The Best Jazz Albums of 2024

Initial draft collected on July 14, 2024 (jazz but not non-jazz; the reason was to provide an aid for the mid-year poll). The file will be updated as additional worthy records are found (although updating may lag behind the official 2024 list). Last year's list was never frozen (OK, let's say it was frozen on Nov. 1, 2024). There also exists a parallel list of The Best Non-Jazz of 2023.

Note: numbering of lists (aside from A/A-) is only temporary, to make it easier for me to tally up stats. I've made no effort to order (other than alphaetical by artist) anything in grades below A-.

Also, several A-list albums below were close enough to Non-Jazz that I duplicated the entries in the Non-Jazz file (sometimes giving them lower rankings there; the year file rank is more authoritative).

[*] indicates that I reviewed this on the basis of an advance, often a CDR copy (a good thing, I might add, for vinyl-only releases). [**] identifies a record that I've only heard via download or through a streaming service like Napster.

For all lists, I've included a few 2023 (and possibly earlier) records that I discovered after last year's freeze date, but I've only included such records if they were released on or after Dec. 1, 2023, or were so little known that they received no mention in the 2023 metacritic file. These are marked, e.g., '23, after the label.

New Music

1.		Allen Lowe & the Constant Sorrow Orchestra: Louis Armstrong's America Volume 2 (ESP-Disk) Major personal peeve here is that something that was obviously intended as a single 4-CD work (the discs here are identified as "CD 3" and "CD 4," and the liner notes cited in the Volume 1 review cover them) has been split up into a pair of releases. I've spent a lot of energy the last couple years forcing poll voters to choose between related releases -- I thought the 2022 Mary Halvorson releases (Amaryllis, Belladonna) were distinct enough for an easy call, the Charles Lloyd "trilogy of trios" came out separately before they were eventually boxed, and the first two Ahmad Jamal Emerald City Nights were part of a series that lapsed into the next year -- but forcing people to split hairs between these two volumes will be tough. I'm not sure I can do it myself (although as I'm writing this, "CD 4" is sounding exceptional). One should mention somewhere here that the supporting cast, as noted on the front covers, includes "Marc Ribot, Andy Stein, Ursula Oppens, Lewis Porter, Loren Schoenberg, Aaron Johnson, & Ray Anderson," although there are others (not in the "liner notes" but in the fine cover print I can't read, which minimally includes Matthew Shipp, Ray Suhy, Elijah Shiffer, and Jeppe Zeeberg -- names I recognize as regulars and/or as more recent raves.
2.		Fay Victor: Herbie Nichols SUNG: Life Is Funny That Way (Tao Forms, 2CD) Jazz singer, born in Brooklyn but moved around a lot, with Trinidad and Zambia figuring in her childhood, Long Island for her teens, with Japan and Amsterdam major pivots in her career. She's probably sick of the Betty Carter comparisons, but after this album it's Carter who should be honored. I've been a huge fan of Nichols since I first heard his Blue Note trios in a 1975 2-LP (The Third World, but still have no idea how she managed to arrange those compositions into these pieces (adding her lyrics, or often just scat), except to note that Nichols' legacy has long inspired other geniuses (Misha Mengelberg, Steve Lacy, and Roswell Rudd leap to mind). (By the way, I'm only now noticing that the original LPs were in two volumes as The Prophetic Herbie Nichols, following on The Amazing Bud Powell, The Eminent Jay Jay Johnson, etc.; for CDs, look for The Complete Blue Note Recordings, originally on Mosaic but reissued by Blue Note in 1997, and also look out for his Bethlehem album, Love, Gloom, Cash, Love. A good place to start for Nicols projects in Regeneration (1983), with all three names I dropped above, but they've each done more, as have many others.) Group here is superb, with Michaël Attias (alto/baritone sax), Anthony Coleman (piano), Ratzo Harris (bass), and Tom Rainey (drums). (Like Carter, she really knows how to work a band.)
3.		Allen Lowe & the Constant Sorrow Orchestra: Louis Armstrong's America Volume 1 (ESP-Disk) In Lowe's America, Armstrong never died but just entered some parallel dimension where he continued to evolve, along with Buddy Bolden, Jelly Roll Morton, Duke Ellington, Charlie Parker, Dave Schildkraut, Bo Diddley, Ornette Coleman, Lenny Bruce, Roswell Rudd, and hundreds of others. I've long thought of him primarily as a historian, but he plays alto sax, has been making records since 1990, and significantly picked up the pace c. 2011 (cf. the 3-CD Blues and the Empirical Truth), which seems to have been around the time he somehow figured out how to tap into this extra dimension, and claim copyright for all he found. My eyes aren't good enough to read the microprint on the CD packaging, but it's online, and entertaining with or without the music, which sounds like something altogether different. Bill James came up with a concept he called "similarity scores," which is relatively easy to calculate for baseball players, as so much of what they do can be quantified, whereas very little for musicians can. But intuitively, the jazz figure Lowe is most similar to is Henry Threadgill, as they both make music that is new yet steeped in everything that came before.
4.		Luke Stewart Silt Trio: Unknown Rivers (Pi) Bassist, works in a number of DC-based groups, most notably Irreversible Entanglements. Second Silt Trio album, with Brian Settles (tenor sax) and either Trae Crudup or Chad Taylor on drums (second half here is a live set with Taylor).
5.		Darius Jones: Legend of e'Boi (The Hypervigilant Eye) (AUM Fidelity) Alto saxophonist, burst onto the scene with a 2009 album called Man'ish Boy (A Raw & Beautiful Thing), to which this is at least nominally a "Chapter VII" (of a planned nine). This is a trio, with Chris Lightcap (bass) and Gerald Cleaver (drums), bristling with energy, but paced with well-measured spots of reflective calm.
6.		Steve Coleman and Five Elements: PolyTropos/Of Many Turns (Pi) Alto saxophonist, started back in the mid-1980s developing a strain of funk-fusion, especially in his M-Base Collective. I should probably revisit those albums, which I wasn't much into (excepting 1993's The Tao of Mad Phat/Fringe Zones). But his later postbop, from 2013's Functional Arrhythmias on, has been very engaging, especially this live double, with sets from Paris and Voiron. The group is a quartet, with Jonathan Finlayson interweaving on trumpet, backed by Rich Brown on bass, and Sean Rickman on drums.
7.		Emmeluth's Amoeba: Nonsense (Moserobie) Danish alto saxophonist Signe Emmeluth, third group album, with guitar (Karl Bjorå), drums (Ole Mofjell), and piano (Christian Balvig). Free jazz with a lot of sharp edges and resonant ripples.
8.		Dave Douglas: Gifts (Greenleaf Music) Trumpet player, one of the most acclaimed since the mid-1990s, I've often been unmoved by his albums but never doubted his chops, or his commitment to forming challenging groups. Here he adds James Brandon Lewis to a long list of heavyweight champ saxophonists, as well as two younger players we'll hear more from: Rafiq Bhatia (guitar) and Ian Chang (drums). Slips a four-song Billy Strayhorn medley as the sweet center of a sandwich of originals, blurring the edges so they all flow together.
9.		The Core: Roots (Moserobie) Norwegian jazz group, founded 2001, released eight albums 2004-10, back for one more here. Saxophonist Kjetil Møster is the best-known member, but Espen Aalberg (drums) wrote four (of six) pieces, with one each for Møster and Steinar Raknes (bass), zero for Erlend Slettevoll (piano). Expansive, like Coltrane's legendary quartet.
10.		Ballister: Smash and Grab (Aerophonic) Sixth group outing for saxophonist Dave Rempis's fiercest group, a trio with Fred Lonberg-Holm (cello/electronics) and Paal Nilssen-Love (drums). I'm probably losing all credibility on him. I'm certainly getting used to the rough stuff -- although even here, they set up sublime moments.
11.		أحمد [Ahmed]: Giant Beauty (2022 [2024], Fönstret, 5CD): Five more shows, each on its own disc each a single piece 44:15-49:40 long, from five consecutive nights in Stockholm (August 10-14, so after the April 2 Glasgow date on Wood Blues). Too intense to play straight through, possibly redundant if you're satisfied with Wood Blues, but something where you can just pick a disc at random when the mood strikes. **
12.		James Brandon Lewis Quartet: Transfiguration (Intakt) Tenor saxophonist, brilliant on his 2014 major label debut, has continued to impress ever since, including landmark concept albums that won the Francis Davis Poll in 2021 and 2023. On the side, he's recorded a series of excellent working group albums for this Swiss label. Quartet with piano (Aruán Ortiz), bass (Brad Jones), and drums (Chad Taylor). **
13.		أحمد [Ahmed]: Wood Blues (Astral Spirits) British quartet of Pat Thomas (piano), Joel Grip (bass), Antonin Gerbal (drums), and Seymour Wright (alto sax), originally formed as a tribute to bass/oud player Ahmed Abdul-Malik (1927-93), fourth album since 2017, unless the 4-CD Giant Beauty box came out ahead of it (looks like it did, by 4 days). I've had people tell me this is the best live band on the planet. They probably thought the same of Cecil Taylor in the 1970s. A- [sp]
14.		Roby Glod/Christian Ramond/Klaus Kugel: No ToXiC (Nemu) German trio -- alto/soprano sax, bass, drums -- reportedly have been playing together twenty years but discography is thin; Glod and Kugel have an album together from 2013; Glod has side credits back to 1992. One Connie Crothers piece, the rest joint improv credits. The sort of free sax tour de force I always love.
15.		Ivo Perelman Quartet: Water Music (RogueArt) Avant tenor saxophonist from Brazil, started releasing albums in 1989, did a duo with pianist Matthew Shipp in 1996, and they've released scores of albums ever since, probably more than the years Lincoln counted at Gettysburg. Both not only play a lot together, they're happy to let others join in, especially when they contribute as much as Mark Helias (bass) and Tom Rainey (drums) do here.
16.		Mike Monford: The Cloth I'm Cut From (self-released) Alto saxophonist, with spoken word, from Detroit (I gather; sorry but I can't read anything on the CD, and I'm not doing much better with the hype sheet). Website adds Composer and Jazz Historian, and notes "over 30 years to practicing, performing, and experimenting with the universal language of music," but I'm only seeing one previous album. This one is billed as "a musical autobiography," a live set most certainly, because that's where social music comes from. Special credit for the violin solos.
17.		Matt Wilson: Matt Wilson's Good Trouble (Palmetto) Drummer, originally from Illinois, studied at Wichita State, moved to NYC in 1992, and quickly established himself as a sideman and leader. I recall a DownBeat blindfold test where he not only grasped everything they threw at him, but went to extraordinary lengths to recognize and appreciate the mindset of whoever's music it was. His records can be very eclectic, but the best ones have featured edgy tenor saxophonist Jeff Lederer, as this one does, along with longtime ally Ben Allison on bass, and novel ingredients Tia Fuller (alto sax) and Dawn Clement (piano and some vocals, including the jazziest John Denver cover ever). Title is from a John Lewis quote. Not yet the group name, but they'll be welcome any time.
18.		ØKSE: ØKSE (Backwoodz Studioz) Free jazz quartet with an electronic twist -- "sound chemist" Val Jeanty plays electronics, while bassist Petter Eldh also wields sampler and synths, along with saxophonist Mette Rasmussen and drummer Savannah Harris -- but four (of eight) pieces also feature guest rappers: Elucid, Billy Woods, Maassal, and Cavalier. Remarkable on all counts. **
19.		Dave Rempis/Jason Adasiewicz/Joshua Abrams/Tyler Damon: Propulsion (Aerophonic) Saxophonist (alto, tenor, baritone) from Chicago, first appeared replacing Mars Williams in Vandermark 5 and immediately established himself as one of the world's greats. He's been releasing 3-5 new albums per year, some a bit rough for my taste, but most are so brilliant even that can be an advantage. Not much to differentiate his many releases, but key value added here comes from the vibraphonist.
20.		Advancing on a Wild Pitch: Disasters, Vol. 2 (Hot Cup) Bassist Moppa Elliott again, the highly recommended 2022 release of Disasters, Vol. 1 credited to his old band, Mostly Other People Do the Killing. Back to a quintet here, with Sam Kulik (trombone), Charles Evans (baritone sax), Danny Fox (piano), and Christian Coleman (drums). Title reflects on his heritage, with seven songs (36:01) each "named after towns in Pennsylvania that experienced historical disasters." Sounds like unfinished bebop from the 1950s, riffing over barely-controlled swing. **
21.		Walter Smith III: Three of Us Are From Houston and Reuben Is Not (Blue Note) Tenor saxophonist, from Houston, debut 2006 -- with bassist Reuben Rogers, who returns here (he's from the Virgin Islands), along with two other Houston natives who have made names for themselves: Jason Moran (piano) and Eric Harland (drums). Exemplary postbop, nicely balanced, ever-shifting, sketchy but pointed. **
22.		QOW Trio: The Hold Up (Ubuntu Music) British trio -- Riley Stone-Longeran (tenor sax), Eddie Myer (bass), Spike Wells (drums) -- second album after an eponymous debut in 2020, basically a retro-bop band, name taken from a Dewey Redman song, Wells old enough to have played with Tubby Hayes. No complaints here if the saxophonist sounds a lot like Sonny Rollins. **
23.		Dan Weiss: Even Odds (Cygnus) Drummer, over 100 side-credits since 1998, a dozen-plus of his own compositions since 2005, the latter I rarely enjoyed but here he tries something different: a bare-bones trio with brilliant improvisers -- Miguel Zenón (alto sax) and Matt Mitchell (piano) -- making the most out of his broken free rhythms.
24.		Ivo Perelman/Mark Helias/Tom Rainey: Truth Seeker (Fundacja Sluchaj) Tenor sax/bass/drums trio, his ideal format (apologies to Shipp), especially when he gets a bassist this remarkable. **
25.		Queen Esther: Things Are Looking Up (EL) Bio is evasive beyond raised in Atlanta and "embedded" in Charleston, Discogs says "vocalist, songwriter, lyricist, producer, musician, actor, performance artist, TED Speaker and playwright," credits her with 7 albums (but not yet this one), also six groups (Hoosegow, JC Hopkins Biggish Band, The 52nd Street Blues Project, The Harlem Experiment, The Memp0his Blood Jugband Singers, Yallopin' Hounds). Last I heard was the banjo-fied roots album Gild the Black Lily (an A-), so I was surprised and taken aback by the jazz diva styling here, before the fine print revealed a Billie Holiday project, with the few original songs credited to Lenny Molotov. Replay required, and worth it. Promised later this year: "the alt-Americana album Blackbirding."
26.		Dave Rempis/Pandelis Karayorgis/Jakob Heinemann/Bill Harris: Truss (Aerophonic/Drift) Alto/tenor/baritone saxophone, with piano, bass, and drums. Two long pieces. I've grown accustomed to the free jazz thrash, finding it both stimulating and relaxing, heightened, of course, by the fascinating various stretches of foreplay.
27.		Jim Snidero: For All We Know (Savant) Alto saxophonist, many albums since 1989, straightforward trio here with Peter Washington (bass) and Joe Farnsworth (drums), playing eight standards. Splendidly, of course.
28.		Julia Vari Feat. Negroni's Trio: Somos (Alternative Representa) Mexican-American standards singer, couple previous albums (but none on Discogs), backed by Puerto Rican pianist José Negroni, who has at least four Trio albums with Josh Allen (bass) and Nomar Negroni (drums, José's son). Seven songs, 35:19, the sort of singer and trio I rarely give a second thought to, but everything here delights me -- the torchy opener in Spanish, seguing into "Nature Boy," "Song for My Father" with lyrics in Portuguese, and especially the bits of French in "C'est si bon," a language I know just well enough to feel the phrase without having to translate it.
29.		Chris Potter/Brad Mehldau/John Patitucci/Brian Blade: Eagle's Point (Edition) The tenor saxophonist's album, his pieces, but all four surnames on the cover, fellow stars at piano, bass, and drums. Potter also plays soprano sax and bass clarinet. When he gets going, he can be quite astonishing. Mehldau is equally impressive, when he gets his opportunities, as here. **
30.		Kahil El'Zabar's Ethnic Heritage Ensemble: Open Me, a Higher Consciousness of Sound and Spirit (Spiritmuse) Chicago percussionist and vocalist (perhaps a bit too much), celebrates fifty years of mostly working within this ensemble, lately a trio with Corey Wilkes (trumpet) and Alex Harding (baritone sax), supplemented here by James Sanders (violin/viola) and Ishmael Ali (cello). A potent mix here, especially on the funk classic "Compared to What" -- vocal is perfect there. **
31.		David Murray Quartet: Francesca (Intakt) Tenor sax great, includes a bit more than his usual bass clarinet special, other names on the cover: Marta Sanchez (piano), Luke Stewart (bass), Russell Carter (drums). Sounds great, if a bit more relaxed than usual. (Of course, no sooner than I write that line, he rips off a monstrous solo.) **
32.		Jeff Parker ETA IVtet: The Way Out of Easy (International Anthem) Guitarist, long associated with Chicago but seems to be based in Los Angeles these days, started in post-rock group Tortoise while working with Chicago Underground, Hamid Drake, Joshua Abrams, and others. ETA refers to Enfield Tennis Academy, the site of this quartet's breakout 2022 live album. With better PR/distribution, this album has already [by the day it appeared on streaming platforms] been reviewed by Guardian (4 stars) and Pitchfork (8.4!). Another live album, with Jeff Johnson (alto sax/electronics) riffing over immensely appealing grooves -- Anna Butterss (bass), Jay Bellerose (drums), and the leader's guitar. Perhaps a bit more focused on the landing than on the takeoff. **
33.		Matthew Shipp Trio: New Concepts in Piano Trio Jazz (ESP-Disk) Pianist, has been major since c. 1990, both on his own records and accompanying saxophonists, notably David S. Ware and Ivo Perelman. Went through an avant-jazztronica that I was so taken by I wound up writing a consumer guide to his work (plus a lot more by William Parker) and a Rolling Stone guide entry. Since then, he's refocused on trio and solo albums, exhaustively it can seem. This is his sixth trio album with Michael Bisio (bass) and Newman Taylor Baker (drums), following many more with various others (starting with Parker and Whit Dickey, then Bisio and Dickey). I've heard pretty much all of them, and still I have no idea what the "new concepts" are here. This is, however, a superb sample of what he's been doing for many years now.
34.		Rich Halley 4: Dusk and Dawn (Pine Eagle) Tenor saxophonist, from Portland, has run up a string of superb albums ever since I first noticed him in 2005, about the time when he retired from his day job (as I recall, but he's 77 now, and had a couple earlier albums I still haven't heard). His last two albums were elevated by pianist Matthew Shipp. Here he's back with his old quartet: Michael Vlatkovich (trombone), Clyde Reed (bass), and Carson Halley (drums, his son). Little if any drop here, the trombone a definite plus.
35.		Isaiah Collier & the Chosen Few: The World Is on Fire (Division 81) Saxophonist (tenor, I think), from Chicago, started out as one of Ernest Dawkins' Young Masters, fifth group album, album credits break into three tiers, with a core quartet (piano-bass-drums), extras -- Corey Wilkes (trumpet), Ed Wilkerson Jr. (alto clarinet), plus harp, cello, flutes -- and vocals (also a Collier credit). The latter aren't the point, but sometimes the world impinges on your art, and you have to fight back. **
36.		Amanda Gardier: Auteur (Music Inspired by the Films of Wes Anderson) (self-released) Alto saxophonist, based in Baltimore, third album, quartet with Charlie Ballantine (guitar, a major factor here), Jesse Wittman (bass), and Dave King (drums). I don't have any idea what the tie-in to the films might be, but something inspired her.
37.		Houston Person/Peter Beets: Live in Holland: Houston Person Meets Peter Beets Trio (2024, Maxanter) I get nervous when I see a live album without the recording date, especially when the star up around 89. His first notes here sound as strong as ever, but that was also true of his eature turn in Emmet Cohen's Master Legacy Series Volume 5, which I have reliably dated to 2023. Beets is a Dutch pianist I should probably learn more about: he has several albums on Criss Cross (Chopin Meets the Blues is one on a recurring theme), other albums back to 1997, ranging from Concertgebouw to an ICP quartet with Han Bennink, with an Oscar Peterson tribute along the way. Beets is in Peterson mode here. Norman Granz would love this. **
38.		Four + Six: Four + Six (Jazz Hang) The Four is a saxophone quartet of Mark Watkins, Ray Smith, Sandon Mayhew, and Jon Gudmundson. Their names adorn the top border of the cover, so by one convention I often follow, I could have listed them for the artist credit, but then I should also follow the "Plus Six" named in the other borders, from left to bottom to right: Derrick Gardner (trumpet), Vincent Gardner (trombone), Corey Christiansen (guitar), Justin Nielsen (piano), Braun Khan (bass), Kobie Watkins (drums). But only three or four of those names ring a bell for me -- I'm a bit confused on my Gardners -- and I usually save the cover-listed instruments for the body. Saxophonist Mark Watkins composed and arranged this, upbeat, richly textured, superb big band lacking only the conventional brass overload.
39.		Charles Lloyd: The Sky Will Still Be There Tomorrow (Blue Note, 2CD) Tenor saxophonist, released this album on his 86th birthday (any reason Blue Note can't give you recording dates?), was sort of a crossover star in the late 1960s, solidified his career when he moved to ECM in 1989, remaining pre-eminent within his move to Blue Note in 2013. Also plays some alto here, as well as bass and alto flute. Backed by Jason Moran (piano), Larry Grenadier (bass), and Brian Blade (drums), a sprawling 15 songs (90:25). Longer than I'd like as a straight-through stream, but the CD/LP versions would break that up into manageable chunks, and it would be hard to pick among them. He's in fine form throughout, and the band (especially Moran) are superb. **
40.		Ivanna Cuesta: A Letter to the Earth (Orenda) Drummer, from Dominican Republic, studied there and at Berklee, based in Boston, first album, composed by, also credited with electronics, with Ben Solomon (sax), Kris Davis (piano), and Max Ridley (bass) -- all terrific here. Bit of guest vocal at the end (Pauli Camou). **
