for plunder or punishment or sometimes it would seem simply for sport (as they sometimes put it: "butcher and bolt"). This offers a brief (304 pp) history of the violence committed in the name of empire: Chapter 1 is "From Small Wars to Atrocity in Empires." "Peace" is rarely more than post-facto rationalization, and more often than not dissolves into resistance and revolt, which has its own "small war" etymology ("guerilla warfare"). Benton has written a fair amount about empire:

  • Lauren A Benton: Invisible Factories: The Informal Economy and Industrial Development in Spain (1990, SUNY Press).
  • Lauren Benton: Law and Colonial Cultures: Legal Regimes in World History, 1400-1900 (2002; paperback, 2009, Cambridge University Press).
  • Lauren Benton: A Search for Sovereignty: Law and Geography in European Empires, 1400-1900 (paperback, 2009, Cambridge University Press).
  • Lauren Benton/Richard J Ross, eds: Legal Pluralism and Empires, 1500-1850 (paperback, 2013, NYU Press).
  • Lauren Benton/Lisa Ford: Rage for Order: The British Empire and the Origins of International Law, 1800-1850 (2016; paperback, 2018, Harvard University Press).
  • Lauren Benton/Bain Atwood/Adam Clulow, eds: Protection and Empire: A Global History (2017; paperback, 2018, Cambridge University Press).
  • Lauren Benton/Nathan Perl-Rosenthal, eds: A World at Sea: Maritime Practices and Global History (2020, University of Pennsylvania Press).

Vincent Bevins: If We Burn: The Mass Protest Decade and the Missing Revolution (2023, PublicAffairs): Journalist, has written for Washington Post and Financial Times [London], covering South America and Southeast Asia, has a previous book on the mass murder of leftists in Indonesia (The Jakarrta Method: Washington's Anticommunist Crusade and the Mass Murder Program That Shaped Our World). Major insight here is that the 2010s were a decade with massive protests all around the world -- Arab Spring, Turkey, Ukraine, Chile, Hong Kong are among the more famous -- that resulted in very little real change. The reasonable conclusion would be that the underlying problems are still festering, temporarily held in check by repressive measures that are likely to fail. Related:

  • Mark Engler/Paul Engler: This Is an Uprising: How Nonviolent Revolt Is Shaping the Twenty-First Century (2016; paperback, 2017, Bold Type).
  • Nadav Eyal: Revolt: The Worldwide Uprising Against Globalization (2021, Ecco; paperback, 2022, Picador).
  • Jade Saab: A Region in Revolt: Mapping the Recent Uprisings in North Africa and West Asia (paperback, 2020, Daraja Press).

Rachael Bitecofer: Hit 'Em Where It Hurts: How to Save Democracy by Beating Republicans at Their Own Game (2024, Crown). Democrats sorely need a hard-hitting political strategy book, which is what this one promises. Still, the two political parties are in many respects asymmetrical, and as such require different positions and therefore tactics. Democrats need to be able to solve problems and offer tangible returns to voters, where Republicans seem to be able to thrive on emotional appeals that only lead to counterproductive policies. Democrats need to be able to raise money, but cannot afford to be seen as corrupt, and need to garner massive support from voters who have little or no money to give. Still, Democrats need to be able to deliver at least some of the emotional satisfaction people seem to get from Republicans. One way to do that is to get nastier: to show that Republicans are crooked and deceitful and generally full of shit. Which really shouldn't be that hard for the party that believes in science, in reason, in truth, and in honest public service. More on the state of the Democrats:

  • Joshua Green: The Rebels: Elizabeth Warren, Bernie Sanders, Alexandria Ocasio-Cortez, and the Struggle for a New American Politics (2024, Penguin Press). Green previously reported on the Republicans in Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency (2017).
  • Ryan Grim: The Squad: AOC and the Hope of a Political Revolution (2023, Henry Holt).
  • John B Judis/Ruy Teixeira: Where Have All the Democrats Gone? The Soul of the Party in the Age of Extremes (2023, Henry Holt): The guys who promised you an "emerging Democratic majority" now promise you . . . more heartbreak.
  • Lainey Newman/Theda Skocpol: Rust Belt Union Blues: Why Working-Class Voters Are Turning Away From the Democratic Party (2023, Columbia University Press).
  • Hunter Walker/Luppe B Juppen: The Truce: Progressives, Centrists, and the Future of the Democratic Party (2024, WW Norton).

Ned Blackhawk: The Rediscovery of America: Native Peoples and the Unmaking of US History (2023, Yale University Press): A prize-winning revision of American history turning on relations with the continent's native population, from the first Spanish encounters to the "Cold War Era." This story has most often been brushed aside in large-scale historical studies, but has a lot to say about what kind of people we were, and what kind we have become. Also:

  • Kathleen DuVal: Native Nations: A Millennium in North America (2024, Random House): Big book (752 pp), vast scope.

Andy Borowitz: Profiles in Ignorance: How America's Politicians Got Dumb and Dumber (2022, Avid Reader Press/Simon & Schuster): Satirist, for years now has paddled desperately trying to stay ahead of reality, but succumbs here, writing about "The Three Stages of Ignorance." Or, as he explains: "Over the past fifty years, what some of our most prominent politicians didn't know could fill a book. This is that book."

Daniel Boyarin: The No-State Solution: A Jewish Manifesto (2023, Yale University Press): A professor of Talmudic Studies, the author tries to reconcile the justice sought by his religion with the power sought by the Israeli state, and cannot, leading him to reject the state, and to reexamine the "Jewish question" that some of his co-religionists tried to solve with Zionism. Also on Zionism and its discontents:

  • Noah Feldman: To Be a Jew Today: A New Guide to God, Israel, and the Jewish People (2024, Farrar Straus and Giroux).
  • Geoffrey Levin: Our Palestine Question: Israel and American Jewish Dissent, 1948-1978 (2023, Yale University Press).
  • Shaul Magid: The Necessity of Exile: Essays From a Distance (paperback, 2023, Ayin Press).
  • Atalia Omer: Days of Awe: Reimagining Jewishness in Solidarity With Palestinians (paperback, 2019, University of Chicago Press).
  • Derek J Penslar: Zionism: An Emotional State (paperback, 2023, Rutgers University Press).
  • Rebecca Vilkomerson/Alissa Wise: Solidarity Is the Political Version of Love: Lessons From Jewish Anti-Zionist Organizing (paperback, 2024, Haymarket Books). [09-03]

Steve Coll: The Achilles Trap: Saddam Hussein, the C.I.A., and the Origins of America's Invasion of Iraq (2024, Penguin Press): He wrote the primary book on America in Afghanistan -- Ghost Wars: The Secret History of the CIA, Afghanistan, and Bin Laden: From the Soviet Invasion to September 10, 2001 (2004), which was eventually given a sequel in Directorate 6: The CIA and America's Secret Wars in Afghanistan and Pakistan (2018) -- as well as major side projects on the Bin Ladens and Exxon-Mobil. This, like Ghost Wars, starts in 1979, and ends in 2003 -- as the Bush invasion of Iraq was as definitive a break as the 9/11 pivot from clandestine mischief to assertion of global power, and every bit as misguided.

Matthew Desmond: Poverty, by America (2023, Crown): Asks why, and concludes that people in power like it this way. It's not an obvious choice, but in a political system where power is largely determined by money, it shouldn't be surprising to find that money is largely determined by power. As Desmond notes, "poverty isn't simply the condition of not having enough money. It's the condition of not having enough choice." Author previously wrote Evicted: Poverty and Profit in the American City (2016), specifically about Milwaukee. A few more books relating to poverty:

  • Kevin F Adler/Donald W Burnes: When We Walk By: Forgotten Humanity, Broken Systems, and the Role We Can Each Play in Ending Homelessness in America (paperback, 2023, North Atlantic Books).
  • Kathryn J Edin/H Luke Schaefer/Timothy J Nelson: The Injustice of Place: Uncovering the Legacy of Poverty in America (2023, Mariner Books).
  • Joanne Samuel Goldblum/Colleen Shaddox: Broke in America: Seeing, Understanding, and Ending US Poverty (2021, BenBella Books).
  • Tracie McMillan: The White Bonus: Five Families and the Cash Value of Racism in America (2024, Henry Holt).
  • Mark Robert Rank/Lawrence M Eppard/Heather E Bullock: Poorly Understood: What America Gets Wrong About Poverty (2021, Oxford University Press).

Bruce Gilley: In Defense of German Colonialism: And How Its Critics Empower Nazis, Communists, and the Enemies of the West (2022, Regnery): It's rather shocking that anyone could come up with a whole book of rationalizations for Germany's pre-WWI colonial empire, which is mostly remembered for its genocide of the Herero in what's now called Namibia. (But I suppose the publisher tells you what you need to know about the author.) Also in this vein:

  • Bruce Gilley: The Last Imperialist: Sir Alan Burns's Epic Defense of the British Empire (2021, Regnery).
  • Jeff Flynn-Paul: Not Stolen: The Truth About European Colonialism in the New World (paperback, 2023, Bombardier Books): Argues that colonialism was a blessing, that all of the "shameful sins and crimes against humanity" you've read about never happened, and the true story "is more inspiring than you ever dared to imagine."

Steven Hahn: Illiberal America: A History (2024, WW Norton): A thematic review of all of American history, the theme being the impulses and forces that have always risen to threaten and often to thwart the liberal ideals Americans have celebrated, but rarely lived up to. Little distinguishes illiberalism from the more often self-proclaimed conservatism, except that it expresses not just a fondness for order but the willingness to enforce it through violence. As thematic history, I suspect this winds up fairly closely tracking Richard Hofstadter's The Paranoid Style in American Politics -- illiberalism by yet another name. Other books by Hahn:

  • Steven Hahn: The Roots of Southern Populism: Yeoman Farmers and the Transformation of the Georgia Upcountry (1983; updated paperback, 2006, Oxford University Press).
  • Steven Hahn: A Nation Under Our Feet: Black Political Struggles in the Rural South From Slavery to the Great Migration (2003; paperback, 2005, Belknap Press).
  • Steven Hahn: The Political Worlds of Slavery and Freedom (2009, Harvard University Press).
  • Steven Hahn: A Nation Without Borders: The United States and Its World in an Age of Civil Wars, 1830-1910 (2016, Viking; paperback, 2017, Penguin Books).

Jonathan Haidt: The Anxious Generation: How the Great Rewiring of Childhood is Causing an Epidemic of Mental Illness (2024, Penguin Press): Degree in social psychology, teaches "ethical leadership" in NYU's Stern School of Business, a conservative intellectual who can't quite be dismissed out of hand, although I find it pretty likely that much of what looks like "mental illness" to conservatives is simply stuff they don't understand. This pairs with:

  • Greg Lukianoff/Rikki Schlott: The Canceling of the American Mind: Cancel Culture Undermines Trust and Threatens Us All -- but There is a Solution (2023, Simon & Schuster): Foreword by Jonathan Haidt, who co-wrote The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting Up a Generation for Failure. No doubt this ignores the basic paradox, which is that while conservatives do the most complaining about "cancel culture," they're also the ones doing most of the cancelling.

Jacob Heilbrunn: America Last: The Right's Century-Long Romance With Foreign Dictators (2024, Liveright): Journalist, has a previous book, They Knew They Were Right: The Rise of the Neocons (2008), actually goes back a bit farther than the rise of Mussollini (third chapter; first is "Courting Kauiser Wilhelm"), winds up with Trump (of course), but in a short book he probably glosses over a lot of obvious subjects (e.g., whole books have been written about Pinochet and Friedman).

Dara Horn: People Love Dead Jews: Reports From a Haunted Present (2021; paperback, 2022, WW Norton): A novelist of some note, writes about the state and legacy of antisemitism in America (and elsewhere?), recalling Shakespeare's Shylock and Anne Frank and "the Jewish history of Harbin, China" and, no doubt, much more. Which is bound to be disturbing on some level, but exactly how cannot be known except to looking deeper into the details and nuances. That could be interesting, but hardly seems important compared to the ongoing genocide in Gaza, on top of the broader and deeper discrimination against non-Jews in Israel, which is not only fueled by the same kinds of prejudices that have been used against Jews for ages, but is also fortified by internalizing the sort of tales of victimhood Horn engages in. Also on antisemitism (and Holocaust remembrance, the trump card in the eternal victimization story):

  • David Baddiel: Jews Don't Count (2021, TLS Books): Short (144 pp), argues antisemitism is overlooked or underappreciated.
  • Omer Bartov: Anatomy of a Genocide: The Life and Death of a Town Called Buczacz (2018; paperback, 2019, Simon & Schuster): In Nazi-occupied Ukraine.
  • Omer Bartov: Genocide, the Holocaust and Israel-Palestine: First-Person History in Times of Crisis (paperback, 2023, Bloomsbury).
  • Jószef Debreczeni: Cold Crematorium: Reporting From the Land of Auschwitz (2024, St Martin's Press).
  • Susan J Eischeid: Mistress of Life and Death: The Dark Journey of Maria Mandl, Head Overseer of the Women's Camp at Auschwitz-Birkenau (2023, Citadel).
  • Cary Nelson: Israel Denial: Anti-Zionism, Anti-Semitism, & the Faculty Campaign Against the Jewish State (paperback, 2019, Indiana University Press).
  • Dan Stone: The Holocaust: An Unfinished History (2024, Mariner Books).
  • Bari Weiss: How to Fight Anti-Semitism (2019; paperback, 2021, Crown).

Leah Hunt-Hendrix/Astra Taylor: Solidarity: The Past, Present, and Future of a World-Changing Idea (2024, Pantheon): Liberals and leftists may share common beliefs in principles and rights, but there is an essential difference: liberals celebrate individuals, while the left sees groups, acting together, bound by solidarity, a sense not just that interests are shared but that only collective action can secure them. Not long ago, Thomas Geoghegan made a big point on how solidarity was what distinguishes the labor movement from liberalism in America, and how alien the former seems to the latter. But when I look around today, I see a lot of emphasis on solidarity. More recent books on left activism:

  • Chris Benner/Manuel Pastor: Solidarity Economics: Why Mutuality and Movements Matter (paperback, 2021, Polity).
  • Deepak Bhargava/Stephanie Luce: Practical Radicals: Seven Strategies to Change the World (2023, New Press).
  • David Fenton: The Activist's Media Handbook: Lessons From Fifty Years as a Progressive Agitator (2022, Earth Aware Editions).
  • Kelly Hayes/Mariame Kaba: Let This Radicalize You: Organizing and the Revolution of Reciprocal Care (paperback, 2023, Haymarket Books).
  • Tricia Hersey: Rest Is Resistance: A Manifesto (2022, Little Brown Spark).
  • Mie Inouye: On Solidarity (paperback, 2023, Boston Review): Leads a forum, with William J Barber II, Charisse Burden-Stelly, Jodi Dean, Nathan R DuFord, Alex Gourevitch, Juliet Hooker, Daniel Martinez HoSang, David Roediger, Sarah Schulman, Astra Taylor, Leah Hunt-Hendrix, Liz Theoharis, plus articles by others.
  • Raina Lipsitz: The Rise of a New Left: How Young Radicals Are Shaping the Future of American Politics (2022, Verso).
  • Staughton Lynd/Mike Konopacki: Solidary Unionism: Rebuilding the Labor Movement From Below (paperback, 2015, PM Press).
  • Daisy Pitkin: On the Line: Two Women's Epic Fight to Build a Union (2022; paperback, 2023, Algonquin Books).
  • Andrea J Ritchie: Practicing New Worlds: Abolition and Emergent Strategies (paperback, 2023, AK Press).
  • Erica Smiley/Sarita Gupta: The Future We Need: Organizing for a Better Democracy in the Twenty-First Century (paperback, 2022, ILR Press).
  • Cenk Uygur: Justice Is Coming: How Progressives Are Going to Take Over the Country and America Is Going to Love It (2023, St Martin's Press).

Of course, solidarity is a theme that extends beyond the US, as many recent books attest:

  • Jennifer Lynn Kelly: Invited to Witness: Solidarity Tourism Across Occupied Palestine (paperback, 2023, Duke University Press).
  • Margaret M Power: Solidarity Across the Americas: The Puerto Rican Nationalist Party and Anti-Imperialism (paperback, 2023, University of North Carolina Press).
  • Rob Skinner: Peace, Decolonization and the Practice of Solidarity (2023, Bloomsbury Academic).
  • Firuzeh Shokooh Valle: In Defense of Solidarity and Pleasure: Feminist Technopolitics From the Global South (2023, Stanford University Press).
  • Daniel Widener: Third Worlds Within: Multiethnic Movements and Transnational Solidarity (paperback, 2024, Duke University Press). Foreword by Vijay Prashad.

Book series: Abolitionist Papers:

  • Mariame Kaba: We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice [Abolitionist Papers, 1] (paperback, 2021, Haymarket Books).
  • Angela Y Davis/Gina Dent/Erica R Meiners/Beth E Richie: Abolitionism. Feminism. Now. [Abolitionist Papers, 2] (paperback, 2022, Haymarket Books).
  • Robyn Maynard/Leanne Betasamosake Simpson: Rehearsals for Living [Abolitionist Papers, 3] (paperback, 2022, Haymarket Books).
  • Mizue Aizeki/Matt Mahmoudi/Coline Schupfer, eds: Resisting Borders and Technologies of Violence [Abolitionist Papers] (paperback, 2024, Haymarket Books).

Book series: Emergent Strategy (a series of 12 books):

  • Adrienne Maree Brown: Emergent Strategy: Shaping Change, Changing Worlds [Emergent Strategy, 0] (paperback, 2017, AK Press).
  • Adrienne Maree Brown, ed: Pleasure Activism: The Politics of Feeling Good [Emergent Strategy, 1] (paperback, 2019, AK Press).
  • Adrienne Maree Brown: Holding Change: The Way of Emergent Strategy Facilitation and Mediation [Emergent Strategy, 4] (paperback, 2021, AK Press).

Jonathan Karl: Tired of Winning: Donald Trump and the End of the Grand Old Party (2023, Dutton): Every one of these posts offers a new crop of Trump books, so the only question is which one to lead with. Lots of legal baggage down list, with his trials and tribulations likely to crowd out his more fundamental obnoxiousness and more pathetic malapropisms. But no other politician has remotely come close to the amount of press he's garnered, and that's unlikely to change any time soon. Although I'm inclined to add that this segment's collection of new Trump books is among the most boring ever:

  • Martin Baron: Collision of Power: Trump, Bezos, and the Washington Post (2023, Flatiron Books).
  • Ken Block: Disproven: My Unbiased Search for Vote Fraud for the Trump Campaign, the Data That Shows Why He Lost, and How We Can Improve Our Elections (2024, Forefront Books).
  • Clay Cane: The Grift: The Downward Spiral of Black Republicans From the Party of Lincoln to the Cult of Trump (2024, Sourcebooks).
  • Alan Dershowitz: Get Trump: The Threat to Civil Liberties, Due Process, and Our Constitutional Rule of Law (2023, Hot Books): Fourth (or sixth?) book the world's most opportunistically liberal lawyer has written defending Trump.
  • Elie Honig: Untouchable: How Powerful People Get Away With It (2023, Harper): Former prosecutor, now CNN Legal Analyst, tells us something we already suspected, which is that the rich and famous enjoy huge advantages in America's so-called justice system. Granted, some of his famous examples (Jeffrey Epstein, Harvey Weinstein, Bill Cosby) did wind up in jail, but only after extraordinary efforts. But his main example, Donald Trump, is still at large.
  • Cassidy Hutchinson: Enough (2023, Simon & Schuster): Trump White House aide, testified memorably to the Jan. 6 Select Committee (e.g., about Trump throwing food).
  • Michael Isikoff/Daniel Klaidman: Find Me the Votes: A Hard-Charging Georgia Prosecutor, a Rogue President, and the Plot to Steal an American Election (2024, Twelve).
  • Melissa Murray/Andrew Weissmann: The Trump Indictments: The Historic Charging Documents With Commentary (paperback, 2024, WW Norton).
  • Tim Murtaugh: Swing Hard in Case You Hit It: My Escape From Addiction and Shot at Redemption on the Trump Campaign (2024, Bombardier Books).
  • Mark Pomerantz: People vs. Donald Trump: An Inside Account (2023, Simon & Schuster): New York prosecutor, resigned when he thought Manhattan DA Alvin Bragg was too slow in prosecuting Trump.
  • Ethan Porter/Thomas J Wood: False Alarm: The Truth About Political Mistruths in the Trump Era (paperback, 2019, Cambridge University Press): 80 pp.
  • Charles Renwick: All the Presidents' Taxes: What We Can Learn (and Borrow) from the High-Stakes World of Presidential Tax-Paying (2023, Lioncrest): Short (180 pp), some but not all on Trump.
  • Ramin Setoodeh: Apprentice in Wonderland: How Donald Trump and Mark Burnett Took America Through the Looking Glass (2024, Harper). TV writer. Previously wrote: Ladies Who Punch: The Explosive Story of "The View" (2019). [06-18]
  • Tristan Snell: Taking Down Trump: 12 Rules for Prosecuting Donald Trump by Someone Who Did It Successfully (2024, Melville House): Snell was the New York prosecutor on the Trump University fraud case, which was ultimately settled for $25 million, before Trump became president, so he didn't take him down very far.
  • Ali Velshi: The Trump Indictments: The 91 Criminal Counts Against the Former President of the United States (paperback, 2023, Mariner Books): Introduction plus documents.
  • Bob Woodward: The Trump Tapes: Bob Woodward's Twenty Interviews With President Donald Trump (paperback, 2023, Simon & Schuster): Documentation for his books Fear (2018) and Rage (2020).

Nelson Lichtenstein/Judith Stein: A Fabulous Failure: The Clinton Presidency and the Transformation of American Capitalism (2023, Princeton University Press): "How the Clinton administration betrayed its progressive principles and capitulated to the right." I'm less inclined to grant him any "progressive principles." I think his plan all along was to show wealthy donors that backing Democrats would make them more money than the Reagan cronies ever would, and he delivered a pretty good case for that. But the other part of his pitch didn't fare so well: he claimed that "reinventing government" to make it more business-friendly would "trickle down" to lift up workers and alleviate poverty, so everyone would win (especially himself). To some extent, he succeeded there too, but it didn't feel like much of a win -- especially to the workers who got cut off from union jobs, to the regions that got stripped of their factories and livelihoods, and to the millions of Americans who saw the federal safety net shredded by austerity, and who fell ever deeper in debt, as a new class of "symbolic analysts" were touted as future elites. Also by the authors:

  • Nelson Lichtenstein: Labor's War at Home: The CIO in World War II (1983; paperback, 2008, Temple University Press).
  • Nelson Lichtenstein/Howell John Harris, eds: Industrial Democracy in America: The Ambiguous Promise (1993; revised, paperback, 1996, Cambridge University Press).
  • Nelson Lichtenstein: The Most Dangerous Man in Detroit: Walter Reuther and the Fate of American Labor (1995, Basic Books).
  • Nelson Lichtenstein, ed: American Capitalism: Social Thought and Political Economy in the Twentieth Century (2006, University of Pennsylvania Press).
  • Nelson Lichtenstein: State of the Union: A Century of American Labor (2002; revised, paperback, 2013, Princeton University Press).
  • Nelson Lichtenstein, ed: Wal-Mart: The Face of Twenty-First Century Capitalism (2006, paperback, New Press).
  • Nelson Lichtenstein: The Retail Revolution: How Wal-Mart Created a Brave New World of Business (2009, Metropolitan Books; paperback, 2010, Picador).
  • Nelson Lichtenstein/Elizabeth Tandy Shermer, eds: The Right and Labor in America: Politics, Ideology, and Imagination (2012; paperback, 2016, University of Pennsylvania Press).
  • Nelson Lichtenstein: A Contest of Ideas: Capital, Politics and Labor (paperback, 2013, University of Illinois Press).
  • Romain Huret/Nelson Lichtenstein/Jean-Christian Vinel, eds: Capitalism Contested: The New Deal and Its Legacies (2020, University of Pennsylvania Press).
  • Roy Rosenzweig/Nelson Lichtenstein/Joshua Brown/David Jaffee [American Social History Project]: Who Built America? Working People and the Nation's History: Volume Two: 1877 to the Present (third edition, paperback, 2007, Bedford/St Martin's).
  • Judith Stein: The World of Marcus Garvey: Race and Class in Modern Society (1985; paperback, 1991, Louisiana State University Press).
  • Judith Stein: Running Steel, Running America: Race, Economic Policy, and the Decline of Liberalism (paperback, 1998, University of North Carolina Press).
  • Judith Stein: Pivotal Decade: How the United States Traded Factories for Finance in the Seventies (2010; paperback, 2011, Yale University Press).

Antony Loewenstein: The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World (paperback, 2023, Verso). Israel isn't just one of the world's most authoritarian societies, they've pioneered advanced technology to surveil and repress the people they don't like, and they've tested it extensively, so they know what works, and fix what still needs work. But they're not selfish. They got that entrepreneurial spirit, so would-be fascists anywhere in the world, whether running a country or just a local police department, can get in on the act and buy proven technology to oppress their own people. As Noam Chomsky explains: "A sad and sordid record of how 'the light unto the nations' became the purveyor of the means of violence and brutal repression from Guatemala to Myanmar and wherever else the opportunity arose." Related books:

  • Alon Arvath: The Battle for Your Computer: Israel and the Growth of the Global Cyber-Security Industry (2023, Wiley).
  • Antony Loewenstein: The Blogging Revolution: How the Newest Media Revolution Is Changing Politics, Business and Culture in India, China, Iran, Syria, Egypt, Cuba and Saudi Arabia (2008; paperback, 2015, Jaico Publishing House).
  • Antony Loewenstein: My Israel Question (3rd ed, paperback, 2009, Melbourne University Press).
  • Antony Loewenstein/Ahmed Moor, eds: After Zionism: One State for Israel and Palestine (2012; paperback, 2024, Saqi Books).
  • Antony Loewenstein: Disaster Capitalism: Making a Killing out of Catastrophe (paperback, 2017, Verso).
  • Antony Loewenstein: Pills, Powder, and Smoke: Inside the Bloody War on Drugs (paperback, 2019, Scribe).

Rachel Maddow: Prequel: An American Fight Against Fascism (2023, Crown): Popular left-of-center newscaster, but she's been super annoying ever since she got Putin stuck in her craw during the 2016 election and never managed to either swallow or spit it out. But I have to wonder: who actually writes her books? And why does she put her name on the cover? I mean, I can sort of imagine her writing Drift in 2012 to show she's really a warmonger at heart, and then Blowout -- well, she totally cornered the "blame Russia" niche for three years up to 2019 -- but why write a book about Spiro Agnew during the 2020 election season? And now this, about how Nazi sympathizers in 1941 got rejected and some kind of comeuppance? Title suggests that we can also stand up to fascists today, but it's not that simple, because we're not the same us, and they're not the same them. Blurring those distinctions may sell whatever, and that's clearly the level she wants to work at, but it hardly solves anything. Nazis are a perennial theme, so here are more recent books:

  • Michael Benson: Gangsters vs. Nazis: How Jewish Mobsters Battled Nazis in WW2 Era America (2022, Citadel).
  • David De Jong: Nazi Billionaires: The Dark History of Germany's Wealthiest Dynasties (2022, Mariner Books).
  • Kathryn S Olmsted: The Newspaper Axis: Six Press Barons Who Enabled Hitler (2022, Yale University Press): As WWII approached, these six American and British moguls praised Hitler and sought to keep their countries neutral and friendly towards Nazi Germany.
  • Susan Ronald: Hitler's Aristocrats: The Secret Power Players in Britain and America Who Supported the Nazis, 1923-1941 (2023, St Martin's Press).

Branko Milanovic: Visions of Inequality: From the French Revolution to the End of the Cold War (2023, Belknap Press): Economist, has written several books on capitalism and inequality, moves here from the evidence of such to the realm of philosophy, focusing on what six important economists said about inequality: François Quesnay, Adam Smith, David Ricardo, Karl Marx, Vilfredo Pareto, and Simon Kuznets. Also on inequality:

  • Ann Case/Angus Deaton: Deaths of Despair and the Future of Capitalism (2020; paperback, 2021, Princeton University Press).
  • Chuck Collins: Born on Third Base: A One Percenter Makes the Case for Tackling Inequality, Bringing Wealth Home, and Committing to the Common Good (paperback, 2016, Chelsea Green).
  • Chuck Collins: Is Inequality in America Irreversible? (paperback, 2018, Polity).
  • Chuck Collins: The Wealth Hoarders: How Billionaires Pay Millions to Hide Trillions (paperback, 2021, Polity).
  • Angus Deaton: Economics in America: An Immigrant Economist Explores the Land of Inequality (2023, Princeton University Press).
  • Oded Galor: The Journey of Humanity: The Origins of Wealth and Inequality (2022, Dutton): Big picture synthesis of all of human history plus what we know about pre-history, particularly interested in the growth of wealth and inequality.
  • Michelle Jackson: Manifesto for a Dream: Inequality, Constraint, and Radical Reform (paperback, 2020, Stanford University Press).
  • Destin Jenkins: The Bonds of Inequality: Debt and the Making of the American City (2021, University of Chicago Press).
  • Eyal Press: Dirty Work: Essential Jobs and the Hidden Toll of Inequality in America (2021, Farrar Straux and Giroux; paperback, 2022, Picador Press).

Luke Mogelson: The Storm Is Here: An American Crucible (2022, Penguin): Reporter used to covering the War on Terror decided the real action was back in the USA in 2020, reporting on the Michigan militias and their anti-lockdown protests/crimes, police violence both before and after the George Floyd killing, and so forth up through January 6.

William L Patterson: We Charge Genocide: The Crime of Government Against the Negro People (1951; paperback, 2017, International Publishers): I saw this among the recommendations in a list of books about Israel, and figured anyone ahead of the curve deserved a mention. Turns out it's a much older book, a brief that the author (1891-1980, "a Marxist lawyer, author, and civil rights activist") presented before the UN in 1951. That's a stretch -- the American system was still more focused on exploiting labor, as an extension of slavery, than on killing people, not that they had much compunction about those they did kill -- but coming early after the world belatedly decided that genocide is a major crime, Patterson offered them a real and pressing case to think about.

Heather Cox Richardson: Democracy Awakening: Notes on the State of America (2023, Viking): Historian, has written several useful books on the Republican Party and Reconstruction. Recently, she's become a prolific blogger, attempting to understand contemporary events in the context of history, and often impressive as such. But her views are pretty conventionally liberal, and I've found her recent attempts to valorize Biden's foreign policy really lame even before they turned so spectacularly embarrassing. (But I can't say I've noted much by her on that of late.)

Tricia Romano: The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture (2024, Public Affairs): Structured as an oral history, assembled quotes from interviews and other sources, this chronicles New York's (well, America's) biggest little underground newspaper from 1956 to its demise c. 2012, with skeletal coverage of the business and editorial masters, and a broad selection of the ever-revolting workers, who took every opportunity to transcend its economics. Much more could have been done on the latter. Just in music, there's nothing much on the brilliant jazz writing of Gary Giddins and Francis Davis (although Stanley Crouch throws enough punches to get noticed), nothing at all on the exceptional new music coverage of Tom Johnson and Kyle Gann, and not a single mention of yours truly (or dozens of others I can name who were more regular contributors). My own history goes back to subscribing when I was an 18-year-old dropout in Wichita, gathering seeds that later transformed my life, even with no clear desire let along plan to do so. All it took was an openness to say, hey, that might be interesting.

Nouriel Roubini: Megathreats: Ten Dangerous Trends That Imperil Our Future, and How to Survive Them (2022, Little Brown): Worth listing: The Mother of All Debt Crises; Private and Public Failures; The Demographic Time Bomb; The Easy Money Trap and the Boom-Bust Cycle; The Coming Great Stagflation; Currency Meltdowns and Financial Instability; The End of Globalization?; The AI Threat; The New Cold War; An Uninhabitable Planet? Ends with two versions of "Can This Disaster Be Averted?" Roubini got a lot of credit as one of the first economists to predict the crash of 2008. There's some real stuff here, but it also is some kind of hustle.

Timothy W Ryback: Takeover: Hitler's Final Rise to Power (2024, Knopf): Focuses on the few months lealding up to "January 30, 1933" (chapter 22 title here), when Germany's transferred effective power to Hitler, who then swiftly moved to seize everything else, fashion his peculiar version of MAGA ("The Third Reich," he called it), and drive Germany to war, extermination, and ruin. The broad outline is familiar by now, the nuances in the details over just how much of Hitler's program was anticipated and relished by his benefactors (almost everything, I dare say) and how many of them regretted their decision (very few, at least until the war turned against them).

David E Sanger: New Cold Wars: China's Rise, Russia's Invasion, and America's Struggle to Defend the West (2024, Crown): Journalist, covers national security for the New York Times, which evidently requires him to believe that conflicts with nuclear powers are necessary but also stable and benign, like they think the Cold War was. This was mostly nonsense, wrapped up in American myopia and arrogance, also ideological incoherence -- as Russia and China became more capitalist, the real distinction came down to them having their own arms markets, independent of the American cartel. Nothing boosts arms sales like the spectre of enemies, and falling back on decades of distrust, Russia and China were easy villains. That Russia took the bait in Ukraine should have alerted us to the risks of such thinking, but for now the arms industry is booming.

  • David E Sanger: The Perfect Weapon: War, Sabotage, and Fear in the Cyber Age (2018; paperback, 2019, Crown).
  • Sanjaya Baru/Rahul Sharma: A New Cold War: Henry Kissinger and the Rise of China (2021, HarperCollins).
  • Michael Doyle: Cold Peace: Avoiding the New Cold War (2023; paperback, 2024, Liveright): One of the few books in this section not bought and paid for by the arms cartel. He previously wrote:
  • Michael Doyle: Ways of War and Peace: Realism, Liberalism, and Socialism (paperback, 1997, WW Norton).
  • John Bellamy Foster/John Ross/Deborah Veneziale: Washington's New Cold War: A Socialist Perspective (paperback, 2022, Monthly Review Press): Introduction by Vijay Prashad.
  • Gordon M Hahn: Ukraine Over the Edge: Russia, the West and the "New Cold War" (paperback, 2018, McFarland).
  • Matthew Kroenig/Dan Negrea: We Win They Lose: Republican Foreign Policy & the New Cold War (2024, Republic Book Publishers): Foreword by Mike Pompeo. Declared the New Cold War has started, and China is the enemy. Kroenig is a long-time hawk, as you can see from:
  • Mark Kroenig: The Logic of American Nuclear Strategy: Why Strategic Superiority Matters (2018; paperback, 2020, Oxford University Press).
  • Matt Pottinger: The Boiling Moat: Urgent Steps to Defend Taiwan (paperback, 2024, Hoover Institution Press). [07-01]
  • Sten Rynning: NATO: From Cold War to Ukraine, a History of the World's Most Powerful Alliance (2024, Yale University Press): Rather puffy for what's basically a useless symbol -- except when it is used, it quickly turns into a liability.
  • Jim Sciutto: The Return of Great Powers: Russia, China, and the Next World War (2024, Dutton): CNN "national security" correspondent, two previous big books along these lines, including The Madman Theory: Trump Takes on the World.
  • Richard Sakwa: Deception: Russiagate and the New Cold War (paperback, 2023, Lexington Books).
  • George S Takach: Cold War 2.0: Artificial Intelligence in the New Battle Between China, Russia, and America (2024, Pegasus Books).
  • Noam Chomsky: Towards a New Cold War: US Foreign Policy From Vietnam to Reagan (1982; paperback, 2003, New Press): Searching for "new cold war" I found this ancient text, from the period when Reagan's hawks still had an old Cold War to escalate. The reprint, with a new introduction by John Pilger, clearly marked their plans for a revival with the Global War on Terror already going sideways, and reminds us that their blueprints just fed on old propaganda, easily recycled.

Along the way, I ran into some new books on the old Cold War, which bear mention here:

  • Paul Thomas Chamberlin: The Cold War's Killing Fields: Rethinking the Long Peace (2018; paperback, 2019, Harper).
  • Campbell Craig/Fredrik Logevall: America's Cold War: The Politics of Insecurity (2009; second edition, paperback, 2020, Belknap Press).
  • Jeffrey A Engel: When the World Seemed New: George HW Bush and the End of the Cold War (2017; paperback, 2018, Houghton Mifflin Harcourt).
  • Bridget Kendall: The Cold War: A New Oral History (paperback, 2018, BBC Physical Audio).
  • Chris Miller: The Struggle to Save the Soviet Economy: Mikhail Gorbachev and the Collapse of the USSR (2016, University of North Carolina Press).
  • Jeff Shesol: Mercury Rising: John Glenn, John Kennedy, and the New Battleground of the Cold War (2021; paperback, 2022, WW Norton).
  • Natalia Telepneva: Cold War Liberation: The Soviet Union and the Collapse of the Portuguese Empire in Africa, 1961-1975 (paperback, 2022, University of North Carolina Press).
  • Odd Arne Westad: The Cold War: A World History (2017, Basic Books; paperback, 2019, Random House). He previously wrote:
  • Odd Arne Westad: The Global Cold War: Third World Interventions and the Making of Our Times (2005; paperback, 2011, Cambridge University Press).

Tom Schaller/Paul Waldman: White Rural Rage: The Threat to American Democracy (2024, Random House): "A searing exposé on what drives the average Republican voter in white rural America and what can be done to combat their rage." One of the more talked-about political books of late, as it documents and in many ways reinforces the divide between the Trump mob and their imagined enemies (urban, liberal, elitist, woke, ever so quick to castigate you as "deplorable"; even those who don't think of themselves as enemies are just as likely to offend with pity as loathing).

  • Michelle Wilde Anderson: The Fight to Save the Town: Reimagining Discarded America (2022; paperback, 2023, Avid Reader Press/Simon & Schuster).
  • Steven Conn: The Lies of the Land: Seeing Rural America for What It Is -- and Isn't (2023, University of Chicago Press).
  • Justin Gest: The New Minority: White Working Class Politics in an Age of Immigration and Inequality (paperback, 2016, Oxford University Press).
  • Nicholas F Jacobs/Daniel M Shea: The Rural Voter: The Politics of Place and the Disuniting of America (2023, Columbia University Press). Jacobs previously co-wrote:
  • Nicholas F Jacobs/Sidney M Milkis: What Happened to the Vital Center?: Presidentialism, Populist Revolt, and the Fracturing of America (paperback, 2022, Oxford University Press).
  • Kathleen Hall Jamieson/Paul Waldman: The Press Effect: Politicians, Journalists, and the Stories That Shape the Political World (2002; paperback, 2004, Oxford University Press).
  • Jonathan M Metzl: What We've Become: Living and Dying in a Country of Arms (2024, WW Norton).
  • Lainey Newman/Theda Skocpol: Rust Belt Union Blues: Why Working-Class Voters Are Turning Away From the Democratic Party (2023, Columbia University Press).
  • Paul Waldman: Fraud: The Strategy Behind the Bush Lies and Why the Media Didn't Tell You (2004, Sourcebooks).
  • Paul Waldman: Being Right Is Not Enough: What Progressives Can Learn From Conservative Success (2006, Wiley).

Adi Schwartz/Einat Wilf: The War of Return: How Western Indulgence of the Palestinian Dream Has Obstructed the Path to Peace (paperback, 2020, St Martin's Griffin): Two "liberal Israelis supportive of a two-state solution" argue that there is no legal basis for a "right of return" (unlike Israel's Law of Return?), and that the very suggestion is "one of the largest obstacles to successful diplomacy and lasting peace in the region." They think UNRWA should be abolished, because it perpetuates the notion that the descendants of Palestinian exiles from 1948 are refugees, and as such are entitled to return to their homeland. This book is described as "a runaway bestseller in Israel," and as such is a fair document of the state-of-mind that was prepared to commit genocide when Oct. 7, 2023 happened. Other recent books on Israel, from all over the spectrum, including one somewhat sympathetic to Hamas, and lots that are pure hasbara (also see the lists under Boyarin, Horn, and Loewenstein):

  • Ami Ayalon: Friendly Fire: How Israel Became Its Own Worst Enemy and the Hope for Its Future (paperback, 2021, Steerforth Press): Former Shin Bet director, who understands that "when Israel carries out anti-terrorist operations in a political context of hopelessness, the Palestinian public will support violence, because they have nothing to lose." He isn't the only Israeli to realize that, but he's one of the few who do who sees it as a problem.
  • Sumaya Awad/Brian Bean, eds: Palestine: A Socialist Introduction (paperback, 2020, Haymarket Books).
  • Tareq Baconi: Hamas Contained: The Rise and Pacification of Palestinian Resistance (2018; paperback, 2022, Stanford University Press): Billed as "the first history of the group on its own terms," but critical, arguing that "the movement's ideology ultimately threatens the Palestinian struggle and, inadvertently, its own legitimacy," especially where "its brutality . . . has made permissible the collective punishment of millions of Palestinian civilians." I would caution, though, that regardless of what Hamas does, it is ultimately Israel that decides to punish, up to and now including genocide.
  • Jacques Baud: Operation Al-Aqsa Flood: The Defeat of the Vanquisher (paperback, 2024, Max Milo Editions): "The way Israel is fighting the Palestinians is leading to a loss of legitimacy that seems to be accelerating."
  • Jonah Jeremy Bob/Ilan Evyatar: Target Tehran: How Israel Is Using Sabotage, Cyberwarfare, Assassination -- and Secret Diplomacy -- to Stop a Nuclear Iran and Create a New Middle East (2023, Simon & Schuster): Israelis, bragging.
  • David Brog: Reclaiming Israel's History: Roots, Rights, and the Struggle for Peace (2017; paperback, 2018, Regnery): Note blurbs by John Hagee and Glenn Beck.
  • Alan Dershowitz: War Against the Jews: How to End Hamas Barbarism (2023, Hot Books): His usual The Case Against Israel's Enemies, quickly rebranded post-October 7.
  • Asaf Elia-Shalev: Israel's Black Panthers: The Radicals Who Punctured a Nation's Founding Myth (2024, University of Calilfornia Press).
  • George Gilder: The Israel Test: How Israel's Genius Enriches and Challenges the World (paperback, 2024, Encounter Books) [07-30].
  • Daniel Gordis: Impossible Takes Longer: 75 Years After Its Creation, Has Israel Fulfilled Its Founders' Dreams? (2023, Ecco): Author of many Israel fluff books, also the primary biography of Menachem Begin.
  • Marc Lamont Hill/Mitchell Plitnick: Except for Palestine: The Limits of Progressive Politics (2021; paperback, 2022, New Press): Authors "spotlight how one-sided pro-Israel policies reflect the truth-bending grip of authoritarianism on both Israel and the United States."
  • Adam Race Hochdorf: Israel Has the Right to Exist & Defend Itself (paperback, 2024, Purple Poppy Publishing): Short (90 pp) but strident propaganda screed.
  • Michael A Horowitz: Hope and Despair: Israel's Future in the New Middle East (2024, Hurst). [06-01]
  • Dan Kovalik: The Case for Palestine: Why It Matters and Why You Should Care (2024, Hot Books). [05-28]
  • Mitri Raheb: Decolonizing Palestine: The Land, the People, the Bible (paperback, 2023, Orbis Books).
  • Dan Senor/Saul Singer: The Genius of Israel: The Surprising Resilience of a Divided Nation in a Turbulent World (2023, Avid Reader/Simon & Schuster).
  • Raja Shehadeh: What Does Israel Fear From Palestine? (paperback, 2024, Other Press). [06-11]
  • Avner Shur/Aviram Halevi: Sayeret Matkal: The Greatest Operations of Israel's Elite Commandos (2023, Skyhorse): No other nation brags about its illegal foreign ops quite like Israel does.
  • Grant F Smith: How Israel Made AIPAC: The Most Harmful Foreign Influence Operation in America (paperback, 2022, Institute for Research).
  • Jamie Stern-Weiner, ed: Deluge: Gaza and Isarel From Crisis to Cataclysm (paperback, 2024, OR Books): First serious book I'm aware of to reassess Israel after the Gaza genocide started.
  • Thomas Suárez: Palestine Hijacked: How Zionism Forged an Apartheid State From River to Sea (paperback, 2022, Olive Branch Press).
  • Nathan Thrall: A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy (2023, Metropolitan Books).

More recent books on older Israel/Palestine history:

  • Teresa Aranguren/Sandra Barrillaro: Against Erasure: A Photographic Memory of Palestine Before the Nakba (2024, Haymarket Books).
  • Linda Dittmar: Tracing Homelands: Israel, Palestine, and the Claims of Belonging (paperback, 2023, Interlink Books): A memoir, starting in the 1940s, later searching out ruins of villages destroyed in the Nakba.
  • Alan Dowty: Arabs and Jews in Ottoman Palestine: Two Worlds Collide (paperback, 2021, Indiana University Press).
  • Frederic C Hof: Reaching for the Heights: The Inside Story of a Secret Attempt to Reach a Syrian-Israeli Peace (2022, USIP Press): US ambassador, mediator of 2009-11 peace talks, which were scuttled by Obama's turn against Assad in the Arab Spring.
  • JMN Jeffries: Palestine: The Reality: The Inside Story of the Balfour Declaration (paperback, 2016, Olive Branch Press).
  • Uri Kaufman: Eighteen Days in October: The Yom Kippur War and How It Created the Modern Middle East (2023, St Martin's Press).
  • Oren Kessler: Palestine 1936: The Great Revolt and the Roots of the Middle East Conflict (2023, Rowman & Littlefield): Fairly major history of an oft-overlooked but very pivotal event.
  • Jamie Kirkpatrick: The Tales of Bismuth: Dispatches From Palestine, 1945-1948 (paperback, 2024, independent).
  • Peter Shambrook: Policy of Deceit: Britain and Palestine, 1914-1939 (2023, Oneworld Academic).
  • Gardner Thompson: Legacy of Empire: Britain, Zionism and the Creation of Israel (2020; paperback, 2022, Saqi Books): This is an important part of the story, as Israelis learned the art and craft of colonialism directly from the British, sometimes in concert and sometimes in opposition, retaining the legal framework and much of the mentality of their captors and patrons.

Timothy Shenk: Realigners: Partisan Hacks, Political Visionaries, and the Struggle to Rule American Democracy (2022; paperback, 2023, Farrar Straus and Giroux): Portraits of pivotal political figures from the founding to the present, not always going with the obvious choices (e.g., he goes with William Sumner over Abraham Lincoln, and Mark Hanna over William Jennings Bryan).

Richard Slotkin: A Great Disorder: National Myth and the Battle for America (2024, Belknap Press): This is a sweeping history of myth in America, the stories we've invented to explain and convince ourselves, starting with the frontier and the founding, and picking up every cliché of the last 240, not neglecting Trump and MAGA, which gets the better half of Part V ("The Age of Culture War"). Also by Slotkin:

  • Richard Slotkin: Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America (paperback, 1998, University of Oklahoma Press).
  • Richard Slotkin/James K Folsom, eds: So Dreadfull a Judgement: Puritan Responses to King Philip's War 1676-1677 (paperback, 1999, Wesleyan University Press).
  • Richard Slotkin: Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 (paperback, 2000, University of Oklahoma Press).
  • Richard Slotkin: Lost Battalions: The Great War and the Criris of American Nationalism (paperback, 2006, St Martins Press).
  • Richard Slotkin: The Long Road to Antietam: How the Civil War Became a Revolution (paperback, 2013, Liveright).
  • Richard Slotkin: Fatal Environment: The Myth of the Frontier in the Age of Industrialization, 1800-1890 (paperback, 2017, University of Oklahoma Press).

Brian Stelter: Network of Lies: The Epic Saga of Fox News, Donald Trump, and the Battle for American Democracy (2023, Atria/One Signal): Expands on his previous Hoax: Donald Trump, Fox News, and the Dangerous Distortion of Truth (2020). Fox News has long struck me as the single most important cog in the Republican mind control matrix, combining as it does self-funding, vast outreach, ideological rigor, and the immediacy and intimacy of television. More on Fox:

  • Chris Stirewalt: Broken News: Why the Media Rage Machine Divides America and How to Fight Back (2022, Center Street): Former Fox News political editor, so he's contributed to the rage he writes about, and no doubt observed much more (and worse); senior fellow at AEI, which keeps him safely on the right, although he can try to pose that as balanced.
  • Kat Timpf: You Can't Joke About That: Why Everything Is Funny, Nothing Is Sacred, and We're All in This Together (2023, Broadside Books): Gutfeld! co-host and Fox News contributor.
  • Michael Wolff: The Fall: The End of Fox News and the Murdoch Dynasty (2023, Henry Holt): Author of three insider-ish books on Trump, goes after the big fish this time.

Stuart Stevens: The Conspiracy to End America: Five Ways My Old Party Is Driving Our Democracy to Autocracy (2023, Twelve): "Never Trumper," former Lincoln Project strategist, back in 2020 wrote It Was All a Lie: How the Republican Party Became Donald Trump, returns with deeper thinking on what is no longer just his personal dilemma. He identifies "five autocratic building blocks": Propagandists; Support of a major party; Financers; Legal theories to legitimize actions; and Shock Troops.

Rory Stewart: How Not to Be a Politician (2023, Penguin Press): Wrote a book about hiking in Afghanistan, just after the Taliban fled. Wrote a book about being a British civil servant in Iraq, shortly after Bush and Blair invaded. Went back to England and wrote another book about how none of that worked. Decided to try his hand at politics, so he ran for a Tory MP seat, and won. Then he ran for party leader/prime minister, and lost. So by now, he figures he's failed enough he can write a memoir about it all. In the UK, he more optimistically called this book Politics on the Edge. For America, however . . . he opted to face the music, and 'fess up.

Yaroslav Trofimov: Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (2024, Penguin Press): Wall Street Journal correspondent, born in Kyiv, highly partisan, but hailed as "the most comprehensive, authoritative book on the war to date." Latest batch of books on Ukraine:

  • Jacques Baud: The Russian Art of War: How the West Led Ukraine to Defeat (paperback, 2024, Max Milo Editions). Swiss military analyst, has a history of disparaging the West, or maybe just flattering Putin: Putin: Game Master? (2023); Operation Z (2023); The Navalny Case: Conspiracy to Serve Foreign Policy (2023).
  • Hal Brands, ed: War in Ukraine: Conflict, Strategy, and the Return of a Fractured World (paperback, 2024, Johns Hopkins University Press).
  • Glenn Diesen: The Ukraine War & the Eurasian World Order (paperback, 2024, Clarity Press): Appeals to "world order" obsessives, leaving little concern for Ukrainians.
  • Rory Finnin: Blood of Others: Stalin's Crimean Atrocity and the Poetics of Solidarity (paperback, 2024, University of Toronto Press).
  • Igort: How War Begins: Dispatches From the Ukrainian Invasion (2024, Fantagraphics): Graphic journalism.
  • Volodymyr Ishchenko: Towards the Abyss: Ukraine From Maidan to War (paperback, 2024, Verso).
  • Michael Kimmage: Collisions: The Origins of the War in Ukraine and the New Global Instability (2024, Oxford University Press).
  • Fadi Lama: Why the West Can't Win: From Bretton Woods to a Multipolar World (paperback, 2023, Clarity Press): Ukraine is one example.
  • Christopher A Lawrence: The Battle for Kyiv: The Fight for Ukraine's Capital (2024, Frontline Books).
  • Paul Moorcraft: Putin's Wars and NATO's Flaws: Why Russia Invaded Ukraine (2024, Pen and Sword Military): Author has a long list of war books, "from Afghanistan to Zimbabwe."
  • Simon Schuster: The Showman: Inside the Invasion That Shook the World and Made a Leader of Volodymyr Zelensky (2024, William Morrow).

Yanis Varoufakis: Techno Feudalism: What Killed Capitalism (paperback, 2024, Melville House): Greek economist, had a brief fling with fame as finance minister under the radical Syriza government, but quit rather than accept the austerity measures the EU insisted on. He argues that something fundamental has changed: "Big tech has replaced capitalism's twin pillars -- markets and profit -- with its platforms and rents. With every click and scroll, we labor like serfs to increase its power."

  • Joel Kotkin: The Coming of Neo-Feudalism: A Warning to the Global Middle Class (2020; paperback, 2023, Encounter Books): Not much difference between Varoufakis' "techno feudalism" and this one, especially from the vantage point of the neo-serfs.

Alexander Ward: The Internationalists: The Fight to Restore American Foreign Policy After Trump (2024, Portfolio): Major reporting on Joe Biden's foreign policy team, their critique of Trump's offenses against "democratic allies" and coddling of "authoritarians" (especially the much despised Vladimir Putin), and how they sought to return America to its pre-Trump eminence as the leader of the Free World. Less reporting on how often that backfired, with the book's cutoff date minimizing the stalemate in Ukraine, and omitting any mention of the unfolding genocide in Gaza, or Israel's persistent efforts to embroil America in war with Iran and other irrelevant but easily maligned enemies. The problem is that Biden remains trapped in the supposedly benign superpower cult that emerged post-Cold War under Clinton, Bush, and Obama, and even more committed to the real dictators of American foreign policy: Israel and the arms cartel -- precisely the graft Trump most indulged, so he's not so different from Trump after all.

Fareed Zakaria: Age of Revolutions: Progress and Backlash From 1600 to the Present (2024, WW Norton): Big-picture history, with opening chapters on the Netherlands, England, and France, then shifts focus to industrialization in Britain and the United States, then his more topical concerns of globalization and contemporary geopolitics.

Additional books, noted without comments other than for clarity. I reserve the right to return to some of these later (but probably won't; many are here because I don't want to think about them further).

Kali Akuno/Ajamu Nangwaya [Cooperation Jackson]: Jackson Rising; The Struggle for Economic Democracy and Black Self-Determination in Jackson, Mississippi (paperback, 2017, Daraja Press).

Thomas J Baker: The Fall of the FBI: How a Once Great Agency Became a Threat to Democracy (2022, Bombardier Books): Actually, the FBI was always a threat to democracy.

Stephen Breyer: Reading the Constitution: Why I Chose Pragmatism, Not Textualism (2024, Simon & Schuster): Retired Supreme Court Justice.

Jennifer Burns: Milton Friedman: The Last Conservative (2023, Farrar Straus and Giroux).

Liz Cheney: Oath and Honor: A Memoir and a Warning (2023, Little Brown).

Jared Cohen: Life After Power: Seven Presidents and Their Search for Purpose Beyond the White House (2024, Simon & Schuster). Previously wrote (suggesting a business plan, which is supported by his biography):

Jared Cohen: Accidental Presidents: Eight Men Who Changed America (2019; paperback, 2020, Simon & Schuster).

McKay Coppins: Romney: A Reckoning (2023, Scribner).

Jeremy Eichler: Time's Echo: The Second World War, the Holocaust, and the Music of Remembrance (2023, Knopf).

Philip Gefter: Cocktails With George and Martha: Movies, Marriage, and the Making of Who's Afraid of Virginia Woolf? (2024, Bloomsbury).

Doris Kearns Goodwin: An Unfinished Love Story: A Personal History of the 1960s (2024, Simon & Schuster).

Phil Gramm/Robert Ekelund/John Early: The Myth of American Inequality: How Government Biases Policy Debate (2022, Rowman & Littlefield).

Adam Kinzinger: Renegade: Defending Democracy and Liberty in Our Divided Country (2023, The Open Field): Former Representative (R-IL), voted to impeach Trump, served on House Jan. 6 Committee.

Erik Larson: The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War (2024, Crown).

Michael Lewis: Going Infinite: The Rise and Fall of a New Tycoon (2023, WW Norton): A profile of FTX founder ("crypto's Gatsby") Sam Bankman-Fried (since convicted for massive fraud).

Yascha Mounk: The Great Experiment: Why Diverse Democracies Fall Apart and How They Can Endure (2022, Penguin Press).

Yascha Mounk: The Identity Trap: A Story of Ideas and Power in Our Time (2023, Penguin Press).

Peter Pomerantsev: This Is Not Propaganda: Adventures in the War Against Reality (2019, PublicAffairs).

Peter Pomerantsev: How to Win an Information War: The Propagandist Who Outwitted Hitler (2024, PublicAffairs): On Thomas Sefton Delmer, who worked for Britain during WWII, but also thinking about the author's favorite subject, Vladimir Putin.

Marilynne Robinson: Reading Genesis (2024, Farrar Straus and Giroux).

Rick Rubin: The Creative Act: A Way of Being (2023, Penguin Press): Music producer (Beastie Boys, Johnny Cash).

Patrick Ruffini: Party of the People: Inside the Multiracial Populist Coaliltion Remaking the GOP (2023, Simon & Schuster).

Salman Rushdie: Knife: Meditations After an Attempted Murder (2024, Random House).

Lucy Sante: I Heard Her Call My Name: A Memoir of Transition (2024, Penguin Press).

Erella Shadmi: The Legacy of Mothers: Matriarchies and the Gift Economy as Post Capitalist Alternatives (paperback, 2021, Inanna Publications).

John Sides/Chris Tausanovitch/Lynn Vavreck: The Bitter End: The 2020 Presidential Campaign and the Challenge to American Democracy (2022; paperback, 2023, Princeton University Press).

Benn Steil: The World That Wasn't: Henry Wallace and the Fate of the American Century (2024, Avid Reader/Simon & Schuster).

Daniel Steinmetz-Jenkins, ed: Did It Happen Here? Perspectives on Fascism and America (2024, WW Norton).

Matthew Stewart: An Emancipation of the Mind: Radical Philosophy, the War Over Slavery, and the Refounding of America (2024, WW Norton).

Calvin Trillin: The Lede: Dispatches From a Life in the Press (2024, Random House). Also note:

Calvin Trillin: Quite Enough of Calvin Trillin: Forty Years of Funny Stuff (2011; paperback, 2012, Random House).

James Traub: True Believer: Hubert Humphrey's Quest for a More Just America (2024, Basic Books).

Jacob L Wright: Why the Bible Began: An Alternative History of Scripture and Its Origins (2023, Cambridge University Press).

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Monday, April 15, 2024

Music Week

April archive (in progress).

Music: Current count 42126 [42104] rated (+22), 30 [37] unrated (-7).

We have some friends my late sister virtually adopted -- we consider them virtual family -- who live on a farm in the Arkansas Ozarks, and they made a big push to get all of their closest family and friends to congregate there for the eclipse. We didn't give it much consideration, but my brother and his son and their families drove there from Washington and back, stopping here in Wichita both ways. (My brother's daughter and her family also made the trip, but flew in and out of Tulsa, bypassing us.) The rapid-fire visits took up a big chunk of my time the last two weeks. We did more cooking on the first leg, but on return I schemed to get help on a bunch of housework tasks. Both activities cut my normal output way back, as is evident here.

They finally left on Saturday afternoon. After that, I cobbled together a bit of Speaking of Which, which I posted late last night. I should go back and do some reviewing and editing and such, but I started feeling ill that night, and that's carried over today, so even this bit of shovelware has become a chore. Probably nothing serious, but at my age, one does fret a lot more than in the past.

But also I've lost a good ten hours since Thursday trying to get Cox to solve an AUP#XSNDR error in SMTP that totally keeps me from sending email. As best I can figure this out -- which, by the way, is probably better than anyone at Cox has yet managed -- is that when I send a piece of email (using Thunderbird connecting to smtp.cox.net), the SPF or DKIM list of legit IP sender addresses doesn't include the one Cox my one (assigned to me via DHCP, or substituted in transit?), and some forwarding server notices the discrepancy and kicks it back (which takes about 20 seconds, so there may be multiple stops for multiple lists before it fails).

I only have a couple things to say about the records below. The brief dive into Ken Colyer came about because someone sent me a typo correction to a Penguin Jazz Guide file I put together ages ago. When I was glancing through it I noticed a Colyer album I hadn't heard, so tried to track it down. I've always liked trad jazz, and that shared fondness was one of the things that I loved about Penguin Guide.

The Rail Band album is pictured but not reviewed below. Read about it next week. It comes from Robert Christgau's Consumer Guide: April 2024. I've reviewed most of those albums already, including an A grade for Heems/Lapgan; A- for Cucumbers, Dan Ex Machina, and Kim Gordon; similar HMs for Four Tet and Messthetics/James Brandon Lewis; and lesser grades for Buck 65, Adrianne Lenker, Vampire Weekend, and Waxahatchee. I've played Buck 65 four more times since the CG came out, and I always react the same: sounds really great for 10-15 minutes, then my mind wanders until it returns with a "what the fuck?" ending. Still a B+(***). The other three are probable EOY list frontrunners that I can't sustain any serious interest in (despite having noted multiple A-list albums from each). Still, I'm rather impressed that Bob can still put on his "rock critic establishment" robes and lobby for critical consensus like he advocated for fifty years ago.

Hope I'll be able to knock out a Book Roundup this week. Still, feeling pretty lousy at the moment, pushing this out with no Speaking of Which updates.

New records reviewed this week:

Cyrille Aimée: Ŕ Fleur De Peau (2018-23 [2024], Whirlwind): French jazz singer, based in New York, more than a dozen albums since 2006. Album recorded "at Jake Sherman's Apartment and Keyboard Haven in Brooklyn," with the singer credited with acoustic guitar and baritone ukelele, Sherman with "various," Abe Rounds "drums & percussion," various others for a song or two. B+(**) [sp]

Florian Arbenz: Conversation #10 & #11: ON! (2023 [2024], Hammer): Swiss drummer, started this series working remotely, but this appears to be a studio meet, extended over two days (11 tracks, 69 minutes), with more musicians: Yumi Ito (voice), Percy Pursglove (trumpet/flugelhorn), Ivo Neame (fender rhodes/synths), Szymon Mika (guitar), and Jim Hart (vibes, marimba, glockenspiel, percussion). B+(**) [sp]

Cďtric Dümmies: Zen and the Arcade of Beating Your Ass (2023, Feel It): Hardcore-punk band from Minneapolis, fourth album since 2017, cover art designed to evoke Hüsker Dü's Zen Arcade. B+(*) [sp]

Hilary Gardner: On the Trial With the Lonesome Pines (2024, Anzic): Standards singer, from Alaska, based in Brooklyn, one-third of the vocal trio Duchess, has a couple solo albums. looks to the "trail songs" of "singing cowboys" here, which means Gene Autry but also Bing Crosby. B+(*) [sp]

Arve Henriksen/Harmen Fraanje: Touch of Time (2023 [2024], ECM): Norwegian trumpet player, dozens of albums since 2000, duo here with a Dutch pianist who also debuted in 2000. B+(*) [sp]

Jazz Ensemble of Memphis: Playing in the Yard (2023 [2024], Memphis International): Memphis group, assembled by the label owner as a showcase for young talent, remembering other jazz musicians from Memphis over the years: the eldest here is saxophonist Charles Pender II (26), the youngest drummer Kurtis Gray (17), with with Martin Carodine Jr (17, trumpet), Liam O'Dell (21, bass), and DeAnte Payne (25, keyboards, vibes, congas, percussion). B+(*) [cd]

Benji Kaplan: Untold Stories (2023 [2024], self-released): Guitarist, born in New York but plays Brazilian influences, including nylon strings. Solo, nine tracks, 28:42. B+(*) [cd] [05-01]

Amirtha Kidambi's Elder Ones: New Monuments (2024, We Jazz): Brooklyn-based vocalist, third group album, also has duos (Lea Bertucci, Luke Stewart) and has appeared with Darius Jones, Mary Halvorson, William Parker, and Robert Ashley. Group here with Matthew Nelson (soprano sax), Leter St. Louis (cello), Eva Lawitts (bass), and Jason Nazary (drums/synthesizer). B+(**) [sp]

Joăo Madeira/Margarida Mestre: Voz Debaixo (2022 [2024], 4DaRecord): From Portugal, bass and voice duo, the former does its job of setting up and framing the latter, which offers limited interest. B+(**) [cd]

Old 97's: American Primitive (2024, ATO): Indie band founded 1992 in Dallas, thirteenth studio album, alongside eight solo efforts (2002-22) from leader Rhett Miller -- perhaps a tad more pop, where the band leans harder on the guitar. I ran out of patience with this one pretty fast, not that objectively it's all that bad. B+(*) [sp]

Jonah Parzen-Johnson: You're Never Really Alone (2024, We Jazz): Baritone saxophonist, also plays flute, from Chicago, solo here (as are most of his albums), but with some electronics mixed in. Eight tracks, 39:39. B+(**) [sp]

Ernesto Rodrigues/Bruno Parinha/Joăo Madeira: Into the Wood (2023 [2024], Creative Sources): Portuguese trio: viola, bass clarinet, bass. Live improv set, the bassist does an exceptional job of binding the sounds together into an engine of endless fascination. A- [cd]

Dave Schumacher & Cubeye: Smoke in the Sky (2024, Cellar): Baritone saxophonist, leads a very credible Latin jazz outfit with trumpet, often a second sax, and a rhythm section with Manuel Valera (piano), Alex "Apolo" Ayala (bass), and two drummer-percussionists (Mauricio Herrera and Joel Mateo). B+(***) [cd] [04-19]

Shakira: Las Mujeres Ya No Lloran (2024, Sony Latin): Colombian superstar, twelfth studio album, mostly Spanish. B+(***) [sp]

Curtis Taylor: Taylor Made (2022 [2024], Curtis Taylor Music): Trumpet player, bio hints at Cleveland, southern California, University of Iowa ("currently inspiring students"), seems to have two previous albums, side credits in big bands. Mainstream group here, backed by piano-bass-drums, with tenor sax (Marcus Elliot) on four (of 7) tracks. B+(**) [sp]

Vampire Weekend: Only God Was Above Us (2024, Columbia): Major group, first three albums (2006-13) were poll contenders, not so much for their fourth album (2019), where singer-songwriter Ezra Koenig carried on after the departure of Rostam Batmanglij. Seems this one is being recognized as a return to form, but my reaction is very indifferent, even as I admire their occasional dazzle. B+(**) [sp]

Recent reissues, compilations, and vault discoveries:

Sonny Rollins: Freedom Weaver: The 1959 European Tour Recordings (1959 [2024], Resonance, 3CD): Starts with a set I've heard before as St. Thomas in Stockholm 1959, which I've long recommended as one of his best live sets, and rarely drops below that level as he moves on across Europe, trios with Henry Grimes on bass and various drummers (Pete La Roca, Kenny Clarke, Joe Harris). A- [cd] [04-20]

Old music:

Ken Colyer's Jazzmen: Club Session With Colyer (1956 [2000], Lake): English trumpet/cornet player (1928-88), played trad jazz and skiffle, sang some. Penguin Guide picked this particular album (originally in Decca in 1957) as part of their "core collection," and it certainly is a primo example of the genre, a sextet of Ian Wheeler (clarinet), Mac Duncan (trombone), John Bastable (banjo), Ron Ward (bass), and Colin Bowden (drums), playing "good ol' good 'uns." A- [r]

Ken Colyer's Jazzmen: Up Jumped the Devil (1957-58 [2001], G.H.B.): Eleven songs, originally on Upbeat in 1958, rags to open and close, Jelly Roll Morton conspicuous in between, septet here, adding pianist Ray Foxley to the usual suspects. B+(**) [r]

Ken Colyer and His Jazzband: Colyer's Pleasure (1963, Society): Sextet plays more classics, John Bastable (banjo) and Ron Ward (bass) are carryovers from the 1956 band, Sammy Remington (clarinet) getting a "featuring" credit on the 1993 CD reissue (Lake, with extra cuts I haven't heard). B+(***) [r]

Joan Díaz Trio: We Sing Bill Evans (2008, Fresh Sound New Talent): Spanish piano trio, with Giulia Valle (bass) and Ramón Angel (drums), "introducing" singer Silvia Perez [Cruz], who had a previous album or two, with a half-dozen more since. Songs composed by Evans, with lyrics mostly from others (only one by Perez). B+(**) [sp]

Unpacking: Found in the mail last week:

  • Sam V.H. Reese, ed.: The Notebooks of Sonny Rollins (New York Review Books): paperback book.

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Sunday, April 14, 2024

Speaking of Which

My company left Saturday afternoon, so I didn't really get started on this until then. Sunday I started feeling sick, and ran out of energy. No idea whether Monday will be better or worse, so I figured I might as well post this while I can. Maybe I'll circle back later. Big news stories are pretty much the same as they've been of late, so you pretty much know where I stand on them.

Not a lot of music this week, but if I'm up to it, I'll try to post what I have sometime Monday. Another pending problem is that I'm unable to send email, and Cox doesn't seem to have anyone competent to work on the problem until Monday.

Notable tweets:

  • Yousef Munayyer [04-03]: Joe Biden knows backing Israel's genocide in Gaza could cost him the election he says American democracy depends on.
    Joe Biden doesn't care.
    Imagine hating Palestinians so much as a US president that you'd throw away American democracy for it.

  • Steve Hoffman [04-10]: [meme]: Christians warn us about the anti-Christ for 2,000 years, and when he finally shows up, they buy a bible from him.

  • Rick Perlstein [04-10]: I mean, protecting criminal presidents from accountability actually is perfectly on-brand for an organization devoted to the legacy of Gerald Ford. [link: Famed photographer quits Ford over Liz Cheney snub]

Initial count: 188 links, 6,611 words.

Top story threads:

Israel:

Israel vs. Iran:

Israel vs. world opinion:

America's increasingly desperate and pathetic empire:

Election notes:

Robert F Kennedy Jr: And suddenly we have a cluster of stories on the third-party candidate:

Trump, and other Republicans: But first, let's open up some space to talk about abortion politics:

We can also group several stories on Trump's court date on Monday in New York:

That hardly exhausts their capacity for senseless cruelty, starting with their Fearless Führer:

Biden and/or the Democrats:

  • Jonathan Chait:

  • David Dayen: [04-10] TSMC chips deal promotes the logic of Biden's industrial policy.

  • John Nichols: [04-05] More than half a million Democratic voters have told Biden: Save Gaza! "The campaign to use 'uncommitted' primary votes to send a message to Biden has won two dozen delegates, and it keeps growing." I'm sorry, but these are not impressive numbers. And it is telling that you don't actually have a candidate -- one more credible than the underappreciated Marianne Williamson, that is -- leading the challenge (as Eugene McCarthy did in 1968). The obvious difference is that Americans were more directly impacted by war in Vietnam than they are now in Gaza: even though many of us are immensely alarmed by Israel's genocide, its impact on our everyday life is very marginal. Also, Biden is widely seen by Democrats (if rarely by anyone else) as the safe option to defend against Trump, who most Democrats do regard as a clear and present danger. The main reason there is that the all-important donor class seems to be satisfied with Biden, but would surely throw a fit (as Bloomberg did in 2020) if anyone like Sanders or Warren made a serious run for the nomination. Also, perhaps, that back in 1968, few people really understood how bad throwing the election to a Republican would turn out to be.

  • Evan Osnos: [04-06] Joe Biden and US policy toward Israel.

  • Matt Stieb: [04-11] Biden's leverage campaign against Bibi isn't producing dramatic results.

Legal matters and other crimes:

Climate and environment:

Economic matters:

Ukraine War:

  • Connor Echols: [04-12] Diplomacy Watch: Ukraine risks losing the war -- and the peace: "It's now unclear if the US Congress will ever manage to send more aid to Kyiv."

  • Dave DeCamp:

  • John Mueller: [04-09] Ukraine war ceasefire may require accepting a partition: "Kyiv wound likely see significant economic and political benefits -- and move closer to the West -- from a cessation of hostilities." This has become obvious a year ago, but after Ukraine recovered territory along the northeast and southwest fronts in late 2022, they held out big hopes for their much-hyped "spring offensive" of 2023. Nine months later, the "gains" were slightly negative. Since then, most of the action has been away from the unmovable front: notably drone attacks on Russian oil refineries and on Ukrainian power plants. Which is to say, punitive terror attacks, reminders of the ongoing cost of war that have no bearing on its conclusion. Before the war, there were two basic options: one was the Minsk agreements, which would have unified Ukraine but given Russian minority rights that could have kept western Ukraine from moving toward economic integration with Europe; the other was to allow secession following fair referendums, which would almost certainly have validated the secessionists in Crimea and Donbas (but probably not elsewhere). In a divided Ukraine, the west could more easily align with Europe, while the east could keep its Russian ties. Either of these would have been much preferable to the war that maximalists on both sides insisted on.

  • John Quiggin: [04-03] Navies are obsolete, but no one will admit it: Examples here start with Russia's Black Sea Fleet, which seems to have provided little beyond Ukrainian drone target practice, and the US Navy in the Red Sea, which hasn't been able to thwart Houthi attacks on Red Sea shipping (Suez Canal traffic is down 70%).

Around the world:

Boeing:

OJ Simpson: Famous football player, broadcaster, convicted criminal (but famously acquitted on murder charges), dead at 76. I'm not inclined to care about any of this, but he did elicit another round of articles:

Other stories:

William J Astore: [04-11] There is only one spaceship earth: "Freeing the world from the deadly shadow of genocide and ecocide."

Charlotte Barnett: [04-10] Declutter, haul, restock, repeat: "The content creators making a living by cleaning one purs tower, acrylic plastic box, and egg organizer at a time."

Emmeline Clein: [04-12] How capitalism disordered our eating: "From Weight Watchers to Ozempic, big business profits off eating disorders and their treatments."

Russell Arben Fox: [04-10] Thinking about Wendell Berry's leftist lament (and more). The Berry book is The Need to Be Whole: Patriotism and the History of Prejudice. Also segues into a discussion of Ian Angus: The War Against the Commons: Dispossession and Resistance in the Making of Capitalism. The destruction of the commons is a major theme in Astra Taylor's The Age of Insecurity: Coming Together as Things Fall Apart, including a critique of the famous "tragedy of the commons" theory that I was unaware of but long needed. Scrolling down in Fox's blog, I see a couple pieces I had read in the Wichita Eagle. (He teaches here in Wichita, and I believe we have mutual friends, but as far as I know he's not aware of me.)

Robert Kuttner: [04-09] The political economy of exile: Searching for safe havens from Trumpism, or escaping from "shithole countries" if you're rich enough.

Michael Ledger-Lomas: [04-14] The outsize influence of small wars: Review of Laurie Benton's book, They Called It Peace: Worlds of Imperial Violence. These "small wars" were mostly directed by European powers against their would-be colonies, most fought with a huge technological edge which complemented their legal scheming, distinguishing them from the large wars Europeans fought against each other. That's pretty much the same definition Max Boot used in his book, The Savage Wars of Peace: Small Wars and the Rise of American Power.

Walter G Moss: [04-14] 2024 US anxieties and Hitler 1933: "Here is a friendly reminder that all it would take for Trump to be elected is a series of mistakes by the electorate -- many of them not especially earthshaking." I figured this was a bit far-fetched to include in the section on Trump, the Republicans, and their more mundane crime interests, but Hitler-Trump comparisons are a parlor game of some interest for those who know more than a little about both. Speaking of parlor games for history buffs, Moss previously wrote:

Yasmin Nair: [03-27] What really happened at Current Affairs? This looks to be way too long, pained, deep, and trivial to actually read, but maybe some day. And having thrown a tantrum or two of my own way back in the days when I slaved for someone else's parochially leftist journal, it may even hit close to home. From my vantage point, Nathan J Robinson is a smart, sensible, and prodigious critic, and Current Affairs is one of my more reliably insightful sources as I go about my weekly chores. That such qualities can go hand-in-hand with less admirable traits is, well, not something I feel secure enough to cast stones over.

John Quiggin: [03-29] Daniel Kahneman has died.

Ingrid Robeyns: [04-13] Limitarianism update: Author of the recent book, Limitarianism: The Case Against Extreme Wealth, with links to reviews, interviews, etc. Comments suggest that the concept is better than the title.

Luke Savage: [04-13] The rich: On top of the world and very anxious about it: "The small handful of ultrawealthy winners are firmly ensconced in their positions of privilege in power. Yet so many of them seem haunted by the possibility that maybe they don't deserve it."

Robert Wright: [04-12] Marc Andreessen's mindless techno-optimism.

Li Zhou: [04-10] The Vatican's new statement on trans rights undercuts its attempts at inclusion.

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Tuesday, April 9, 2024

Music Week

April archive (in progress).

Music: Current count 42101 [42079] rated (+22), 37 [39] unrated (-2).

Last week was severely disrupted, with several days not spent anywhere near the computer -- mostly Washington family passing through town on their way to Arkansas for the eclipse -- so I figured there was no point playing new music I'd need to take notes on. So what little I have below was mostly picked up after they cleared out Saturday, leaving me to cobble together what turned out to be an exceptionally long Speaking of Which (217 links, 12552 words). Several links to music pieces there, including a bunch on Beyoncé.

We did two manage two family major dinners during the week. The first (plate pictured here) featured three Ottolenghi recipes (roast chicken with fennel, mandarins, and ouzo; sweet potatoes with scallions and dates; and a pearl barley salad) plus old standby recipes for caponata (Sicilian eggplant and zucchini), horiatiki (Greek chopped salad), and mast va khiar (Iranian yogurt with cucumbers, scallions, sultanas, walnuts, and mint), with pineapple upside-down cake for dessert.

Leftovers went into a second dinner which my nephew Mike took charge of, adding kofta/chicken/swordfish kebabs, pitas, hummus, asparagus, quick pickles, eggplant slices topped with spiced yogurt, a spinach salad with dates and almonds, and a mixed bean salad. Another friend made a carrot cake and white-chocolate cookies. Much more chaos than I can handle on my own anymore, but I can take some credit for having the kitchen and pantry organized.

The eclipse was rated at 88% here, so we got the idea, but it wasn't much compared to what we saw on TV. The dimming was less than we often get from passing cumulonimbus clouds.

I only heard about the passing of Clarence "Frogman" Henry after my cutoff, but decided I might as well squeeze his compilation in here. Albert "Tootie" Heath also died last week, and my exploration of his first albums also got promoted.

As noted, I finished Tricia Romano's brilliantly titled book on the Village Voice, The Freaks Came Out to Write. My own involvement with the Voice dates back to 1968-69, when as a high school dropout in Wichita, KS, still in my teens, I started subscribing, not so much for the politics -- for that I had I.F. Stone's Weekly, The Minority of One, and Ramparts -- as for the bohemian culture. I followed them for most of my life, which in the late 1970s included a few years living in New York, and thanks to Bob Christgau, they even published me, both in the 1970s and much later (most notably Jazz Consumer Guide. So, while I was never mentioned in the book, there was a strong sense that it tracked much of my life: lots of stories I knew, at least partly (often indirectly), some I didn't, and a few more I could have added to.

Moving on, I finally got around to Cory Doctorow's The Internet Con, which I had identified as "in my queue, waiting for my limited attention" back in my latest Book Roundup, dated Sept. 23, 2023 -- and way overdue for a sequel. I see now that I failed to index that post, so more drudge work to do.

The other still-pending book from that list is Franklin Foer's The Last Politician, which the death of the political book project has made unnecessary, especially on top of my mounting disappointment with "Genocide Joe." At least when we talk about "lesser evils" in 2024, there won't be any serious debate over the evil term.

Next week will also be disrupted, as our guests head home from Arkansas, hopefully passing through here again. Hopefully they will be a bit less rushed heading back. Where that leaves my weekly posts I neither know nor much care. They merely mark time while I age rather gracelessly.

New records reviewed this week:

Neal Alger: Old Souls (2023 [2024], Calligram): Guitarist, based in Chicago, debut album from 2001, mostly side credits since, including five albums with Patricia Barber. Here with Chad McCullough (trumpet), Chris Madsen (tenor sax), Clark Sommers (bass), and Dana Hall (drums). B+(**) [cd]

Thomas Anderson: Hello, I'm From the Future (2024, Out There): Singer-songwriter from Oklahoma, debut 1989, the first of many finely wrought albums. A dozen new songs here. A- [sp]

Sam Anning: Earthen (2024, Earshift Music): Australian bassist, third album, composed nine pieces, leads a septet most prominently featuring Mat Jodrell (trumpet), with two saxophones, keyboards, guitar, and drums. Most pieces are somber-to-haunting, drawing inspiration from aboriginal land. B+(***) [cd] [04-05]

Alex Beltran: Rift (2022 [2024], Calligram): Tenor/soprano saxophonist, based in Chicago, looks like his first album, mostly an energetic mainstream quartet with Stu Mindeman (piano/wurlitzer), Sam Peters (bass), and Jon Deitemyer (drums), with guests on two track each: Chad McCullough (trumpet), Lenard Simpson (alto sax). B+(***) [cd]

Beyoncé: Cowboy Carter (2024, Parkwood/Columbia): Mega pop star, "rose to fame" in Destiny's Child, last name then Knowles, now seems to be Knowles-Carter after the merger with the now relatively obscure rapper Jay-Z. Eighth solo album since 2003, first seven debuted at number one, awaiting confirmation on this one. She's parlayed her music into a business empire, where her Wikipedia page has as much about "wealth" and "philanthropy" as music. I thought her early work, both group and solo, was ok at best, more often not. She got better, but I never found any reason to think she was more than money talking. Even after I revised my grade upward and bought a copy, I never played Renaissance again. My inability to recall any of her songs might be chalked up to my aging -- I can't recall much Taylor Swift either -- or maybe just my increasingly broad-but-shallow streaming, where I'm most likely to pick up on my long-cultivated idiosyncrasies. Aware of this, I held off writing up my first play, and gave it a closer listen the morning after. I heard a lot more: nothing I love, but a wide range of credible bits, enough to suggest that with another 3-5 plays, I could edit this 78:21 sprawl down to a 45-minute high B+ (but probably not a 35-minute A-). The result would be even less cowboy than this is: I'm all for genre-fuck, but she gave up that game with the "Blackbird" cover in the two slot (even with four certified country guests, including Tanner Adell), then slipped the album's best song (six writers, but my guess is that Raphael Saadiq is key) in between "Texas Hold 'Em" and "Jolene." Aside from Saadiq, other notable contributors include Nile Edwards, Pharrell Williams, and Shawn Carter, as well as guests Dolly Parton, Willie Nelson, and Miley Cyrus, and snips from Chuck Berry and Brian Wilson: all things you can do with money to make more. B+(**) [sp]

Martin Budde: Back Burner (2023 [2024], Origin): Guitarist, based in Seattle, seems to be first album but had a 2021 group album as Meridian Odyssey. Recorded in Alaska, eight originals plus a Joni Mitchell cover, backed by bass (Ben Feldman) and drums (Xavier Lecouturier). Nice enough. B+(*) [cd]

Mackenzie Carpenter: Mackenzie Carpenter (2023, Valory Music, EP): Country singer-songwriter from Georgia, one of the writers on the Megan Moroney single "I'm Not Pretty," debut 5-song EP (15:57). Annoying when it takes longer to look up a label and release date than it takes to listen to a record (and that doesn't even count the 17:27 "Introducing Mackenzie Carpenter" video on YouTube). Offhand, seems about as credible (and about as pretty) as Moroney. B+(***) [sp]

Chromeo: Adult Contemporary (2024, BMG): Canadian electropop duo, sixth album since 2004. Dance grooves, hard to resist. B+(**) [sp]

Hannah Frances: Keeper of the Shepherd (2024, Ruination): Singer-songwriter, based in Chicago, plays guitar, released a debut album in 2018. B+(*) [sp]

Gossip: Real Power (2024, Columbia): Indie band, formed in Olympia, WA by three Arkansas expats, fronted by plus-sized singer Beth Ditto, who went on to a solo career, wrote a book, did some acting, but is back here for their first album since 2012. B+(**) [sp]

Helado Negro: Phasor (2024, 4AD): Roberto Carlos Lange, born in Florida, parents from Ecuador, ninth album since 2009. First approximation is something similar to the slinky Brazilian music of Tom Zé. B+(**) [sp]

Last Word Quintet: Falling to Earth (2021-22 [2024], Origin): Group formed when performance poet Marc Kelly Smith hooked up with "four of Chicago's more active musicians and songwriters": Al Day (vocals/guitar), Bob Long (piano), Doug Lofstrom (bass/keyboards), and Brian Gephart (sax), with Sarah Allen (drums) listed on back cover but not in group pic. Day's vocals are rather talkie, rather like Mose Allison, so they blend in with the poetry as opposed to giving you two distinct voices. For that, you have the sax. B+(**) [cd]

Molly Lewis: On the Lips (2024, Jagjaguwar): Musician from Orange County, California, plays ukulele and other novelty instruments, and whistles, her early albums out for laughs, this one reminding me more of soft jazz pleasantries. B+(*) [sp]

Ms. Boogie: The Breakdown (2024, self-released): Brooklyn-based rapper, drill style, first album. B+(*) [sp]

Sam Outlaw: Terra Cotta (2024, Black Hills): Country singer-songwriter, based in Nashville, fourth album since 2015, original name Morgan but adopted his mother's maiden name -- kind of pulls a punch he really never throws. B+(*) [sp]

Jim Rotondi: Finesse (2021 [2024], Cellar Music): Trumpet player, originally from Montana, studied at UNT, played in New York, now based in Graz, Austria. Backed here by the Notes and Tones Jazz Orchestra, a big band, plus an unnamed Orchestra with strings and reeds (flute, oboe, bassoon, horn) on six (of 13) tracks. Jakob Helling arranged and conducted Rotondi's compositions, with featured soloists Steve Davis, Dick Oatts and Danny Grissett. B [sp]

Claudio Scolari Project: Intermission (2022 [2024], Principal): Italian drummer, discography goes back to 2004, seventh group album (although Discogs only lists two), quartet features a second drummer, Daniele Cavalca (also keyboards, with Scolari some "synth programming"), trumpet (Simone Scolari), and electric bass (Michele Cavalca). Occasionally hits an Miles Davis fusion vibe, which is excellent, but not really the point, so it tails off into something more ambient, which is also fine. A- [cd]

Tyla: Tyla (2024, Epic): Popiano (pop + amapiano) singer-songwriter from South Africa, last name Seethal, first album after a worldwide breakout single in 2023 ("Water"). B+(**) [sp]

Bob Vylan: Humble as the Sun (2024, Ghost Theatre): British grime/punk/hip-hop duo, singer/guitarist Bobby Vylan and drummer Bobbie Vylan, released a terrific EP in 2018 (We Live Here), later expanded to album length and followed up with a 2022 album (The Price of Life). Back here with 10 songs, 34:44. Title song suggests they're getting nice, but this picks up soon enough, and ends strong with the reminder, "I'm Still Here." A- [sp]

Dan Weiss: Even Odds (2023 [2024], Cygnus): Drummer, over 100 side-credits since 1998, a dozen-plus of his own compositions since 2005, the latter I rarely enjoyed but here he tries something different: a bare-bones trio with brilliant improvisers -- Miguel Zenón (alto sax) and Matt Mitchell (piano) -- making the most out of his broken free rhythms. A- [cd]

Recent reissues, compilations, and vault discoveries:

Burnt Sugar/The Arkestkra Chamber: The Reconstru-Ducted Repatriation Road-Rage ReMiXeS (2020-21 [2024], Avantgroidd): Jazz/funk group, mostly under the direction of the critic Greg Tate from 2000 to his recent death. Marque Gilmore tha' Inna-Most remixes of their 2021 album Angels Over Oakanda. B+(**) [bc]

Pete Jolly: Seasons (1970 [2024], Future Days): Pianist (1932-2004), actual surname Ceragioli, born in Connecticut but considered a West Coast player; played with Chet Baker, Gerry Mulligan, Art Pepper, Marty Paich, Shorty Rogers, Shelly Manne, many others; 1955 debut title Jolly Jumps In; recorded this album for Herb Alpert at A&M, with guitar (John Pisano), bass (Chuck Berghofer), drums, and percussion. A fairly minor groove album. B+(*) [sp]

Mixmaster Morris/Jonah Sharp/Haruomi Hosono: Quiet Logic (1998 [2024], WRWTFWW): The former is Morris Gould. Discogs only credits him this one album, but also lists DJ Mixes and Compilations with titles like God Bless the Chilled, Abstract Funk Theory, and Calm Down My Selector (but not Give Peace a Dance?). Sharp is younger, from Scotland, also has a rep for UK chill rooms. Hosono's name wasn't on the original release, but this was crafted in his studio. Definitely chill, but a lot of fascinating detail rarely revealed in ambient. A- [bc]

Old music:

Kuumba-Toudie Heath: Kawaida (1970, O'Be): Artist per Discogs, but you know him as Albert "Tootie" Heath (1935-2024), who came out of Philadelphia with his brothers Percy (1923-2005) and Jimmy (1926-2000) to have major careers in jazz. He played on numerous classic albums from 1956 on, but this is the first listing him as leader -- although it was later reissued under the marquee names of Herbie Hancock and Don Cherry, with Heath relegated to a second tier of Jimmy Heath, Buster Williams, James Mtume, and Ed Blackwell, and most names were Africanized (Mtume was the only one that stuck, although you may recognize Mwandisi). Mtume (1946-2022, who was Jimmy Heath's son but grew up with a stepfather's name) wrote five pieces, the other one credited to "Kuumba." This was from a heady moment when Black Power, Pan-Africanism, and the Avant Garde joined forces to make revolution. A- [yt]

Albert Heath: Kwanza (The First) (1973 [2015], Elemental Music): Drummer, a rare album as leader, originally on Muse in 1974, reissued as Oops! on Xanadu in Japan in 1993 with an extraneous piano solo track from 1981. With Jimmy Heath (tenor/soprano sax, flute), Curtis Fuller (trombone), Kenny Barron (pianos), Ted Dunbar (guitar), and Percy Heath (bass). B+(**) [sp]

Clarence "Frogman" Henry: Ain't Got No Home: The Best of Clarence "Frogman" Henry (1956-64 [1994], MCA): New Orleans pianist and singer, just passed (1937-2024), title song was a hit (3 r&b, 20 pop), earned him that frog-in-the-voice nickname but that wasn't his only trick (cf. "I'm in Love"), had two more minor hits in 1961 -- "You Always Hurt the One You Love" and "(I Don't Know Why) But I Do" (better known from Bobby Charles, and later by Bobby Vinton) -- but settled into a comfortable groove, which is just fine for filling out an 18-song profile. A- [sp]

Unpacking: Found in the mail last week:

  • Noah Haidu: Standards II (Sunnyside) [04-12]
  • Chuck Owen & Resurgence: Magic Light (Origin) [04-26]
  • Idit Shner & Mhondoro: Ngatibatanei [Let Us Unite!] (OA2) [04-26]
  • Geoff Stradling & the StradBand: Nimble Digits (Origin) [04-26]
  • Jordan Vanhemert: Deep in the Soil (Origin) [04-26]

Ask a question, or send a comment.

Monday, April 8, 2024

Speaking of Which

I don't have much time to work with this week. Writing this on Friday, I expect that the links below will be spotty. I also doubt that I'll have many records in the next Music Week, although that can run if I have any at all.

My company left Saturday morning, headed to Arkansas for a better view of the eclipse on Monday, so I finally got a bit of time to work on this. I collected a few links to get going, then spent most of Sunday writing my "one point here" introduction, and adding a few more links. I got a little over half way through my usual source tabs before I had to call it a day. On Monday, I tried to pick up where I had left off -- not going back to the tabs I had hit on Sunday, but picking up the occasional Monday post as I went along. Wound up with a pretty full post, dated Monday. I marked this paragraph as an add, because it's a revision to my original intro.

This should go up before I go to bed Monday night. Music Week will follow later Tuesday. Very little in it from before Saturday, but I've found a few interesting records while working on this.

But I do want to make one point here, which is something I've been thinking about for a while now.

I've come to conclude that many of us made a fundamental error in the immediate aftermath of October 7 in blaming Hamas (or more generally, Palestinians) for the outbreak of violence. Even those of us who immediately feared that Israel would strike back with a massive escalation somehow felt like we had to credit Hamas with agency and moral responsibility -- if not for the retaliation, at least for their own acts. But what choice did they have? What else could they have done?

But there is an alternate view, which is that violent resistance is an inevitable consequence of systematic marginalization, where nonviolent remedies are excluded, and order is violently enforced. How can we expect anyone to suffer oppression without fighting back? So why don't we recognize blowback as intrinsic to the context, and therefore effectively the responsibility of the oppressor? I don't doubt that Israelis were terrified on October 7. They were, after all, looking at a mirror of their own violence.

It's pretty obvious why Israel's leaders wanted to genocide. The Zionist movement was born in a world that was racist, nationalist, and imperialist -- traits that Zionists embraced, hoping to forge them into a defensive shield, which worked just as well as a cudgel to impose their will on others. What distinguishes them from Nazis is that they're less driven to enslave or exterminate enemy races, but that mostly means they see no use for others. In theory, they'd be satisfied just to drive the others out -- as they did with the Nakba -- but in practice their horizons expand as the settlements grow.

The question isn't: why genocide? That's been baked in from the beginning. The question is why they didn't do it before, and why they think they can get away with it now. The "why not" is bound to be speculative, and I don't want to delve very deep here, but I can imagine trying to sort it out on two axes, one for the people, the other for the cutting-edge political leaders. For the people, the scale runs from respect for one's humanity, and dehumanizing others. Most Israelis used to take pride in their high morality, but war and militarism broke that down (with ultra-orthodoxy and capitalism also taking a toll). As for the leaders, the scale is based on power: the desire to push the envelope of possibility, balanced off by the need to maintain good will with allies.

Ben Gurion was a master at both: a guy who took as much as he could (even overreaching in 1956 and having to retreat), and was always plotting ahead to take even more (as his followers did in 1967, meeting less resistance from Johnson). Begin pushed even further, although he too had to retreat from Lebanon under Carter before he found a more compliant Reagan. Netanyahu is another one who constantly tested the limits of American allowance, only to find that Trump and Biden were pushovers, offering no resistance at all. Genocide only became possible as Palestinians came to be viewed by most Israelis as subhuman, while Netanyahu found his power to be unlimited by American sensitivity.

So, while Israel has always been at risk of turning genocidal, what's really changed is America, turning from the "good neighbor" FDR promised to Eisenhower's "leader of the free world" to Reagan's capitalist scam artists to Bush's "global war on terror" to the Trump-Biden cha-cha. I chalk this up to several things. The drift to the right made Americans meaner and politicians more cynical and corrupt. The neocons came to dominate foreign policy, with their cult for power that could be rapidly and arbitrarily deployed anywhere -- as Israel did in their small region, Bush would around the globe. The counter-intifada in Israel and the US wars on terror drove both countries further into the grip of dehumanizing militarism, opening up an opportunity for Netanyahu to forge a right-wing alliance with America, while AIPAC held Democrats like Obama and Biden in check. Trump automatically rubber-stamped anything Netanyahu wanted, and Biden had no will power to do anything but.

By the time October 7 came around, Americans couldn't so much as articulate a national interest in peace and social justice. But there was also one specific thing that kept Americans from seeing genocide as such: we had totally bought into the idea that Hamas, as exemplary terrorists, were intrinsically evil, could never be negotiated with, and therefore all you could do to stop them is to kill as many as you can. It wasn't a novel idea. America has a sordid history of assassination plots until the mid-1970s, when the Church Committee exposed that history and forced reforms. But Israel's own assassination programs expanded continuously from the 1980s on, and American neocons envied Israel's prowess. Under Bush, "high value targets" became currency, and Obama not only followed suit, he upped the game -- most notably bagging Osama Bin Laden.

There's a Todd Snider line: "In America, we like our bad guys dead." That's an understatement. Dead has become the only way we can imagine their stories ending. We long ago gave up on the notion that enemies can be rehabilitated. In large part, this reflects a loss of faith in justice, replaced by sheer power, the belief that we are right because we have the might to force them to tow the line. That was the attitude that Europe took to the South in the 19th century. That was the attitude Germany and Japan made World War with.

That attitude was discredited -- Germany and Japan were allowed to recover as free and peaceful nations; Africa and Asia decolonized; the capitalist world integrated, first with a stable divide from the communists, then by further engagement. There were problems. The US was magnanimous to defeated Germany and Japan, but in turning against the Soviet Union, and in assuming security responsibility for the former European colonies, and in maintaining capitalist hegemony over them, Americans lost their faith in democracy and justice, and embraced power for its own sake. And when that failed, they turned vindictive toward Korea, Vietnam, Cuba, and elsewhere.

The Israelis were adept students of power. They learned directly from the British colonial system, with its divide-and-conquer politics, and its use of collective punishment. They worked with the British to defeat the Palestinian revolt of 1937-39, and against the British in 1947-48. They drew lessons from the Nazis. They learned to play games with the world powers, especially with the US. Trita Parsi's book, Treacherous Alliance, is a case study of how they played Iran off for leverage elsewhere, especially with the US. The neocons, with their Israel envy, were especially easy to play.

So when October 7 happened, all the necessary prejudices and reflexive operators were aligned. Hamas were the perfect villains: they had their roots in the Muslim Brotherhood, which qualified them as Islamists, close enough to the Salafis and Deobandis who Americans had branded as terrorists even before 9/11; they had become rivals with the secular PLO within the Occupied Territories, especially after Israel facilitated Arafat's return under the Oslo Accords -- a rivalry which led them to become more militant against Israel, which Israel intensified by assassinating their leaders; when they finally did decide to run for elections, they won but the results were disallowed, leading to them seizing power in Gaza, which Israel then blockaded, "put on a diet," and "mowed the grass" in a series of punishing sieges and incursions; along the way, Hamas managed to get a small amount of aid from Iran, so found themselves branded as an Iranian proxy, like Hezbollah in Lebanon and the Houthis in Yemen -- Israel knew that any hint of Iranian influence would drive the Americans crazy.

Not only was Hamas the perfect enemy, Israel and the United States had come to believe that terrorists were irrational and fanatical, that they could never be negotiated with, and that the only way to deal with them was by systematically killing off their cadres and especially their leaders until they were reduced to utter insignificance. The phrase Israelis used was that their goal was to make Palestinians realize that they were "an utterly defeated people." When I first heard that phrase, a picture came to mind, of the last days of the American Indian campaigns, when the last Sioux and Apache surrendered to be kept as helpless dependents on wasteland reservations.

On its founding, Israel kept a British legal system that was designed to subjugate native populations, to surveil them, and to arbitrarily arrest and punish anyone they suspected of disloyalty. They discriminated legally against natives, limiting their economic prospects, curtailing their freedom, and punishing them harshly, including collective punishments -- a system which instilled fear of each against the other, where every disobedient act became an excuse for harsher and more sweeping mistreatment.

After Hamas took control of Gaza, those punishments were often delivered by aircraft, wielding 2,000-pound bombs that could flatten whole buildings. Hamas responded with small, imprecise rockets, of no military significance but symbolic of defiance, a way of saying we can still reach beyond your walls. Israel always responded with more shelling and bombing, a dynamic that repeatedly escalated until the horror started to turn world opinion against Israel. Having made their point, Israel could then ease off, until the next opportunity or provocation sent them on the warpath again.

The October 7 "attack" -- at the time, I characterized it, quite accurately I still think, as a jail break followed by a brief crime spree. In short order, Israel killed most of the "attackers," and resealed the border. The scale, in terms of the numbers of Israelis killed or captured was much larger than anything Palestinians had previously managed, and the speed was even more striking, but the overall effect was mostly symbolic, and the threat of more violence coming from Gaza dissipated almost immediately. Israel had no real need to counterattack. They could have easily negotiated a prisoner swap -- Israel had many times more Palestinians in jail than Hamas took as hostages, and had almost unlimited power to add to their numbers. But Israel's leaders didn't want peace. They wanted to reduce Palestinians to "an utterly defeated people." And since there was no way to do that other than to kill most of them and drive the rest into exile -- basically a rerun of the Nakba, only more intense, because having learned that lesson, Palestinians would cling even more tenaciously to their homeland.

That's why the immediate reaction of Israel's leaders was to declare their intent to commit genocide. The problem with that idea was that since the Holocaust, any degree of genocide had become universally abhorrent. To proceed, Israel had to keep the war going, and to keep it going, they had to keep their ideal enemy alive, long enough to do major devastation, making Gaza unlivable for anywhere near the 2.3 million people who managed to live through decades of hardships there, with starvation playing a major role in decimating the population.

In order to commit genocide, Israel had to supplement its killing machinery with a major propaganda offensive, because they remembered that what finally stopped their major wars of 1948-49, 1956, 1967, and 1973, and their periodic assaults on Lebanon and Gaza, was public opinion, especially in America. But Netanyahu knew how to push America's buttons. He declared that the only thing Israel could do to protect itself -- the one thing Israel had to do in order to keep this mini-Holocaust from ever happening again -- was to literally kill everyone in Hamas.

And Americans fell for that line, completely. They believed that Hamas were intractably evil terrorists, and they knew that terrorists cannot be appeased or even negotiated with. And they trusted that Israelis knew what they were doing and how best to do it, so all they really had to do was to provide support and diplomatic cover, giving Israel the time and tools to do the job as best they saw fit. And sure, there would be some collateral damage, because Hamas uses civilians as human shields -- it never really occurring to Americans that those super-smart, super-moral Israelis can't actually tell the difference between Hamas and civilians even if they wanted to, which most certainly they do not. And if anything does look bad, Israel can always come up with a cover story good enough for Americans to believe. After all, Americans have a lot of practice believing their own atrocity cover up stories.

The hostage situation turned out to be really useful for keeping the spectre of Hamas alive. There is no real way for Americans to evaluate how much armed defense Hamas is still capable of in Gaza -- their capability to attack beyond the walls was depleted instantly as they shot their wad on October 7 -- so the only reliable "proof of existence" of Hamas is when their allies show up for meetings in Qatar and Cairo. And there's no chance of agreement, as the only terms Israel is offering is give up all the hostages, surrender, and die. But by showing up, they affirm that Hamas still exists, and by refusing to surrender, they remind the Americans that the only way this can end is by killing them all.

And while that charade is going on, Israel continues to kill indiscriminately, to destroy everything, to starve, to render Gaza unlivable. And they will continue to do so, until enough of us recognize their real plan is genocide, and we shame them into stopping. We are making progress in that direction, as we can see as Biden starts to waver in his less and less enthusiastic support, but we still have a long ways to go.

The key to making more progress will be to break down several of the myths Israel has spun. In particular, we have to abandon the belief that we can solve all our problems by killing everyone who disagrees with us. Second, we need to understand that killing or otherwise harming people only causes further resentment and resistance. People drunk on power tend to ignore this, but it's really not a difficult or novel idea: as Rabbi Hillel put it, "That which is hateful unto you, do not do to your neighbor."

Moreover, we need to understand that negotiated agreement between responsible parties is much preferable to the diktat of a single party, no matter how powerful that party is. It's not clear to me that Israel needs to negotiate an agreement with Hamas, because it's not clear to me that Hamas is the real and trusted agent of the people of Palestine or Gaza, but some group needs to emerge as the responsible party, and the more solid their footing, the better partner they can be.

Israel, like the British before them, has always insisted on picking its favored Palestinian representatives, while making them look foolish, corrupt, and/or ineffective. Arafat may only have been the latter, but by not allowing him to accomplish anything, Israel opened up the void that Hamas tried to fill. But Hamas has only had the power it was able to seize by force, and even then was severely limited by what Israel would allow, in a perverse symbiotic relationship that we could spend a lot of time on -- Israel has often found Hamas to be very useful, so their current view that Hamas has to be exterminated seems more like a line to be fed to the Americans, who tend to take good vs. evil ever so literally.

Initial count: 217 links, 12,552 words.

Top story threads:

Israel:

Israel vs. world opinion:

America's increasingly desperate and pathetic empire:

Election notes: There were presidential primaries on April 2, all won as expected by Biden and Trump: Connecticut: Trump 77.9%, Biden 84.9%; New York: Trump 82.1%, Biden 91.5%; Rhode Island: Trump 84.5%, Biden 82.6%; Wisconsin: Trump 79.2%, Biden 88.6%; also Delaware has no vote totals, but gave all delegates to Trump and Biden. The next primary will be in Pennsylvania on April 23.

Trump, and other Republicans:

I've been reading Tricia Romano's oral history of The Village Voice, The Freaks Came Out to Write, and ran into a section on Wayne Barrett, who started reporting on Trump in the 1970s, and published the first serious book on Trump in 1992. The discussion there is worth quoting at some length (pp. 522-524):

TOM ROBBINS: Wayne appreciated the fact that Trump could be a serious player, given his willingness to play the race card, which was clear from his debut speech that he was gonna go after illegal immigrants and Mexicans. As long as you're going to outwardly play the race card in the Republican primary, you can actually command a lot. And Wayne understood that. He was surprised as the rest of us the way that Trump just mowed down the rest of the opposition and that nobody could stand up to him.

WILLIAM BASTONE: He knew that Trump was appealing to something that was going to have traction with people and that wasn't just a passing thing. I said, "Wayne, don't you think people see through this and they understand that he's really just a con man and a huckster and a racist?" The stuff goes back, at that point, almost thirty years with his father and avoiding renting apartments to Black families in Brooklyn.

And he was like, "No, that's gonna be a plus for him, for the people that he's going to end up attracting." I was like, "You're crazy, Wayne. You're crazy."

There was talk that he may have used racially charged or racist remarks when he was doing The Apprentice. And I said, "So Wayne, if it ever came out that Trump used those words or used the N-word?" And Wayne said, "That would be good for him." He was totally right. And then nine months later, he's talking about shooting people on Fifth Avenue. Trump understood that "there's really nothing I can do [wrong] because these people hate the people I hate, and we're all gonna be together."

TOM ROBBINS: When I was at the Observer, I had a column in there called Wise Guys. And at that point, Trump was talking about running for president. This was 1987, that was thirty years before he actually ran, almost. He was focused on this from the very beginning. And none of us took him seriously. . . .

As someone who worked with the tabloid press for a long time, the people who invented Trump were all those tabloid gossip reporters who dined out from all of his items over the years and who reported them right up until the time he ran for president. This is one of the great unrecognized crimes of the press. We in the tabloid press created Trump; it wasn't Wayne. Wayne was going after him.

JONATHAN Z. LARSEN: This is the media's Frankenstein's monster. Trump would call, using a fake name, saying, "I'm the PR guy for Donald Trump. I really shouldn't be telling you this, but he's about to get divorced, and he's got three women he's looking at. There's Marla Maples. There's so-and-so." Very often the people that he was speaking to recognized his voice. They loved it. It was free copy.

Barrett really did have some incredibly good information on Trump, how he built Trump Tower. The head of the concrete union was mobbed up. There was this crazy woman who bought the apartment just underneath Donald Trump's because she was sleeping with the concrete guy, and she wanted to install a pool. It's astonishing, the stuff he got. It's a national treasure now that we have Wayne Barrett's reporting. As soon as Trump became president, everybody was picking through all of Wayne's files.

The ellipsis covers a section on Barrett's Trump book, and stopped before a section on Barrett's horror watching the 2016 returns. By then Barrett was terminably ill, and he died just before Trump's inauguration. I remember reading about Trump in the Voice back in the 1970s, so I was aware of him as a major scumbag, but I took no special interest in him otherwise. Anything I did notice simply added to my initial impression.

Biden and/or the Democrats:

  • Aaron Blake: [04-05] Gaza increasingly threatens Democrats' Trump-era unity.

  • Ben Burgis: [04-04] Democratic voters are furious about US support of Israel.

  • Rachel M Cohen: [04-01] You can't afford to buy a house. Biden knows that.

  • Page S Gardner/Stanley B Greenberg: [03-15] They don't want Trump OR Biden. Here's how they still can elect Biden. "Our new survey of these voters shows the president can still win their support."

  • Robert Kuttner: [04-04] Liberals need to be radicals: "The agenda for Biden's next term must go deeper to restore the American dream." The substance here is fine, but why resort to clichés? The "American dream" was never more than a dream. One can argue that we should dream again, and work to realize those dreams for everyone. Back in the 1960s, the first real political book I bought was an anthology called The New Radicals, edited by Paul Jacobs and Saul Landau, and I immediately saw the appeal of the word "radical" for those who seek deep roots of social problems, but nowadays the word is mostly used as a synonym for "extremist." But perhaps more importantly, I've cooled on the desirability for deep solutions (revolutions) and come to appreciate more superficial reforms. I would refashioned the title to say that "liberals need to be leftists," because the liberal dream of freedom can only be universalized through solidarity with others, and is of little value if limited to self-isolating individuals.

  • Tim Miller: [04-05] Joe Biden is not a "genocidal maniac": "And it's not just wrong but reckless and irresponsible to say he is." I agree with the title, but I disagree with the subhed. Genocide wasn't his idea, nor is it something he craves maniacally. But he is complicit in genocide, and not just passively so. He has said things that have encouraged Israel, and he has done things that have materially supported genocide. He has shielded them in the UN, with "allies," and in the media. I've thought a lot about morality lately, and I've come to think that it (and therefore immorality) can only be considered among people who have the freedom to decide on their own what to say and do. Many people are severely limited in their autonomy, but as president of the United States, Biden does have a lot of leeway, and should be judged accordingly.

    I realize that one might argue that morality is subordinate to politics -- that sometimes actual political considerations convince one to do things that normally regard as immoral (like going to war against Nazi Germany, or nuking Hiroshima) -- but the fundamentals remain the same: is the politician free to choose? One might argue that Biden's initial blind support for Israel was purely reflexive -- lessons he had learned over fifty years in AIPAC-dominated Washington, a reflex shared by nearly every other politician so conditioned -- but even so, as president Biden had access to information and a lot of leeway to act, and therefore should be held responsible for his political, as well as moral, decisions.

    Miller goes on to upbraid people for saying "Genocide Joe." He makes fair points, but hey, given the conditions, that's going to happen. Most of us have very little power to influence someone like Biden -- compared to big-time donors, colleagues, and pundits, all of whom are still pretty limited -- so trying to shame him with a colorful nickname is one of the few things one can try. In a similar vein, we used to taunt: "Hey, hey, LBJ; how many kids did you kill today?" And sure, LBJ was more directly responsible for the slaughter in Vietnam than Biden is in Gaza, but both earned the blame. Biden, at least, still has a chance to change course. If he fails, he, and he alone, sealed his fate.

  • Elena Schneider/Jeff Coltin: [03-29] Pro-Palestinian protesters interrupted Biden's glitzy New York fundraiser: "The event padded Biden's cash advantage, but laid bare one of his biggest weaknesses." The Biden campaign's response seems to be to try to exclude potential protesters:

    • Lisa Lerer/Reid J Epstein/Katie Glueck: [04-07] How Gaza protesters are challenging Democratic leaders: "From President Biden to the mayors of small cities, Democrats have been trailed by demonstrators who are complicating the party's ability to campaign in an election year." By the way, better term here than in the Politico piece: you don't have to be "pro-Palestinian" to be appalled by genocide. You can even be consciously pro-Israel, someone who cares so much for Israel that your most fervent desire is to spare them the shame of the path Netanyahu et al. have set out on.

  • Washington Monthly: [04-07] Trump vs. Biden: Who got more done? The print edition has a series of "accomplishment index" articles comparing the records of the two presidents. You can probably guess the results, especially if you don't count corruption and vandalism, the main drivers of the Trump administration, as accomplishments:

Legal matters and other crimes:

Climate and environment:

Economic matters:

Ukraine War:

Around the world:

The bridge:

Beyoncé: Cowboy Carter: I played the album (twice), and will present my thoughts in the next Music Week. I figured I was pretty much done with it before I started collecting these, but thought it might be interesting to note them:

Other stories:

Hannah Goldfield: [04-08] In the kitchen with the grand dame of Jewish cooking: Gnoshing with Joan Nathan.

Luke Goldstein: [04-02] The in-flight magazine for corporate jets: "The Economist has channeled the concerns of elites for decades. It sees the Biden administration as a threat."

Stephen Holmes: [04-04] Radical mismatch: A review of Samuel Moyn: Liberalism Against Itself: Cold War Intellectuals and the Making of Our Times.

David Cay Johnston: [04-05] Antitax nation: Review of Michael J Graetz: The Power to Destroy: How the Antitax Movement Hijacked America, explaining "how clever marketing duped America into shoveling more tax breaks to the wealthy and corporations."

Sarah Jones:

Natalie Korach/Ross A Lincoln: [04-05] Meta blocks Kansas Reflector and MSNBC columnist over op-ed criticizing Facebook: "The company says Friday afternoon that the blocks, which falsely labeled the links as spam, were due to 'a security error.'" A Wichita columnist also wrote on this:

Orlando Mayorquin/Amanda Holpuch: [04-07] Southwest plane makes emergency landing after Boeing engine cover falls off. And just when I thought I'd get through a week with no Boeing stories. Then I noticed I had two more waiting:

Rick Perlstein: [04-03] Joe Lieberman not only backed Bush's war; he also helped make Bush president: "A remembrance of this most feckless of Democrats."

Nathan J Robinson: And other recent pieces from his zine, Current Affairs:

Jeffrey St Clair: [04-04] The day John Sinclair died: "The poet, musician, writer, pot liberator, raconteur, Tigers fan, jazzbo, political radical, producer of MC5, founder of the White Panthers and occasional CounterPunch, John Sinclair died this week at 82."

Michael Stavola: [04-03] Wichitan involved in deadly swatting arrested after reportedly doing donuts in Old Town: This story, where Wichita Police murdered Andrew Finch, keeps getting sicker. The trigger man not only got off, he's since been promoted, even after the city agreed to pay $5 million to the victim's family, while they managed to pin blame on three other pranksters. There's plenty of blame to go around. Not even mentioned here is the gun lobby and their Republican stooges who did so much to create an atmosphere where dozens of trigger-happy cops are dispatched to deal with an anonymous complaint, totally convinced that everyone they encounter is at likely to be armed and shoot as they are.

Carl Wilson: [03-25] Sweeping up kernels from Pop Con 2024. Includes links to key presentations by Robert Christgau, Michaelangelo Matos, Glenn McDonald, De Angela L Duff, Alfred Soto, and Ned Raggett.

I scribbled this down from a Nathan J Robinson tweet: "very interesting discussion of how, during World War I, attrocities attributed to German soldiers were used to whip people into a frenzy and create an image of a monstrous, inhuman enemy -- atrocities that later turned out to be dubious/exaggerated, well after the fighting stopped." That was followed by a scan from an unidentified book:

. . . stated that the Germans had systematically murdered, outraged, and violated innocent men, women, and children in Belgium. "Murder, lust, and pillage," the report said, "prevailed over many parts of Belgium on a scale unparalleled in any war between civilised nations during the last three centuries." The report gave titillating details of how German officers and men had publicly raped twenty Belgian girls in the market place at Ličge, how eight German soldiers had bayoneted a two-year-old child, and how another had sliced off a peasant girl's breasts in Malilnes. Bryce's signature added considerable weight to the report, and it was not until after the war that several unsatisfactory aspects of the Bryce committee's activities emerged. The committee had not personally interviewed a single witness. The report was based on 1,200 depositions, mostly from Belgian refugees, taken by twenty-two barristers in Britain. None of the witnesses were placed on oath, their names were omitted (to prevent reprisals against their relatives), and hearsay evidence was accepted at full value. Most disturbing of all was the fact that, although the depositions should have been filed at the Home Office, they had mysteriously disappeared, and no trace of them has been found to this day. Finally, a Belgian commission of enquiry in 1922, when passions had cooled, failed markedly to corroborate a single major allegation in the Bryce report. By then, of course, the report had served its purpose. Its success in arousing hatred and condemnation of Germany makes it one of the most successful propaganda pieces of the war.

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Tuesday, April 2, 2024

Music Week

April archive (in progress).

Music: Current count 42079 [42039] rated (+40), 39 [31] unrated (+8).

Speaking of Which published late Sunday night, with a few additions today. Lots of serious stuff there -- a claim I hardly feel like making for this post. However, I resolved quite some time ago to take notes on what I managed to listen to, and to share them for whoever cares.

I didn't realize until mid-week that last Music Week was the last of the month. I've updated the March Streamnotes file accordingly. When I went to index it, I found I hadn't goten to February either. Nasty, tedious job, but done now. It did solve one nagging issue of an album I thought I had reviewed but didn't record in the database.

I week-plus ago, I tweeted advance notice of an A-list album (Roby Glod's No ToXiC), figuring I might make a practice of doing that, at least for cases where the whole album can be sampled on Bandcamp. But I couldn't do much like that this week, aside from my preferred slice of the Pauline Anna Strom box, Plot Zero. I should recheck to be sure, but when I went to look, several of this week's picks aren't on Bandcamp, and most that are only have partial tracks available (in some cases, noted in the reviews, that haven't been released yet).

This post was ready to go Monday evening, but I wanted to go back and touch up Speaking of Which before posting them both. I didn't get that done, and was too exhausted by bed time. I never got started on Tuesday, either, so everything has to go up pretty much as it was. Unlikely I will get much of anything done later in the week, either, so next week's posts will be minimal, if they happen at all.

New records reviewed this week:

1010benja: Ten Total (2024, Three Six Zero): Rapper-singer Benjamin Lyman, based in Kansas City, first album after an EP, finds a groove and sensibility as original as the early mixtapes of Weeknd and Frank Ocean. A- [sp]

Miguel Atwood-Ferguson: Les Jardins Mystiques Vol. 1 (2023, Brainfeeder, 3CD): Los Angeles-based composer, violinist, has several previous albums (back to 2007), this one a monster (even without the promised future volume[s]), running 3.5 hours (also available on 4-LP), no recording dates given but "14 years in the making . . . with contributions from 50+ friends," including a fair number I recognize. Too big and possibly too luxe for me, but makes for consistently engaging background. The few critics who mention it at all rate it very highly. B+(***) [sp]

Jim Baker/Steve Hunt/Jakob Heinemann: Horizon Scanners (2022 [2024], Clean Feed): Pianist, one of few operating in Chicago's vibrant avant-jazz scene, couple dozen albums since his 1997 debut, more side-credits, trio here with drums and bass, Baker also playing ARP-2600. B+(**) [sp]

Peter Brötzmann/Paal Nilssen-Love: Chicken Shit Bingo (2015 [2024], Trost): Posthumous archive dig but not too deep, a set from Zuiderpershuis in Antwerp, with Brötzmann opting for relatively soft horns (tarogato, bb clarinet, contra-alto clarinet), Nilssen-Love with a lot of experience in sax/drums duos. B+(*) [bc]

Christie Dashiell: Journey in Black (2023, self-released): Jazz singer-songwriter, first album, seven originals, two covers, with Marquis Hill (trumpet), Allyn Johnson (keyboards), Shedrick Mitchell (organ), Romeir Mendez (bass), and Carroll Vaughn Dashiel III (drums). B+(**) [sp]

Empress Of: For Your Consideration (2024, Major Arcana/Giant Music): Pop singer-songwriter Lorely Rodriguez, from Los Angeles, parents from Honduras, Berklee grad, fourth album since 2015. B+(**) [sp]

Julieta Eugenio: Stay (2023 [2024], Cristalyn): Tenor saxophonist, from Italy, based in New York, 2022 debut album was one of the year's best. Mostly trio with Matt Dwonszyk (bass) and Jonathan Barber (drums), adding Leo Genovese (Fender Rhodes) on two tracks. Doesn't try to blow you away here, but is steady, assured, and consistently engaging -- not a formula yet, not so easy to normalize. A- [cd]

Four Tet: Three (2024, Text): Longtime alias for English DJ Kieran Hebden, a dozen-plus albums since 1999, plus a few jazzier items under his own name (with the late drummer, Steve Reid). Beats up front, then relaxes a bit. As nice as anything he's done in at least a decade. B+(***) [sp]

Kim Gordon: The Collective (2024, Matador): Sonic Youth's better half, second post-divorce solo album. With beats supposed to be derived from trap (albeit plated with a surface of industrial klang), frayed vocals that could be called rap (but are probably too cryptic). Sonically, it's as distinct as anything her former group rolled out, perhaps more so. Youth? Not really. I have some doubts, but it does quite an impression. A- [sp]

Guillermo Gregorio: Two Trios (2018-20 [2023], ESP-Disk): Clarinet player from Argentina, where he first recorded in 1963, moved to Vienna, then to Chicago, where he resumed in the 1990s, and finally to New York. First trio here was recorded at Edgefest in Ann Arbor, with Carrie Biolo (vibes) and Fred Lonberg-Holm (cello). Second was at Downtown Music Gallery in New York, with Iván Barenboim (contralto clarinet) and Nicholas Jozwiak (cello). B+(***) [cd]

Guillermo Gregorio/Damon Smith/Jerome Bryerton: The Cold Arrow (2022 [2023], Balance Point Acoustics): Clarinets, bass, and percussion ("Paiste Bronze Series gongs & selected metal & cymbals, no drums used"). B+(**) [sp]

Mercer Hassy Orchestra: Duke's Place (2022-23 [2024], Mercer Hassy): Japanese big band, leader "was born as Masahide Hashimoto in Sapporo, Japan," home base for this exceptionally racous and rather raunchy Ellington tribute band. He is credited as arranger, also for drum programming and guitar. Several vocals, lots of excitement. Group has two previous albums, one in this vein (Sir Duke), the other more varied (Don't Stop the Carnival). Hassy has a non-Orchestra album with strings and traditional Japanese instruments, but also Alan Pasqua and Peter Erskine. This one slops off here and there, but is too much fun not so share. A- [cd] [04-15)

Jlin: Akoma (2024, Planet Mu): Electronica producer Jerrilynn Patton, from Gary, Indiana, fourth (or third) album. Beats, which is all that matters. B+(***) [sp]

Julien Knowles: As Many, as One (2023 [2024], Biophilia): Trumpet player, based in Los Angeles, first album, a postbop quintet -- alto sax, piano, bass, drums, no one I recognize, plus strings on three tracks -- as ambitious as claimed but returns are marginal for 70:27. B+(*) [cd] [04-26]

Anysia Kym: Truest (2024, 10k, EP): Brooklyn-based "producer," third album, sings along with her hip-hop beats and shadings, some guest rap (MIKE), not much press. Nine songs, 22:48. B+(*) [sp]

Ellie Lee: Escape (2024, self-released): Korean pianist, original first name Seunghyung, studied at Berklee and in New Jersey, counts Joanne Brackeen and Bill Charlap among her tutors, first album, originals (one an arrangement of Benny Golson), shows remarkable poise, helped considerably by saxophonist Steven Wilson. With Steve LaSpina (bass) and Jongkuk Kim (drums). B+(***) [05-24]

Adrianne Lenker: Bright Future (2024, 4AD): Singer-songwriter, best known as leader of Big Thief, has several solo albums, two before Big Thief, three since. Very basic, guitar and voice, harmonies adding resonance, the songs standing on their own, and faring well. B+(***) [sp]

Kali Malone: All Life Long (2024, Ideologic Organ): American composer, from Denver, based in Stockholm, sixth album since 2017, started with electronics plays pipe organ here, with a choir (Macadem Ensemble) and brass quintet (Anima Brass). Very solemn. B+(*) [sp]

The Messthetics/James Brandon Lewis: The Messthetics and James Brandon Lewis (2024, Impulse!): Bassist (Joe Lally) and drummer (Brandan Canty) from Fugazi, plus jazz guitarist Anthony Pirog, formed this post-rock power trio for two 2018-19 albums, return here with the reigning heavyweight tenor sax champ riffing over heavier-than-usual beats. He's supreme, as usual, but Pirog doesn't really rise to the occasion -- unlike, the Ex guitarists in Lean Left, to pick a somewhat comparable example. B+(***) [sp]

Travis Reuter: Quintet Music (2022 [2024], self-released): Guitarist, born in Seattle, has a previous album from 2012, a variety of side credits since, lists his quintet on the cover as you should recognize the names: Mark Shim (tenor sax), Peter Schlamb (vibraphone), Harish Raghavan (bass), Tyshawn Sorey (drums). Slippery, often fractured, rhythm is interesting. B+(***) [cd] [04-19]

Schoolboy Q: Blue Lips (2024, Interscope): Los Angeles rapper Matthew Hanley, sixth album since 2011, this after a five-year break. Sharp beats, ends on a catchy note, but I didn't get much more. B+(*) [sp]

Altin Sencalar: Discover the Present (2024, Posi-Tone): Trombonist, first album, nonet has most of the label's regulars on board, including Diego Rivera, Michael Dease, Art Hirahara, and Rudy Royston. B+(*) [sp]

Matthew Shipp Trio: New Concepts in Piano Trio Jazz (2023 [2024], ESP-Disk): Pianist, has been major since c. 1990, both on his own records and accompanying saxophonists, notably David S. Ware and Ivo Perelman. Went through an avant-jazztronica that I was so taken by I wound up writing a consumer guide to his work (plus a lot more by William Parker) and a Rolling Stone guide entry. Since then, he's refocused on trio and solo albums, exhaustively it can seem. This is his sixth trio album with Michael Bisio (bass) and Newman Taylor Baker (drums), following many more with various others (starting with Parker and Whit Dickey, then Bisio and Dickey). I've heard pretty much all of them, and still I have no idea what the "new concepts" are here. This is, however, a superb sample of what he's been doing for many years now. A- [cd] [04-05]

Jacob Shulman: High Firmament (2024, Endectomorph Music): Tenor saxophonist, also plays clarinets, based in Los Angeles, has a previous album from 2021, and an earlier opera (Role Playing Game), which at least exists on Bandcamp. Also a second new album, Ferment Below, which showed up with this one, an advance looking like a double album, but they are treated as separate digitally, and I don't see any evidence of them existing otherwise. Both albums have piano (Hayoung Lyou), bass (Walter Stinson), and drums (Kayvon Gordon). Fancy postbop, more interesting to read about ("thousands of years of conjecture and agony have led us to conclude that our world diverges from Euclidean geometry in unresolvable ways" -- you can't just observe that?) -- than to listen to. B [cdr]

Jacob Shulman: Ferment Below (2024, Endectomorph Music): Annoyed me even more than the first one, until it inexplicably got better. Maybe I relaxed once I ditched the Pythagoras and realized that the review, like the record, would eventually end. But then it turned back into opera. B [cdr]

Ronny Smith: Struttin' (2024, Pacific Coast Jazz): Guitarist, "melodic and soulful," writes funky originals, covers Wes Montgomery, also credited "keys, bass, programming," second song adds vocals to sound like a Chic outtake (but just that one), elsewhere there's a nice bit of sax. B+(*) [cd] [04-19]

Mary Timony: Untame the Tiger (2024, Merge): Singer-songwriter from DC, been through several indie bands (Helium, Wild Flag, Ex Hex, Hammered Hulls) as well as several solo albums (one called Ex Hex before the group). B [sp]

Erik Truffaz: Clap! (2023, Blue Note): Trumpet player, born in Switzerland, close to twenty albums since 1997. B+(*) [sp]

Julia Vari Feat. Negroni's Trio: Somos (2024, Alternative Representa): Mexican-American standards singer, couple previous albums (but none on Discogs), backed by Puerto Rican pianist José Negroni, who has at least four Trio albums with Josh Allen (bass) and Nomar Negroni (drums, José's son). Seven songs, 35:19, the sort of singer and trio I rarely give a second thought to, but everything here delights me -- the torchy opener in Spanish, seguing into "Nature Boy," "Song for My Father" with lyrics in Portuguese, and especially the bits of French in "C'est si bon," a language I know just well enough to feel the phrase without having to translate it. A- [cd]

Fay Victor: Herbie Nichols SUNG: Life Is Funny That Way (2023 [2024], Tao Forms, 2CD): Jazz singer, born in Brooklyn but moved around a lot, with Trinidad and Zambia figuring in her childhood, Long Island for her teens, with Japan and Amsterdam major pivots in her career. She's probably sick of the Betty Carter comparisons, but after this album it's Carter who should be honored. I've been a huge fan of Nichols since I first heard his Blue Note trios in a 1975 2-LP (The Third World, but still have no idea how she managed to arrange those compositions into these pieces (adding her lyrics, or often just scat), except to note that Nichols' legacy has long inspired other geniuses (Misha Mengelberg, Steve Lacy, and Roswell Rudd leap to mind). (By the way, I'm only now noticing that the original LPs were in two volumes as The Prophetic Herbie Nichols, following on The Amazing Bud Powell, The Eminent Jay Jay Johnson, etc.; for CDs, look for The Complete Blue Note Recordings, originally on Mosaic but reissued by Blue Note in 1997, and also look out for his Bethlehem album, Love, Gloom, Cash, Love. A good place to start for Nicols projects in Regeneration (1983), with all three names I dropped above, but they've each done more, as have many others.) Group here is superb, with Michaël Attias (alto/baritone sax), Anthony Coleman (piano), Ratzo Harris (bass), and Tom Rainey (drums). (Like Carter, she really knows how to work a band.) A [cd] [04-05]

Waxahatchee: Tigers Blood (2024, Anti-): Singer-songwriter Katie Crutchfield, out of Alabama (Bandcamp puts her in Kansas City), formerly of P.S. Eliot, also of Plains, sixth Waxahatchee album since 2012, currently 4 on AOTY's "highest rated albums of 2024" (86/26, more reviews than anyone above; fewer than two other top-ten albums I don't particularly like). If I'm being evasive here, it's probably because while the songs sound good enough, I'm not connecting with them. Pehaps one to revisit later? B+(***) [sp]

Recent reissues, compilations, and vault discoveries:

Sven-Ĺke Johansson und Alexander von Schlippenbach: Über Ursache und Wirkung der Meinungsverschiedenheiten Beim Turmbau zu Babel (1994 [2024], Trost): Swedish free jazz drummer, has played in duos with the German pianist at least since 1976, their relationship going back further in Globe Unity Orchestra. This was billed as a "Musikdrama in einem Akt," with Shelley Hirsch joining Johansson (who plays accordion) for vocals, and a small group that includes piano, drums (Paul Lovens), reeds (Dietmar Diesner and Wolfgang Fuchs), and cello (Tristan Honsinger). I can't speak to the libretto, but the music is a riot. B+(**) [bc]

Microstoria: Init Ding + _Snd (1995-96 [2024], Thrill Jockey, 2CD): Electronica duo of Markus Popp (Oval) and Jan St. Werner (Mouse on Mars), recorded six albums 1995-2002, the first two reissued here. Not exactly ambient, but not much to distinguish itself either. B+(*) [sp]

Old music:

Guillermo Gregorio: Faktura (1999-2000 [2002], Hat Now): Clarinet player from Argentina, then based in Chicago, fairly minimal pieces, some trio with Carrie Biolo (vibes/marimba) and Fred Lonberg-Holm (cello), other guest spots including Jim Baker (piano), Jeff Parker (guitar), Kyle Bruckmann (oboe), Jeb Bishop (trombone), and François Houle (clarinet), with two "concrete sound" interludes crediting engineer Lou Mallozzi. B+(**) [sp]

Pauline Anna Strom: Trans-Millenia Consort (1982, Ether Ship): Electronic music composer (1946-2020), synthesizers and taped sounds, first album (of seven through 1988, was a "Reiki master, spiritual counselor, and healer," so her music was part and parcel of all that. This and two more albums were boxed up for 2023's Echoes, Spaces, Lines, which is on Bandcamp but Spotify only has the albums broken out, so we'll take them one-by-one. Constructs a universe of peace and beauty, with few distractions. B+(***) [sp]

Pauline Anna Strom: Plot Zero (1982-83 [1983], Trans-Millenia Consort): Further developing her sense of keyboard rhythm, also spacey flights, with one unseemly crescendo detracting from the soothing bliss. A- [sp]

Pauline Anna Strom: Spectre (1982-83 [1984], Trans-Millenia Consort): More of the same, seeming a bit less wondrous, as tends to happen. B+(**) [sp]

Pauline Anna Strom: Echoes, Spaces, Lines (1982-83 [2023], RVNG Intl, 4CD): This compiles her first three albums -- see above: Trans-Millenia Consort, Plot Zero, and Spectre -- and adds two cuts (6:30) at the end, the extra CD probably due to the reshuffling to also box the same music on 4-LP. I gave the second album a slight edge over the others, but it's possible that the variations add up to something more than the parts. (Also that the packaging helps, although I haven't seen it. Note that the individual album remasters are available separately, at least on Bandcamp.) B+(***) [sp/bc]

Julia Vari: Adoro (2015, Alternativa Representa): Mexican-American, not much on her but reportedly sings in eight languages and plays piano, even less on this album -- just the release date, a note that it's her second, and that there is a 4-song EP of the same name, but this has 10 songs, 45:09. Mostly Spanish (presumably, at least nothing I recognize), some excellent piano, a bit of nice sax. B+(**) [sp]

Julia Vari: Lumea: Canciones del Mundo en Jazz (2013, Alternativa Representa): This does seem to be her first album. Credits would be helpful, but I can't find any -- other than to note one standard in English, and at least one Jobim, but most must be in Spanish. More notes: "multilingual singer-songwriter and pianist"; "both albums soared to the top of the jazz-blues charts in Latin America"; "divides her time between Miami and Mexico City"; "BMI songwriter"; "performs as a Headliner on luxury cruise lines." B+(*) [sp]

Julia Vari: Bygone Nights (2018, Alternativa Representa, EP): Four songs, 12:37, title song an original in English, followed by two songs in Spanish I can trace back to others ("Achupé," "Te Veo"), and a Latin twist on old Yiddish, "Bei Mir Bist Du Schoen." B+(*) [sp]

Unpacking: Found in the mail last week:

  • Chet Baker & Jack Sheldon: In Perfect Harmony: The Lost Album (1972, Jazz Detective) [04-20]
  • John Basile: Heatin' Up (StringTime Jazz) [04-01]
  • Nicola Caminiti: Vivid Tales of a Blurry Self-Portrait (self-released) [05-10]
  • The Core: Roots (Moserobie) [04-12]
  • Arnaud Dolmen/Leonardo Montana; LéNo (Quai Son) [03-29]
  • Dave Douglas: Gifts (Greenleaf Music) [04-12]
  • Yelena Eckemoff: Romance of the Moon (L&H Production) [05-10]
  • Eric Frazier: That Place (EFP Productions) [03-29]
  • Jazz at the Ballroom: Flying High: Big Band Canaries Who Soared (Jazz at the Ballroom) [05-03]
  • Maria Joăo & Carlos Bica Quartet: Close to You (JACC)
  • Yusef Lateef: Atlantis Lullaby: The Concert From Avignon (1972, Elemental Music, 2CD) [04-26]
  • Shawn Maxwell: J Town Suite (Cora Street) [05-01]
  • Modney: Ascending Primes (Pyroclastic) [05-18]
  • Mike Monford: The Cloth I'm Cut From (self-released) [05-04]
  • Mute: After You've Gone (Endectomorph Music) * [05-13]
  • The Michael O'Neill Sextet: Synergy: With Tony Lindsay (Jazzmo) [04-19]
  • Sun Ra: At the Showcase: Live in Chicago 1976-1977 (Jazz Detective, 2CD) [04-20]
  • Art Tatum: Jewels in the Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings (Resonance, 3CD) [04-20]
  • Mal Waldron/Steve Lacy: The Mighty Warriors (1995, Elemental Music, 2CD): [04-20]

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Sunday, March 31, 2024

Speaking of Which

This is another week where I ran out of time before I ran out of things I needed to look up. Further updates are possible, although as I'm writing this, I'm pretty exhausted, so I'm tempted to call it done.

First thing to add on Monday is: Jonathan Swan: [04-01] Trump's call for Israel to 'finish up' war alarms some on the right: Assuming this isn't an April Fool, as Israeli journalist Ariel Kahana puts it, "Trump effectively bypassed Biden from the left, when he expressed willingness to stop this war and get back to being the great country you once were." As Trump put it, "You have to finish up your war. You have to get it done. We have to get to peace. We can't have this going on." Kahana continued:

"There's no way to beautify, minimize or cover up that problematic message."

Trump aides insisted this was a misinterpretation. A campaign spokeswoman, Karoline Leavitt, said that Mr. Trump "fully supports Israel's right to defend itself and eliminate the terrorist threat," but that Israel's interests would be "best served by completing this mission as quickly, decisively and humanely as possible so that the region can return to peace and stability."

Trump wants it both ways: he wants to be seen as tough as possible -- there is no indication that "finish it" couldn't include simply killing everyone, but he recognizes that free time to do whatever Israel wants is in limited supply. So is American patience, because it is finally sinking in that this genocide is bad for America's relationships with the world, not just for Israel.

The article includes a good deal about and from David M. Friedman, who was Trump's ambassador to Israel, but could just as well be viewed as Netanyahu's mole in the Trump administration.

Mr. Friedman has gone much further than Mr. Kushner, who seemed to be only musing. Mr. Friedman has developed a proposal for Israel to claim full sovereignty over the West Bank -- definitively ending the possibility of a two-state solution. West Bank Palestinians who have been living under Israeli military occupation since 1967 would not be given Israeli citizenship under the plan, Mr. Friedman confirmed in the interview.

Of course, Trump wouldn't put it that way -- he'd never admit to going to the left of any "radical left Democrat," although he has occasionally scored points by avoiding extreme right Republican positions (like demolishing Social Security and Medicare). But peace isn't a position exclusive to the left. The trick for Trump, following Nixon in 1968, is to convince people that the tough guy is the best option for "peace with honor." It's hard to see how Trump can sustain that illusion, especially given that he has zero comprehension of the problem, and nothing but counterproductive reflexes. (Nixon didn't deliver either.)

Nathan Robinson tweeted on this piece, adding:

I have this wild notion that Trump might conceivably run to Biden's left on Israel-Palestine in the general election, like he did with Hillary and Iraq.

Elsewhere, Robinson noted:

Trump has always understood that the American people don't care for war. That was crucial to his successful campaign against Hillary in 2016. He's been unusually quiet for a Republican on Israel-Palestine, probably in the hopes it will be a big disaster for Biden.

I figured I'd add more to this post, but got bogged down with Music Week, then other things, so this will have to do. I doubt I'll get much done over the next two or three weeks, as we have various company coming and going. Not that there won't be lots to write about, as Tuesday's Mondoweiss daily title makes clear: [04-02] Israel kills 7 international aid workers in central Gaza, passes law banning Al Jazeera.

Initial count is actually pretty substantial: 183 links, 9,891 words. Updated count [04-02]: 196 links, 11,509 words.

Top story threads:

Israel:

  • Mondoweiss:

  • AlJazeera: For quite some time I've been leading off with the daily logs published by Mondoweiss, but they didn't appear on Saturday and Sunday, so let these fill in. You can search for other possible daily updates, which Google suggests includes: Palestine Chronicle, Haaretz, IMEMC, Al Mayadeen, Palestine Chronicle, Times of Israel, Roya News, TASS, Jerusalem Post, Al-Manar TV Lebanon, UNRWA. Other news organizations that provide live updates include: AlJazeera, CNN, Guardian, Washington Post, New York Times, ABC, I24News, CNBC, Middle East Monitor.

    • [03-30] Day 176: List of key events: "Israeli attacks kill dozens of Palestinians including 15 people at a sport centre where war-displaced people were sheltering."

    • [03-31] Day 177: List of key events: "Gaza's Media Office says Israel has committed 'a new massacre' by bombing inside the walls of a hospital in Deir el-Balah."

  • Kaamil Ahmed/Damien Gayle/Aseel Mousa: [03-29] 'Ecocide in Gaza': does scale of environmental destruction amount to a war crime?: "Satellite analysis revealed to the Guardian shows farms devastated and nearly half of the territory's trees razed. Alongside mounting air and water pollution, experts say Israel's onslaught on Gaza's ecosystems has made the area unlivable." Let's say this loud: This is one of the most significant pieces of reporting yet on the war. War crime? Sure, but specifically this is compelling proof of intent, as well as fact, of genocide. The purpose of ecocide is to kill, perhaps less directly than bombs but more systematically, more completely. And driving people away? Sure, Israel will settle for that, especially as they're making it impossible for people who flee to return.

    Before this war, I must admit that I pictured Gaza as this chunk of desert totally covered by urban sprawl: you know, Manhattan's population in an area only slightly larger. Ever since the Nakba swept a couple hundred thousand Palestinians into refugee camps there, Gaza has had to import food. But any food they struggled to produce locally helped, especially as the population grew, and as Israel, as they liked to boast, "put Gaza on a diet." So small farms helped, and greenhouses even more. Israel has gone way out of their way to destroy food sources, much as they've destroyed utilities, hospitals, housing. While the news focuses on the top line deaths figure -- well over 30,000 but still, I'm sure, quite seriously undercounted -- Israel has shifted focus to long-term devastation.

  • Ammiel Alcalay: [03-26] Israel's lethal charade hides its real goals in plain sight: "Forget Israel's stated goals about destroying Hamas. Its real, undeclared goal has always been to make Gaza uninhabitable and destroy as many traces of Palestinian life as possible."

  • Nada Almadhoun: [03-26] A volunteer doctor in Gaza faces her patients' traumas along with her own: "I am in my final year in medical school and have seen hundreds of critical cases as a volunteer doctor during Israel's genocidal assault on Gaza. The traumas I have seen in my patients are no different from those I have experienced myself."

  • Zack Beauchamp: [03-29] The crisis that could bring down Benjamin Netantyahu, explained: "Netanyahu has till Sunday evening to present a fix to Israel's controversial conscription law. If he fails, his government likely fails with him." Genocide isn't controversial, but this [drafting yeshiva students] is? Actually, special status for ultra-orthodox Jews has been a fault line in Israeli politics ever since 1948 -- arguably Ben-Gurion's biggest mistake was bringing them into his government. But the stakes over conscription has grown over time, and are especially acute in times of high mobilization, like now.

  • Sheera Frenkel: [03-27] Israel deploys expansive facial recognition program in Gaza. They've been doing this in the West Bank for some time. Israel is also developing an export business for surveillance technology, handy for authoritarian regimes everywhere. Some earlier reports on this:

  • Tareq S Hajjaj: [03-25] The story of Yazan Kafarneh, the boy who starved to death in Gaza.

  • Ghada Hania: [03-30] 'No, dear. I will never leave Gaza.'

  • Ellen Ioanes/Nicole Narea: [03-25] Gaza's risk of famine is accelerating faster than anything we've seen in this century: "Everyone in Gaza is facing crisis levels of hunger. It's entirely preventable." In case you're wondering where he ever got such idea, Israel negotiated the exile of PLO members from Beirut, putting them on ships, most heading to Tunisia. Before that, British ships transferred large number of Palestinians from Jaffa to Beirut. So that's one thing the pier could be used for -- if the US can line up anywhere to deposit the refugees.

  • Chris Hedges: [03-18] Israel's Trojan Horse: "The 'temporary pier' being built on the Mediterranean coast of Gaza is not there to alleviate the famine, but to herd Palestinians onto ships and into permanent exile."

  • Ameer Makhoul: [03-25] While eyes are on Rafah, Israel is cementing control of northern Gaza: "Israel is building infrastructure to carve up Gaza, prevent the return of displaced Palestinians, and change the geographical and demographic facts on the ground."

  • Orly Noy: [03-23] Hebrew University's faculty of repressive science: "The suspension of Palestinian professor Nadera Shalhoub-Kevorkian empties all meaning from the university's proclaimed values of pluralism and equality."

  • Jonathan Ofir: [03-26] Another Israeli soldier admits to implementing the 'Hannibal Directive' on October 7: "Captain Bar Zonshein recounts firing tank shells on vehicles carrying Israeli civilians on October 7. 'I decide that this is the right decision, that it's better to stop the abduction and that they not be taken,' he told Israeli media outlets."

  • Meron Rapoport: [03-29] Why do Israelis feel so threatened by a ceasefire? "Halting the Gaza war means recognizing that Israel's military goals were unrealistic -- and that it cannot escape a political process with the Palestinians."

Israel vs. world opinion:

America's increasingly desperate and pathetic empire:

Election notes:

Trump, and other Republicans:

  • Zack Beauchamp: [03-28] How MAGA broke the media.

  • Jonathan Chait: [03-30] Republican billionaires no longer upset about insurrection: "The absurd rationalizations of Trump's oligarchs."

  • Chas Danner: [03-30] Trump is into kidnapped Biden shibari: Refers to "a truck tailgate meme about kidnapping President Joe Biden, tying him up with rope, and tossing him in the back of a pickup." Trump seems to approve.

  • Igor Derysh:

  • Tim Dickinson: [03-25] 'Bloodbath,' 'vermin,' 'dictator' for a day: A guide to Trump's fascist rhetoric.

  • Liza Featherstone: Donald Trump's crusade against electric vehicles is getting racist.

  • Francesca Fiorentini: [03-29] Handmaids of the patriarchy: "Republicans offer a lesson in how not to win women back to their party."

  • Shane Goldmacher/Maggie Haberman: [03-26] Trump isn't reaching out to Haley and her voters. Will it matter? Link to this article was more explicit, quoting Steve Bannon: "Screw Nikki Haley -- we don't need her endorsement." But as the article notes, many Republicans who once grumbled about Trump wound up "bending the knee."

  • Sarah Jones: [03-29] The time Trump wished everyone a 'Happy Good Friday': "Trump doesn't have to be pious. He doesn't have to understand what holy days mean to his supposed co-religionists. He just has to infuriate their enemies -- and he's good at that."

  • Robert Kuttner: [03-27] The corrupt trifecta of Yass, Trump, and Netanyahu: "Yass's payoffs to Trump are part of his efforts to destroy democracy in the US and Israel, while helping China."

  • Adam Lashinsky: [03-25] Trump's new stock deal is just another pig in a poke:

    I don't give investment advice. But I assure you that a company with $3.4 million in revenue and $49 million in losses over the past nine months is not worth $5 billion. Buy into shares of any company with those numbers and you are certain to be taken for a sucker.

    That Donald Trump will be the one doing the bamboozling means that investors in his public media company might as well be making a political donation to his campaign or contributing to a Trump legal defense fund instead.

  • Julianne Malveaux: [03-31] Those ridiculous retiring Republicans: Four Republican Reps have resigned this year -- Kevin McCarthy (CA), Bill Johnson (OH), Ken Buck (CO), and Mike Gallagher (WS) -- unable to cope with a party that eats its own.

  • Andrew Marantz: [03-27] Why we can't stop arguing about whether Trump is a fascist: Review of a new book on the question, Did It Happen Here? Perspectives on Fascism and America, edited by Daniel Steinmetz-Jenkins. Without having read the book, I can probably rattle off a dozen arguments for and against, but to matter, you not only have to have some historical background but also an interest in certain possible political dynamics and outcomes -- which makes it a question those on the left are both inclined to ask and answer affirmatively: from where we stand, knowing what we know, Trump and his movement are indeed very fascist, at least inasmuch as they hate us and wish to see us destroyed, as have all fascists before them. However, that's mostly useful just to us, to whom labeling someone a fascist suffices as a sophisticated and damning critique. Others' mileage may vary, depending on what other questions they are concerned with, and how Trump aligns or differs from his fascist forebears. One such question is does knowing whether Trump is a fascist help you to oppose him? It probably does within the left, but not so much with others.

  • Amanda Marcotte: [03-26] Trump loves to play the victim -- NY appeals court bailout shows he's the most coddled person alive: "There appears to be no end of breaks for a spoiled rich boy who has never done a decent thing in his 77 years."

  • Dana Milbank: [03-29] Trump can't remember much. He hopes you won't be able to, either. Too bad Trump's opponent doesn't seem to have the recall and articulation to remind people.

  • Ruth Murai: [03-30] Donald Trump stoops to lowest low yet with violent post of Biden: "Let's call it what it is: stochastic terrorism."

  • Timothy Noah: Trump's unbearable temptation to dump his Truth Social stock: "Would he really screw over MAGA investors to cover his gargantuan legal debts? Don't bet against it."

  • Rick Perlstein: [03-27] The Swamp; or, inside the mind of Donald Trump: "His orations about migrants are a pastiche of others' golden oldies. Exhibit A: the lie that migrants are sent from prisons and mental institutions."

  • Catherine Rampell:

    • [03-25] Two myths about Trump's civil fraud trial: So, after a judge cut down and postponed the full bond requirement that every other defendant has had to live with, Trump "shall live to grift another day." The myths?

      First, that Trump's white-collar cases are "victimless" and therefore not worth enforcement. And second, that every lawsuit and charge against him plays into his persecution narrative, thereby strengthening him as a presidential candidate.

      Both criticisms are off-base, at least in a society that values rule of law.

    • [03-29] The internet was supposed to make humanity smarter. It's failing. I wasn't sure where to file this, but a quick look at her examples of internet stupidity led me to the simplest conclusion, which is under her other article on Trump. But I'm tempted to argue that the problem is less the internet than who "we" are. I personally haven't the faintest sense that the internet has made me dumber. I use it to fact check myself dozens of times each week, which I couldn't have done before it. This very column is ample evidence of the internet's ability to make extraordinary amount of information widely available. I couldn't do what I do without it. Indeed, I couldn't know what I know. There are problems, of course. The internet is an accelerator of all kinds of information, right and wrong, good and bad, or just plain frivolous. It's also a great diffuser, scattering information so widely that few people have common references. (Unlike when I was growing up, and everyone knew Edward Murrow, and a few of us even knew I.F. Stone.) Of course, those properties sound more neutral than they are. The internet can be viewed as a market, which has been severely skewed to favor private interests over public ones. That's something we need to work on.

  • Eugene Robinson: [03-28] Trump's Bible grift is going to backfire: I think his reasoning -- "some of them might actually read it" is way off base. I mean, who actually reads the Bible? I never did. I'm not sure I knew anyone who did. I remember being shocked when I found out it was included in the list of the "Great Books" curriculum: the very idea that you could just sit down or curl up and read it through, like Plato's Republic and Dante's Inferno. All we ever did was hunt for quotes -- preferably short ones -- that we could use as an authority, because that's what everyone used the Bible for. And even if your quote-hunting goes long and deep, it's not like you're open to discovery; it's usually just confirmation bias. So no, I don't think there's any reason to think that people fool enough to buy a Bible from Trump are going to wise up. The best I'm hoping for is that they become embarrassed at having fallen for such an obvious con.

  • Jennifer Rubin:

    • [03-20] We ignore Trump's defects at our peril: An obvious point, but not just the defects -- the whole package is profoundly disturbing. I included this column for the title, but it's mostly a q&a, starting with one about the Schumer speech calling for new elections in Israel, which she answers with a real howler: "The United States and Israel generally avoid influencing each other's domestic politics, so this was quite a shock to some." Ever hear of Sheldon Adelson? Granted, it's mostly Israel interfering with America -- maybe AIPAC has American figureheads, but they always march to the orders of whoever's in power in Israel -- but I can think of examples, even if they're mostly more subtle than Schumer.

    • [03-24] Other than Trump, virtually no one was doing better four years ago. By the way, this is a bullshit metric. It was pushed hard by Reagan in 1984, knowing that America had been mired in a Fed-induced recession in 1980, but was then rebounding as interest rates dropped. Carter wasn't blameless for the recession -- he had, after all, appointed Volcker -- and Reagan did goose the recovery with his budget-busting tax cuts and military spending, but that's overly simplistic. Same today, although the depths of the 2020 recession were so severe that Biden couldn't help but look good in comparison. That, as Rubin notes, some people can't see that is a problem, potentially a big one if amnesia and delusion lead to a second Trump term. So yeah, Democrats need to remind us of Trump's massive failures, and real things accomplished under Biden (even though many of them, like infrastructure, haven't had much impact yet).

      But we should be aware of two flaws in the argument: one is that it takes a long time to fully understand the impact of a presidency; the other is that one's personal effect is often misleading. Personally, I did great during the Reagan years, but maybe being 30-38 had something to do with that? But we now know that the most significant political change was the uncoupling of wages and productivity increases -- something that was made possible by a major shift of leverage from labor to business -- which more than any other factor (including tax cuts and growing trade deficits) massively increased inequality. I didn't fully understand that at the time, but I did detect that something had gone terribly wrong, when I would quip that America's only growth industry was fraud. While I could point to a number of examples at the time, it took longer to realize that Bill Clinton was one of them -- a point that many Democrats still haven't wised up to. But even today, some people can't even see the fraud Trump peddles.

  • Margaret Sullivan:

  • Sophia Tesfaye: [03-31] Trump unloads on Republican "cowards and weaklings" in Easter Sunday meltdown.

  • Katrina vanden Heuvel: [02-27] If Trump wins, he'll be a vessel for the most regressive figures in US politics: "A Trump presidency would usher in dark consortium dedicated to stripping millions of Americans of our freedoms."

  • Amy B Wang/Marianne LeVine: [03-27] Trump has sold $60 bibles, $399 sneakers and more since leaving office.

  • George F Will: [03-29] These two GOP Senate candidates exemplify today's political squalor: Kari Lake (AZ) and Bernie Moreno (OH). This is a tough read, and I'm not sure it's all that rewarding -- e.g., he refers to Moreno's opponent, Sherrod Brown, as "a progressive reliably wrong -- and indistinguishable from Trump," as he tries to find the most extremely right-wing vantage point possible from which to attack Republicans like Trump who aren't pure enough. But at least from that perspective, Will doesn't imagine pro-business Democrats to be "radical communists."

    For what it's worth, I regard Will as the most despicable of all the Washington Post columnists -- a group that once included Charles Krauthammer and still gives space to Marc Thiessen -- his interest in baseball has always been genuine and occasionally thoughtful. I'm not up for this at the moment, but if you're so inclined: You can't get thrown out for thinking, so take a swing at George Will's baseball quiz. (I might have once, but question 2 offers as an option a player I've never heard of: Adam Dunn, who it turns out hit 462 home runs, but clearly isn't the answer. Despite that bit of ignorance, I'm pretty sure I would have gotten that question right. I suspect I could figure out most of the combinations, but most of the rest are too obscure even for me in my prime.)

  • Amanda Yen: [03-31] Trump just won't stop attacking hush-money judge's daughter: "It's the fourth time he's gone after Judge Juan Merchan's daughter in the past week."

Biden and/or the Democrats:

Legal matters and other crimes:

Climate and environment:

Economic matters:

  • Dean Baker: Sorry for the bits, here and elsewhere, where sentences tend to tumble down hills as each clause reveals a premise that you should know but probably don't, hence requiring another and another. I know that proper form is to start from the premises and build your way up, but that's a lot of work, often winding up with many more points than the one you wanted to make. I do that a lot, but two examples here are especially egregious: each could be turned into a substantial essay (but who wants to read, much less write, one of those?).

    • [03-26] Relitigating the pandemic: School closings and vaccine sharing. There's been a constant refrain about how school closings have irrevocably stunted the intellectual growth of children. Baker mostly checks their math, rather than taking on the bigger issue of whether the nose-to-the-grindstone cult that took over policy control under the guise of "No Child Left Behind" (which, sure, wasn't all that different from the "rote learning" that dominated the first century of mass education, and like all test-driven regimes was all about leaving children behind, at least once their basic indoctrination has been accomplished -- the whole point of mass education in the first point [see Michael B Katz: The Irony of Early School Reform]).

      At some point, I should write more about education, including how hard I find it to reconcile my political belief in universal free education with my grim view of what we might call our actually-existing system. For now, I'll just point out that Astra Taylor's brilliant section on curiosity in her book The Age of Insecurity: Coming Together as Things Fall Apart. Fifty-some years ago, I tried to figure out why my own educational experience had been so disastrous, which led me through books like those by Katz (op. cit.), Paul Goodman (Compulsory Mis-Education and the Community of Scholars), Paulo Freire (Pedagogy of the Oppressed), and Charles Weingarten and Neal Postman's Teaching as a Subversive Activity.

      Baker then goes on to talk about America's peculiar system for developing vaccines against Covid-19, which was to focus on the most expensive, most technically sophisticated, and (to a handful of private investors) most profitable system possible, making it unlikely that the world could share the benefits. It is some kind of irony that America ultimately suffered more from the pandemic than any other "developed" nation -- other aspects of our highly politicized profit-driven health care system saw to that, but it was by design that in every segment the poor would suffer worst, in health, and indeed in education.

    • [03-27] There ain't no libertarians, just politicians who want to give all the money to the rich. Responding to the Wallace-Wells column on Argentina's new president, Javier Milei -- you may recall that before he was elected, I predicted he'd quickly become the worst president anywhere in the world; let's just say he's still on that trajectory, although he's been slowed down a bit by the gravity of reality, so he's not yet as bad as he would be if he had more power (a phenomenon I trust you observed close enough with Donald Trump):

      Baker explains:

      The piece talked about how Milei calls himself as an anarchist, with the government just doing basic functions, like defending the country and running the criminal justice system. Otherwise, Milei would eliminate any role for government, if he had his choice.

      It is humorous to hear politicians make declarations like this. As a practical matter, almost all of these self-described anarchists would have a very large role for the government. What they want to do is to write the rules in ways that sends income upwards and then just pretend it is the natural order of things.

      The "natural order of things" is what conservatives are all about, as long as they're the ones on top of the totem pole. The more common word used for Milei is libertarian, which is how people on top like to think of themselves as being free (they turn conservative when they look down, and realize that their freedom depends on repressing, even enslaving, others). Michael Lind was onto something when he said that libertarianism had actually been tested historically; we tend to forget that, because the term at the time was feudalism. Charles Koch is the great American libertarian -- I know more about his fantasy world than most, because I used to typset books for him during his Murray Rothbard period -- and no one more exemplifies a feudal lord.

      Baker goes on to reiterate his usual shtick starting with patents, continuing on to a pitch for his book, Rigged (free online, and worth the time).

    • [03-28] Profits are still rising, why is the Fed worried about wage growth?

    • [03-29] Social Security retirement age has already been raised to 67.

    • [03-31] Do we need to have a Cold War with China?: Responds to a Paul Krugman column -- Bidenomics is making China angry. That's okay. -- that I didn't see much point of including on its own. Much more detail here worth reading, but here's the end:

      The basic point here is that we should care a lot about our relations with China. That doesn't mean we should structure our economy to make its leaders happy. We need to implement policies that support the prosperity and well-being of people in the United States. But we also need to try to find ways to cooperate with China in areas where it is mutually beneficial, and we certainly should not be looking for ways to put a finger in their eye.

  • Ryan Cooper: [02-07] Why were inflation hawks wrong? "Economists like Larry Summers predicted that bringing inflation down would require a large increase in unemployment. It didn't."

  • Inequality.org: [03-24] Total US billionaire wealth is up 88 percent over four years.

  • David Moscrop: [03-29] Welcome to a brave new world of price gouging: "Sellers have always had access to more information than buyers, and 'dynamic pricing,' which harnesses the power of algorithms and big data, is supercharging this asymmetry."

  • Alex Moss/Timi Iwayemi: [03-29] Senators' latest attempt to enrich Big Pharma must not prevail: "Patents are meant to encourage actual innovation, not monster corporate profits." Given how little bearing patents have on actual innovation, you'd think that argument would have dropped by the wayside, but the profits are so big those who seek them will say anything.

  • Kenny Stancil: [03-27] Jerome Powell's fingerprints are on the next banking crisis: "Not only did Federal Reserve chair Jerome Powell's post-2016 regulatory rollbacks and supervisory blunders contribute significantly to the 2023 banking crisis, his current opposition to stronger capital requirements is setting the stage for the next crisis."

  • Yanis Varoufakis: [03-28] "Debt is to capitalism what Hell is to Christianity": Interview by David Broder with the Greek economist, who has a new film series where he explains "how elites used the financial crisis to terrorize Europe's populations into submission."

Ukraine War: Further details, blame, and other ruminations about the Moscow theatre terror attack have been moved to a following section. Worth noting here that if you're a war architect in Kyiv or Moscow (or Washington), the terror attack is bound to look like a second front, even if the two are unconnected. With the war hopelessly stalemated, both sides are looking for openings away from the front: Russia has increased drone attacks in Ukrainian cities far from the front (in one case, infringing on Polish air space); Ukraine has also sent drones over the Russian border, as well as picked off targets in Crimea and the Black Sea, and seems to have some capacity for clandestine operations within Russia. The result has been a dangerous bluring of respect for "red lines," which could quickly turn catastrophic (nuclear weapons and power plants are the obvious threats, but lesser-scale disasters are possible, and could quickly turn into chain reactions).

The only possible answer has always been to negotiate a truce which both sides can live with, preferably consistent with the wishes of the people most directly affected (which in the case of Crimea and most of Donbas means ethnic Russians who had long opposed Ukraine's drift to the West). Also, the Biden administration needs to discover where America's real interests lie, which is in peace and cooperation with all nations. The idea that the US benefits by degrading and isolating Russia is extremely short-sighted. (Ditto for China, Iran, and many others the self-appointed hyper-super-duper-power thinks it's entitled to bully.)

  • Connor Echols: [03-29] Diplomacy Watch: NATO, Russia inch closer to confrontation.

  • David Ignatius:

    • [03-29] Zelensky: 'We are trying to find some way not to retreat'. Even with the most sympathetic interviewer in the world, he's starting to sound pathetic. For another example of Ignatius trying to champion a loser, see:

    • [03-19] Liz Cheney still plays to make a difference in the election. Sorry for the disrespect -- I do have some, for Zelensky and Cheney (though maybe not for Ignatius), but I couldn't resist the line. Both have maneuvered themselves into positions that appear principled but are untenable, with their options limited on both ends. Zelensky's matters much more. When he was elected, he had to make a choice, either to try to lead a reduced but still substantial nation into Europe and peace, or fight to regain territories that had always opposed the European pivot. He chose the latter, and failed: the chances of him winning any substantial amount of territory back are very slim, while the costs of continuing the war are daunting (even if the US and Europe can continue to support him, which is becoming less certain). But if he's willing to cut his losses, the deal to end the war is distasteful but pretty straightforward. And so is the entry of the Ukraine that he still controls into Europe. Of course, doing so will disappoint the war party (especially Ignatius, and count Cheney in there, too). As for Cheney, I don't see any options. She has no popular support to maneuver, and no real moral authority either.

  • Robert Kagan: [03-28] Trump's anti-Ukraine view dates to the 1930s. America rejected it then. Will we now? The dean of neocon warmongers tries to pull a fast one on you. While there is some similarity between Trump's MAGA minions and Nazi sympathizers of the late 1930s -- still not as obvious as the direct line between Fred and Donald Trump -- the much derided "isolationists" of the pre-WWII period spanned the whole political spectrum, as they were rooted in the traditional American distrust of standing armies and foreign entanglements, along with hardly-isolationist ideas like the Monroe Doctrine and the Open Door Policy.

    Such views weren't rejected: even Roosevelt respected them until Japan and Germany declared war, forcing the US to join WWII. As the war turned, some highly-placed Americans saw the opportunity (or in some cases the necessity) of extending military and economic power around the globe, especially seeing as how Europe would no longer be able to dominate Africa and Asia, especially with communists, who had taken the lead in fighting the Axis powers, spearheading national liberation movements.

    The elites who promoted American hegemony had first to win the political argument at home. They did this by branding those who had rejected Wilson's League of Nations as "isolationists," the implication being that their opposition was responsible for World War's return, and by stirring up a "red scare," which played the partition of Europe, the revolution in China, and the Korean War into a colossal Cold War struggle, while also helping right-wingers at home demolish the labor movement, and turning American foreign policy into a perpetual warmaking machine. Kagan, like his father and his wife, is a major cog in that machine, as should be obvious here.

  • Joshua Keating: [03-28] Therer's a shadow fleet sneaking Russian oil around the world. It's an ecological disaster waiting to happen. "The world's next big maritime catastrophe could involve sanctions-dodging rustbuckets." Not something the Ukraine hawks will ever think to worry about, but sounds to me like another good reason to settle real soon now.

  • Blaise Malley: [03-25] Would House approve 'loaning' rather than giving Ukraine aid?: "There's a new plan afoot to do just that, even if Kyiv cannot repay it."

  • Jeffrey Sachs: [03-25] Crude rhetoric can lead us to war: "The US, Russia, and China must engage in serious diplomacy now. Name calling and personal insults do nothing for the peace effort. They only bring us closer to war."

Putin and Bush shared a common bond, and a temporary alliance, in the early 2000s, as both were struck by "terror attacks" from Islamic groups, blowback to their nations' long historical efforts to dominate and/or exploit Muslims (which for Russia goes back to wars against Turks and Mongols, extending to Russia's conquest of the Caucusus and Central Asia, their Great Game with the UK, later replaced by the US; for Americans it's mostly been driven by oil and Israel since WWII, although the legacy of the Crusades still pops up here and there). In recent years, Russia's "war on terror" has taken a back seat to its war in Ukraine, but the problem flared up again when gunmen killed 143 concert-goers at Moscow's Crocus City Hall.

We shouldn't be surprised that when a historically imperialist ruler takes a nationalist turn, as Putin did in going to war to reassert Russian hegemony over Ukraine, that its other minority subjects should get nervous, defensive, and as is so much the fashion these days, preëmptively strike out.

The attack was claimed by ISIS-K, and Russia has since arrested four Tajiks in connection with the crime. One should not forget that in the 1980s, the US was very keen not only on arming mujahideen to fight in Afghanistan against Russia but on extending the Islamist revolt deep into the Soviet Union (Tajikistan).

  • Francesca Ebel: [03-27] As death toll in Moscow attack rises to 143, migrants face fury and raids.

  • Richard Foltz: [03-26] Why Russia fears the emergence of Tajik terrorists.

  • Sarah Harmouch/Amira Jadoon: [03-25] How Moscow terror attack fits ISIL-K strategy to widen agenda against perceived enemies.

  • Ellen Ioanes: [03-28] ISIS-K, the group linked to Moscow's terror attack, explained.

  • Ishaan Tharoor: [03-27] Putin sees Kyiv in Moscow terrorist attack. But ISIS is its own story. I'm reminded here of something in the afterword to Gilles Kepel's Jihad: The Trial of Political Islam -- a book that appeared in English in 2003, but had been written and published in French, I think before 9/11 -- about how political Islam (including Al-Qaeda) was in serious decline after 2000, and 9/11 was initially a desperate ploy for attention and relevance (what American footballers call a "hail Mary pass").

    By the way, the first thing I did after 9/11 -- I was visiting friends in Brooklyn on that date, and one was actually killed in WTC, so it hit pretty close to home -- was to go to a bookstore and scrounge around for something relevant to read that would give me some historical context. The book that I found that came closest (but not very close) to satisfying my urge was Barbara Crossette's The Great Hill Stations of Asia, probably due to my intuition that the terror attacks were deeply rooted in the imperialist (and racist) past, but that specific story was too far in the past to be of much help. The book I really wanted to find was Kepel's, which told me everything I needed to know. So yeah, I find it plausible that ISIS-K wanted to kick Russia just to remind them that they have unfinished business. I don't doubt that Hamas wanted to kick Israel in the same way -- also reminding Saudi Arabia who they were about to get in bed with. Terrorists aren't very good at calibrating those kicks, so sometimes they get more reaction than they really wanted. But do they really care? Overreaction is often the worst possible thing an offended power can do, as 9/11 and 10/7 have so painfully demonstrated.

Around the world:

  • Caroline Houck: [03-29] A very bad year for press freedom: Playing up the year-and-counting detention of Evan Gershkovich in Russia, but there are other examples, including many journalists killed by Israel not just recently but "over the last two decades." On Gershkovich, see:

  • Vijay Prashad: [03-26] Europe sleepwalks through its own dilemmas: With the episodic rise of the right in America, where each fitful advance has tattered and in some cases shredded not just the social welfare state but our entire sense of democracy, solidarity, cohesion, and commonwealth, lots of Americans have come to admire Europe, where social democracy for the most part remains intact. On the other hand, what we see in European politics, at least for those of us who see anything at all, is often bewildering and unnerving. Don't these people realize how fortunate they have been? Yet in many areas, as Prashad notes here, they seem to be blind and dumb, just following whatever the direction is coming from Washington and Davos, despite repeated failures.

  • David Smilde: [03-22] Candidate registration is becoming a purge of Maduro's opposition.

The bridge:

Boeing:

Other stories:

Joshua Frank: [03-28] As the rich speed off in their Teslas: Of life and lithium.

Sam Levin: [03-27] Joe Lieberman, former US senator and vice-presidential nominee, dies at 82. More on Lieberman:

Gideon Lewis-Kraus: [03-25] You say you want a revolution. Do you know what you mean by that? Reviews two books: Fareed Zakaria: Age of Revolutions: Progress and Backlash from 1600 to the Present; and Nathan Perl-Rosenthal: The Age of Revolutions: And the Generations Who Made It, which is more focused on the years 1760-1825.

Jeffrey St Clair: [03-29] Roaming Charges: Nowhere men: Remembering Joe Lieberman, then onto the bridge and other disasters.

Mari Uyehara: [03-25] The many faces of Viet Thanh Nguyen: "The Vietnamese American writer's leap to the mainstream comes at a moment that demands his anti-colonialist perspective."

I've cited this article before, but my wife reminded me of it yesterday and went on to read me several chunks. The article is by Pankaj Mishra: The Shoah after Gaza. It's worth reading in whole, but for now let me just pull a couple paragraphs out from the middle:

One of the great dangers today is the hardening of the colour line into a new Maginot Line. For most people outside the West, whose primordial experience of European civilisation was to be brutally colonised by its representatives, the Shoah did not appear as an unprecedented atrocity. Recovering from the ravages of imperialism in their own countries, most non-Western people were in no position to appreciate the magnitude of the horror the radical twin of that imperialism inflicted on Jews in Europe. So when Israel's leaders compare Hamas to Nazis, and Israeli diplomats wear yellow stars at the UN, their audience is almost exclusively Western. Most of the world doesn't carry the burden of Christian European guilt over the Shoah, and does not regard the creation of Israel as a moral necessity to absolve the sins of 20th-century Europeans. For more than seven decades now, the argument among the 'darker peoples' has remained the same: why should Palestinians be dispossessed and punished for crimes in which only Europeans were complicit? And they can only recoil with disgust from the implicit claim that Israel has the right to slaughter 13,000 children not only as a matter of self-defence but because it is a state born out of the Shoah.

In 2006, Tony Judt was already warning that 'the Holocaust can no longer be instrumentalised to excuse Israel's behaviour' because a growing number of people 'simply cannot understand how the horrors of the last European war can be invoked to license or condone unacceptable behaviour in another time and place'. Israel's 'long-cultivated persecution mania -- "everyone's out to get us" -- no longer elicits sympathy', he warned, and prophecies of universal antisemitism risk 'becoming a self-fulfilling assertion': 'Israel's reckless behaviour and insistent identification of all criticism with antisemitism is now the leading source of anti-Jewish sentiment in Western Europe and much of Asia.' Israel's most devout friends today are inflaming this situation. As the Israeli journalist and documentary maker Yuval Abraham put it, the 'appalling misuse' of the accusation of antisemitism by Germans empties it of meaning and 'thus endangers Jews all over the world'. Biden keeps making the treacherous argument that the safety of the Jewish population worldwide depends on Israel. As the New York Times columnist Ezra Klein put it recently, 'I'm a Jewish person. Do I feel safer? Do I feel like there's less antisemitism in the world right now because of what is happening there, or does it seem to me that there's a huge upsurge of antisemitism, and that even Jews in places that are not Israel are vulnerable to what happens in Israel?'

One thing I want to add here is that liberal- and left-democrats often take great pains to make clear that their criticism of Israeli government policy, and of the people who evidently support those policies, does not reflect or imply any criticism of Jews in America, who are not represented by the Israeli government, even if they are deeply sympathetic to Israel. We are also very quick to point out that many of those most critical of Israel, both in the US and in Israel itself, are Jewish, and often do so out of principles that they believe are deeply rooted in Judaism.

We do this because our fundamental position is that we support free and equal rights for all people, regardless of whose human rights are being asserted or denied. But we're particularly sensitive on this point, because we know that many of our number are Jewish, so we are extra aware of when their rights have been abused, and of their solidarity in defending the rights of others.

So we regard as scurrilous this whole propaganda line that accuses anyone who in any way disagrees with Israeli policy with antisemitism. We are precisely the least antisemitic people in America. Meanwhile, the propaganda line seems to be aimed at promoting antisemitism in several ways: it tells people who don't know better to blame all Jews for the human rights abuses of Israel; it also reassures people who really are antisemites that their sins are forgiven if they support Israel; and it reaffirms the classic Zionist argument that all Jews must flee the diaspora and resettle in Israel -- the only safe haven in a world full of antisemitism. (It is no coincidence that many of Zionism's biggest supporters have been, and in many cases still are, antisemites. Balfour and Lloyd George were notorious antisemites. Hitler himself approved the transfer of hundreds of thousands of German Jews to Palestine.)

While none of this is hard to understand, many people don't and won't, so it's very likely that some will take their fear and anger over genocide out on Jews. We will denounce any such acts, as we have always done. And as we have, and will continue to, heinous acts by Israel. But we should be aware that what's driving this seemingly inevitable uptick in "antisemitism" is this false propaganda line, perpetrated by Israel and its very well heeled support network -- including most mainstream media outlets, and virtually the entire American political elite. So when people insist you step up and denounce antisemitism, do so. But don't forget to include the real driving force behind antisemitism these days: the leaders of Israel.

While I was looking for a quote to wrap up this post, I ran across a Richard Silverstein tweet that fits nicely here:

Genocide is an unpardonable sin before God in Judaism, regardless of who are the victims or the perpetrators. Israel's crimes are not in my name as a Jew, nor in the name of Judaism as millions of my fellow Diaspora Jews know it.

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Monday, March 25, 2024

Music Week

March archive (in progress).

Music: Current count 42039 [42007] rated (+32), 31 [28] unrated (+3).

Speaking of Which ran over again. I posted what I had late Sunday night (227 links, 9825 words; the former possibly a record, the latter well above usual but less than 10883 for the week of March 3. (Updated tally: 259 links, 11559 words, so may very well be the biggest one ever.)

I got this started early Monday afternoon, but probably won't post until late, not so much because I expect this to take much as because I'd rather spend the time cleaning up Speaking of Which. I'm under no delusions that what I say here will make any difference to the world, but times like these need witnesses. And that is the one thing I can still offer.

Not a lot of albums this week -- played a lot of old stuff again -- but I'm fairly pleased with the finds this week, including some jazz artists not previously on my radar (Espen Berg, Roby Glod, Nicole McCabe) and a couple old-timers who returned to form with their best releases in years (Kahil El'Zabar, Charles Lloyd). I'll also note that results flipped expectations for two much-hyped reissues (Joe Henderson, Alice Coltrane).

Very little non-jazz this week, especially if you count Queen Esther as jazz (which you should for her better releases below, but not for the still-recommended Gild the Black Lily). Tierra Whack came from Robert Christgau's latest Consumer Guide. I should replay the records he liked better than I did -- Yard Act, Les Amazones d'Afrique, the Guy Davis I reviewed shortly after it came out in 2021. Most other records I have similar grades for (the three I mentioned I'm just one or two notches down on), leaving unheard the Queen compilation and a Thomas Anderson album that isn't streamable yet. By the way, Christgau skipped over Anderson's recent odds & sods set, The Debris Field (Lo-Fi Flotsam and Ragged Recriminations, 2000-2021), which I gave an A- to in my review.

Unpacking below does not include Monday's haul, which looks to be substantial. Most promising among the new releases is Dave Douglas with James Brandon Lewis, but note also a new album with Kevin Sun as Mute. Plus a lot of vault discoveries: Chet Baker/Jack Sheldon, Yusef Lateef, Sun Ra, Art Tatum, Mal Waldron/Steve Lacy, in addition to the Sonny Rollins already uwrapped.

New records reviewed this week:

Espen Berg: Water Fabric (2023, Odin): Norwegian pianist, dozen or so albums since 2007. Cover shows "featuring": Hayden Powell (trumpet), Harpreet Bansal (violin), Ellie Mäkelä (viola), Joakim Munker (cello), Per Oddvar Johansen (drums). I'm not often a big fan of strings, but here they take themes that start enchanting and raise them to something magnificent. A- [sp]

Espen Berg: The Hamar Concert (2022 [2023], NXN): Solo piano, recorded at Kulturhus in Hamar, Norway. B+(**) [sp]

Kahil El'Zabar's Ethnic Heritage Ensemble: Open Me, a Higher Consciousness of Sound and Spirit (2023 [2024], Spiritmuse): Chicago percussionist and vocalist (perhaps a bit too much), celebrates fifty years of mostly working within this ensemble, lately a trio with Corey Wilkes (trumpet) and Alex Harding (baritone sax), supplemented here by James Sanders (violin/viola) and Ishmael Ali (cello). A potent mix here, especially on the funk classic "Compared to What" -- vocal is perfect there. A- [sp]

Roby Glod/Christian Ramond/Klaus Kugel: No ToXiC (2022 [2024], Nemu): German trio -- alto/soprano sax, bass, drums -- reportedly have been playing together twenty years but discography is thin; Glod and Kugel have an album together from 2013; Glod has side credits back to 1992. One Connie Crothers piece, the rest joint improv credits. The sort of free sax tour de force I always love. A- [cd]

Julian Lage: Speak to Me (2024, Blue Note): Guitarist, debut 2009 on EmArcy, after stints with Palmetto and Mack Avenue landed on another major in 2021. This one leans a bit more rock, produced by Joe Henry, with Levon Henry (sax), Patrick Warren (keyboards), Joege Roeder (bass), and Dave King (drums). Except when it doesn't, and I lose all interest. Then, well, there's some piano that sounds like Kris Davis, and I'm interested again. B+(*) [sp]

Remy Le Boeuf's Assembly of Shadows: Heartland Radio (2023 [2024], SoundSpore): French alto saxophonist, also plays flute, several albums, this group a big band (third album, group named for the first) with vocals on two tracks. Some nice passages but generally too many classical moves for my taste, and I don't think the vocals help. B [cd]

David Leon: Bird's Eye (2022 [2024], Pyroclastic): Cuban-American alto saxophonist, based in Brooklyn, has a couple previous albums, also plays soprano sax, alto flute, and piccolo. Trio with DoYeon Kim (gayagum, voice) and Lesley Mok (percussion). Rather sparse and scattered, with some very interesting stretches, and some that don't do much (or worse, like the voice). B+(**) [sp]

Charles Lloyd: The Sky Will Still Be There Tomorrow (2024, Blue Note, 2CD): Tenor saxophonist, released this album on his 86th birthday (any reason Blue Note can't give you recording dates?), was sort of a crossover star in the late 1960s, solidified his career when he moved to ECM in 1989, remaining pre-eminent within his move to Blue Note in 2013. Also plays some alto here, as well as bass and alto flute. Backed by Jason Moran (piano), Larry Grenadier (bass), and Brian Blade (drums), a sprawling 15 songs (90:25). Longer than I'd like as a straight-through stream, but the CD/LP versions would break that up into manageable chunks, and it would be hard to pick among them. He's in fine form throughout, and the band (especially Moran) are superb. A- [sp]

Nicole McCabe: Live at Jamboree (2023 [2024], Fresh Sound New Talent): Alto saxophonist, from Los Angeles, Introducing debut from 2020, second album here. She recorded this in Barcelona, with Iannis Obiols (impressive on piano), Logan Kane (bass), and Ramon Prats (drums). B+(***) [sp]

Moor Mother: The Great Bailout (2024, Anti-): Camae Ayewa, from Philadelphia, poet first, then musician, spoken word under this alias initially suggested hip-hop, but several side projects moved into jazz, most notably the group Irreversible Entanglements, and she's always had an activist angle. Numerous guest features here, hard to follow (but seems very Anglo-themed), music murkily industrial. B+(*) [sp]

Willie Morris: Conversation Starter (2022 [2023], Posi-Tone): Tenor saxophonist, from St. Louis, Discogs page adds a III to his name. First album, quintet with Patrick Cornelius (alto sax/alto flute), Jon Davis (piano), Adi Meyerson (bass), and E.J. Strickland (drums), playing eight originals, two covers, one of those from Joe Henderson. B+(**) [sp]

Willie Morris: Attentive Listening (2023 [2024], Posi-Tone): Second album, similar lineup, with Patrick Cornelius (alto sax/alto flute) and Jon Davis (piano) returning, plus label regulars Boris Kozlov (bass) and Rudy Royston (drums). Another solid mainstream record. B+(*) [sp]

Kjetil Mulelid: Agoja (2022 [2024], Odin): Norwegian pianist, several albums, also electric piano and synth, quartet with pedal steel plus bass and drums, but most tracks have a scatter of guests, including violin, vibes, and/or some famous horn players. Still stays within atmospheric bounds. B+(**) [sp]

Queen Esther: Things Are Looking Up (2024, EL): Bio is evasive beyond raised in Atlanta and "embedded" in Charleston, Discogs says "vocalist, songwriter, lyricist, producer, musician, actor, performance artist, TED Speaker and playwright," credits her with 7 albums (but not yet this one), also six groups (Hoosegow, JC Hopkins Biggish Band, The 52nd Street Blues Project, The Harlem Experiment, The Memp0his Blood Jugband Singers, Yallopin' Hounds). Last I heard was the banjo-fied roots album Gild the Black Lily (an A-), so I was surprised and taken aback by the jazz diva styling here, before the fine print revealed a Billie Holiday project, with the few original songs credited to Lenny Molotov. Replay required, and worth it. Promised later this year: "the alt-Americana album Blackbirding." A- [cd] [04-09]

Queen Esther: Rona (2023, EL): I missed this one, only a bit more than an EP (8 songs, 29:18), in her country mode, often with ukulele and/or strings. Mostly originals, but note that the first cover is "Bohemian Rhapsody" -- Queen, but just one voice, just a bit of guitar, but long at 6:39. B+(*) [sp]

Ron Rieder: Latin Jazz Sessions (2023 [2024], self-released): Composer, seems to be his first album, inside pic shows him at piano but album credits Alain Mallet (piano), one of nine musicians listed on cover, including impressive tenor sax from Mike Tucker, flute from Fernando Brandăo, and lots of rhythm. B+(***) [cd]

Viktoria Tolstoy: Stealing Moments (2023 [2024], ACT): Swedish jazz singer, great-great-granddaughter of the famous Russian writer, dozen-plus albums since 1994, sings in English, song credits to others but I don't recognize them as standards (mostly Ida Sand and Anna Alerstedt). B+(*) [sp]

A Tonic for the Troops: Realm of Opportunities (2022 [2023], Odin): Norwegian quartet led (at least all songs composed) by Ellen Brekken (bass), with Magnus Bakken (tenor sax), Espen Berg (piano), and Magnus Sefniassen Eide (drums), second group album, Brekken's side credits mostly with Hedvig Mollestad. B+(**) [sp]

Tierra Whack: World Wide Whack (2024, Interscope): Rapper from Philadelphia, her own name (after trying Dizzle Dizz), famous for her 13-songs-in-13-minutes mixtape Whack World (2018), followed by a trio of EPs in 2021, and now this debut studio album (15 tracks, 37:47). Same shtick here, short bits with a tasty hook but scant adornment, moving easily from set to set, like in her video. A- [sp]

Recent reissues, compilations, and vault discoveries:

Alice Coltrane: The Carnegie Hall Concert (1971 [2024], Impulse!): Pianist and harpist, formerly Alice McLeod, of Detroit, her mother a choir singer, others in the family had musical careers, while she had a trio and played with others (Terry Pollard, Terry Gibbs; possibly her first husband, singer Kenny Hagood). She married John Coltrane in 1965, joined his quartet in 1966 (replacing McCoy Tyner), and had three children with him (most famous is Ravi Coltrane), but he died in 1967. In 1968, she released her own album, A Monastic Trio, and followed it with six more, also on Impulse!, through 1973, continuing on other labels through 1978, a few more later on. This live concert, part of which was previously released in 2018 as Live at Carnegie Hall, 1971, happened about the same time as what was perhaps her best known album, Journey in Satchidananda appeared. Title song leads off here (15:02), followed by three more pieces, centered on the 28:09 "Africa." She did much to develop the spiritual side of her husband's legacy, and if you follow the reviews, you may detect its center of gravity shifting from him to her: she was, after all, the one who lived the life. But compared to most recent reissues, this concert most securely links her back to his music, most obviously through bassists Jimmy Garrison and Cecil McBee, and saxophonists Pharoah Sanders and Archie Shepp. But her harp is developing (though it is her piano that brings "Africa" to its climax), and she adds harmonium (Kumar Kramer) and tamboura (Tulsi Reynolds), along with two drummers (Ed Blackwell and Clifford Jarvis). I've listened to most of her albums, but this is the first one that really moved me. A- [sp]

Joe Henderson: Power to the People (1969 [2024], Craft): Tenor saxophonist (1937-2001), his early records for Blue Note (1963-67) helped define that label's golden age, his move to Milestone (1968-77) much less storied (although Milestone Profiles found enough for an A-). Pitchfork calls this "an essential document of a transitional moment in which everything in jazz seemed up for grabs." It was a time of intense political ferment, whence the title, but for jazz musicians, it was more stress as labels dwindled and died. With names on the cover: Herbie Hancock (piano/electric), Jack De Johnette (drums), Ron Carter (bass/electric), Mike Lawrence (trumpet on two tracks). The band helps, but the only real point is the saxophone, which wakes you up with a few strong solos, including a monster to end. B+(***) [sp]

Old music:

Espen Berg Trio: Břlge (2017 [2018], Odin): Norwegian pianist, albums since 2007, this the second of four trio albums with Bárđur Reinert Poulsen (bass) and Simon Olderskog Albertsen (drums). Opens with a Sting cover, then on to nine Berg originals. Strong album, good rhythmic sense. B+(***) [sp]

Espen Berg Trio: Fjćre (2021 [2022], Odin): Same piano-bass-drums trio, but three more names in fine print on cover: Mathias Eick (trumpet, 2 tracks), Silje Nřrgard (vocal, 1 track, the Paul Simon song, "I'd Do It for Your Love"), Hanna Paulsberg (tenor sax, 1 track). B+(**) [sp]

The Herb Geller Quartet: I'll Be Back (1996 [1998], Hep): Plays alto and sopranino sax here, with Ed Harris (guitar), Thomas Biller (bass), and Heinrich Köbberling (drums), on four originals and six standards (including a Jobim). B+(**) [r]

The Herb Geller Quartet: You're Looking at Me (1997 [1998], Fresh Sound): Alto and soprano sax, featuring Jan Lundgren (piano), with Dave Carpenter (bass) and Joe LaBarbera (drums), on ten standards followed by four tracks Geller wrote for a musical about Josephine Baker. B+(***) [r]

Herb Geller and Brian Kellock: Hollywood Portraits (1999 [2000], Hep): Duets, alto/soprano sax and piano, Kellock is Scottish, did some very good duets with Tommy Smith shortly after this one. Geller composed twenty pieces here, each named for a famous actress, most 1930s through 1950s. B+(***) [r]

Herb Geller With Don Friedman: At the Movies (2007, Hep): Alto/soprano sax and piano, also with Martin Wind (bass), Hans Braber (drums), and Martien Oster (guitar on four tracks, of 13). Standards, back cover names some but not all of the movies. B+(**) [r]

Nicole McCabe: Introducing Nicole McCabe (2020, Minaret): Alto saxophonist, not much biography I can find, but studied in Portland and at USC, is based in Los Angeles, teaches there, released this debut with George Colligan (piano, terrific), Jon Lakey (bass), and Alan Jones (drums), plus Charlie Porter (trumpet, a plus on three tracks). Very strong performance, with a nice touch on the rare slow bits. A- [sp]

Nicole McCabe: Landscapes (2022, Fresh Sound New Talent): Second album, alto saxophonist continue to impress, this time with piano-bass-drums I've never heard of, an equally obscure vocalist adding scat I barely noticed to one track, forgotten by the next. B+(***) [sp]

Queen Esther: Talkin' Fishbowl Blues (2004, EL): First album, although a duo with guitarist Elliott Sharp as Hoosegow came out in 1996. Produced by Jack Spratt, tagged as "Black Americana," with a dark cover of "Stand By Your Man." B+(**) [sp]

Queen Esther: What Is Love? (2010, EL): Jazz ensemble this time, piano trio plus four horns (Patience Higgins on tenor sax, plus trumpet, trombone, and French horn), with JC Hopkins producing and writing most of the songs. The occasional standard makes it easier to appreciate the precise nuance the singer is capable of. B+(***) [sp]

Queen Esther: The Other Side (2014, EL): This one, with nine originals, two covers of Paul Pena (q.v.), one each from Charlie Rich and Bryan & Wilda Creswell, is filed under country rock. Band is mostly guitar, including pedal and lap steel, but note that the fiddle player (just two tracks) is Charles Burnham. B+(**) [sp]

Limited Sampling: Records I played parts of, but not enough to grade: -- means no interest, - not bad but not a prospect, + some chance, ++ likely prospect.

Nicole McCabe: Improvisations (2022, Minaret, EP): Solo alto sax with pedals, for something of a bagpipe effect. Four tracks, 20:46. [1/4 tracks, 5:01/20:46] - [bc]

Unpacking: Found in the mail last week:

  • Owen Broder: Hodges: Front and Center, Vol. Two (Outside In Music) [04-12]
  • Benji Kaplan: Untold Stories (self-released) [05-01]
  • Joăo Madeira/Margarida Mestre: Voz Debaixo (4DaRecord) [02-17]
  • Ivo Perelman Quartet: Water Music (RogueArt) * [04-00]
  • PNY Quintet: Over the Wall (RogueArt) * [03-00)
  • Ernesto Rodrigues/Bruno Parinha/Joăo Madeira: Into the Wood (Creative Sources) [01-09]
  • Sonny Rollins: Freedom Weaver: The 1959 European Tour Recordings (Resonance, 3CD) [04-20]
  • Dave Schumacher & Cubeye: Smoke in the Sky (Cellar) [04-19]

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