Monday, October 1, 2018

Music Week

Music: current count 30390 [30365] rated (+25), 280 [273] unrated (+7).

Week got wiped out several different ways. Helped a friend fix a huge Russian dinner on Friday. Shopped for that on Wednesday, having to hit up nine (or was it eleven?) stores along the way, then spent from Thursday afternoon to something like 4AM doing prep for another 6-7 hours of cooking on Friday. Wound up with way too much food, but much of it was magnificent. Only the dessert disappointed, an attempt at Prague cake which I now understand doesn't resemble the real thing at all.

Then Saturday I developed a fever with no other symptoms, and I basically shut down over the weekend -- so no Weekend Roundup, even following one of the more outrageous weeks of the Trump era. (Not like there won't be plenty more as bad or worse.) I started reading Jill Lepore's massive (or schematic, depending on your point of view) These Truths: A History of the United States. She starts by quoting the preamble to the US Constitution, and I realized it to offer not a practical description of the federal government but a vision statement of what that government should aspire to. The same, of course, could be said of the first lines of the Declaration of Independence, which Lepore also mentions.

What I then realized is that the standard for all three "separate and equal" branches of government should be their efforts to achieve these founding aspirations. We were fortunate, at least for the first half of my life, to have a Supreme Court that took those aspirations seriously, especially in its assertion of civil rights even while the other branches dragged their heels. Since Nixon, the right-wing has made a determined effort to overturn those rulings and to strip us of our rights, not least by stacking the courts with people who oppose the aspirations the nation was founded on. With the hearings on the Supreme Court nomination of Brett Kavanaugh, we got a good view of just what kind of person would gladly do such things. Regardless of whether Kavanaugh has committed sexual assault and/or perjury, he's made it abundantly clear that he's unfit for the Supreme Court, or for that matter for the judgeship he currently holds.

Maybe I'll write more on that later in the week. My most immediate task is to get September's Streamnotes organized and posted. Thinking about the dinner, then not thinking at all, I totally missed the end of the month. I can backdate what I have, making it look like I did it on time and before doing this. The latter, at least, is mostly true.

I'm not sure what comes next. I can always return to compiling my last two books from the notebooks (non-review music notes, non-jazz reviews; I'm currently stalled in May, 2013). I could take a look at Pitchfork's The 2000 Best Albums of the 1980s -- the music decade I paid the least attention to at the time. Another possible source of unheard records is Will Friedland's latest book, The Great Jazz and Pop Vocal Albums. I picked up the book at the library, and while there is zero chance that I'll read it through, the actual album list isn't prohibitively long (probably 40-50 albums, half already heard). On the other hand, the new jazz queue has grown a bit (26 albums at the moment), so I should pay some attention to that.

New records rated this week:

  • Dmitry Baevsky/Jeb Patton: We Two (2018, Jazz & People): [r]: A-
  • Tony Bennett & Diana Krall: Love Is Here to Stay (2018, Verve/Columbia): [r]: B+(**)
  • Black Art Jazz Collective: Armor of Pride (2018, HighNote): [r]: B
  • Geof Bradfield: Yes, and . . . Music for Nine Improvisers (2018, Delmark): [r]: B+(**)
  • Jonathan Butler: Close to You (2018, Mack Avenue): [r]: C+
  • Noname: Room 25 (2018, self-released): [bc]: A-
  • Eddie Palmieri: Full Circle (2018, Ropeadope): [r]: B+(***)
  • Portland Jazz Composers Ensemble: From Maxville to Vanport (2018, PJCE): [cd]: B+(**)
  • Ned Rothenberg/Hamid Drake: Full Circle: Live in Lodz (2016 [2017], Fundacja Sluchaj): [r]: B+(*)
  • Steven Taetz: Drink You In (2018, Flatcar/Fontana North): [cd]: B
  • The United States Air Force Band Airmen of Note: The Jazz Heritage Series 2018 Radio Broadcasts (2018, self-released, 3CD): [cd]: C
  • Fay Victor's SoundNoiseFUNK: Wet Robots (2017 [2018], ESP-Disk): [r]: B+(**)

Old music rated this week:

  • Gene Ammons: The Gene Ammons Story: Gentle Jug (1961-62 [1992], Prestige): [r]: B+(**)
  • Gene Ammons: Gentle Jug Volume 2 (1960-71 [1995], Prestige): [r]: B+(***)
  • Gene Ammons: The Boss Is Back! (1969 [1993], Prestige): [r]: B+(**)
  • Bud Powell: Jazz Giant (1949 [1957], Verve): [r]: B+(***)
  • Bud Powell: Piano Interpretations by Bud Powell (1955 [1959], Verve): [r]: B+(**)
  • Bud Powell: The Amazing Bud Powell, Vol. 4: Time Waits (1958 [1999], Blue Note): [r]: A-
  • Bud Powell: Strictly Confidential (1964 [1994], Black Lion): [r]: B+(***)
  • Bud Powell: Salt Peanuts (1964 [1988], Black Lion): [r]: B

Unpacking: Found in the mail last week:

  • Don Byron/Aruán Ortiz: Random Dances and (A)tonalities (Intakt)
  • David Dominique: Mask (Orenda): November 9
  • Michael Formanek Elusion Quartet: Time Like This (Intakt)
  • Aaron Goldberg: At the Edge of the World (Sunnyside): November 16
  • Aaron Parks: Little Big (Ropeadope): October 19
  • Subtone: Moose Blues (Laika): October 26
  • Harry Vetro: Northern Ranger (T.Sound): October 19