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An occasional blog about populist politics and popular music, not necessarily at the same time. LinksLocal Links Social Media My Other Websites Music Politics Others Networking Music DatabaseArtist Search: Website SearchGoogle: Recent Reading
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Monday, August 3, 2015 Music Week
Music: Current count 25234 [25190] rated (+44), 451 [453] unrated (-2). After wrapping up last week's (month's) Rhapsody Streamnotes on Wednesday, I decided I wanted to work on the long-delayed book posts -- two appeared on Friday and Saturday, and a third will probably appear tomorrow -- so I didn't want to think much about what to listen to while I was working. And nothing could have taken less thought than picking off records from the Spin 1985-2014 list, so that's what I did. A week ago there were 31 records on the list I hadn't heard. Now there are 12 -- 9 not on Rhapsody, 3 more I haven't checked yet (Deftones, Green Day, Total 4), so I'll at least check out the latter. (Several people mentioned that the missing albums are on YouTube, a resource I've never used for music -- probably because I've hated watching music videos since they first became mandatory in the '80s. I have occasionally consulted YouTube for plumbing tips.) As the grades below attest, the alt/indie rock albums toward the bottom of Spin's list were pretty awful -- most so bad I didn't bother trying to fill in any other albums I had missed. (I did check out Aerosmith's Greatest Hits and Animal Collective's Feels, which beat the recommended albums, and Cursive's Domestica and M83's Dead Cities, Red Seas & Lost Ghosts, which didn't.) I did go deeper into 2Pac and Lil Wayne (having only heard the former's posthumous Better Dayz, but I've heard most of the latter's later work -- even some of the numerous mixtapes). Main insight I got into 2Pac was that by the time All Eyez on Me arrived he had become so submerged in the process all those posthumous records shouldn't have been a surprise -- after all, his presence hardly matters. Lil Wayne had little presence in his first albums -- they are really just mixtapes (before their time) -- but he emerged as a star as Tha Carter series started. Dimmed after that stint in jail, of course, but the first three Tha Carters are pretty amazing records. (Good chance Tha Carter II would wind up full-A if I spent more time with it.) I also checked out Best of Frankie Knuckles but it just gathers up his early 12-inchers and doesn't find its stride until the second half. He might benefit from the sort of career-spanning treatment Rhino gave Larry Levan in Journey Into Paradise: The Larry Levan Story, but thus far at least I've always found Chicago House a bit dull. As I was going through the Spin list, I noticed new albums by Lil Wayne, Mount Eerie (ex Microphones), and Swervedriver. None turned out to be special. I managed to work a few new jazz CDs into the week, but nothing made much of an impression until Amir ElSaffar. Among other things -- and there are a lot of other things -- this is the first album where he's really made a big splash with his trumpet chops. I don't make anything resembling a systematic effort to track books on music, but I do note some that strike my personal fancy. But in case some readers glaze over when presented with long lists of politics-economics-history, I thought I'd note the music (more or less) books from this spate of book posts (including a sneak peek at tomorrow's):
I've read Christgau's memoir, and have bought Matos' book -- something I want to learn more about, from someone I have immense respect for. The other one I find tempting is Aidi's Rebel Music, which among other things is likely to cognitively baffle most westerners with their preconceptions about Islamic fundamentalism. (I did read Mark LeVine's Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam, but I'm less fond of metal than hip-hop.) But the fact is that I have other reading priorities, and have long been coasting on the music knowledge-base I accumulated last century. So most of the music books I have bought over the last decade -- Szwed's Sun Ra biography and George Lewis' A Power Stronger Than Itself: The AACM and American Experimental Music are two important books that come to mind -- remain unread. Ned Sublette's Cuba and Its Music: From the First Drums to the Mambo is the exception (and should be yours). New records rated this week:
Old records rated this week:
Unpacking: Found in the mail last week:
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