Wednesday, February 8, 2017

Music Week

Music: Current count 27740 [27708] rated (+32), 383 [363] unrated (+20).

Failed to get this posted on Monday (or Tuesday before I finally went to bed) for the first time since I can't remember. The immediate cause on Monday was that I got distracted researching possible fixes for a faulty ice maker. Yesterday I wound up ordering a part which may not be the total fix but is at least necessary. I agree with the proposition of a movie called The Mosquito Coast that "ice is civilization," so this is a matter of some import. (That movie, by the way, was the first place I really noticed Helen Mirren.)

Then I wound up wasting much of Tuesday adding Metacritic's Top Ten Lists to my EOY Aggregate. Thought I was done with that, and indeed I had moved on to resume work on my Jazz Guides (finally getting through the 2001-09 notebooks and into Rhapsody Streamnotes). But I kept thinking it would be nice to hit the bottom before posting, and it didn't happen until early Wednesday evening. Then I found ILXOR's thread, so I've started scanning through it. I don't expect these additions to change positions much -- although there are some close ones: Solange leads Tribe for 5th by 5 (437-432), Chance passed Nick Cave for 7th (395-378), Bon Iver's hold on 11th has been slipping to Anderson Paak (318-314), Car Seat Headrest has grabbed 14th from Anohni (276-264), Rihanna edged into 16th ahead of Danny Brown (230-225), Kaytranada barely holds 18th over Mitski (202-201).

Below you'll find a typical long list of records: a little bit of 2017 jazz and a lot of interesting-looking 2016 EOY list items, few of which panned out. I had a lot of trouble with the XX album too -- Michael Tatum likes it, and hopefully will write about it soon. Took me a lot of plays, but I found my favorite song from the album rattling around in my head several days later. You might note that two albums (Injury Reserve, The Hamilton Mixtape) from last week's Expert Witness fell just short (after 2-3 plays), while I previously graded two of Bob's HMs at A- (Atmosphere, Ka; I had Noname and J Cole at **). I've since caught up with two other albums (Kool A.D. and the older Injury Reserve, having to go to Bandcamp and Soundcloud respectively), but I couldn't find the politically timely Battle Hymns.

One thing you'll note below is seven SteepleChase releases. The Danish label, notorious for never sending out promos, has recently appeared on Napster, so after noticing that I've been looking through their recent release lists. Chris Byars is an artist I've wanted to catch up on -- his Photos in Black, White and Gray was a JCG Pick Hit in 2007, and after he moved to SteepleChase the one record I did get a chance to hear, 2011's Lucky Strikes Again, is a terrific Lucky Thompson tribute. Still most of his catalog isn't on Napster. Hopefully they'll eventually get the whole back catalog up: Nils Winther founded the label in 1972, starting out with expat Americans like Dexter Gordon and Duke Jordan, and wound up being a refuge for dozens of important mainstream jazz players (like Byars). I count 17 A/A- records in my database, but there are surely dozens more I haven't heard.

Lot of incoming mail last week, much of it promising. I got another package from Clean Feed today (not listed below). Despite my tardiness, this week's list was cut off Sunday night. Been listening to more of the same the last couple days.

New records rated this week:

