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An occasional blog about populist politics and popular music, not necessarily at the same time. LinksLocal Links Social Media My Other Websites Music Politics Others Networking Music DatabaseArtist Search: Website SearchGoogle: Recent Reading
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Monday, March 30, 2015 Music Week
Music: Current count 24768 [24735] rated (+33), 399 [409] unrated (-10). Average week, but the mix below is a little peculiar. I've been trying to declutter. I have these 13x15.75-inch Stearlite plastic baskets that hold two rows of CDs, about 75-80 total. Back when Jazz CG was jumping, I used two baskets to hold the incoming queue, and sorted them somewhat, so one basket had a row of unpromising shit and a row of vocals, while the other basket had instrumental jazz, sometimes sorted further but more often not. Under this scheme the unpromising shit almost never got touched, so most of it still dates from before the initial sort -- 2011 or 2012, maybe even 2010. Sometime last year I started filing the vocals with the new jazz. Couple weeks ago I merged the baskets, so now I have one basket, with the row of the old unpromising shit on the left and everything else on the right. Under this scheme I've finally started to deplete the left(over) row, and you'll see a fair amount of 2008-10 "new" releases below. Some are not as bad as I expected -- Chris Massey, Project Trio, Times 4, Bossa Brasil -- but none (so far) are things I'm ever likely to want to play again. Some of the incentive for running through this queue is to get them out of my sight. After I play them, if they are graded B+(**) or less and are by someone I don't have a serious interest in (by definition, for the "unpromising shit" row), then go into another basket. When that basket fills up, I haul it downstairs and empty it into an unsorted shelf unit full of similar records that I can't imagine ever wanting to play again. (These are not necessarily "bad" records -- by definition, anything B+ is actually pretty good, but it's all relative. Unless I'm travelling or something, I almost never play as many as ten previously graded records in a week -- for pleasure or nostalgia or whatever. In a house with, conservatively, ten thousand CDs, well, you do the math.) When that downstairs shelf unit fills up -- actually, it's the last of three with open space -- I'll be in a quandry. When I moved to Kansas in 1999 I sold off 90% of my LPs for a pittance (35-cents apiece), more to avoid the shipping costs than for what little money I made. I've never sold surplus CDs -- in part because the only decent used stores here shut down long ago -- but I imagine it would wind up being the same miserable experience. I could build more shelves, but I'm running out of space, not to mention patience. Best idea I've come up with is to donate the surplus to a local library. I took a step and contacted Wichita State University last week. Getting cold feet now, but I do need to do something. My main goal over the next month or so is to get rid of all the baskets on the floor except for my one incoming queue. (Looking around, I count nine, plus a couple hundred CDs in front of other CDs in a bookcase. Also need to get several piles of books off the floor.) I'm not exactly a hoarder, but I do have too much shit. One cluster of exceptional records here comes from Robert Christgau's Expert Witness last week: The Paranoid Style and The Close Readers, two groups I had never heard of -- indeed, their 2013-14 records never appeared in my metacritic files. I sorted the Paranoid Style's EP a bit differently, but remarkable finds. No less obscure is my jazz pick, Gabriel Amargant. My new jazz queue got very short before some late-week mail game in, so I was scrounging around for some new jazz on Rhapsody. It's been several years since I received whole batches of Fresh Sound New Talent releases, but I've been finding them fairly reliably on Rhapsody, and I've checked out a few names I'm familiar with, but Amargant was a total unknown to me. Still, with nothing else obvious to choose, I looked him up and was blown away. Reminds me that when I did get whole batches, about half of the releases were Spanish artists and I found a fair number of worthwhile records there -- still, few as good as this one. The other A- this week is by Courtney Barnett. An Australian, she got a fair amount of attention for her "Double EP" compilation last year, A Sea of Split Peas (finished 59th in Pazz & Jop). Still, this first real album is a huge leap forward. For whatever it's worth, I also came real close to giving Action Bronson an A-. I finally backed off because I have a hard time following rap lyrics, especially on computer, and I suspect he's something of an asshole. I could be wrong, and sometimes the music overcomes my doubts. But after three plays, the lower grade felt right. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old records rated this week:
Unpacking: Found in the mail last week:
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