41.		Idit Shner & Mhondoro: Ngatibatanei [Let Us Unite!] (OA2) Alto saxophonist, based in Oregon, as is her group, although they channel Zimbabwe, most directly through percussionist John Mambira (and vocal on the title cut), but with music far more universal.
42.		Jason Stein/Marilyn Crispell/Damon Smith/Adam Shead: Spi-raling Horn (Balance Point Acoustics) Bass clarinet player, has gotten steadily better since his 2007 debut, adds a stellar pianist to his recent bass-drums trio. **
43.		Kirk Knuffke: Super Blonde (SteepleChase) Cornet player, albums since 2007 range from free to mainstream, often superb either way. This one is mostly standards, sharply etched, with a mainstream rhythm section of two bassists (Jay Anderson and Thommy Andersson) and drums (Adam Nussbaum). **
44.		Claudio Scolari Project: Intermission (Principal) Italian drummer, discography goes back to 2004, seventh group album (although Discogs only lists two), quartet features a second drummer, Daniele Cavalca (also keyboards, with Scolari some "synth programming"), trumpet (Simone Scolari), and electric bass (Michele Cavalca). Occasionally hits an Miles Davis fusion vibe, which is excellent, but not really the point, so it tails off into something more ambient, which is also fine.
45.		Ivo Perelman/Barry Guy/Ramon Lopez: Interaction (Ibeji Music) Tenor sax, bass, drums/tabla. An exceptionally fine outing for the saxophonist, divided into two parts (73:52 + 55:18). **
46.		Roberto Ottaviano/Danilo Gallo/Fernando Faraò: Lacy in the Sky With Diamonds (Clean Feed) Italian soprano saxophonist, fairly long list of albums since 1985, here with bass and drums, playing seven Steve Lacy songs plus a few originals/improvs with a bit of "These Foolish Things." **
47.		Charlie Kohlhase's Explorer's Club: A Second Life (Mandorla Music) Saxophonist (alto, tenor, baritone), based in Boston, Discogs credits him on 48 albums since 1985 (many with Either/Orchestra) but Wikipedia hasn't noticed yet, third group album, an octet with tenor sax (Seth Meicht), trumpet (Dan Rosenthal), trombone (Jeb Bishop), tuba (Josiah Reibstein), guitar (Eric Hofbauer), bass, and drums. Originals plus covers from Elmo Hope, Ornette Coleman, John Tchicai, and Roswell Rudd. The bottom horns provide a lot of lift. **
48.		Lux Quartet: Tomorrowland (2023 [2024], Enja/Yellowbird): Co-led by Myra Melford (piano) and Allison Miller (drums), with Dayna Stephens (tenor sax) and Scott Colley (bass). Relentlessly inventive postbop, the pianist can delight and dazzle, the sax more tentative but substantial,the rhythm always en garde.
49.		Miguel Zenón: Golden City (Miel Music) Alto saxophonist, from Puerto Rico, has explored his roots music extensively, but is mostly a postbop guy, with an Ornette Coleman tribute on his résumé. Some Latin tinge here (but not much, or at least not the main point), in an expansive set of pieces commissioned by the Hewlett Foundation and SFJAZZ, themed for San Francisco, performed by an all-star nonet that hits all the bases.
50.		John Surman: Words Unspoken (ECM) British saxophonist (the whole family, but just soprano, baritone, and bass clarinet here), avant-garde into the 1970s but settled into ECM's ambient chill by 1979 and has been secure ever since. With Rob Luft (guitar), Rob Waring (vibes), and Thomas Strønen (drums). This one is exceptionally engaging.
51.		William Parker/Cooper-Moore/Hamid Drake: Heart Trio (AUM Fidelity) Longtime collaborators, three-fourths of a quartet called In Order to Survive, where they played bass, piano, and drums. Here they focus on percussion and exotica, with Parker on doson ngoni, shakuhachi, bass dudek, ney and Serbian flute, with Cooper-Moore on his ashimba and hoe-handle harp, and Drake on frame drum as well as his usual kit. For world-class virtuosi, it's a bit underwhelming, but that seems to be the point.
52.		Kenny Barron: Beyond This Place (Artwork) Pianist, I first really noticed him as a duet partner for Stan Getz (People Time, 1991), but he started in the early 1970s (cf. Peruvian Blue, 1974), is a DownBeat hall-of-famer, one of the most storied jazz educators in history, and still pretty sharp entering 80s. Helped out here by Steve Nelson (vibes), Kiyoshi Kitagawa (bass), Johnathan Blake (drums), and especially Immanuel Wilkins (alto sax). **
53.		Catherine Russell/Sean Mason: My Ideal (Dot Time) Standards singer, eighth album since 2006, had a famous father but their lives only overlapped seven years, with a great distance between his early peak in the late 1920s and her late emergence (first album at 50). Backed with just piano here, a young pianist steeped in blues and stride, which makes her sound rather like Bessie Smith. (I'm assuming that the August 2003 recording date is a typo.)
54.		Dafnis Prieto Sí o Sï Quartet: 3 Sides of the Coin (Dafnison Music) Cuban drummer, moved to New York in 1999, debut album in 2004 was widely acclaimed, won a MacArthur in 2011, never any doubt about his chops but I've been slow to warm to his records, at least until this utter delight, with Ricky Rodriguez on electric bass, and star turns by Martin Bejerano on piano and Peter Apfelbaum on soprano sax, tenor sax, and flute.
55.		Joel Ross: Nublues (Blue Note) Vibraphonist, fourth album since 2019, all on Blue Note, which instantly made him some kind of star. No doubt he is, as is his label mate and guest here, Immanuel Wilkins (alto sax). **
56.		Radam Schwartz: Saxophone Quartet Music (Arabesque) Keyboard player, mostly organ, first album 1988, second on Muse 1995, maybe a half-dozen approximately soul jazz albums since. This one is something else, with Schwartz not playing but arranging for a saxophone quartet (Marcus G Miller, Irwin Hall, Anthony Ware, Max Schweber), with isolated guest spots (guitar, vocal, percussion). Starts off delightful, mixes it up from there, ends with "My Ship."
57.		Tomeka Reid Quartet: 3+3 (Cuneiform) Cellist, based in Chicago, helped revitalize the post-2000 AACM, and has an impressive list of albums since her 2015 Quartet, finally a MacArthur "Genius" Fellow in 2022. Same group here, with Mary Halvorson (guitar), Jason Roebke (bass), and Tomas Fujiwara (drums). Three longish pieces: sags a bit in the middle but closes real strong. **
58.		Patricia Brennan Septet: Breaking Stretch (Pyroclastic) Vibraphonist, if memory serves was the Poll winner for her debut album, has since only grown more ambitious. Wrote compositions here, also plays marimba and electronics, but this is mostly a powerhouse group, with saxophonists Jon Irabagon and Mark Shim, trumpet (Adam O'Farrill), bass (Kim Cass), drums (Marcus Gilmore), and percussion (Mauricio Herrera).
59.		Alfredo Colón: Blood Burden (Out of Your Head) Alto saxophonist, based in Brooklyn, first album, quartet with Lex Korten (piano/keybs), Steve Williams (bass), and Connor Parks (drums), original pieces plus a Son House blues. This develops impressively, in the "spiritual jazz" vein pioneered by Coltrane, Sanders, and Ayler, alongside more recent efforts by saxophonists like Nat Birchall.
60.		Albert Beger/Ziv Taubenfeld/Shay Hazan/Hamid Drake: Cosmic Waves (No Business) Tenor saxophonist, born in Istanbul, grew up in Israel, studied at Berklee, has a 1995 album, came to my attention with a pair of 2005 albums with William Parker under Hamid Drake's name. The others play bass clarinet and bass, for a dicey free jazz jam, with the drummer as impressive as ever.
61.		اسم ISM [Pat Thomas/Joel Grip/Antonin Gerbal]: Maua (577) London-based piano-bass-drums trio, at least one previous album, they also form the core of the quartet known as [Ahmed]. Two pieces, the 41:15 title track, plus a 6:22 extra, with a very nice Bösendorfer grand that may have slowed the group down a bit, just to relish the sound. Title means "flowers" in Swahili. Not as dramatic as the [Ahmed] albums, but this should help Thomas get recognition as one of jazz's top-tier pianists. **
62.		Welf Dorr/Elias Meister/Dmitry Ishenko/Kenny Wollesen: So Far So Good (self-released) Alto saxophonist, born in Germany, based in New York, first album appears to be a Flowers for Albert thinking of Einstein not Ayler, unless it was the group called Funk Monk. Backed by guitar, accordion/electric bass, and drums, has traces of soul jazz and funk fusion, but mostly as a vehicle for distinguished saxophone. **
63.		The Attic & Eve Risser: La Grande Crue (NoBusiness) Portuguese tenor saxophonist Rodrigo Amado's trio (Gonçalo Almeida on bass and Onno Govaert on drums), with several superb albums so far, joined here by the French pianist, for another one.
64.		Ivo Perelman/Matthew Shipp: Magical Incantations (Soul City Sounds) Tenor sax and piano duo, a partnership which goes back at least to 1996's Bendito of Santa Cruz, intensified after 2011, peaking with the multi-volume The Art of Perelman-Shipp (2017), and continuing -- this is the 11th Shipp co-credit I have filed under Perelman since 2018. Impossible to make fine distinctions, but this does seem to merit its title. **
65.		Julieta Eugenio: Stay (Cristalyn) Tenor saxophonist, from Italy, based in New York, 2022 debut album was one of the year's best. Mostly trio with Matt Dwonszyk (bass) and Jonathan Barber (drums), adding Leo Genovese (Fender Rhodes) on two tracks. Doesn't try to blow you away here, but is steady, assured, and consistently engaging -- not a formula yet, not so easy to normalize.
66.		Luis Lopes Humanization 4tet: Saarbrücken (Clean Feed) Portuguese electric guitarist, fifth album since 2008 with this group, with tenor sax great Rodrigo Amado and two sons of the American trumpet player Dennis Gonzalez -- Aaron on bass, Stefan on drums. While the saxophonist is always impressive, the guitar is especially distinctive here. **
67.		John Zorn: New Masada Quartet, Volume 3: Live at Roulette (Tzadik) Zorn puts his name on so many albums he doesn't play on that it's surprising not to see it here -- not that there's no precedent for attributing it as I did (and as I've done for both previous volumes) -- where he plays his usual alto sax on his book of well-rehearsed tunes, backed by Julian Lage (guitar), Jorge Roeder (bass), and Kenny Wollesen (drums). Great to hear him cut loose, but this adds a whole other dimension to Lage's guitar. **
68.		Javon Jackson/Nikki Giovanni: Javon & Nikki Go to the Movies (Solid Jackson/Palmetto) Tenor saxophonist, started with Art Blakey 1987-90, led his first album on Criss Cross in 1991, moved to Blue Note 1994-99, then to Palmetto through 2008. He's been much less prominent since then, mostly on his own label, but got some notice in 2022 for his album with the famed poet (22 years his senior). They return here with a mixed concept album. She's featured on three tracks, spread out to make room for the movie-themed standards sung superbly by Nicole Zuraitis, lavishly burnished with Jackson's saxophone.
69.		Layale Chaker & Sarafand: Radio Afloat (In a Circle) Violinist, sings some, group with (Jake Charkley (cello), Philip Golub (piano/keyboards), Sam Minais (bass), and John Hadfield (drums). The occasional vocals lend this a Middle Eastern air, while the variety in the instruments frees the violin up as the engaging solo lead.
70.		Samo Salamon/Vasil Hadzimanov/Ra-Kalam Bob Moses: Dances of Freedom (Samo) Slovenian guitarist, has many fine albums since 2003, also plays some banjo here, with piano/keyboards and drums/percussion, both outstanding.
71.		Nicole Glover: Plays (Savant) Tenor saxophonist, from Oregon, First Record self-released in 2015, this is her second on Savant, trio with Tyrone Allen and Kayvon Gordon plus guest Steve Nelson (vibes). Found line fits: "a deep, rich tone, but also lots of modern edges." Opens strong, but holds you with ballads. **
72.		Nicole Mitchell and Ballaké Sissoko: Bamako Chicago Sound System (FPE) The AACM flautist hosts the Malian kora player and his cohort, most notably Fassery Diabaté (balafon) and Fatim Kouyaté (vocals), for a session that's much more theirs than hers, even with backing from additional jazz musicians Jeff Parker (guitar), Joshua Abrams (bass), and JoVia Armstrong (percussion). This is pretty delightful. **
73.		Owen Broder: Hodges: Front and Center, Vol. Two (Outside In Music) Alto saxophonist, also plays baritone, more from the sessions that generated Vol. One in 2022, four songs Johnny Hodges had a hand in writing, four more he left his indelible mark on. Comparing them against the originals would be hopeless, but they certainly evoke the swing era Hodges towered over. With Riley Mulkerkar (trumpet), Carmen Staaf (piano), Barry Stephenson III (bass), and Bryan Carter (drums).
74.		Jason Robinson: Ancestral Numbers (Playscape) Saxophonist (tenor/soprano here, also alto flute), albums since 1998, composed everything here, thinking about his ancestors. Quintet with Michael Dessen (trombone), Joshua White (piano), Drew Gress (bass), and Ches Smith (drums). Interesting throughout, but took me a while to work through all of it.
75.		Jason Robinson: Ancestral Numbers II (Playscape) Might as well recycle my review of the previous album, released back in May: Saxophonist (tenor/soprano here, also alto flute), albums since 1998, composed everything here, thinking about his ancestors. Quintet with Michael Dessen (trombone), Joshua White (piano), Drew Gress (bass), and Ches Smith (drums). Interesting throughout, and this time connected even quicker.
76.		Joe Fonda Quartet: Eyes on the Horizon (Long Song) Free jazz bassist, many albums since 1981, Discogs counts 43 under his own name, but that skips many groups he led or co-led -- e.g., the Fonda/Stevens group, and FAB Trio (with Billy Bang). (Discogs has 182 album performance credits). He draws on longtime collaborators here: Satoko Fujii (piano, 5 duo albums since 2015), Tiziano Tononi (drums, 7 albums since 2018), and (going way back) Wadada Leo Smith (trumpet). Exemplary work all around.
77.		Nacka Forum: Peaceful Piano (Moserobie) Swedish quartet, founded 1999, not sure whether they qualify as "all-stars," but all players you should know on their own: Goran Kajfes (trumpet), Jonas Kullhammar (reeds), Johan Berthling (bass), Kresten Osgood (drums), with a couple guest spots for Lars-Göran Ulander (alto sax, "known from the legendary '60s recordings"). No piano. None needed.
78.		Delfeayo Marsalis Uptown Jazz Orchestra: Crescent City Jewels (Troubadour Jass) The famous family's trombonist stays closest to home, especially in spirit, with a big band (and then some). "Ooh Poo Pah Doo" (Kermit Ruffins vocal) never needed this kind of firepower, but it's wonderful to behold. Only "Lil Liza Jane" returns to that vein, but the more generic standards are often delightful -- notably what may be the best "'Round Midnight" (Tonya Boyd-Cannon vocal) I've heard.
79.		Beholder Quartet: Suspension of Disbelief (Sachimay) Streaming sources list this as Beholder Trio, but cover says Quartet, as does a previous album -- a still earlier trio is simply credited to Beholder. Group of Dan DeChellis (piano), John Philip Tomasic (guitar), Jeffrey Slater (electric bass), and Zach Martin (drums). DeChellis has albums back to 1998, including a 1999 trio with Tomasic, and a later series of albums with avant saxophonist Gary Hassay. Very interesting album, even in the slow spots. **
80.		Beings: There Is a Garden (No Quarter) New York-based quartet of Zoh Amba (tenor sax, mostly), Steve Gunn (guitar), Shahzad Ismaily (bass, synth), and Jim White (drums). I never thought of Gunn as a jazz musician, and he doesn't have to be one when filling in behind Amba's sax or piano (even more indebted to Charles Gayle than her sax), but when she sings, he presents a Velvet Underground vibe so she can be Moe Tucker. No attempt at fusion here. Just multiplicities. **
81.		Jason Kao Hwang: Soliloquies: Unaccompanied Pizzicato Violin Improvisations (True Sound) Exactly what the title promises, which sets an upper bound on how enjoyable this can be, but he comes remarkably close to hitting the mark. Hwang became our greatest living jazz violinist when Billy Bang passed, and is a safe bet to maintain that claim until he, too, is gone.
82.		Maria Faust Jazz Catastrophe: 3rd Mutation: Moth (Bush Flash) Alto saxophonist, from Estonia, based in Copenhagen, albums since 2008, Jazz Catstrophe released a big band album in 2013, this "mutation" appears to be a trio, with guitar (Lars Bech Pilgaard) and drums (Anders Vestergaard) but sounds bigger. Am I missing something? **
83.		Gilbert Holmström: Peak (Moserobie) Swedish tenor saxophonist, b. 1937, debut as leader in 1965 with a free jazz quintet, led a fusion group in the 1970s called Mount Everest. Not a lot of records over the years, but they're fairly evenly spaced out. This, at 86, is a quintet with trumpet (Erik Kimestad), piano (Mathias Landæus), bass, and drums, playing four freebop originals and two Ennio Morricone themes.
84.		Sun Ra Arkestra [Under the Direction of Marshall Allen]: Lights on a Satellite (In+Out) Sun Ra's ghost band, still under the steady leadership of long-time alto saxophonist Marshall Allen, who had just passed 100 when he brought the 24-piece band to New York's Power Station to record this double-LP, starting with a 10-minut run through the title song (from 1961), before going earlier and later. After all the space talk, they wind up "Way Down Yonder in New Orleans." **
85.		Betty Bryant: Lotta Livin' (Bry-Mar Music) Jazz singer, 94, website claims 14 albums but Discogs only lists 3, plays piano, wrote 4 songs to go with 5 standards. Opens with a swinging "Between the Devil and the Deep Blue Sea," shifts into songs that are talkier (including a delightful take on "The Very Thought of You." Band swings, and the sax is lovely (Robert Kyle). **
86.		Christian Tamburr/Dominick Farinacci/Michael Ward-Bergeman: Triad (Ropeadope) Trio of vibraphone/marimba, trumpet, and accordion, the first two Americans, but Ward-Bergeman's bio is cagier, with study at Berklee and stops in New Orleans and Vancouver. The accordion is more common in European jazz, but also explains the Astor Piazzolla opener. The trumpet is more at home in New Orleans, which gives us a cover of "St. James Infirmary" -- one of three guest vocal spots for Shenel Johns, starting with a gutsy "I Put a Spell on You" and ending with a torchy ballad. The other guest is Jamey Haddad, on percussion (6 of 10 tracks). Album title will no doubt carry on as the group name. **
87.		Caleb Wheeler Curtis: The True Story of Bears and the Invention of the Battery (Imani) Leader is mostly a saxophonist (tenor, sopranino, stritch), but also plays trumpet. Title is from the first disc, with the second titled Raise Four: Monk the Minimalist. Both are trios with bass and drums -- Sean Conly and Michael Sarin up front, Eric Revis and Justin Faulkner on the bonus. Both impress.
88.		Eva Novoa: Novoa/Carter/Mela Trio, Vol. 1 (577) Spanish pianist, debut 2016, third different trio she's assembled for this label, this with Daniel Carter (tenor sax, trumpet, flute, clarinet) and Francisco Mela (drums). Long first-side piece is beautifully balanced. Second side drops in a bit of vocal (Mela) on one piece, some electric keyb on the other, but Carter is again superb. **
89.		Hermanos Gutiérrez: Sonido Cósmico (Easy Eye Sound) Brothers Alejandro (guitar/lap steel) and Estevan (guitar/percussion), names and much of their music deriving from an Ecuadorian mother, but their father is Swiss, and they at least grew up in and are based in Zurich. After four self-released albums, Dan Auerbach (Black Keys) signed them to his Nashville label, and released El Bueno y el Malo in 2022. More in this sequel, as calming as new age hoped for, with just enough Latin tinge and other cosmic exotica to keep it fascinating. **
90.		Floros Floridis/Matthias Bauer/Joe Hertenstein: Temporal Driftness (Evil Rabbit) Greek clarinet player (mostly bass clarinet here, also alto sax), studied physics and math before choosing music, first albums 1979-80, has a fairly steady stream of albums (not huge, but Discogs places him on five 2024 releases), seems to be based in Berlin now. Free improv trio with bass and drums, working their way through 11 numbered "Drift" pieces, nothing spectacular but a fine example of how it's done. **
91.		Steve Hirsh/Steve Swell/Jim Clouse/William Parker: Out on a Limb (Soul City Sounds) Drums, trombone, saxophones, bass. Three long pieces, 73:50, high quality free jazz, especially the trombone. **
92.		Bill Orcutt Guitar Quartet: Four Guitars Live (Palilalia) Guitarist, from Florida, started in rock groups, notably one from 1992-96 he co-led with then-wife Adris Hoyos called Harry Pussy. He released a solo album in 1996, then many more after 2011, along with avant-jazz collaborations (especially with Chris Corsano). His largest project, Music for Four Guitars, appeared in 2022, with Wendy Eisenberg, Ava Mendoza, and Shane Parish. Here they take their 30:58 set on the road, stretching it to 58:14. **
93.		William Parker/Hugo Costa/Philipp Ernsting: Pulsar (NoBusiness) Recorded in Amstmerdam, an all-improv set of bass, alto sax, and drums, with Costa getting the lead in the credits short, but Parker on the cover, presumably because you've heard of him. Parker seems to pick up a couple records like this every time he wanders off to Europe. My favorite is one called And William Danced, with Anders Gahnold, but they're all pretty good. Costa has several albums, including a duo and a group called Albatre with Ernsting. This is pretty inspired avant-thrash.
94.		Ernesto Rodrigues/Bruno Parinha/João Madeira: Into the Wood (Creative Sources) Portuguese trio: viola, bass clarinet, bass. Live improv set, the bassist does an exceptional job of binding the sounds together into an engine of endless fascination.
95.		Mathias Højgaard Jensen: Is as Is (Fresh Sound New Talent) Danish bassist, lives in Brooklyn, probably his first album as leader (Discogs has three side credits since 2019, his website has 13), all his pieces, quartet with David Mirarchi (alto sax), Jacob Sacks (piano), and Steven Crammer (drums). This is very nice: subtle and intricate postbop that sneaks up on you.
96.		Mercer Hassy Orchestra: Duke's Place (Mercer Hassy) Japanese big band, leader "was born as Masahide Hashimoto in Sapporo, Japan," home base for this exceptionally racous and rather raunchy Ellington tribute band. He is credited as arranger, also for drum programming and guitar. Several vocals, lots of excitement. Group has two previous albums, one in this vein (Sir Duke), the other more varied (Don't Stop the Carnival). Hassy has a non-Orchestra album with strings and traditional Japanese instruments, but also Alan Pasqua and Peter Erskine. This one slops off here and there, but is too much fun not so share.
97.		I Am Three: In Other Words (Leo) Nikolaus Neuser (trumpet), Silke Eberhard (alto sax/percussion), and Christian Marlen (drums), song credits split 4-2-5. Group name comes from Mingus, the subject of their two previous albums: Mingus Mingus Mingus (2015) and Mingus' Sound of Love (2018, with Maggie Nichols). **

Also added the following older albums after freezing the 2023 year-end file:

1.		Espen Berg: Water Fabric (Odin) Norwegian pianist, dozen or so albums since 2007. Cover shows "featuring": Hayden Powell (trumpet), Harpreet Bansal (violin), Ellie Mäkelä (viola), Joakim Munker (cello), Per Oddvar Johansen (drums). I'm not often a big fan of strings, but here they take themes that start enchanting and raise them to something magnificent. **
2.		Bex Burch: There Is Only Love and Fear (International Anthem) Percussionist, from London, but ranges far and wide (Ghana and Berlin are mentioned), makes her own instruments, calls this first album "messy minimalism." It's messy, but that's where the charm emerges. **
3.		Xaver Hellmeier: X-Man in New York (Cellar Music) German drummer, based in Munich, but went to New York to study with Joe Farnsworth, which set him up for a first album recorded in Van Gelder Studios with what must be his dream band: Jeremy Pelt (trumpet), Eric Alexander (tenor sax), David Hazeltine (piano), and Peter Washington (bass). I've long admired that group (and Farnsworth), but it's been a while since they've put their skills to such inspired use. **

Honorable Mention

Additional jazz rated B+(***), listed alphabetically.

1. Acceleration Due to Gravity: Jonesville: Music by and for Sam Jones (Hot Cup, EP)
2. Nick Adema: Urban Chaos (ZenneZ)
3. Arooj Aftab: Night Reign (Verve) **
4. Ben Allison/Steve Cardenas/Ted Nash: Tell the Birds I Said Hello: The Music of Herbie Nichols (Sonic Camera) **
5. Gonçalo Almeida: States of Restraint (Clean Feed) **
6. Altus: Mythos (Biophilia) *
7. Oren Ambarchi/Johan Berthling/Andreas Werlin: Ghosted II (Drag City) **
8. Roxana Amed: Becoming Human (Sony Music Latin)
9. Jason Anick/Jason Yeager: Sanctuary (Sunnyside)
10. Sam Anning: Earthen (Earshift Music)
11. Michaël Attias: Quartet Music Vol. II: Kardamon Fall (Out of Your Head)
12. Michaël Attias: Quartet Music Vol. I + II: LuMiSong + Kardamon Fall (Out of Your Head, 2CD)
13. Andrew Barker/William Parker/Jon Irabagon: Bakunawa (Out of Your Head) **
14. Nik Bärtsch's Ronin: Spin (Ronin Rhythm) **
15. Basic: This Is Basic (No Quarter) **
16. BassDrumBone: Afternoon (Auricle)
17. Alex Beltran: Rift (Calligram)
18. Pat Bianchi: Three (21H) **
19. Black Lives: People of Earth (Jammin' Colors) **
20. Blue Moods: Swing & Soul (Posi-Tone) **
21. Body Meπa: Prayer in Dub (Hausu Mountain) **
22. Benjamin Boone: Confluence: The Ireland Sessions (Origin)
23. Karen Borca/Paul Murphy: Entwined (Relative Pitch) **
24. Borderlands Trio [Stephan Crump/Kris Davis/Eric McPherson]: Rewilder (Intakt) **
25. Geoff Bradfield: Colossal Abundance (Calligram)
26. Anthony Branker & Imagine: Songs My Mom Liked (Origin)
27. Alan Braufman: Infinite Love Infinite Tears (Valley of Search) **
28. Isrea Butler: Congo Lament (Vegas)
29. Anna Butterss: Mighty Vertebrate (International Anthem) **
30. George Cables: I Hear Echoes (HighNote) **
31. Jonas Cambien: Jonas Cambien's Maca Conu (Clean Feed) **
32. Nicola Caminiti: Vivid Tales of a Blurry Self-Portrait (self-released)
33. Gerald Cannon: Live at Dizzy's Club: The Music of Elvin & McCoy (Woodneck) **
34. Gunhild Carling: Jazz Is My Lifestyle! (Jazz Art)
35. Kim Cass: Levs (Pi)
36. Ernesto Cervini's Turboprop: A Canadian Songbook (Three Pines) **
37. Bill Charlap Trio: And Then Again (Blue Note) **
38. The Choir Invisible [Charlotte Greve/Vinnie Sperazza/Chris Tordini]: Town of Two Faces (Intakt) **
39. Carl Clements: A Different Light (Greydisc)
40. Coco Chatru Quartet: Future (Trygger Music)
41. Sylvie Courvoisier: To Be Other-Wise (Intakt) **
42. Stephan Crump: Slow Water (Papillon Sounds)
43. Amalie Dahl's Dafnie: Står Op Med Solen (Sonic Transmissions/Aguirre) **
44. Josephine Davies: Satori: Weatherwards (Whirlwind) **
45. The Kris Davis Trio: Run the Gauntlet (Pyroclastic)
46. Jon De Lucia: The Brubeck Octet Project (Musæum Clausum)
47. Michael Dease: Found in Space: The Music of Gregg Hill (Origin)
48. Hania Derej Quartet: Evacuation (ZenneZ) **
49. Devouring the Guilt: Not to Want to Say (Kettle Hole)
50. Yelena Eckemoff: Romance of the Moon (L&H Production)
51. Signe Emmeluth: Banshee (Motvind) **
52. John Escreet: The Epicenter of Your Dreams (Blue Room Music)
53. Ethel & Layale Chaker: Vigil (In a Circle)
54. Peter Evans: Extra (We Jazz) **
55. Alon Farber Hagiga With Dave Douglas: The Magician: Live in Jerusalem (Origin)
56. Ibelisse Guardia Ferragutti & Frank Rosaly: Mestizk (International Anthem) **
57. Fictional Souvenirs [Pat Thomas/John Butcher/Ståle Liavik Solberg]: Volatile Object (Trost) **
58. Nick Finzer: Legacy: A Centennial Celebration of JJ Johnson (Outside In Music) **
59. Fire!: Testament (Rune Grammofon) **
60. Delia Fischer: Beyond Bossa (Origin)
61. Flukten: Flukten (Odin) **
62. Adam Forkelid: Turning Point (Prophone)
63. Anne Foucher & Jean-Marc Foussat: Chair Ça (Fou)
64. Jean-Marc Foussat/Daunik Lazro: Trente-Cinq Minutes & Vingt-Trois Secondes (Fou)
65. Eric Frazier: That Place Featuring "Return of the Panther Woman" (EFP Productions)
66. Friends & Neighbors: Circles (Clean Feed) **
67. David Friesen: A Light Shining Through (Origin)
68. Satoko Fujii Tokyo Trio: Jet Black (Libra)
69. Satoko Fujii Quartet: Dog Days of Summer (Libra)
70. Joel Futterman: Innervoice (NoBusiness)
71. Joel Futterman/William Parker: Why (Soul City Sounds) **
72. Marshall Gilkes and WDR Big Band: Life Songs (Alternate Side) **
73. Frode Gjerstad Trio: Unknown Purposes (Circulasione Totale) **
74. Gordon Grdina/Christian Lillinger: Duo Work (Attaboygirl)
75. Gordon Grdina's the Marrow: With Fathieh Honari (Attaboygirl)
76. Guillermo Gregorio: Two Trios (ESP-Disk '23)
77. Andrea Grossi Blend 3 + Jim Black: Axes (We Insist!) **
78. Russell Haight: Go Forth (OA2)
79. Jared Hall: Influences (Origin)
80. Sarah Hanahan: Among Giants (Blue Engine) **
81. Louis Hayes: Artform Revisited (Savant) **
82. Aaron Yale Heisler: Guitar Sketches (Toronto 2008-24) (2nd Bechet Century) **
83. Alden Hellmuth: Good Intentions (Fresh Sound New Talent)
84. Enrique Heredia Trio: Plays Herbie Nichols (Fresh Sound) **
85. Daniel Humair/Samuel Blaser/Heiri Känzig [Helveticus]: Our Way (Blaser Music) **
86. Shawneci Icecold/Vernon Reid/Matthew Garrison & Grant Calvin Weston: Future Prime (Underground45)
87. Ill Considered: Precipice (New Soil) **
88. Jon Irabagon Trio + One: Dinner & Dancing (Irabbagast) **
89. Vijay Iyer: Compassion (ECM) **
90. Keefe Jackson/Raoul van der Weide/Frank Rosaly: Live at de Tanker (Kettle Hole)
91. Jazz at the Ballroom: Flying High: Big Band Canaries Who Soared (Jazz at the Ballroom)
92. The Jazz Passengers: Big Large: In Memory of Curtis Fowlkes (FOOD) **
93. Joel and the Neverending Sextet: Marbled (Motvind) **
94. Goran Kajfeš Tropiques: Tell Us (We Jazz) **
95. Kaze: Unwritten (Circum/Libra)
96. Ryan Keberle & Catharsis: Music Is Connection (Alternate Side)
97. Rebecca Kilgore: A Little Taste: A Tribute to Dave Frishberg (Cherry Pie Music)
98. Izumi Kimura/Barry Guy/Gerry Hemingway: Six Hands Open as One (Fundacja Sluchaj)
99. Anni Kiviniemi Trio: Eir (We Jazz) **
100. Brian Landrus: Plays Ellington & Strayhorn (Palmetto)
101. Emiliano Lasansky: The Optimist (Outside In Music) **
102. Matt Lavelle & the 12 Houses: The Crop Circles Suite Part One (Mahakala Music) **
103. Ellie Lee: Escape (self-released)
104. Janel Leppin: Ensemble Volcanic Ash: To March Is to Love (Cuneiform) *
105. Rosemary Loar: Vagabond Heart/Curação Vagabundo (Atlor Music)
106. Frank London/The Elders: Spirit Stronger Than Blood (ESP-Disk)
107. John Lurie: Painting With John (Royal Potato Family) **
108. Brian Lynch: 7X7BY7 (Holistic MusicWorks)
109. Roberto Magris: Europlane for Jazz: Freedom Is Peace (JMood)
110. Nduduzo Makhathini: Unomkhubulwane (Blue Note) **
111. David Maranha/Rodrigo Amado: Wrecks (Nariz Entupido)
112. Rob Mazurek Quartet: Color Systems (RogueArt)
113. Nicole McCabe: Live at Jamboree (Fresh Sound) **
114. Ron McClure: Just Sayin' (SteepleChase) **
115. Chad McCullough: In These Hills, Beyond (Calligram)
116. Thollem McDonas: Infinite-Sum Game (ESP-Disk)
117. Terence McManus: Music for Chamber Trio (Rowhouse Music)
118. Michael McNeill: Barcode Poetry (Infrasonic Press)
119. Charles McPherson: Reverence (Smoke Sessions) **
120. Ava Mendoza/Dave Sewelson: Of It but Not Is It (Mahakala Music) **
121. The Messthetics/James Brandon Lewis: The Messthetics and James Brandon Lewis (Impulse!) **
122. Matt Mitchell: Zealous Angles (Pi)
123. Move: Free Baile: Live in Shenzhen (Clean Feed) **
124. Riley Mulherkar: Riley (Westerlies)
125. Mute: After You've Gone (Endectomorph Music) *
126. Simon Nabatov Quartet Feat. Ralph Alessi: Lovely Music (Clean Feed) **
127. The New Wonders: Steppin' Out (Turtle Bay) **
128. Adam O'Farrill: Hueso (FOOD) **
129. Michael Pagán: Paganova (Capri)
130. Emile Parisien Quartet: Let Them Cook (ACT) **
131. William Parker & Ellen Christi: Cereal Music (AUM Fidelity)
132. Hery Paz: River Creatures (Porta Jazz) **
133. Ken Peplowski: Live at Mezzrow [Smalls Live Living Masters Series] (Cellar Music) **
134. Ivo Perelman/Tom Rainey: Duologues 1: Turning Point (Ibeji Music) **
135. Ivo Perelman/Fay Victor/Jim Morris/Ramon Lopez: Messa Di Voce (Mahakala Music) **
136. Ivo Perelman/Ingrid Laubrock: Duologues 3: Crystal Clear (Ibeji Music) **
137. Ivo Perelman/Aruán Ortiz/Ramón López: Ephemeral Shapes (Fundacja Słuchaj) **
138. Madeleine Peyroux: Let's Walk (Just One Recording/Thirty Tigers) **
139. Planet D Nonet: Echoes of Harlem: A Salute to Duke Ellington Vol. 2 (Eastlawn)
140. Jonathan Powell: Mambo Jazz Party (Circle 9)
141. Reut Regev's R*Time: It's Now: R*Time Plays Doug Hammond (ESP-Disk)
142. Dave Rempis/Tashi Dorji Duo: Gnash (Aerophonic)
143. Cene Resnik/Samo Salamon/Samuel Ber: The Thinkers (Samo) **
144. Travis Reuter: Quintet Music (self-released)
145. Steph Richards: Power Vibe (Northern Spy) **
146. Ron Rieder: Latin Jazz Sessions (self-released)
147. Diego Rivera: With Just a Word (Posi-Tone) **
148. Jeremy Rose & the Earshift Orchestra: Discordia (Earshift Music)
149. Angelica Sanchez/Chad Taylor: A Moster Is Just an Animal You Haven't Met Yet (Intakt) **
150. Marta Sanchez Trio: Perpetual Void (Intakt)
151. Carla Santana/José Lencastre/Maria do Mar/Gonçalo Almeida: Defiant Ilussion (A New Wave of Jazz) **
152. Scheen Jazzorkester & Cortex: Frameworks: Music by Thomas Johansson (Clean Feed) **
153. Adam Schroeder/Mark Masters: CT! Adam Schroeder & Mark Masters Celebrate Clark Terry (Capri)
154. Frank Paul Schubert/Michel Pilz/Stefan Scheib/Klaus Kugel: Live at FreeJazz Saar 2019 (Nemu)
155. Dave Schumacher & Cubeye: Smoke in the Sky (Cellar)
156. Claudio Scolari Project: Intermission (Principal)
157. Dirk Serries/Rodrigo Amado/Andrew Lisle: The Invisible (Klanggalerie) **
158. Matthew Shipp: The Data (RogueArt) *
159. Matthew Shipp/Steve Swell: Space Cube Jazz (RogueArt) *
160. Linda Sikhakhane: Iladi (Blue Note) **
161. Nala Sinephro: Endlessness (Warp) **
162. Josh Sinton: Couloir & Book of Practitioners Vol. 2: Book W (Form Is Possibility, 2CD)
163. SML: Small Medium Large (International Anthem) **
164. Ben Solomon: Echolocation (Giant Step Arts) **
165. Tyshawn Sorey Trio: The Suspectible Now (Pi)
166. Space: Embrace the Space (Relative Pitch) **
167. Spinifex: Undrilling the Hole (TryTone)
168. Jason Stein: Anchors (Tao Forms)
169. Stemeseder Lillinger Quartet: Umbra II (Intakt) **
170. Geoff Stradling & the StradBand: Nimble Digits (Origin)
171. Sulida: Utos (Clean Feed) **
172. Kevin Sun: The Fate of the Tenor (Endectomorph Music) **
173. Kevin Sun: Quartets (Endectomorph Music, 2CD)
174. Sunny Five [Tim Berne/David Torn/Ches Smith/Devin Hoff/Marc Ducret]: Candid (Intakt) **
175. Ohad Talmor/Chris Tordini/Eric McPherson: Back to the Land (Intakt, 2CD) **
176. Natsuki Tamura/Jim Black: NatJim (Libra)
177. Natsuki Tamura/Satoko Fujii: Aloft (Libra)
178. Tarbaby: You Think This America (Giant Step Arts) **
179. Teiku: Teiku (577) **
180. Terton [Louie Belogenis/Trevor Dunn/Ryan Sawyer]: Outer, Inner, Secret (Tzadik) **
181. Michael Thomas: The Illusion of Choice (Criss Cross) **
182. Thumbscrew: Wingbeats (Cuneiform) **
183. Transition Unit: Fade Value (A New Wave of Jazz Axis)
184. Steve Turre: Sanyas (Smoke Sessions) **
185. Oded Tzur: My Prophet (ECM) **
186. Unionen: Unionen (We Jazz) **
187. Kiki Valera: Vacilón Santiaguero (Circle 9 Music)
188. Peter Van Huffel's Callisto: Meandering Demons (Clean Feed) **
189. Friso van Wijck: Friso van Wijck's Candy Container (TryTone)
190. Piet Verbist: Flamenco Jazz Summit: El Mar Empieza Aquí (Origin)
191. Jack Walrath: Live at Smalls (Cellar Music) **
192. Kamasi Washington: Fearless Moment (Young) **
193. Anna Webber: Simpletrio2000 (Intakt) **
194. Cory Weeds Meets Champian Fulton: Every Now and Then: Live at OCL Studios (Cellar Music) **
195. WHO Trio: Live at Jazz Festival Willisau 2023 First Visit (Ezz-Thetics) **

Also added the following older albums after freezing the 2023 year-end file:

1. Miguel Atwood-Ferguson: Les Jardins Mystiques Vol. 1 (Brainfeeder '23, 3CD) **
2. Edmar Castañeda World Ensemble: Viento Sur (self-released '23) **
3. Edition Redux: Better a Rook Than a Pawn (Audiographic '23) **
4. Kate Gentile/International Contemporary Ensemble: B i o m e i.i (Obliquity '23) **
5. Guillermo Gregorio: Two Trios (ESP-Disk '23)
6. Makiko Hirabayashi Trio: Meteora (Enja '23) **
7. The Hot Toddies Jazz Band: The Hot Toddies Jazz Band (Prohibition Productions '23) **
8. Pierrick Pédron/Gonzalo Rubalcaba: Pedron Rubalcaba (Gazebo '23) **
9. Patrick Shiroishi: I Was Too Young to Hear Silence (American Dreams '23) **

Reissues/Historic Music

The standard for historic music is a record where everything was recorded 10+ years ago, regardless of whether it's ever been in print before. Some past lists may have treated previously unreleased music as new (regardless of actual age), but I've never been able to manage that distinction consistently. This category also includes compilations of previously released music, including straight reissues, although my selection is very erratic.

1.		Mal Waldron/Steve Lacy: The Mighty Warriors: Live in Antwerp (1995, Elemental Music, 2CD) Piano and soprano sax giants, often played as a duo, but are joined here by Reggie Workman (bass) and Andrew Cyrille (drums), who are precisely the rhythm section one might pray for. Long pieces, timed for four 23-25 minute LP sides, the two shorter ones Monk covers, a shared bond.
2.		Sonny Rollins: Freedom Weaver: The 1959 European Tour Recordings (1959, Resonance, 3CD) Starts with a set I've heard before as St. Thomas in Stockholm 1959, which I've long recommended as one of his best live sets, and rarely drops below that level as he moves on across Europe, trios with Henry Grimes on bass and various drummers (Pete La Roca, Kenny Clarke, Joe Harris).
3.		NRG Ensemble: Hold That Thought (1996, Corbett vs. Dempsey) Group originally founded by avant-saxophonist Hal Russell (1926-92), with Mars Williams continuing the group for a few years after his death, notably recruiting young saxophonist Ken Vandermark, who would shortly bring Williams and bassist Kent Kessler into his Vandermark 5. (I didn't realize this until just now, but Russell's original name was Luttenbacher, hence he was the inspiration as well as a founding member of Weasel Walter's no-wave post-rock band, the Flying Luttenbachers.) Williams died last year, and this live set, from Utrecht, was found among his archives. It's an extraordinary piece of work, not just a tribute to past Russell but a harbinger of future Vandermark. **
4.		Phil Haynes' 4 Horns and What?: The Complete American Recordings (1989-95, Corner Store Jazz) Drummer, mostly associated with the late trumpet player Paul Smoker (on all three sets here), also with Ellery Eskelin (tenor sax, on the first two sets) and Herb Robertson (on the last two, credited here with "multi-brass"). Other horns here include Andy Laster (alto/bari sax/clarinet/flute on all three sets), Joe Daley ("low brass" on the first), and John Tchicai (tenor sax on the third). It's a formula that generates a lot of excitement. **
5.		Charles Gayle/Milford Graves/William Parker: WEBO (1991, Black Editions Archive) Tenor sax, drums, bass, a major new find in the late drummer's archives, running just over 2 hours (2-CD, 3-LP). Gayle (1939-2023) was like the truest heir of Albert Ayler, pushed to extremes I found very difficult to take when I first ran into him, so my grades are scattered, and likely in need of revision -- e.g., I still have Repent (1992) as a B, but at least get Touchin' on Trane at A-. This is in the same ballpark, but perhaps better mixed to bring out the truly amazing bass and percussion. **
6.		Miles Davis Quintet: Miles in France 1963 & 1964 [The Bootleg Series, Vol. 8] (Columbia/Legacy, 6CD) Another treasure trove of live quintet sets, with the young Herbie Hancock-Ron Carter-Tony Williams rhythm section, plus George Coleman (tenor sax) on the 1963 Juan-Les-Pins festival sessions, replaced by Wayne Shorter for the 1964 sets at Salle Pleyel. The 7/27/1963 set mostly appeared in Miles Davis in Europe (1964), but everything else was previously unreleased, with the extra focus on Coleman most appreciated. Overall, sounds about par for live Davis from the period -- which is to say, instantly recognizable and often sublime -- like The Complete Concert 1964 (with Coleman), Miles in Berlin (with Shorter), and the most intriguing path not taken, Miles in Tokyo (with Sam Rivers). [CD packaging is remarkably compact, unlike the earlier Bootleg Series vaults, or the pricey 8-LP.]
7.		Alice Coltrane: The Carnegie Hall Concert (1971, Impulse!) Pianist and harpist, formerly Alice McLeod, of Detroit, her mother a choir singer, others in the family had musical careers, while she had a trio and played with others (Terry Pollard, Terry Gibbs; possibly her first husband, singer Kenny Hagood). She married John Coltrane in 1965, joined his quartet in 1966 (replacing McCoy Tyner), and had three children with him (most famous is Ravi Coltrane), but he died in 1967. In 1968, she released her own album, A Monastic Trio, and followed it with six more, also on Impulse!, through 1973, continuing on other labels through 1978, a few more later on. This live concert, part of which was previously released in 2018 as Live at Carnegie Hall, 1971, happened about the same time as what was perhaps her best known album, Journey in Satchidananda appeared. Title song leads off here (15:02), followed by three more pieces, centered on the 28:09 "Africa." She did much to develop the spiritual side of her husband's legacy, and if you follow the reviews, you may detect its center of gravity shifting from him to her: she was, after all, the one who lived the life. But compared to most recent reissues, this concert most securely links her back to his music, most obviously through bassists Jimmy Garrison and Cecil McBee, and saxophonists Pharoah Sanders and Archie Shepp. But her harp is developing (though it is her piano that brings "Africa" to its climax), and she adds harmonium (Kumar Kramer) and tamboura (Tulsi Reynolds), along with two drummers (Ed Blackwell and Clifford Jarvis). I've listened to most of her albums, but this is the first one that really moved me. **
8.		Miles Davis: Miles '54: The Prestige Recordings (Craft, 2CD) Or 4-LP, which is probably the point, but the label takes their remastering seriously, and offers a range of formats. This collects four sessions from the pivotal year in Davis's 1951-56 tenure at Prestige, starting with three tracks (including "Four") from the back half of a 10-inch LP, followed by star-laden sessions eventually released as Walkin', Bags Groove, and Miles Davis and the Modern Jazz Giants -- some with Sonny Rollins (tenor sax) or Milt Jackson (vibes), with Horace Silver or Thelonious Monk on piano, Percy Heath (bass), and Kenny Clarke (drums), with two tracks each for Jay Jay Johnson (trombone), Lucky Thompson (tenor sax), and Dave Schildkraut (alto sax). **
9.		Tim Berne/Michael Formanek: Parlour Games (1991, Relative Pitch) Sax and bass duo, Berne playing alto and baritone, in a previously unreleased session that predates their 1998 duo, Ornery People. This is terrific all the way through. **
10.		Karen Borca Trio Quartet & Quintet: Good News Blues: Live at the Vision Festival 1998 & 2005 (No Business) One of the few bassoon players in any branch of jazz, especially in free jazz, she led groups so rarely that this is her first collection as leader, but Discogs credits her with 30 albums, many with her husband, Jimmy Lyons, also Cecil Taylor, William Parker, Joel Futterman, Alan Silva, Bill Dixon. The early set here has Parker and Rob Brown (alto sax). Brown returns for the late set, with Reggie Workman, and is stellar throughout.
11.		Mars Williams & Hamid Drake: I Know You Are but What Am I (1996, Corbett vs. Dempsey) The late saxophonist (1955-2023, credited here with "reeds"), started with Hal Russell and continued his NRG Ensemble after Russell's death, bringing in Ken Vandermark for reinforcements, leading to his work in the first edition of the Vandermark 5. Williams' avant-gardism branched out into rock and acid jazz (Liquid Soul), as well as more esoteric ventures (like multiple volumes of An Ayler Xmas). This tape with exceptional drums is just what friends and fans most remember him for. **
12.		Mal Waldron/Terumasa Hino: Reminicent Suite (1973 [2024], BBE): Pianist, started in the mid-1950s supporting singer Billie Holiday, and may still be best known for that, but he produced major works for Prestige 1956-62, and moved decisively into avant-jazz later on, especially with Enja, ECM, and Soul Note. He cut this quintet set in Japan with the well-known trumpet player, each writing a side-long piece. **
13.		Grupo Irakere: Grupo Irakere (1976, Mr Bongo) Legendary Cuban jazz group, founded by pianist Chucho Valdés in 1973, second album, band toured Eastern Europe in 1977, and gained further international notice when Columbia released an album in 1978, followed by notable defections in 1980-81 (Paquito D'Rivera, Arturo Sandoval). The band continued through 1997, when Valdés left, to be replaced by his son, Chuchito (to 1999). Excitement everywhere. **
14.		Louis Armstrong: Louis in London (1968, Verve) A previously unreleased BBC radio shot from July 2, 1968, billed as his "last great performance," three years before his death in 1971. He had been in decline for several years, often unable to play trumpet, but his vocals remained endearing, with a couple songs turning into big pop hits. He's credited with trumpet here, which seems good enough, his voice even better, as he runs through thirteen songs, most signature hits, a proper career summary. **
15.		Art Tatum: Jewels in the Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings (1953, Resonance, 3CD) Legendary pianist (1909-56), remarkable facility -- a friend noted that he often sounds like three guys playing at once -- starting with his 1933 solos (later collected as Piano Starts Here) up to the remarkable series recorded by Norman Granz from 1953-56, later boxed up as The Tatum Solo Masterpieces and The Tatum Group Masterpieces -- the latter's session with Ben Webster is an all-time favorite. These sets are mostly trio, with Everett Barksdale (guitar) and Slam Stewart (bass), occasionally dropping down to solo. I wouldn't rate this among his very best work, with the later sets going through his trademark motions, but the first disc is a real delight.
16.		Sun Ra: Lights on a Satellite: Live at the Left Bank (1978, Resonance, 2CD) Confusing to have this reissue share the same title as the new album by the ghost Arkestra -- song title goes back at least as far as 1961's Art Forms of Dimensions Tomorrow. This was a prime period for the big band, with their consummate knack of making a circus out of their imagined cosmos: while they can fall into schtick, or break down in chaos, their flights of fantasy are as primal as they are astonishing.
17.		Terry Gibbs Dream Band: Vol. 7: The Lost Tapes, 1959 (Whaling City Sound) Vibraphonist, still ticking at 100 -- his first album was Good Vibes in 1951, his "last" the quite good 92 Years Young from 2017, or perhaps 2022's The Terry Gibbs Songbook, credited to Terry Gibbs Legacy Band, which he played some on, and he's still listed as producer here. He led a big band in 1959, with Mel Lewis on drums, Bill Holman on tenor sax (and arranging), and other cool jazz notables, with Marty Paich, Med Flory, Manny Albam, and Al Cohn among the arrangers. They produced four albums through 1961, starting with Launching a New Band, and since 1986's Dream Band various of their concert tapes have been released, through 2006's superb Vol. 6. This latecomer is one of the best, ferocious swing and crackling power extended over 71 minutes.
18.		Austin Peralta: Endless Planets [Deluxe Edition] (2011, Brainfeeder) Jazz pianist, also plays soprano sax, regarded as a prodigy, moved from classical to jazz at 10, won a prize at 12, released his first album at 16, died at 22, a year after this third album, touted now as the first jazz release on the label (executive producer aka Flying Lotus). Hints at fusion but never gets too comfortable, repeatedly fracturing the rhythm, filling with Strangeloop electronics, and giving the saxophonists (Zane Musa and Ben Wendel) free reign. Adds a vocal by Heidi Vogel toward the end. Deluxe edition adds a second LP of variations -- doesn't add much, other than cost, but reminds us of the loss. **
19.		Christer Bothén Featuring Bolon Bata: Trancedance [40th Anniversary Edition] (1984 [2024], Black Truffle) Swedish tenor sax/bass clarinet player, first albums were with Don Cherry, this was the first he led, Bolon Bata the band name, went on to a second album in 1988. Before this he lived and studied in Mali and Morocco, also playing doson n'goni and guimbri here, the large groups featuring other African instruments, and various vocals. **
20.		Atrás del Cosmos: Cold Drinks, Hot Dreams (1980, Blank Forms Editions) Reportedly the first free jazz group to come out of Mexico, but not much known about they: this reissue is their only album in Discogs (which doesn't have the original), nor is there much evidence of members Ana Ruíz (piano), Henry West (sax), Evry Mann (drums), or Claudio Enriquez (bass). Opens with heavy piano (think Cecil Taylor), adds in the sax, then evolves into their own milieu. **
21.		Peter Brötzmann/Toshinori Kondo/Sabu Toyozumi: Complete Link (2016, NoBusiness) Tenor sax/tarogato, trumpet/electronics, drums. Within our ten-year window for "new releases," with both of the principals recently departed, this feels more like an archival find. They had a fairly long run together in the quartet, with William Parker and Hamid Drake, named for their first album, Die Like a Dog. I always found their records a bit too abrasive, but here I'm not only not bothered, I'm feeling a bit nostalgic.
22.		Emily Remler: Cookin' at the Queens: Live in Las Vegas 1984 & 1988 (Resonance, 2CD) Jazz guitarist (1957-90), recorded six albums for Concord (including a duo led by Larry Coryell, plus one more) in her brief career, which in 1991 were reduced to two Retrospective volumes. This is the first new music that has appeared since her death, and is certain to rekindle interest in her post-Montgomery synthesis.
23.		Wayne Shorter: Celebration, Volume 1 (2014, Blue Note) First in a promised series of archival albums from the late saxophonist, a live set from the Stockholm Jazz Festival with a quartet of Danilo Perez (piano), John Patitucci (bass), and Brian Blade (drums) -- the same quartet that put Shorter back in business c. 2000 (cf. Footprints Live!). I've never been much of a Shorter fan, but this group gets him going, finally convincing me that there's something distinct to his soprano sax. **
24.		Roberto Magris: Love Is Passing Thru: Solo/Duo/Trio/Quartet (2005, JMood) Italian pianist, from Trieste, many albums since 1990, has been rifling through old tapes recently, and has come up with an exceptionally delightful one here. Recorded over two dates. This works out to five solo tracks (including two takes of "Lush Life"), plus two with drums and percussion (Enzo Carpentieri, some Balinese), three more with bass (Danilo Gallo), and finally three with tenor sax (Ettore Martin).

Also added the following older albums after freezing the 2023 year-end file:

1.

Terri Lyne Carrington: TLC & Friends (1981, Candid) Drummer, from Massachusetts, father and grandfather were musicians (latter played with Fats Waller and Chu Berry), was tutored by Alan Dawson, recorded this when she was 16 but had some major league friends: George Coleman (tenor sax), Kenny Barron (piano), Buster Williams (bass). She wrote one song, but otherwise went with sure covers, slipping Billy Joel between two Sonny Rollins tunes on the second side, "St. Thomas" and "Sonny Moon for Two" (with her father guesting as the second tenor sax). They're all having terrific fun. **

Honorable Mention

Additional jazz rated B+(***), listed alphabetically.

1. Cannonball Adderley: Poppin' in Paris: Live at L'Olympia 1972 (Elemental Music)
2. Louis Armstrong All Stars: Lausanne 1952 [Swiss Radio Days Jazz Series, Vol. 48] (TCB) **
3. Derek Bailey/Sabu Toyozumi: Breath Awareness (1987, NoBusiness)
4. Black Artist Group: For Peace and Liberty: In Paris, Dec 1972 (WeWantSounds) **
5. Arthur Blythe Quartet: Live From Studio Rivbea: July 6, 1976 (NoBusiness)
6. Bill Evans: In Norway: The Kongsberg Concert (1970, Elemental Music)
7. Fingers: The Complete Fingers Remember Mingus (1979-93, Jazz in Britain, 3CD) **
8. Emahoy Tsegue Maryam Gebru: Souvenirs (1977-85, Mississippi) **
9. Johnny Griffin Quartet: Live in Valencia 92 [The Jordi Suñol Archives 3] (1992, Storyville) **
10. Gush: Afro Blue (1998, Trost) **
11. Roy Hargrove's Crisol: Grande-Terre (1998, Verve) **
12. Joe Henderson: Power to the People (1969, Craft) **
13. Kalaparusha Maurice McIntyre: Live From Studio Rivbea: July 12, 1975 [Rivbea Live! Series, Volume 1] (No Business)
14. Ron Miles: Old Main Chapel (2011, Blue Note) **
15. Tony Oxley: Angular Apron (1992, Corbett vs. Dempsey) **
16. Phil Ranelin: The Found Tapes: Live in Los Angeles (1978-1981, ORG Music) **
17. Sonny Rollins: A Night at the Village Vanguard: The Complete Masters (1958, Blue Note, 2CD) **
18. Pharoah Sanders: Festival de Jazz de Nice, Nice, France, July 18, 1971 (1971, Kipepeo Publishing) **
19. Septet Matchi-Oul: Terremoto (1971, Souffle Continu) **
20. Pat Smythe Quartet: New Dawn: Live 1973 (British Progressive Jazz) **
21. Soft Machine: Høvikkoden 1971 (Cuneiform) **
22. Tomasz Stanko Quartet: September Night (2004, ECM) **
23. The Louis Stewart Trio: Louis the First (1975, Livia) **
24. Sun Ra & His Arkestra: Pink Elephants on Parade (1985-90, Modern Harmonic) **
25. McCoy Tyner/Joe Henderson: Forces of Nature: Live at Slugs' (1966, Blue Note) **
26. Mars Williams/Darin Gray/Chris Corsano: Elastic (2012, Corbett vs. Dempsey) **
27. Jack Wood: The Gal That Got Away: The Best of Jack Wood, Featuring Guest Niehaud Fitzgibbon (Jazz Hang)

Also added the following older albums after freezing the 2023 year-end file:

1. Emahoy Tsege Mariam Gebru: Jerusalem (1972-2012, Mississippi '23) **
2. Keith Jarrett: Solo-Concerts Bremen/Lausanne (1973, ECM '23) **
3. Wes Montgomery: The Complete Full House Recordings (1962, Craft '23, 2CD) **
4. Bernie Senensky: Moment to Moment (2001-20, Cellar Music '23) **

Notes

Additional new jazz records rated B+(**) or below (listed alphabetically by artist).

