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An occasional blog about populist politics and popular music, not necessarily at the same time. LinksLocal Links Social Media My Other Websites Music Politics Others Networking Music DatabaseArtist Search: Website SearchGoogle: Recent Reading
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Monday, March 14, 2016 Music Week
Music: Current count 26384 [26363] rated (+21), 411 [413] unrated (-2). Rated count dropped further (was 24 last week). Next week will most likely be lower still, at least if I manage to spend any substantial amount of time working on my sister's house. Not sure what happened last week. I suspect both interest and listening time were down as I'm coming off my 2015 wrap up efforts but not paying much attention to 2016. Still, relatively high share of recommended records this week. The Tom Zé was recommended by Christgau the previous week, but it took me a while to find it on Rhapsody. (The other Zé record Christgau liked, Tropicália Lixo Lógico, was an A- back in 2012.) BJ the Chicago Kid and Wussy were tips from Michael Tatum (although Christgau wasted no time certifying Wussy). Threadgill was the most obvious prospect in the incoming queue, aside from vault discoveries from Thad Jones/Mel Lewis and Larry Young (still pending). Two HMs came close. The Kendrick Lamar dump is mostly up to snuff, maybe even genius, but I kept stumbling on some dull stretches that should have been edited out -- although doing so would have cut the "album" well under 30 minutes. The Danny Green record grew on me despite my usual disinterest in piano trios and dislike for string quartets. I rarely fall for postbop jazz that lush, but it almost became the exception -- indeed, might have had I stuck with it longer. I'll also note that the Loretta Lynn record is likely to be much enjoyed by fans, although it doesn't really add much. The concept there is to do for her what Rick Rubin did for Johnny Cash in his final years: to capture his voice on a vast songbook that may (or may not) enhance his legacy. That worked mostly because Cash had such a unique voice. Lynn's voice isn't in that rarefied league, although she's sounding remarkably good here, and she's got a lot more production support than Cash had. John Carter Cash co-produced, along with Lynn's daughter, and I hear they have 200+ songs recorded since 2007, so I expect we'll be hearing a lot more from them -- perhaps part of the reason I managed to curb my initial enthusiasm. Also bothered to listen to five Rough Guide releases -- a couple were Christgau HMs, but the best of the batch was a pick back in 2009 (fun fact: I also have 2001's The Rough Guide to Merengue and Bachata and 2006's The Rough Guide to Merengue at A-). Most I tried to track down the source dates for, with the usual mixed results. The label's compilers usually have good ears, but I've long been irritated by their shoddy documentation -- wouldn't you think that a company that publishes books would take that more seriously? Working off Rhapsody is even more frustrating, as I can only imagine how bad the booklets might be. John Morthland, one of the finest rock critics to emerge in the golden age of the art, died last week. It came as a complete shock to me, partly because only a couple months ago he sought me out with a Facebook friend request -- I was honored. I met him in the 1970s when I moved to New York. He had recently moved to New York himself from working at Creem in Michigan, along with Lester Bangs and Georgia Christgau. I didn't run into him much, but after he moved to Austin in the mid-1980s Georgia would occasionally mention him, and I wound up corresponding with him a bit. Sometime around 2003 I even managed to drive through Austin, and looked him up and had lunch. He asked if I was still strictly into rock, and I told him that I had mostly moved on, much as he had -- in fact, his The Best of Country Music guide book helped me out a lot (although I grew up close enough to country music it wasn't much of a leap; when it was cut out, I bought a stack of his book and handed them out as presents; one thing I probed him on was doing a website around his book, but he didn't have any interest in going back there). He was a very kind and generous person, an encyclopedic mind which he shared freely. His passing is a real loss. I meant to collect more links, but for now I'll just go with his Rockcritics.com interview. Also Katy Vine's memoir, from Texas Monthly. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Unpacking: Found in the mail last week:
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