Monday, November 5, 2018

Music Week

Music: current count 30559 [30524] rated (+35), 292 [293] unrated (-1).

October's Streamnotes came out last week. Four of the week's A- records made it into that column. Three of those had been pick hits in Robert Christgau's Expert Witness columns.

By the way, there is a new batch of XgauSez on Christgau's website.

More things I'd like to write about here, but absolutely no time to do so. I'm exhausted after Weekend Roundup once again took much too long to write, while once again I wound up not getting to scads of material worth reading. In particular, I wanted to say something about Downbeat's Readers Poll, which suggested some of the recent records this week. Also about my nephew's birthday dinner, which I'm afraid puts my own recent efforts to shame.

New records rated this week:

  • Eric Alexander: Song of No Regrets (2017, High Note): [r]: B+(**)
  • Joey Alexander: Joey. Monk. Live! (2017, Motéma): [r]: B
  • Joey Alexander: Eclipse (2017 [2018], Motéma): [r]: B+(**)
  • The Bottle Rockets: Bit Logic (2018, Bloodshot): [r]: B+(*)
  • Don Byron/Aruán Ortiz: Random Dances and (A)tonalities (2017 [2018], Impakt): [cd]: B+(***)
  • François Carrier/Michel Lambert/John Edwards: Elements (2015-16 [2018], FMR): [cd]: A-
  • The Chick Corea + Steve Gadd Band: Chinese Butterfly (2017 [2018], Stretch/Concord, 2CD): [r]: B+(*)
  • David Dominique: Mask (2018, Orenda): [cd]: C
  • Kurt Elling: The Questions (2017 [2018], Okeh): [r]: B-
  • Michael Formanek Elusion Quartet: Time Like This (2018, Intakt): [cd]: B+(**)
  • Hamell on Trial: The Night Guy at the Apocalypse: Profiles of a Rushing Midnight (2018, Saustex): [r]: B+(*)
  • Idles: Joy as an Act of Resistance (2018, Partisan): [r]: B+(***)
  • Jazz at Lincoln Center Orchestra With Wynton Marsalis: Handful of Keys (2016 [2017], Blue Engine): [r]: B+(**)
  • Maria Muldaur: Don't You Feel My Leg: The Naughty, Bawdy Blues of Blue Lu Barker (2018, The Last Music Company): [r]: A-
  • Riton & Kah-Lo: Foreign Ororo (Riton Time): [r]: A-
  • Esperanza Spalding: 12 Little Spells (2018, Concord): [r]: B-
  • Tropical Fuck Storm: A Laughing Death in Meatspace (2018, Tropical Fuck Storm/Mistletone): [bc]: B+(**)
  • Colter Wall: Songs of the Plains (2018, Young Mary's): [r]: B+(**)

Recent reissues, compilations, and vault discoveries rated this week:

  • Dexter Gordon Quartet: Espace Cardin 1977 (1977 [2018], Elemental Music): [r]: B+(***)
  • Jimi Hendrix: Both Sides of the Sky (1968-70 [2018], Legacy): [r]: B+(**)
  • I'm Not Here to Hunt Rabbits ([2018], Piranha): [r]: A-
  • Woody Shaw/Louis Hayes: The Tour: Volume One (1976 [2016], High Note): [r]: A-
  • Woody Shaw/Louis Hayes: The Tour: Volume Two (1976 [2017], High Note): [r]: B+(***)

Old music rated this week:

  • One for All: Too Soon to Tell (1997, Sharp Nine): [r]: B+(*)
  • Woody Shaw: Live Volume One (1977 [2000], High Note): [r]: B+(***)
  • Woody Shaw: Live Volume Two (1977 [2001], High Note): [r]: B+(**)
  • Woody Shaw: Live Volume Three (1977 [2001], High Note): [r]: B+(*)
  • Woody Shaw: Live Volume Four (1981 [2005], High Note): [r]: B+(***)
  • Sarah Vaughan: After Hours (1961, Roulette): [r]: B+(***)
  • Sarah Vaughan: The Best of Sarah Vaughan [20th Century Masters: The Millennium Collection] (1954-66 [2004], Hip-O): [r]: B-
  • Sarah Vaughan: Live in Japan: Volume 1 (1973 [1991], Mainstream): [r]: B+(**)
  • Sarah Vaughan: Live in Japan: Volume 2 (1973 [1991], Mainstream): [r]: B+(**)

Unpacking: Found in the mail last week:

  • Big Bold Back Bone: In Search of Emerging Species (Shhpuma)
  • Big Bold Back Bone: Emerge (Wide Ear)
  • Collective Order: Collective Order Vol. 3 (self-released): November 23
  • Julien Desprez/Luís Lopes: Boa Tarde (Shhpuma): cdr
  • LFU: Lisbon Freedom Unit: Praise of Our Folly (Clean Feed)
  • Ernesto Rodrigues/Guilherme Rodrigues/Bruno Parrinha/Luís Lopes/Vasco Trillo: Lithos (Creative Sources)