1. Jessica Ackerley: All of the Colours Are Singing (AKP) ** [B+(*)]
2. Nicki Adams/Michael Eaton: The Transcendental (SteepleChase LookOut) ** [B+(**)]
3. Neil Adler: Emi's Song (self-released) [B+(**)]
4. Cyrille Aimée: À Fleur De Peau (Whirlwind) ** [B+(**)]
5. Albare: Beyond Belief (AM) [B+(*)]
6. Erlend Albertsen Basspace: Name of the Wind (Dugnad Rec) ** [B+(**)]
7. Melissa Aldana: Echoes of the Inner Prophet (Blue Note) ** [B+(**)]
8. Eric Alexander: Timing Is Everything (Cellar Music) ** [B+(**)]
9. Eric Alexander/Mike LeDonne: Together (Cellar Music) ** [B+(**)]
10. Alfa Mist & Amika Quartet: Recurring: Live at King's Place (Sekito) ** [B+(**)]
11. Neal Alger: Old Souls (Calligram) [B+(**)]
12. JD Allen: The Dark, the Light, the Grey and the Colorful (Savant) ** [B+(**)]
13. Alliance [Sharel Cassity/Colleen Clark]: Alliance (Shifting Paradigm) ** [B+(**)]
14. Karrin Allyson: A Kiss for Brazil (Origin) [B+(**)]
15. Holman Álvarez: Hidden Objects (Sunnyside) [B+(**)]
16. John Alvey: Loft Glow (Jazz Music City) [B+(**)]
17. Gino Amato: Latin Crsossroads (Ovation) [B+(*)]
18. John Ambrosini: Songs for You (self-released) [B]
19. Robby Ameen: Live at the Poster Museum (Origin) [B+(**)]
20. Livio Almeida: The Brasilia Sessions (Zoho) [B+(**)]
21. Bob Anderson: Live! (Jazz Hang) [B+(*)]
22. Bill Anschell: Improbable Solutions (Origin) [B+(*)]
23. Charlie Apicella & Iron City Meet the Griots Speak: Call to Action/Call to Prayer (OA2) [B+(**)]
24. Florian Arbenz: Conversation #10 & #11: ON! (Hammer) ** [B+(**)]
25. Daymé Arocena: Alkemi (Brownswood) ** [B+(*)]
26. Lynne Arriale Trio: Being Human (Challenge) [B+(**)]
27. Byron Asher's Skrontch Music: Lord, When You Send the Rain (Sinking City) ** [B+(**)]
28. Michaël Attias: Quartet Music Vol. I: LuMiSong (Out of Your Head) [B+(**)]
29. The Bad Plus: Complex Emotions (Mack Avenue) ** [B+(**)]
30. Art Baden: How Much of It Is Real (Rainy Days) [B+(**)]
31. Dmitry Baevsky: Roller Coaster (Fresh Sound New Talent) ** [B+(**)]
32. David Bailis: Tree of Life (Create or Destroy) [B+(**)]
33. Andy Baker: From Here, From There (Calligram) [B+(**)]
34. Jim Baker/Steve Hunt/Jakob Heinemann: Horizon Scanners (Clean Feed) ** [B+(**)]
35. Rahsaan Barber & Everyday Magic: Six Words (Jazz Music City) [B+(**)]
36. Bark Culture: Warm Wisdom (Temperphantom) ** [B+(*)]
37. John Basile: Heatin' Up (StringTime Jazz) [B+(*)]
38. Jamie Baum Septet+: What Times Are These (Sunnyside) ** [B+(*)]
39. Oddgeir Berg Trio: A Place Called Home (Ozella) ** [B+(*)]
40. Peter Bernstein: Better Angels (Smoke Sessions) ** [B+(*)]
41. Carlos Bica: 11:11 (Clean Feed) ** [B+(**)]
42. Big Bambi: Compositions for Bass Guitar & Bassoon, Vol. I (Greene Avenue Music) [B+(**)]
43. Bruna Black/John Finbury: Vã Revelação (Green Flash) [B+(**)]
44. Black Art Jazz Collective: Truth to Power (HighNote) ** [B]
45. T.K. Blue: Planet Bluu (Jaja) [B+(**)]
46. Blue Lab Beats: Blue Eclipse (Blue Adventure) ** [B]
47. Stix Bones/Bob Beamon: Olimpik Soul (BONE Entertainment) [B+(*)]
48. Willi Bopp/Camille Émaille/Gianni Gebbia/Heiner Goebbels/Cécile Lartigau/Nicolas Perrin: The Mayfield (Intakt) ** [B+(**)]
49. Anthony Braxton: 10 Comp (Lorraine) 2022 (Braxton House) ** [B+(*)]
50. Olie Brice/Rachel Musson/Mark Sanders: Immense Blue (West Hill) ** [B+(**)]
51. Bridgetown Sextet: Functionizin' (Rivermont) ** [B+(**)]
52. The Bobby Broom Organi-sation: Jamalot Live (Steele) [B+(*)]
53. Peter Brötzmann/Paal Nilssen-Love: Chicken Shit Bingo (Trost) ** [B+(*)]
54. Martin Budde: Back Burner (Origin) [B+(*)]
55. Sarah Buechi/Franz Hellmüller/Rafael Jerjen: Pink Mountain Sagas (Intakt) ** [B+(**)]
56. Anne Burnell & Mark Burnell: This Could Be the Start of Something Big (Spectrum Music) [B]
57. John Butcher/Florian Stoffner/Chris Corsano: The Glass Changes Shape (Relative Pitch) ** [B+(**)]
58. Chris Byars: Boptics (SteepleChase) ** [B+(**)]
59. Caporaso Ensemble: Encounter (Psychosomatic) [B+(*)]
60. Ian Carey & Wood Metal Plastic: Strange Arts (Slow & Steady) [B+(**)]
61. Frank Carlberg Large Ensemble: Elegy for Thelonious (Sunnyside) [B+(**)]
62. James Carter: Un (Unaccompanied Baritone Saxophone) (J.M.I.) ** [B+(**)]
63. George Cartwright & Bruce Golden: Dilate (self-released) ** [B+(*)]
64. Etienne Charles: Creole Orchestra (Culture Shock) [B+(*)]
65. Annie Chen: Guardians (JZ Music) [B]
66. John Chin/Jeong Lim Yang/Jon Gruk Kim: Journey of Han (Jinsy Music) [B+(*)]
67. Mina Cho's Grace Beat Quartet: "Beat Mirage" (International Gugak Jazz Institute) [B+(**)]
68. Marc Ciprut: Moonshine (White Label) [B]/li>
69. Dawn Clement/Steve Kovalcheck/Jon Hamar: Dawn Clement/Steve Kovalcheck/Jon Hamar Trio (self-released) [B+(*)]
70. Avishai Cohen: Ashes to Gold (ECM) ** [B+(**)]
71. Isaiah Collier & the Chosen Few: The Almighty (Division 81) ** [B+(**)]
72. Commodore Trio: Communal - EP (self-relesed, EP) [B+(*)]
73. Chick Corea & Béla Fleck: Remembrance (Thirty Tigers) ** [B]
74. Chris Corsano/Joe Baiza/Mike Watt: Corsano Baiza Watt Trio (Yucca Alta) ** [B+(*)]
75. Zaccai Curtis: Cubop Lives! (Truth Revolution Recording Collective) ** [B+(**)]
76. Jeremiah Cymerman: Body of Light (5049) ** [B+(*)]
77. Daggerboard: Escapement (Wide Hive) [B+(**)]
78. Jacqui Dankworth: Windmills (Perdido) ** [B+(*)]
< li>Caroline Davis: Portals Vol. 2: Returning (Intakt) ** [B+(**)]
79. Jamale Davis: Run With the Hunted (SteepleChase) ** [B+(**)]
80. On Ka'a Davis: Here's to Another Day and Night for the LWA of the Woke (Tzadik) ** [B+(*)]
81. Steve Davis: We See (Smoke Sessions) ** [B+(**)]
82. Day Dream: Duke & Strays Live: Works by Duke Ellington & Billy Strayhorn (Corner Store Jazz, 2CD) ** [B+(**)]
83. Dharma Down: Owl Dreams (Dharma Down) [B+(*)]
84. Divr: Is This Water (We Jazz) ** [B+(*)]
85. The Rob Dixon/Steve Allee Quintet: Standards Deluxe (self-released) [B+(**)]
86. Arnaud Dolmen/Leonardo Montana; LéNo (Quai Son) [B+(**)]
87. Giuseppe Doronzo/Andy Moor/Frank Rosaly: Futuro Ancestrale (Clean Feed) ** [B+(**)]
88. Nick Dunston: Colla Voce (Out of Your Head) [B+(**)]
89. Isabelle Duthoit & Franz Hautzinger: Dans le Morvan (Relative Pitch) ** [B+(*)]
90. Morten Duun: Code Breaker (Cmntx) [B+(*)]
91. Gui Duvignau/Jacob Sacks/Nathan Ellman-Bell: Live in Red Hook (Sunnyside) ** [B+(*)]
92. Taylor Eigsti: Plot Armor (GroundUP Music) ** [B-]
93. Wendy Eisenberg: Viewfinder (American Dreams) ** [B+(**)]
94. Eliane Elias: Time and Again (Candid) ** [B+(**)]
95. Empirical: Wonder Is the Beginning (Whirlwind) ** [B+(**)]
96. Peter Erskine and the Jam Music Lab All-Stars: Bernstein in Vienna (Origin) [B+(**)]
97. Orrin Evans and the Captain Black Big Band: Walk a Mile in My Shoe (Imani) * [B+(*)]
98. Christian Fabian Trio: Hip to the Skip (Spicerack) [B+(*)]
99. Doug Ferony With His Swingin Big Band: Alright Okay You Win (Ferony Enterprizes Music) [B]
100. Lawrence Fields: To the Surface (Rhythm 'N' Flow) ** [B+(**)]
101. Ingebrigt Håker Flaten/(Exit) Knarr: Breezy (Sonic Transmissions) ** [B+(**)]
102. Elin Forkelid: Songs to Keep You Company on a Dark Night (Sail Cabin) ** [B+(**)]
103. Forq: Big Party (GroundUP) [B+(*)]
104. Chad Fowler/Shanyse Strickland/Sana Nagano/Melanie Dyer/Ken Filiano/Anders Griffen: Birdsong (Mahakala Music) ** [B+(**)]
105. Amaro Freitas: Y'Y (Psychic Hotline) ** [B+(**)]
106. David Friesen: This Light Has No Darkness (Origin) [B]
107. Bill Frisell: Orchestras (Blue Note) ** [B+(**)]
108. The Fully Celebrated Orchestra: Sob Story (Relative Pitch) ** [B+(**)]
109. FUR [Hélène Duret/Benjamin Sauzereau/Maxime Rouayroux]: Bond (Budapest Music Center) ** [B+(**)]
110. Asher Gamedze & the Black Lungs: Constitution (International Anthem) ** [B+(*)]
111. Nubya Garcia: Odyssey (Concord Jazz) ** [B]
112. Hilary Gardner: On the Trial With the Lonesome Pines (Anzic) ** [B+(*)]
113. Ginetta's Vendetta: Fun Size (Kickin' Wiccan Music) [B+(*)]
114. Kenny Garrett & Svoy: Who Killed AI? (Mack Avenue) ** [B+(**)]
115. Frode Gjerstad/Margaux Oswald/Ivar Myrset Asheim: Another Step (Circulasione Totale) ** [B+(*)]
116. Jose Gobbo Trio: Current (self-released) [B+(**)]
117. Ben Goldberg/Todd Sickafoose/Scott Amendola: Here to There (Secret Hatch) [B+(**)]
118. The Vinny Golia Quintet 2024: Almasty (Nine Winds) ** [B+(**)]
119. Ruth Goller: Skyllumina (International Anthem) ** [B]
120. Phillip Golub: Abiding Memory (Endectomorph Music) [B+(**)]
121. Dayramir González: V.I.D.A. [Verdad, Independencia, Diversidad Y Amor] (self-released) ** [B]
122. The Sofia Goodman Group: Receptive (Joyous) [B+(*)]
123. Jon Gordon: 7th Ave South (ArtistShare) [B+(*)]
124. Vanisha Gould and Chris McCarthy: Life's a Gig (Fresh Sound New Talent) ** [B+(**)]
125. María Grand With Marta Sánchez: Anohin (Biophilia) ** [B+(*)]
126. Frank Gratkowski/Ensemble Modern: Mature Hybrid Talking (Maria de Alvear World Edition) ** [B+(**)]
127. Erik Griswold/Chloe Kim/Helen Svoboda: Anatomical Heart (Earshift Music) ** [B+(**)]
128. Gregory Groover Jr.: Lovabye (Criss Cross) ** [B+(**)]
129. Richard Guba: Songs for Stuffed Animals (self-released) [B+(**)]
130. Morgan Guerin: Tales of the Facade (Candid) ** [B+(*)]
131. Giovanni Guidi: A New Day (ECM) ** [B+(**)]
132. Andy Haas: For the Time, Being (Resonant Music) [B+(*)]
133. The Haas Company [Featuring Andy Timmons]: Vol. 1: Galactic Tide (Psychiatric) [B]
134. The Haas Company [Featuring Frank Gambale]: Vol. 2: Celestial Latitude (Psychiatric) [B+(**)]
135. Marika Hackman: Big Sigh (Chrysalis) ** [B+(**)]
136. Noah Haidu: Standards II (Sunnyside) [B+(**)]
137. Mary Halvorson: Cloudward (Nonesuch) ** [B+(**)]
138. Simon Hanes: Tsons of Tsunami (Tzadik) ** [B+(**)]
139. Alex Harding/Lucian Ban: Blutopia (Sunnyside) ** [B+(**)]
140. Tom Harrell: Alternate Summer (HighNote) ** [B+(**)]
141. Dave Harrington/Max Jaffe/Patrick Shiroishi: Speak, Moment (AKP) ** [B+(**)]
142. Stefon Harris + Blackout: Sonic Creed Volume II: Life Signs (Motéma) ** [B+(*)]
143. Joel Harrison & Alternative Guitar Summit: The Middle of Everywhere: Guitar Solos Vol. I (AGS) [B+(*)]
144. Keyon Harrold: Foreverland (Concord) ** [B+(**)]
145. Jo Harrop: The Path of a Tear (Lateralize) ** [B+(**)]
146. Alexander Hawkins/Sofia Jernberg: Musho (Intakt) ** [B+(*)]
147. Eirik Hegdal Eklektisk Samband: Turnchest (Particular) ** [B+(*)]
148. Aaron Yale Heisler: Zoot's Soprano EP [Alternate Takes and Remixes From the Bechet Century] (2nd Bechet Century, EP) ** [B]
149. Alex Heitlinger Jazz Orchestra: Slush Pump Truck Stop (SteepleChase) ** [B]
150. Arve Henriksen/Harmen Fraanje: Touch of Time (ECM) ** [B+(*)]
151. Jihee Heo: Flow (OA2) [B+(**)]
152. Fred Hersch: Silent, Listening (ECM) ** [B+(*)]
153. Jake Hertzog: Longing to Meet You (self-released) [B+(**)]
154. Conrad Herwig: The Latin Side of McCoy Tyner (Savant) ** [B+(**)]
155. Monika Herzig's Sheroes: All in Good Time (Zoho) [B+(**)]
156. Christopher Hoffman: Vision Is the Identity (2024, Out of Your Head): [sp]: B+(*)
157. Mike Holober & the Gotham Jazz Orchestra: This Rock We're On: Imaginary Letters (Palmetto, 2CD) [B]
158. Hyeseon Hong Jazz Orchestra: Things Will Pass (Pacific Coast Jazz) [B+(**)]
159. Jazzmeia Horn: Messages (Empress Legacy) ** [B+(**)]
160. Hot Club of San Francisco: Original Gadjo (Hot Club) [B+(**)]
161. Abdullah Ibrahim: 3 (Gearbox) ** [B+(*)]
162. Ill Considered: Infrared (New Soil) ** [B+(**)]
163. Randy Ingram: Aries Dance (Sounderscore) [B+(**)]
164. Mikko Innanen Autonomous: Hietsu (Fiasko) ** [B+(**)]
165. Jon Irabagon: Survivalism (Irabbagast) ** [B+(*)]
166. Jon Irabagon's Outright!: Recharge the Blade (Irabbagast) ** [B+(**)]
167. Jon Irabagon: I Don't Hear Nothin' but the Blues: Volume 3 Part 2: Exuberant Scars (Irabbagast) ** [B+(**)]
168. Ayumi Ishito: Roboquarians Vol. 1 (577) ** [B+(**)]
169. Ethan Iverson: Technically Acceptable (Blue Note) ** [B+(*)]
170. Ize Trio: The Global Suites (self-released) [B+(*)]
171. Laird Jackson: Life (self-released) [B+(*)]
172. Eric Jacobson: Heading Home (Origin) [B+(*)]
173. Janel & Anthony: New Moon in the Evil Age (Cuneiform) * [B+(**)]
174. Jazz Ensemble of Memphis: Playing in the Yard (Memphis International) [B+(*)]
175. Malcolm Jiyane Tree-O: True Story (New Soil/Mushroom Hour) ** [B+(**)]
176. Tom Johnson Jazz Orchestra: Time Takes Odd Turns (self-released) ** [B]
177. Norah Jones: Visions (Blue Note) ** [B+(*)]
178. Danny Jonokuchi Big Band: A Decade (Bandstand Presents) [B+(*)]