  • Oren Ambarchi: Hubris (2016, Editions Mego): [r]: A-
  • Ballister: Slag (2015 [2017], Aerophonic): [bc]: B+(*)
  • Joe Bourne: Upbeat and Sweet (2016 [2017], Summit): [cd]: C
  • Chris Byars: Two Fives (2014 [2015], SteepleChase): [r]: B+(**)
  • Chris Byars: The Music of Frank Strozier (2015 [2017], SteepleChase): [r]: B+(**)
  • The CCM Jazz Orchestra as James Bond: Nobody Does It Better (2013 [2017], Summit): [cd]: B+(**)
  • Carla dal Forno: You Know What It's Like (2016, Blackest Ever Black): [r]: B+(*)
  • Death Grips: Bottomless Pit (2016, Third Worlds/Harvest): [r]: B+(*)
  • Olegario Diaz: Aleph in Chromatic (2015 [2016], SteepleChase): [r]: B+(**)
  • Dvsn: Sept. 5th (2016, OVO Sound/Warner Brothers): [r]: B+(*)
  • The Flat Five: It's a World of Love and Hate (2016, Bloodshot): [r]: B-
  • Injury Reserve: Floss (2016, Las Fuegas): [r]: B+(***)
  • Kirk Knuffke/Jesse Stacken: Satie (2015 [2016], SteepleChase): [r]: B
  • Kool AD: Official (2016, self-released, EP): [bc]: B+(*)
  • Michel Lambert: Alom Mola (2016 [2017], Jazz From Rant): [cd]: B+(***)
  • Jihye Lee Orchestra: April (2016 [2017], self-released): [cd]: B-
  • Okkyung Lee & Christian Marclay: Amalgam (2014 [2016], Northern Spy): [r]: B
  • James Brandon Lewis Trio: No Filter (2016, BNS Sessions): [r]: B+(**)
  • Chelsea McBride's Socialist Night School: The Twilight Fall (2016 [2017], Browntasaurus): [cd]: B+(*)
  • Brad Myers & Michael Sharfe: Sanguinaria (Hopefulsongs) (2016 [2017], Colloquy): [cd]: B+(*)
  • Awa Poulo: Poulo Warali (2016 [2017], Awesome Tapes From Africa): [r]: B+(**)
  • Primal Scream: Chaosmosis (2016, First International/Ignition): [r]: B+(**)
  • Stephen Riley & Peter Zak: Haunted Heart (2014 [2015], SteepleChase): [r]: B+(**)
  • Stephen Riley/Peter Zak: Deuce (2014 [2017], SteepleChase): [r]: B+(***)
  • Roosevelt: Roosevelt (2016, City Slang): [r]: B+(*)
  • Sao Paulo Underground: Cantos Invisiveis (2016, Cuneiform): [dl]: B+(**)
  • Skee Mask: Shred (2016, Ilian Tape): [r]: B+(**)
  • Baron Tymas: Montréal (2015 [2017], Tymasmusic): [cd]: B+(*)
  • The XX: I See You (2017, Young Turks): [r]: A-
  • Peter Zak: Standards (2014 [2016], SteepleChase): [r]: B+(*)

Recent reissues, compilations, and vault discoveries rated this week:

  • The Hamilton Mixtape (2016, Atlantic): [r]: B+(***)
  • New York Noise: Dance Music From the New York Underground 1977-1982 (1977-82 [2016], Soul Jazz): [r]: B+(**)

Old music rated this week:

  • Anthony Braxton: Quintet (London) 2004: Live at the Royal Festival Hall (2004 [2005], Leo): [r]: B+(**)
  • Anthony Braxton: Quartet (Moscow) 2008 (2008, Leo): [r]: B+(**)

Unpacking: Found in the mail last week:

  • Sebastien Ammann: Color Wheel (Skirl)
  • AMP Trio: Three (self-released)
  • Angles 9: Disappeared Behind the Sun (Clean Feed)
  • Gianni Bianchini: Type I (self-released): February 21
  • Alex Cline's Flower Garland Orchestra: Oceans of Vows (self-released, 2CD): advance
  • CP Unit: Before the Heat Death (Clean Feed)
  • Bill Evans/Scottish National Jazz Orchestra: Beauty & the Beast (Spartacus)
  • Satoko Fujii: Invisible Hound (Cortez Sound): February 10
  • Joana Gama/Luís Fernandes/Richardo Jacinto: Harmonies (Clean Feed)
  • Jean-Brice Godet: Lignes De Crêtes (Clean Feed)
  • Rich Halley/Carson Halley: The Wild (Pine Eagle)
  • Daniel Levin Quartet: Live at Firehouse 12 (Clean Feed)
  • Mark Masters Ensemble: Blue Skylight (Capri): February 17
  • Billy Mintz: Ugly Beautiful (Thirteenth Note): March 7
  • Mostly Other People Do the Killing: Loafer's Hollow (Hot Cup): February 24
  • The MUH Trio [Roberto Magris/Frantisek Uhlir/Jaromir Helesic]: Prague After Dark (JMood)
  • Eivind Opsvik: Overseas V (Loyal Label)
  • Keith Oxman: East of the Village (Capri)
  • Noah Preminger: Meditations on Freedom (self-released)
  • The Reunion Project: Veranda (Tapestry)
  • Tommy Smith Youth Jazz Orchestra: Effervescence (Spartacus): February 24
  • Hiromi Suda: Nagi (BluJazz)
  • Trouble Kaze: June (Circum-Disc): March 3