Back to 2025 Non-Jazz
Remembering the best of the year's unsung albums
As I noted in my
Consumer Guidance post, my instinct when I look at any ranked
album list is to turn it into a checklist. I note the records I've
heard, and flag those I haven't. Then I can go off and try them.
From roughly 1995-2005, this process was physical work. I had a
file I called my "shopping list," which came to about 20 pages of
small print (among much more, I listed every 3.5/4-star record from
The Penguin Guide). I took it to used CD shops as far afield
as Boston and Los Angeles, searching out rare finds and bargains.
I did less of that after I started reviewing, less still after I
started streaming, and gave up as most of my favorite haunts went
out of business (and I aged out of traveling). But most of the
unrated albums in
my database (still called
"shopping lists") date from this period, when I built up a fairly
large collection of record guides — relics of that particular
period, as nobody seems to be publishing new ones anymore —
and spent many hours pouring over them. I only gave up on my
Penguin Guide files when my eyes couldn't hack it anymore.
Robert Christgau's
Dean's Lists don't really work for me as checklists: I follow
his Consumer Guides, and can stream nearly everything I find there,
so there's often nothing left to check off. But after perusing his
2025 Dean's List, it occurred to me that I offer you a supplemental
checklist based on the albums in my
The Best Non-Jazz Albums of 2025 that weren't on his list.
My own list numbered 108 A/A− albums, vs. 61 albums
on his list, so I had more to offer, even before looking at the
misalignments (10 albums on his list were released before 2025,
one as far back as 2018) and disagreements (most minor, but some
not, like Peter Stampfel and Skrillex).
This was another idea that I wound up sitting on, partly
because I procrastinated updating his database, and I needed
it up-to-date to make sure I tracked all of his files. With that
done last week, I figured it was now or never, so here's now.
Some reviews have been edited a bit, but I'm mostly going with
whatever I wrote at the time. My first thought was to skip
anything that Christgau had reviewed, and also to skip anything
that was widely reviewed elsewhere — something I could
figure out by consulting my
2025 Metacritic/EOY Aggregate file. I thought I might pick
an arbitrary cutoff there, perhaps as high as 500, or as low
as 100. But when I looked at the reviews, I decided to go with
the best reviews I had, especially for albums I rated highly:
Maria Muldaur is 1 on my list, 453 on metacritic, and the
only full A below; Saba is 4 on my list, and its 113
is the highest metacritic ranking I used. (For the records I
considered but skipped, scroll to the list at the end of the
reviews.)
I should note that I also included two albums from my
The Best Jazz Albums of 2025 list: both were by spoken
word poets, Anthony Joseph and Moor Mother, the former with
jazz, the latter with a metal band (Sumac). I wound up with
16 album reviews below, covering a pretty wide range of music
(whether the fit genres or not). I don't like generalizing
about years, but 2025 seems to have been an exceptional one
for underground hip-hop, good for alt-country, and further
expands the global pop network — even though I didn't
much care for the Rosalía and FKA Twigs albums that finished
in the top-five of my aggregate. (Not did I like Geese, but
it's probably something else.)
◆ ◆ ◆
Apathy: Mom & Dad (Dirty Version/Coalmine)
Underground rapper Chad Bromley, from Connecticut, 20 albums since
2004, Nancy & Ronald Reagan on the cover, looking sunny and care
free, which is not how he remembers their era. "Grew up in the '80s
with a welfare budget." Old style turntablism, dazzling wordplay,
political smarts, bearing the full weight of history.
Clipping.: Dead Channel Sky (Sub Pop)
Hip-hop group from Los Angeles, fifth album since 2014, Daveed Diggs
is the rapper (he has a couple solo albums, as well as an acting
career, but is probably best known as Thomas Jefferson in
Hamilton). Guitar and drums, as well as electronics, amp up the
noise level, which sounds terrific as the words fly by.
Marie Davidson: City of Clowns (Deewee)
Canadian electronica producer, from Montreal, half dozen albums since
2014. Mostly spoken vocals over sharp beats with synth frills, gaining
momentum as you go.
Dead Pioneers: Po$t American (Hassle)
Indigenous punk rock band from Denver, second album, spoken word,
so no compromising he messages by searching for rhymes. The music
is as pointed as the critique of settler colonialism, with lines
like "the audacity (no the caucasity)," "there will always be
another settler to take your place," and an Indian name I can't
transcribe which means "white person who talks too much, presumes
too much, and has no boundaries, which is a mouthful."
Madi Diaz: Fatal Optimist (Anti-)
Singer-songwriter, half-dozen albums since 2007, plays guitar, piano
(her original instrument) on one track. Minimally folkie, something
I'm rarely attracted to, but this one feels right. Title song is
especially strong.
Anthony Joseph: Rowing Up River to Get Our Names Back
(Heavenly Sweetness)
British poet and novelist, originally from Trinidad, started recording
spoken word jazz albums with the Spasm Band in 2007. His 2021 album is
a favorite, not only for its title (The Rich Are Only Defeated When
Running for Their Lives). This was less immediately appealing,
but the bounty of words has few peers, and in the end that's also true
for the music.
Karol G: Tropicoqueta (Bichota/Interscope)
Colombian singer-songwriter Carolina Giraldo Navarro, fifth album
since 2017, all high on the US Latin charts. Technically a mix of
styles, proudly "Latina Foreva," but those details, like the language,
are lost on me. The beats break through first, but much more
follows. The guest track for Manu Chao stands out, but by them I'm
already sold.
KRS-One: Temple of Hip Hop Global Awareness (R.A.M.P.
Ent Agency)
Another old-timer, but just 60, still able to summon up the anger
and the sound ("boom bap back to the basics") of his prime, which like
Public Enemy and Wu-Tang sounds especially great right now. Of course,
he's even more self-conscious and didactic than his peers, but that's
always been his thing.
Maria Muldaur: One Hour Mama: The Blues of Victoria Spivey
(Nola Blue)
She started in a 1960s jug band, had a sexy pop hit in the 1970s,
then settled into a long career of recycling the blues, finding
her calling reviving the classic female blues singers: Memphis
Minnie, Blue Lu Barker, and here Spivey, whose 1926-36 singles
provide the juiciest of these 12 songs, many salacious but enging
with the grim "T.B. Blues." Spivey made a comeback in the early
1960s, so there's a personal connection. Smart moves include
looking to Jim Dapogny and Tuba Skinny for backing, and Elvis
Bishop and Taj Mahal for duets.
Gasper Nali: Chule Chule Iwe (Spare Dog)
From Malawi, has a couple previous albums, plays a babatoni ("a 3
meter, one-stringed home-made bass guitar — with an empty bottle
and a stick"), although there's more to the band, and vocals. One
reviewer I've seen calls it unique, but for me it's reminiscent of the
classic township jive that spread in exile to Zimbabwe and Zambia
— I'm thinking especially of Mzwakhe Mbuli.
Recognize Ali & Tragedy Khadafi: The Past the Present and
the Future (Greenfield Music)
Producer started as Percy Chapman, then MC Percy, then Intelligent
Hoodlum (for a 1993 album), then adopted his current moniker around
2000, working with Killah Priest and Capone-N-Noriega. Old style
turntablism, underground, Muslim, political, encyclopedic. Some
helpful advice: "love 'em, pray for 'em, but fuck 'em."
Saba & No I.D.: From the Private Collection of Saba and
No I.D. (From the Private Collection)
Chicago rapper Tahj Malik Chandler, four albums 2014-22, working with
Chicago producer Ernest Wilson, who started in 1992 with Common Sense,
moving on to Nas, Jay-Z, Kanye West, and stray cuts with Ghostface
Killah, Rihanna, and Beyoncé. Title is very offhand, suggesting
there's so much more behind it they can't bother with real
titles. Beats are super, flow is terrific, lots of ideas.
Moonchild Sanelly: Full Moon (Transgressive)
South African (Xhosa) dance-pop singer, touches kwaito and amapiano
but in her long list of genres — her own preference seems to be
"future ghetto funk" — reminds me most of dancehall. I ascribe
no import to her "trademark teal hair" or garish makeup, but as dance
pop this is pretty otherworldly.
Greentea Peng: Tell Dem It's Sunny (AWAL)
British neo-soul singer-songwriter Aria Wells, second studio album
(first in 2021), closer to trip-hop here, but the singer is the focus,
not just atmosphere.
Sam Stoane: Tales of the Dark West (Cloverdale)
Cowgirl from rural California, first album, thoughtful originals
plus signature covers of Gene Autry ("Back in the Saddle Again")
and Rodney Crowell ("Even Cowgirls Get the Blues").
Sumac and Moor Mother: The Film (Thrill Jockey)
Canadian-American metal band, five albums on their own since 2015,
also have three collaborations with Keiji Haino before this one
with jazz rapper Camae Ayewa. (This was preceded by a Moor Mother
remix of a Sumac track on a 2024 EP.) She adds weight a message
that they probably already considered, while they provide the
gravity. Just "don't look away."
◆ ◆ ◆
Other 2025 non-jazz albums, rated A−, not reviewed
by Christgau. Ordered by metacritic file ranking, in brackets
(* indicates an artist whose other albums were reviewed by
Christgau; ** indicates albums under a different artist name):
- YHWH Nailgun: 45 Pounds (AD 93) [62]
- Dave: The Boy Who Played the Harp (Neighbourhood) [74*]
- Snocaps: Snocaps (Anti-) [76**]
- Rochelle Jordan: Through the Wall (Empire) [79]
- Open Mike Eagle: Neighborhood Gods Unlimited (Auto Reverse) [94*]
- Mavis Staples: Sad and Beautiful World (Anti-) [115*]
- Annie & the Caldwells: Can't Lose My (Soul) (Luaka Bop) [136]
- James Holden & Waclaw Zimpel: The Universe Will Take Care of You (Border Community) [201]
- Garbage: Let All That We Imagine Be the Light (Infectious Music/Stunvolume/BMG) [215*]
- Hailey Whitters: Corn Queen (Pigasus/Big Loud) [242]
- Bar Italia: Some Like It Hot (Matador) [244*]
- Joy Crookes: Juniper (Insanity) [248]
- Kae Tempest: Self Titled (Island) [263**]
- The Chills: Spring Board: The Early Unrecorded Songs (Fire) [297*]
- Kesha: . [Period] (Kesha) [366*]
- Dean Wareham: That's the Price of Loving Me (Carpark) [392*]
- Bryan Ferry/Amelia Barratt: Loose Talk (Dene Jesmond) [357*]
- Anthony Joseph: Rowing Up River to Get Our Names Back (Heavenly Sweetness) [365]
- The Ex: If Your Mirror Breaks (Ex) [400*]
- ALT BLK ERA: Rave Immortal (Earache) [429]
- The Mountain Goats: Through This Fire Across From Peter Balkan (Thirty Tigers) [515*]
- Sunny Sweeney: Rhinestone Requiem (Aunt Daddy) [594*]
- Wu-Tang X Mathematics: Black Samson, the Bastard Swordsman (36 Chambers/DNA Music) [604*]
- Robert Finley: Hallelujah! Don't Let the Devil Fool You (Easy Eye) [628*]
- Cam Pierce: A Thousand Lonely Horses (self-released) [669]
- Atmosphere: Jestures (Rhymesayers Entertainment) [700*]
- Jon Batiste: Big Money (Verve/Interscope) [706*]
- Kin'Gongolo Kiniata: Kiniata (Helico Music) [764]
- Big K.R.I.T.: Dedicated to Cadalee Biarritz Vol. 1 (Multi Alumni/ONErpm) [855*]
- Blueprint: Vessel (Weightless) [860*]
- Apollo Brown & Bronze Nazareth: Funeral for a Dream (Escapism) [865*]
- DJ Love/DJ Danz/DJ Ericnem: Budots World: 3-Hit Combo! (Eastern Margins) [883]
- MindsOne: Stages (Fort Lowell) [962]
- Vinnie Paz: God Sent Vengeance (Iron Tusk Music) [978]
- Queen Herawin: Awaken the Sleeping Giant (Matic) [988]
- Six Sex: X-Sex (Dale Play, EP) [1016]
- David Amram: Honors Guthrie and Ochs: Old Souls (Guthrie Legacy) [1073]
- David Greenberger & the Hi-Ho Barbers: Ginger Ale (Pel Pel) [1168*]
- Dylan Hicks & Small Screens: Avian Field Recordings (Soft Launch) [1181*]
- Split System: Live in Stockholm 2023 (Legless) [1311]
- Jesse Welles: Under the Powerlines (April '24-September '24) (self-relesed) [1339]
Research Notes
Non-jazz albums from
The Best Non-Jazz Albums of 2025. In brackets:
Metacritic ranking, Christgau grade. I initially compiled the
list in my rank order, then I split it into two lists to get a
better idea how to select what to cover above.
The first list are the Christgau-rated albums, sorted in top-down
metacritic order:
- Wednesday: Bleeds (Dead Oceans) [3, A-]
- CMAT: Euro-Country (CMATBaby/AWAL) [4, A-]
- Billy Woods: Golliwog (Backwoodz Studioz) [6, A-]
- Clipse: Let God Sort Them Out (Roc Nation) [7, B+]
- Lily Allen: West End Girl (BMG) [9, A]
- Big Thief: Double Infinity (4AD) [22, A]
- Tyler Childers: Snipe Hunter (Hickman Holler/RCA) [24, A]
- Sudan Archives: The BPM (Stones Throw) [25, A-]
- Lambrini Girls: Who Let the Dogs Out (City Slang) [31, A]
- Water From Your Eyes: It's a Beautiful Place (Matador) [32, A-]
- Sabrina Carpenter: Man's Best Friend (Island) [42, A-]
- Haim: I Quit (Columbia) [47, A]
- Danny Brown: Stardust (Warp) [51, A]
- Margo Price: Hard Headed Woman (Loma Vista) [52, A]
- Jason Isbell: Foxes in the Snow (Southeastern) [57, A-]
- Amaarae: Black Star (Interscope) [67, *]
- Craig Finn: Always Been (Tamarac) [68, A]
- S.G. Goodman: Planting by the Signs (Slough Water/Thirty Tigers) [81, A-]
- Lucy Dacus: Forever Is a Feeling (Geffen) [83, A-]
- The Delines: Mr. Luck & Ms. Doom (Decor) [84, A]
- James McMurtry: The Black Dog and the Wandering Boy (New West) [112, A-]
- Taylor Swift: The Life of a Showgirl (Republic) [121, B+]
- Robert Forster: Strawberries (Tapete) [122, A-]
- Patterson Hood: Exploding Trees and Airplane Screams (ATO) [129, A]
- Aesop Rock: I Heard It's a Mess There Too (Rhymesayers) [144, A]
- Mekons: Horror (Fire) [160, A-]
- Amanda Shires: Nobody's Girl (ATO) [163, A]
- Buck 65: Keep Moving (Handsmade) [175, A]
- Jeffrey Lewis: The Even More Freewheelin' Jeffrey Lewis (Don Giovanni/Blang) [177, A-]
- Chance the Rapper: Star Line (self-released) [186, B+]
- The Kasambwe Brothers: The Kasambwe Brothers (MASS MoCA) [202, A]
- Mahotella Queens: Buya Buya: Come Back (Umsakazo) [204, A]
- FACS: Wish Defense (Trouble in Mind) [214, A-]
- Public Enemy: Black Sky Over the Projects: Apartment 2025 (Enemy) [219, A-]
- Corook: Committed to a Bit (Atlantic) [246, A]
- Chuck D: Chuck D Presents Enemy Radio: Radio Armageddon (Def Jam) [249, A-]
- Panic Shack: Panic Shack (Brace Yourself) [257, **]
- Bruce Springsteen & E Street Band: Land of Hopes & Dreams (Columbia) [262, A]
- Jubal Lee Young: Squirrels (Reconstruction) [266, A-]
- Neil Young & the Chrome Hearts: Talkin to the Trees (The Other Shoe/Reprise) [267, A-]
- Hayes Carll: We're Only Human (Highway 87) [272, ***]
- Taj Mahal & Keb' Mo': Room on the Porch (Concord Jazz) [309, A]
- Brother Ali: Satisfied Soul (Mello Music Group) [325, ***]
- Todd Snider: High, Lonesome and Then Some (Aimless) [343, A-]
- Tommy Womack: Live a Little (Schoolkids) [346, A]
- Hamell on Trial: Harp (for Harry) (Saustex) [359, **]
- Willie Nelson: Oh What a Beautiful World (Legacy) [376, ***]
- Willie Nelson: Workin' Man: Willie Sings Merle (Legacy) [377, A]
- Bill Scorzari: Sidereal Days (Day 1) (self-released) [382, A]
- Nandipha808: No Vocal Album (Stena Academy) [455, A]
- Grant Peeples: Code to Live By (Ping) [462, A]
- Helene Cronin: Maybe New Mexico (self-released) [488, A-]
- K.A.A.N.: Kaancepts (D-Ace Beats) [509, A]
- Gurf Morlix: Bristlecone (Rootball) [514, A-]
- Loveseat: Our Way (Reckless Pedestrian) [657, ***]
That leaves a second list of records I rated A/A−, that
Christgau hasn't rated. These are sorted in top-down metacritic
order, rank in brackets; no Christgau grades, but x denotes artist
Christgau has tended to cover in the past:
- YHWH Nailgun: 45 Pounds (AD 93) [62]
- Dave: The Boy Who Played the Harp (Neighbourhood) [74, x]
- Snocaps: Snocaps (Anti-) [76, x]
- Rochelle Jordan: Through the Wall (Empire) [79]
- Open Mike Eagle: Neighborhood Gods Unlimited (Auto Reverse) [94, x]
- *Saba & No I.D.: From the Private Collection of Saba and No I.D. (From the Private Collection) [113, x]
- Mavis Staples: Sad and Beautiful World (Anti-) [115, x]
- Annie & the Caldwells: Can't Lose My (Soul) (Luaka Bop) [136]
- *Clipping.: Dead Channel Sky (Sub Pop) [147]
- *Karol G: Tropicoqueta (Bichota/Interscope) [158]
- *Marie Davidson: City of Clowns (Deewee) [188]
- *Sumac and Moor Mother: The Film (Thrill Jockey) [193*]
- *Madi Diaz: Fatal Optimist (Anti-) [198]
- James Holden & Waclaw Zimpel: The Universe Will Take Care of You (Border Community) [201]
- Garbage: Let All That We Imagine Be the Light (Infectious Music/Stunvolume/BMG) [215, x]
- *Moonchild Sanelly: Full Moon (Transgressive) [220]
- Greentea Peng: Tell Dem It's Sunny (AWAL) [238]
- Hailey Whitters: Corn Queen (Pigasus/Big Loud) [242]
- Bar Italia: Some Like It Hot (Matador) [244, x]
- Joy Crookes: Juniper (Insanity) [248]
- Kae Tempest: Self Titled (Island) [263, x]
- The Chills: Spring Board: The Early Unrecorded Songs (Fire) [297, x]
- Dead Pioneers: Po$t American (Hassle) [354]
- Kesha: . [Period] (Kesha) [366, x]
- Dean Wareham: That's the Price of Loving Me (Carpark) [392, x]
- Bryan Ferry/Amelia Barratt: Loose Talk (Dene Jesmond) [357, x]
- *Anthony Joseph: Rowing Up River to Get Our Names Back (Heavenly Sweetness) [365*]
- The Ex: If Your Mirror Breaks (Ex) [400, x]
- ALT BLK ERA: Rave Immortal (Earache) [429]
- *Maria Muldaur: One Hour Mama: The Blues of Victoria Spivey (Nola Blue) [453, x]
- The Mountain Goats: Through This Fire Across From Peter Balkan (Thirty Tigers) [515, x]
- *Sam Stoane: Tales of the Dark West (Cloverdale) [593]
- Sunny Sweeney: Rhinestone Requiem (Aunt Daddy) [594]
- Wu-Tang X Mathematics: Black Samson, the Bastard Swordsman (36 Chambers/DNA Music) [604, x]
- Robert Finley: Hallelujah! Don't Let the Devil Fool You (Easy Eye) [628, x]
- Cam Pierce: A Thousand Lonely Horses (self-released) [669]
- *Apathy: Mom & Dad (Dirty Version/Coalmine) [698]
- Atmosphere: Jestures (Rhymesayers Entertainment) [700, x]
- Jon Batiste: Big Money (Verve/Interscope) [706, x]
- Kin'Gongolo Kiniata: Kiniata (Helico Music) [764]
- *Gasper Nali: Chule Chule Iwe (Spare Dog) [791]
- Big K.R.I.T.: Dedicated to Cadalee Biarritz Vol. 1 (Multi Alumni/ONErpm) [855, x]
- Blueprint: Vessel (Weightless) [860, x]
- Apollo Brown & Bronze Nazareth: Funeral for a Dream (Escapism) [865, x]
- DJ Love/DJ Danz/DJ Ericnem: Budots World: 3-Hit Combo! (Eastern Margins) [883]
- *KRS-One: Temple of Hip Hop Global Awareness (R.A.M.P. Ent Agency) [942, x]
- MindsOne: Stages (Fort Lowell) [962]
- Vinnie Paz: God Sent Vengeance (Iron Tusk Music) [978]
- Queen Herawin: Awaken the Sleeping Giant (Matic) [988]
- *Recognize Ali & Tragedy Khadafi: The Past the Present and the Future (Greenfield Music) [993]
- Six Sex: X-Sex (Dale Play, EP) [1016]
- David Amram: Honors Guthrie and Ochs: Old Souls (Guthrie Legacy) [1073]
- David Greenberger & the Hi-Ho Barbers: Ginger Ale (Pel Pel) [1168, x]
- Dylan Hicks & Small Screens: Avian Field Recordings (Soft Launch) [1181, x]
- Split System: Live in Stockholm 2023 (Legless) [1311]
- Jesse Welles: Under the Powerlines (April '24-September '24) (self-relesed) [1339]
Jazz albums from
The Best Jazz Albums of 2025. I'm not interested in these for this
piece, but the easiest way to compile the non-jazz list is to start
from the complete 2025 list:
- Steve Lehman Trio + Mark Turner: The Music of Anthony Braxton (Pi)
- Miguel Zenón Quartet: Vanguardia Subterranea: Live at the Village Vanguard (Miel Music)
- Archer: Sudden Dusk (Aerophonic)
- Fieldwork: Thereupon (Pi)
- Sheila Jordan With Roni Ben-Hur & Harvie S: Portrait Now (Dot Time) **
- Ivo Perelman & Matthew Shipp String Trio: Armageddon Flower (TAO Forms)
- Rodrigo Amado: The Bridge: Further Beyond (Trost) **
- Isaiah Collier/William Hooker/William Parker: The Ancients (Eremite) **
- أحمد [Ahmed]: سماع [Sama'a] (Audition) (Otoroku) **
- Motian & More: Gratitude (Phonogram Unit) **
- Cosmic Ear: Traces (We Jazz) **
- Colin Hancock's Jazz Hounds Featuring Catherine Russell: Cat & the Hounds (Turtle Bay)
- SML: How You Been (International Anthem) **
- Rodrigo Amado/Chris Corsano: The Healing: Live at ZDB (2016, European Echoes) **
- Deepstaria Enigmatica: The Eternal Now Is the Heart of a New Tomorrow (ESP-Disk) [02-25]
- Scheen Jazzorkester & Stĺle Storlřkken: Double Reality Beyond Space and Time (Grong)
- Larry Ochs/Joe Morris/Charles Downs: Every Day → All the Way (ESP-Disk)
- James Brandon Lewis Trio: Apple Cores (Anti-) **
- Russ Anixter's Hippie Big Band: What Is? (self-released)
- Satoko Fujii Tokyo Trio: Dream a Dream (Libra)
- Jason Kao Hwang: Myths of Origin (True Sound)
- Extraordinary Popular Delusions: The Last Quintet (Corbett vs. Dempsey) **
- Laura Jurd: Rites & Revelations (New Soil) **
- Sylvie Courvoisier/Mary Halvorson: Bone Bells (Pyroclastic)
- Hamid Drake & Pat Thomas: A Mountain Sees a Mountain (Old Heaven Books) **
- Amalie Dahl: Breaking/Building Habits (SauaJazz) **
- Freedom Art Quartet: First Dance (self-released) **
- Nels Cline: Consentrik Quartet (Blue Note) **
- Dave Rempis/Russ Johnson/Jakob Heinemann/Jeremy Cunningham: Embers and Ash (Aerophonic) **
- Damon Locks: List of Demands (International Anthem) **
- Instant Arts Quartet: Lingua Franca (High Two) **
- Frank Carlberg: Dream Machine (Red Piano)
- James Brandon Lewis Quartet: Abstraction Is Deliverance (Intakt) **
- Earscratcher: Otoliths (Aerophonic)
- Mary Halvorson: About Ghosts (Nonesuch)
- Heat On: Heat On (Cuneiform) **
- Branford Marsalis Quartet: Belonging (Blue Note) **
- David Murray Quartet: Birdly Serenade (Impulse!) **
- Terry Waldo & the Gotham City Band: Treasury Volume 2 (Turtle Bay) **
- PlainsPeak: Someone to Someone (Irabbagast)
- Ziv Taubenfeld/Helena Espvall/Joăo Sousa: You, Full of Sources and Night (NoBusiness)
- Loot: Loot (ICP) **
- Keiji Haino/Natsuki Tamura: What Happened There? (Libra)
- Carlos "Zingaro"/Joăo Madeira: Arcada Pendular (4DaRecord) **
- Dee Dee Bridgewater + Bill Charlap: Elemental (Mack Avenue) **
- Linda May Han Oh: Strange Heavens (Biophilia) **
- Carlos "Zingaro"/Flo Stoffner/Fred Lonberg-Holm/Joăo Madeira: Na Parede (4DaRecord)
- Marty Ehrlich: Trio Exaltation: This Time (Sunnyside) **
- Craig Taborn/Nels Cline/Marcus Gilmore: Trio of Bloom (Pyroclastic)
- John Scofield/Dave Holland: Memories of Home (ECM) **
- Korham Futaci: Heavyweight Rehearsal Tapes (PUMA) **
- Nnenna Freelon: Beneath the Skin (Origin)
- Adam O'Farrill: For These Streets (Out of Your Head)
- Mikko Innanen & Ingebrigt Hĺker Flaten: Live in Espoo (Fiasko/Sonic Transmissions) **
- Joe Chambers/Kevin Diehl/Chad Taylor: Onilu (Eremite) **
- Antonio Borghini & Banquet of Consequences: Resta Chi Va (We Insist!) **
- Kaze & Koichi Makigami: Shishiodoshi (Circum/Libra)
- Wheelhouse: House and Home (Aerophonic)
- Peter Brötzmann/Jason Adasiewice/Steve Noble/John Edwards: The Quartet: Cafe Oto, London, February, 10 & 11, 2023 (Otoroku) **
- Jaleel Shaw: Painter of the Invisible (Changu)
- Omer Avital: New York Now & Then (Zamzama) **
- Nils Agnas: Köper Sig Ur En Kris (Moserobie)
- Samo Salamon & Ra Kalam Bob Moses Orchestra: Dream Suites Vol. 1 (Samo)
- KIND: Count (Umland) **
- Sinsuke Fujieda Group: Fukushima (SoFa) **
- Ned Rothenberg: Looms & Legends (Pyroclastic)
- Wrens: Half of What You See (Out of Your Head)
- Nils Petter Molvaer: Khmer Live in Bergen (Edition) [785, x]
- Sarathy Korwar: There Is Beauty, There Already (Otherland) [766]
- John O'Gallagher/Ben Monder/Andrew Cyrille/Billy Hart: Ancestral (Whirlwind)
- Patricia Brennan: Of the Near and Far (Pyroclastic)
- Rick Roe: Wake Up Call: The Music of Gregg Hill (Cold Plunge)
- Lucian Ban/John Surman/Mat Maneri: Cantica Profana (Sunnyside) **
- Satoko Fujii This Is It!: Message (Libra)
- Tomas Fujiwara: Dream Up (Out of Your Head) **
- David Grollman/Andy Haas/Sabrina Salamone: SCRT (self-released)
- Joe Morris/Elliott Sharp: Realism (ESP-Disk)
- Rubén Reinaldo: Fusión Olívica (Free Code Jazz)
- Joe Alterman Feat. Houston Person: Brisket for Breakfast (self-released) **
- Chris Jonas: Backwardsupwardsky: Music From the Deserts (Edgetone, LP)
- George Coleman: George Coleman With Strings (HighNote) **
- Ivo Perelman/John Butcher: Duologues 4 (Ibeji) **
- Italian Surf Academy + Denver Butson: Ennio Morricone Is Dissolving (41st Parallel) **
- Thomas Morgan: Around You Is a Forest (Loveland Music)
- Hein Westgaard & Matt Maneri: Chamber (Gotta Let It Out)
- Claire Ritter: Songs of Lumičre (Zoning)
- Lao Dan/Vasco Trilla: New Species (NoBusiness)
- Anla Courtis & Lehtisalo: 1972 (Full Connect) **
- Marshall Allen: The Omniverse Oriki (High Two) **
- Matthew Shipp: The Cosmic Piano (Cantaloupe Music) **
- Eunhye Jeong/Michael Bisio Duo: Morning Bells Whistle Bright (ESP-Disk)
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