179. Ariel Kalma/Jeremiah Chiu/Marta Sofia Honer: The Closest Thing to Silence (International Anthem) ** [B+(**)]
180. Benji Kaplan: Untold Stories (self-released) [B+(*)]
181. Pandelis Karayorgis/George Kokkinaris: Out From Athens (Driff) ** [B+(**)]
182. Alex Kautz: Where We Begin (Sunnyside) [B+(*)]
183. Jason Keiser: Kind of Kenny (OA2) [B+(**)]
184. Roger Kellaway: Live at Mezzrow (Cellar Music) ** [B+(*)]
185. Simone Keller: Hidden Heartache (Intakt) ** [B+(**)]
186. Amirtha Kidambi's Elder Ones: New Monuments (We Jazz) ** [B+(**)]
187. Cassie Kinoshi's SEED.: Gratitude (International Anthem) ** [B+(*)]
188. Tobias Klein/Frank Rosaly/Maria Warelis: Tendresse (Relative Pitch) ** [B+(**)]
189. Julien Knowles: As Many, as One (Biophilia) [B+(*)]
190. Cliff Korman Trio: Urban Tracks (SS) [B+(*)]
191. Marie Krüttli Trio: Scoria (Intakt) ** [B+(*)]
192. Julian Lage: Speak to Me (Blue Note) ** [B+(*)]
193. Last Word Quintet: Falling to Earth (Origin) [B+(**)]
194. Ingrid Laubrock/Tom Rainey: Brink (Intakt) ** [B+(**)]
195. Bill Laurance/The Untold Orchestra: Bloom (ACT Music) ** [B+(**)]
196. Andy Laverne: Spot On (SteepleChase) ** [B+(**)]
197. Remy Le Boeuf's Assembly of Shadows: Heartland Radio (SoundSpore) [B]
198. Jeff Lederer: Guilty!!! (Little (i) Music) ** [B+(**)]
199. Lemadi Trio: Canonical Discourse (A New Wave of Jazz Axis) [B+(**)]
200. David Leon: Bird's Eye (Pyroclastic) [B+(**)]
201. Omer Leshem: Play Space (Ubuntu Music) [B+(**)]
202. Molly Lewis: On the Lips (Jagjaguwar) ** [B+(*)]
203. David Liebman & the CNY Jazz Orchestra: If a White Horse From Jerusalem . . . (CNY Jazz Arts Foundation) [B+(**)
204. Live Edge Trio With Steve Nelson: Closing Time (OA2) [B+(**)]
205. The Bruce Lofgren Group: Earthly and Cosmic Tales (Night Bird) [B]
206. Luis Lopes: Dark Narcissus: Stereo Guitar Solo (Shhpuma) ** [B+(**)]
207. Hayoung Lyou: The Myth of Katabasis (Endectomorph Music) [B+(**)]
208. Doug MacDonald: Sextet Session (DMAC Music) [B+(*)]
209. Doug MacDonald and the Coachella Valley Trio: Live at the Rancho Mirage Library (DMAC Music) [B+(**)]
210. João Madeira/Margarida Mestre: Voz Debaixo (4DaRecord) [B+(**)]
211. Mai-Liis: Kaleidoscope (OA2) [B+(*)]
212. Grégoire Maret/Romain Collin: Ennio (ACT Music) ** [B+(*)]
213. Brian Marsella/Jon Irabagon: Blue Hour (Irabbagast) ** [B+(*)]
214. Claire Martin: Almost in Your Arms (Stunt) ** [B+(*)]
215. Mark Masters Ensemble: Sui Generis (Capri) [B+(**)]
216. Shawn Maxwell: J Town Suite (Cora Street) [B+(**)]
217. Paula Maya: Rio De Janeiro (Yellow House) [B]
218. Rob Mazurek: Milan (Clean Feed) ** [B+(**)]
219. Rob Mazurek Exploding Star Orchestra: Live at the Adler Planetarium (International Anthem) ** [B+(**)]
220. Christian McBride/Edgar Meyer: But Who's Gonna Play the Melody? (Mack Avenue) ** [B+(*)]
221. James McClaskey & the Rhythm Band: Later on Blues (BigTone) ** [B+(**)]
222. Zara McFarlane: Sweet Whispers: Celebrating Sarah Vaughan (Universal) ** [B+(**)]
223. Mike McGinnis + 9: Outing: Road Trip II (Sunnyside) ** [B+(**)]
224. Joe McPhee With Ken Vandermark: Musings of a Bahamian Son: Poems and Other Words (Corbett vs. Dempsey) ** [B+(*)]
225. Francisco Mela/Zoh Amba: Causa y Efecto (Vol. 2) (577) ** [B+(**)]
226. Pat Metheny: MoonDial (BMG) ** [B+(*)]
227. Raul Midón: Lost & Found (ReKondite ReKords) ** [C+]
228. Andy Milne and Unison: Time Will Tell (Sunnyside) ** [B+(**)]
229. Yuka Mito: How Deep Is the Ocean (Nana Notes) [B]
230. Modney: Ascending Primes (Pyroclastic, 2CD) [B+(*)]
231. Jesus Molina: Selah (Dynamo Production) ** [B]
232. Moor Mother: The Great Bailout (Anti-) ** [B+(*)]
233. Willie Morris: Attentive Listening (Posi-Tone) ** [B+(*)]
234. Simon Moullier: Elements of Light (Candid) [B+(*)]
235. Kjetil Mulelid: Agoja (Odin) ** [B+(**)]
236. Kim Myhr & Kitchen Orchestra: Hereafter (Sofa Music) ** [B+(*)]
237. Fabiano do Nascimento & Sam Gendel: The Room (Real World) ** [B+(**)]
238. Milton Nascimento/Esperanza Spalding: Milton + Esperanza (Concord) ** [B+(**)]
239. Meshell Ndegeocello: No More Water: The Gospel of James Baldwin (Blue Note) ** [B+(**)]
240. The Necks: Bleed (Northern Spy) ** [B+(*)]
241. Richard Nelson/Makrokosmos Orchestra: Dissolve (Adhyâropa) [B+(**)]
242. The New Mastersounds: Old School (One Note) ** [B+(*)]
243. Sam Newsome/Max Johnson: Tubes (Unbroken Sounds) ** [B+(**)]
244. Cornelia Nilsson: Where Do You Go? (Stunt) ** [B+(**)]
245. Carlos Niño & Friends: Placenta (International Anthem) ** B]
246. Eva Novoa: Novoa/Gress/Gray Trio, Volume 1 (577) ** [B+(**)]
247. Nubiyan Twist: Find Your Flame (Strut) ** [B+(*)]
248. O.: WeirdOs (Speedy Wunderground) ** [B+(*)]
249. The Michael O'Neill Sextet: Synergy: With Tony Lindsay (Jazzmo) [B+(**)]
250. Mali Obomsawin/Magdalena Abrego: Greatest Hits (Out Of Your Head) ** [B+(**)]
251. Lothar Ohlmeier/Tobias Klein: Left Side Right (Trytone) [B+(**)]
252. Nils Økland Band: Gjenskinn (Hubro) ** [B+(**)]
253. Miles Okazaki: Miniature America (Cygnus) [B]
254. Alicia and Michael Olatuja: Olatuja (Whirlwind) ** [B+(*)]
255. Old Mountain: Another State of Rhythm (Clean Feed) ** [B+(**)]
256. One for All: Big George (Smoke Sessions) ** [B+(*)]
257. Kresten Osgood Quintet: Live at H15 Studio (ILK Music) ** [B+(**)]
258. Out Of/Into [Joel Ross/Gerald Clayton/Kendrick Scott/Matt Brewer/Immanuel Wilkins]: Motion I (Blue Note) ** [B+(**)]
259. Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra (Red Hot +) ** [B+(**)]
260. Chuck Owen & Resurgence: Magic Light (Origin) [B+(*)]
261. Ulysses Owens Jr. and Generation Y: A New Beat (Cellar Music) ** [B+(**)]
262. Mavis Pan: Rising (self-released) [B+(*)]
263. Matt Panayides Trio: With Eyes Closed (Pacific Coast Jazz) [B+(**)]
264. Rob Parton's Ensemble 9+: Relentless (Calligram) [B+(*)]
265. Jonah Parzen-Johnson: You're Never Really Alone (We Jazz) ** [B+(**)]
266. Ben Patterson Jazz Orchestra: Groove Junkies (Origin) [B+(**)]
267. Jeremy Pelt: Tomorrow's Another Day (HighNote) ** [B+(*)]
268. Clarence Penn: Behind the Voice (Origin) [B+(*)]
269. Ken Peplowski: Unheard Bird (Arbors) ** [B-]
270. Ivo Perelman/Chad Fowler/Reggie Workman/Andrew Cyrille: Embracing the Unknown (Mahakala Music) ** [B+(**)]
271. Ivo Perelman/Gabby Fluke-Mogul: Duologues 2: Joy (Ibeji Music) ** [B+(**)]
272. Ivo Perelman/Nate Wooley: Polarity 3 (Burning Ambulance) ** [B]
273. Ivo Perelman's São Paulo Creative 4: Supernova (self-released) ** [B+(**)]
274. Eric Person: Rhythm Edge (Distinction) [B]
275. Dave Pietro: The Talisman (SteepleChase) ** [B+(**)]
276. PNY Quintet: Over the Wall (RogueArt) * [B+(**)]
277. Pony Boy All-Star Big Band: This Is Now: Live at Boxley's (Pony Boy)
278. Andy Pratt: Trio (Thrift Girl) [B+(*)]
279. Yvonnick Prené/Geoff Keezer: Jobim's World (Sunnyside) ** [B+(*)]
280. Robert Prester & Adriana Samargia: Quenara (Commonwealth Ave. Productions) [B+(*)]
281. Jeanfrançois Prins: Blue Note Mode (GAM) ** [B+(**)]
282. Reggie Quinerly: The Thousandth Scholar (Redefinition) [B+(**)]
283. Bruno Råberg Tentet: Evolver (Orbis Music) [B+(**)]
284. Kenny Reichert: Switch (Calligram) [B+(**)]
285. Remedy [Thomas Heberer/Joe Fonda/Joe Hertenstein]: Live at Jazzkammer (420 CPW) ** [B+(**)]
286. Zach Rich: Solidarity (OA2) [B+(*)]
287. Adonis Rose Trio + One: For All We Know (Storyville) ** [B+(**)]
288. Brandon Ross Phantom Station: Off the End (Sunnyside) ** [B+(**)]
289. Jim Rotondi: Finesse (Cellar Music) ** [B]
290. Jerome Sabbagh: Heart (Analog Tone Factory) [B+(**)
291. Anne Sajdera: It's Here (Bijuri) [B+(*)]
292. Samara Joy: Portrait (Verve) ** [B+(*)]
293. Joe Sanders: Parallels (Whirlwind) ** [B]
294. Otis Sandsjö: Y-Otis Tre (We Jazz) ** [B]
295. Jörg A. Schneider/Luis Lopes: Schneider/Lopes (Schneidercollaboration) ** [B+(**)]
296. Dred Scott/Moses Patrou/Tom Beckham/Matt Pavolka: Cali Mambo (Ropeadope) [B+(**)]
297. Brandon Seabrook: Object of Unknown Function (Pyroclastic) [B+(*)]
298. Altin Sencalar: Discover the Present (Posi-Tone) ** [B+(*)]
299. Sara Serpa: Encounters & Collisions (2023 [2024], Biophilia): [cd]: B+(*)
300. Shabaka: Perceive Its Beauty, Acknowledge Its Grace (Impulse!) ** [B+(**)]
301. Shabaka: Possession (Impulse!, EP) ** [B]
302. Patrick Shiroishi: Glass House (Otherly Love) ** [B+(*)]
303. Michael Shrieve: Drums of Compassion (7D Media) ** [B+(*)]
304. Jacob Shulman: High Firmament (Endectomorph Music) * [B]
305. Jacob Shulman: Ferment Below (Endectomorph Music) * [B]
306. Flavio Silva: Eko (Break Free) [B+(**)]
307. Håkon Skogstad: 8 Concepts of Tango (Øra Fonogram) [B+(*)]
308. Harry Skoler: Red Brick Hill (Sunnyside) ** [B+(**)]
309. Bria Skonberg: What It Means (Cellar Live) ** [B+(**)]
310. Margaret Slovak & Chris Maresh: A Star's Light Does Fall (Slovak Music) [B+(*)]
311. Ches Smith: Laugh Ash (Pyroclastic) [B+(*)]
312. Ronny Smith: Struttin' (Pacific Coast Jazz) [B+(*)]
313. Wadada Leo Smith & Amina Claudine Myers: Central Park's Mosaics of Reservoir, Lake, Paths and Gardens (Red Hook) ** [B+(*)]
314. Something Else! [Featuring Vincent Herring]: Soul Jazz (Smoke Sessions) ** [B+(*)]
315. Tyshawn Sorey/Adam Rudolph: Archaisms II (Meta) ** [B+(**)]
316. Spanish Harlem Orchestra: Swing Forever (Ovation) [B+(**)]
317. Simon Spiess Quiet Tree: Euphorbia (Intakt) ** [B+(**)]
318. Splitter Orchester: Splitter Musik (Hyperdelia, 3CD) ** [B+(**)]
319. Anthony Stanco: Stanco's Time (OA2) [B+(**)]
320. Star Splitter [Gabriele Mitelli/Rob Mazurek]: Medea (We Insist!) ** [B]
321. The Dave Stryker Trio With Bob Mintzer: Groove Street (Strikezone) [B+(**)]
322. Superposition: II (We Jazz) ** [B+(**)]
323. Aki Takase Japanic: Forte (Budapest Music Center) ** [B+(**)]
324. Curtis Taylor: Taylor Made (Curtis Taylor Music) ** [B+(**)]
325. TGB: Room 4 (Clean Feed) ** [B+(**)]
326. Thollem: Worlds in a Life, Two (ESP-Disk) [B+(**)]
327. Viktoria Tolstoy: Stealing Moments (ACT) ** [B+(*)]
328. Pat Thomas: The Solar Model of Ibn Al-Shatir (Otoroku) ** [b+(*)]
329. Tonus: Analog Deviation (A New Wave of Jazz Axis) [B+(*)]
330. Rafael Toral: Spectral Evolution (Moikai) ** [B+(*)]
331. Trance Map (Evan Parker and Matthew Wright): Horizons Held Close (Relative Pitch) ** [B+(**)]
332. Ryan Truesdell: Synthesis: The String Quartet Sessions (ArtistShare, 3CD) * [B+(**)]
333. Juanma Trujillo: Howl (Endectomorph Music) * [B+(**)]
334. Akiko Tsuruga: Beyond Nostalgia (SteepleChase) ** [B+(**)]
335. Tucker Brothers: Live at Chatterbox (Midwest Crush Music) [B+(*)]
336. Twin Talk: Live (Shifting Paradigm) ** [B+(**)]
337. Lisa Ullén: Heirloom (Fönstret) ** [B+(**)]
338. Chucho Valdés/Royal Quartet: Cuba and Beyond (InterCat Music Group) ** [B+(**)]
339. Peter Van Huffel/Meinrad Kneer/Yorgos Dimitriadis: Synomilies (Evil Rabbit) ** [B+(**)]
340. Jordan VanHemert: Deep in the Soil (Origin) [B+(*)]
341. Angela Verbrugge: Somewhere (OA2) [B+(**)]
342. Luis Vicente Trio: Come Down Here (Clean Feed) ** [B+(**)]
343. Ben Waltzer: The Point (Calligram) [B+(**)]
344. Marta Warelis/Andy Moor: Escape (Relative Pitch) ** [B+(**)]
345. Kenny Warren: Sweet World (Out of Your Head) ** [B+(**)]
346. Philip Weberndoerfer: Tides (Shifting Paradigm) [B+(**)]
347. Amber Weekes: A Lady With a Song: Amber Weekes Celebrates Nancy Wilson (Amber Inn) [B+(*)]
348. Randy Weinstein: Harmonimonk (Random Chance) [B+(**)]
349. Hein Westergaard/Katt Hernandez/Raymond Strid: The Knapsack, the Hat, and the Horn (Gotta Let It Out) [B+(**)]
350. Stian Westerhus & Maja S.K. Ratkje: All Losses Are Restored (Crispin Glover) ** [B]
351. Western Jazz Collective: The Music of Andrew Rathbun (Origin) [B+(**)]
352. Andy Wheelock/Whee 3 Trio: In the Wheelhouse (OA2) [B+(**)]
353. Immanuel Wilkins: Blues Blood (Blue Note) ** [B+(**)]
354. Cole Williams: How We Care for Humanity (Four Corner) ** [B+(**)]
355. Mark Winkler: The Rules Don't Apply (Cafe Pacific) [B+(**)]
356. Ben Wolfe: The Understated (Resident Arts) ** [B+(*)]
357. Chelsea Wolfe: She Reaches Out to She Reaches Out to She (Loma Vista) ** [B+(**)]
358. Jack Wood & Nichaud Fitzgibbon: Movie Magic: Great Songs From the Movies (Jazz Hang) [B+(**)]
359. Lizz Wright: Shadow (Blues & Greens) ** [B+(*)]
360. Denny Zeitlin: Panoply (Sunnyside) ** [B+(**)]
361. Dann Zinn: Two Roads (Ridgeway) [B+(**)]
362. John Zorn & Jesse Harris: Love Songs Live (Tzadik) ** [B+(**)]
363. Christopher Zuar Orchestra: Exuberance (self-released) [B+(**)]

Additional reissued/archival jazz records rated B+(**) or below (listed alphabetically by artist).

1. Cannonball Adderley: Burnin' in Bordeaux: Live in France 1969 (Elemental Music) [B+(**)]
2. Chet Baker & Jack Sheldon: In Perfect Harmony: The Lost Album (1972, Jazz Detective) [B+(**)]
3. Duck Baker: Breakdown Lane: Free Jazz Guitar 1976-1998 (ESP-Disk) [B+(**)]
4. Jakob Bro/Lee Konitz/Bill Frisell/Jason Moran/Thomas Morgan/Andrew Cyrille: Taking Turns (2014, ECM) ** [B+(*)]
5. Raymond Burke: The Southland Recordings 1958-1960 (Jazzland) ** [B+(*)]
6. Burnt Sugar/The Arkestkra Chamber: The Reconstru-Ducted Repatriation Road-Rage ReMiXeS (Avantgroidd) ** [B+(**)]
7. George Cartwright's GloryLand PonyCat: Black Ants Crawling (Mahakala Music) ** [B+(**)]
8. Nat King Cole: Live at the Blue Note Chicago (1953, Iconic) ** [B+(**)]
9. John Coltrane Quartet + Stan Getz + Oscar Peterson: Live/Dusseldorf March 28th, 1960 (Lantower) ** [B+(*)]
10. Gastr Del Sol: We Have Dozens of Titles (1993-98, Drag City, 2CD) ** [B+(**)]
11. Stan Getz: Unissued Session: Copenhagen 1977 (SteepleChase) ** [B+(**)]
12. Andrew Hill: A Beautiful Day Revisited (2002, Palmetto, 2CD) [B+(**)]
13. Keith Jarrett/Gary Peacock/Paul Motian: The Old Country: More From the Deer Head Inn (1992, ECM) ** [B+(*)]
14. The Jazz Dispensary: The Freedom Sound! The People Arise (1963-76, Craft) ** [B+(**)]
15. The Jazzanians: We Have Waited Too Long (1988, Ubuntu Music) ** [B+(**)]
16. Sven-Åke Johansson und Alexander von Schlippenbach: Über Ursache und Wirkung der Meinungsverschiedenheiten Beim Turmbau zu Babel (1994, Trost) ** [B+(**)]
17. Pete Jolly: Seasons (1970, Future Days) ** [B+(*)]
18. Yusef Lateef: Atlantis Lullaby: The Concert From Avignon (1972, Elemental Music, 2CD) [B+(**)]
19. Shelly Manne & His Men: Jazz From the Pacific Northwest (1958-66, Reel to Real) ** [B+(**)]
20. Charlie Mariano: Boppin' in Boston 1947-1953 (Fresh Sound) ** [B+(**)]
21. Brother Jack McDuff: Ain't No Sunshine: Live in Seattle (1972, Reel to Real) ** [B+(*)]
22. Charles Mingus: Incarnations (1960, Candid) ** [B+(**)]
23. Louis Moholo-Moholo: Louis Moholo-Moholo's Viva-La-Black (1988, Ogun) ** [B+(**)]
24. Gerry Mulligan: Night Lights (1963, Philips) ** [B+(*)]
25. Charlie Parker: Bird in Kansas City (1941-51, Verve) ** [B+(**)]
26. The Oscar Pettiford Memorial Concert (1960, SteepleChase) ** [B+(*)]
27. Raphael Roginski: Plays John Coltrane and Langston Hughes (2013, Unsound) ** [B+(**)]
28. Sun Ra: At the Showcase: Live in Chicago 1976-1977 (Jazz Detective, 2CD) [B+(*)]
29. Sun Ra: Excelsior Mill (1984, Sundazed/Modern Harmonic) ** [B]
30. Alan Tomlinson Trio: Loft 1993 (Scatter Archive) ** [B+(**)]
31. The John Wright Trio: South Side Soul (1960, Craft) ** [B+(**)]

Recommended but Unheard Jazz Records

New jazz records I haven't heard estimated to have a 2% (or better) chance of making the A-list if/when I finally hear them. Also unheard records that got votes in Francis Davis Jazz Critics Poll, regardless of their prospects.

Limited sampling grades may be noted for any record in this section. Bracketed grades refer to older editions of reissues.

1. Michaël Attias: Quartet Music Vol. I: LuMiSong (Out of Your Head) [03-01] [U]
2. Joe Fonda Quartet: Eyes on the Horizon (Long Song) [11-15] [U]
3. David Friesen: A Light Shining Through (Origin) [11-22] [U]
4. Lemadi Trio: Canonical Discourse (A New Wave of Jazz Axis) [10-15] [U]
5. Peter Lenz: Breathe: Music for Large Ensembles (GambsART) [11-08] [U]
6. Hayoung Lyou: The Myth of Katabasis (Endectomorph Music) [11-15] [U]
7. Potsa Lotsa XL: Chamber Works (Trouble in the East '23)
8. Reut Regev's R*Time: It's Now: R*Time Plays Doug Hammond (ESP-Disk) [11-15] [U]
9. Sara Serpa: Encounters & Collisions (Biophilia) [11-15] [U]
10. Spinifex: Undrilling the Hole (TryTone) [11-22] [U]
11. Tonus: Analog Deviation (A New Wave of Jazz Axis) [10-15] [U]
12. Transition Unit: Fade Value (A New Wave of Jazz Axis) [10-15] [U]
13. Martina Verhoeven Quintet: Indicator Light (Live at Paradox 2023) (A New Wave of Jazz Axis) [10-15] [U]

New jazz records that received votes in Francis Davis Jazz Critics Poll, but still don't meet my 2% expectation:

Reissued/historical jazz records I haven't heard estimated to have a 2% (or better) chance of making the A-list if/when I finally hear them:

1. Bill Evans: In Norway: The Kongsberg Concert (1970, Elemental Music, 2CD) [11-29] [U]
2. Andrew Hill: A Beautiful Day Revisited (2002, Palmetto, 2CD) [11-01] [U]
3. Al Jarreau: Wow! Live at the Childe Harold (1976, Resonance) [12-06] [U]
4. B.B. King: In France: Live at the 1977 Nancy Jazz Pulsations Festival (Deep Digs/Elemental Music) [11-29] [U]
5. Emily Remler: Cookin' at the Queens (1984-88, Resonance, 2CD) [11-29] [U]
6. Sun Ra: Lights on a Satellite: Live at the Left Bank (1978, Resonance, 2CD) [11-29] [U]

Reissued/historical jazz records that received votes in Francis Davis Jazz Critics Poll, but still don't meet my 2% expectation: