July 7, 2014


Music Week

Music: Current count 23488 [23459] rated (+29), 538 [539] unrated (-1).

Cut this off Sunday night, so I don't have Monday's mail in the unpacking. Main reason I fell short of thirty records was that I spent two days playing almost nothing but the Sonny Simmons box. Main reason I even came close to thirty records was that I went through Album of the Year's The Highest Rated Albums of 2014 and played a lot of things on Rhapsody that I had missed. The notebook has a table of the top 100 records with my grades where I have them. Thus far I've heard 40 of those 100, pretty concentrated toward the top of the list (18 of top 20, 24 of top 30, 27 of top 40, 32 of top 50, only 8 of the next 50 (Sharon Jones, Dolly Parton, Laura Cantrell, Schoolboy Q, Future, Luke Haines, YG, Lykke Li).

AOTY's list isn't very useful for prospecting. Only 6 of those top 100 albums are on my 63-album A-list (Todd Terje, Cloud Nothings, Ought, Parquet Courts, Miranda Lambert, Laura Cantrell -- I haven't heard the UK-only Paul Heaton/Jacqui Abbott record at 56, although Michael Tatum and Jason Gubbells have convinced me I'll love it ), 11 more as high HMs (St. Vincent, The War on Drugs, Sun Kil Moon, Neneh Cherry, Carla Bozulich, EMA, Freddie Gibbs & Madlib, Isaiah Rashad, Tinariwen, Sturgill Simpson, Fear of Men).

Most of my missing A-list is jazz, but skipping the non-vocal jazz records, the following records on my A-list didn't make AOTY's top 100: Lily Allen, The Strypes, Jenny Scheinman, The Hold Steady, Old 97's, Pharrell Williams, Shakira, Barbara Morrison, Rodney Crowell, Deena, Big Ups, Mary Gauthier, Grieves, Catherine Russell, Jon Langford, Wussy, Company Freak, The New Mendicants, Willie Nelson, Dave Alvin/Phil Alvin, Leo Welch, Amy LaVere, and Supreme Cuts. I'm partial, of course, but it strikes me that the difference between these artists and the AOTY ones I downgraded is personality (and maybe brains).

For a second opinion, I checked Michael Tatum's grades, skipping compilations. He has 10 AOTY 100 records graded A- or above (Against Me!, Laura Cantrell, Cloud Nothings, EMA, Freddie Gibbs/Madlib, Paul Heaton/Jacqui Abbott, Bob Mould, Parquet Courts, St. Vincent, Tinariwen -- two records there I haven't heard); and 22 A-list albums not in the AOTY 100 (Lily Allen, Katy B, Toni Braxton/Babyface, Company Freak, Deena, Drive-By Truckers, Hold Steady, Chrissie Hynde, Kool AD, Kool and Kass, Amy LaVere, Steve Malkmus, Modern Baseball, The New Mendicants, Conor Oberst, Old 97's, The Roots, Shakira, Withered Hand, Wussy, Young Thug/Bloody Jay, Young Thug/Gucci Mane -- I had 23).

I didn't bother writing up tweets for many of the AOTY records. Some of them I just played and felt next to nothing, they were so instantly forgettable. Some, like Ab-Soul or Conor Oberst, weren't so bad but left me feeling I had little to say. I've promised in the past to do better on that, but this week I slipped up a bit.

Some personal things are very much up in the air right now. My last remaining aunt, Freda Bureman, appears to be dying. If/when that happens, I'll have to drop whatever I'm doing and take care of some things. Also, the server I lease looks to be dead (and the support staff doesn't seem too healthy or alert either). I had a bunch of work I wanted to do on that machine, so that's totally up in the air. Indeed, I may wind up having to reconstruct everything previously stored there (at best, a lot of unpleasant work; at worst, impossible).

Barring disaster, I should post Rhapsody Streamnotes later this week. (I currently have 77 records in the draft file.) I hope to get through the Roberto Magris records by then. Meanwhile, the incoming queue has dried up so severely I could remove one (maybe two of three) baskets from my floor. Perhaps it's time to buckle down, clean up, put all this crap behind me.


Recommended music links:


New records rated this week:

  • Ab-Soul: These Days . . . (2014, Top Dawg): [r]: B+(**)
  • Beat Funktion: Voodooland (2014, DO Music): Swedish acid jazz group plays rudimentary disco, groove without purpose or even much fun [cd]: B-
  • Sébastien Chaumont Quartet: Still Walkin' (2011-13 [2014], ITI): alto saxophonist, rich tone, hits sweet spot with mainstream piano-bass-drums [cd]: B+(**)
  • Ry Cooder/Corridos Famosos: Live at the Great American Music Hall, San Fransicsco Aug 31-Sept 1, 2011 (2011 [2013], Nonesuch): [r]; B+(**)
  • East India Youth: Total Strife Forever (2014, Stolen): [r]: B
  • Kali Z. Fasteau: Piano Rapture (2014, Flying Note): after playing scads of instruments, turns out she's one helluva pianist, with usual reed freaks [cd]: A-
  • Lee Fields: Emma Jean (2014, Truth & Soul): James Brown wannabe, had a terrific debut in 1979 reissued last year, follows with new one, a bit slower [r]: B+(**)
  • Ben Frost: Aurora (2014, Bedroom Community): [r]: B+(**)
  • Future Islands: Singles (2013 [2014], 4AD): [r]: B+(*)
  • Luke Haines: New York in the '70s (2014, Cherry Red): [r]: B
  • B.J. Jansen: Ronin (2013 [2014], ARC): baritone sax, backed with piano-bass-drums, goes mainstream, even a bit romantic on the ballads [cd]: B+(**)
  • Seun Kuti + Egypt 80: A Long Way to the Beginning (2013 [2014], Knitting Factory): Fela's youngest son cranks his Afrobeat band to the max, mixes in raps [r]: B+(***)
  • Dawn Landes: Bluebird (2014, Western Vinyl): [r]: B+(**)
  • The John A. Lewis Trio: One Trip Out (2014, Valarteri): veteran pianist out of Dallas, possibly his debut, leads a nice, soulful piano trio [cd]: B+(*)
  • Pete McGuinness Jazz Orchestra: Strength in Numbers (2013 [2014], Summit): trombonist/singer runs a big band, some striking passages, three vocals [cd]: B+(*)
  • Willie Nelson: Band of Brothers (2014, Legacy): wrote some new songs, mostly about women he's had once and is done with now, and the bile helps [r]: A-
  • Conor Oberst: Upside-Down Mountain (2014, Nonesuch): [r]: B+(**)
  • Matt Pavolka: The Horns Band (2013 [2014], Fresh Sound New Talent): bassist with cornet-trombone-alto sax and drums, not bright but the post-whatever shuffle entices [cd]: B+(**)
  • Jefferson Rose Band: Feel Like Dancing (2014, self-released): Seattle "world music" group offers an upbeat groove album with Alex Kitchen singing [cd]: B
  • Sonny Simmons: Leaving Knowledge, Wisdom and Brilliance/Chasing the Bird? (2006-14 [2014], Improvising Beings, 8CD): extravagant indulgence, 8CD of quasi-Indian exotica [r]: B+(***)
  • Strand of Oaks: Heal (2014, Dead Oceans): [r]: B-
  • Sun Kil Moon: Benji (2014, Caldo Verde): [r]: B+(***)
  • Swans: To Be Kind (Young God, 2CD): [r]: B
  • Sharon Van Etten: Are We There (2014, Jagjaguwar): [r]: B-
  • The War on Drugs: Lost in the Dream (2014, Secretly Canadian): rock band, vocals flung out w/not much sticking, but the tuneful guitar layering appeals [r]: B+(***)
  • Wild Beasts: Present Tense (2014, Domino): [r]: B

Recent reissues, compilations, and vault discoveries rated this week:

  • Dexter Johnson & Le Super Star de Dakar: Live à l'Étoile (1969 [2014], Teranga Beat): Senegal doowop-boogaloo cross, led by sax man who gets his licks in [r]: B+(***)
  • Oscar Peterson/Ben Webster: During This Time (1972 [2014], Art of Groove): no DVD, but tenor sax great in fine form a year before death, perked up by pianist [r]: A-


Unpacking: Found in the mail last week:

  • Al Basile: Swing n' Strings (Sweetspot)
  • Drew Ceccato/Adam Tinkle: Eidolon (Edgetone)
  • The Equity & Social Justice Quartet: The Whisper of Flowers (Edgetone)
  • Sherie Julianne: 10 Degrees South (Azul Do Mar)
  • Vincent Lyn: Live in New York City (Budo)
  • Terry Marshall: Arrival (self-released)
  • Rent Romus' Life's Blood Ensemble: Cimmerian Crossroads (Edgetone)
  • Paul Shapiro: Shofarot Verses (Tzadik): advance
  • Donald Singer: Destiny: Moment of Jazz (Emerald Baby)

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