An occasional blog about populist politics and popular music, not necessarily at the same time.
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Monday, February 22, 2021
Music: Current count 34967  rated (+10), 249  unrated (-4).
I made my excuses in last week's No Music Week, so won't repeat myself here. Not much to report, but also no reason not to kick this out on schedule.
I've been erratic since Wednesday, not writing anything up on Sunday, when I was cooking a fairly serious dinner. (Salmon teriyaki, fried rice, stir-fried lima beans, some frozen potstickers, flourless chocolate cake. Picture on Facebook.) Only played the Sam Rivers album today, figuring it to be the best shot at an A- record -- may have cut it some slack, finishing my review before the long closing flute lead, so phobes beware.
Started of trying to explore the late rasta toaster U-Roy, but didn't get very far, mostly because his discography boggled my mind. I should note that Clifford Ocheltree recommended two records I couldn't find: The Lost Album: Right Time Rockers (1976 , Sound System); and Version of Wiscom (1978-79 , Front Line/Virgin). He carried on into the 21st century, but the 1970s look to be his prime time: my own pick is still the 1969-70 Your Ace From Space.
Percussionist Milford Graves also died last week (1941-2021). He had a pretty sketchy discography since his 1965 Percussion Ensemble. Some highlights include Real Deal (1992, with David Murray), Beyond Quantum (2008, with Anthony Braxton and Wiliam Parker), and Space/Time: Redemption (2015, with Bill Laswell).
Last Monday of the month, but I'm in no mood to turn over my Streamnotes file, so maybe I'll aim for a February 28 Music Week on Sunday, and feel more like it then.
New records reviewed this week:
Recent reissues, compilations, and vault discoveries:
Unpacking: Found in the mail last week: