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An occasional blog about populist politics and popular music, not necessarily at the same time. LinksLocal Links My Other Websites Music Politics Others Networking Music DatabaseArtist Search: Website SearchGoogle: Recent Reading
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Tuesday, November 5, 2024 Music Week
November archive (in progress). Music: Current count 43118 [43099] rated (+19), 36 [41] unrated (-5). We got to the polls later than I expected, so I had some time early today to fiddle with, and I used it to add more links to yesterday's Speaking of Which (up to 159, from 135). Vox emailed me a couple election anxiety/guide articles, so I figured it wouldn't hurt to cite them. I sometimes imagine going back through the blog for notes to write a journal-type book, so it's nice to have a fairly competent record, even if much of it is of passing interest. My latest concept for such a book would be subtitled What I Learned During the 2024 Election. Most of what I've learned is how irrational people can be in weighing matters of politics. Main downside to developing that idea is that most of my notes are from people who are well-informed and exceptionally rational. Explaining the 40-60% of Americans who are supposed to be voting for Trump today is going to take more research, and it's not likely to be pretty. I'm a bit surprised that the rated count this week is only 19, but we're a couple days short of a week, and in a bit of a down cycle. I am finally nearing the end of my bedroom/closet project. I did some more caulking today, around the trim (which already has one coat, but in various places needs another). I'll sand and paint tomorrow. It'll probably take another day to touch up spots where I colored outside the lines. I'm a pretty lousy painter, so that happens more often than it should. That leaves the problem with the ceiling (masking tape pulled down strips and splotches of paint), but I'm going to kick that back to the guy who plastered and painted the ceiling in the first place, and it shouldn't take him long. I got all the paneling up in the closet, including new boards for the ceiling. I put the lights back up this afternoon. Next thing there is to cut some trim boards and screw them in place. The boards are prepped, and most of that should go pretty quickly. I don't have a plan for finishing it yet, but we don't have to do that part before moving back into the bedroom (actually, more of an office, but it has a futon, which works for a spare bed). What we will still need to do is cleaning, sorting, and reorganizing, but that's an ongoing process everywhere. My next big project should be the Francis Davis Jazz Critics Poll. I'll try to set up the website next week, and get invites out the week after. Biggest uncertainty there is communications, as my email list last year (and mid-year) proved pretty unreliable. That probably means paying for a commercial list provider, as it's almost impossible to avoid spam blacklisting on your own -- presumably, that is doable if that's your business, otherwise you wouldn't have a business. We also need to vet new critics. I'm thinking of setting up an advisory board to help on things like that, as well as to sanity-check my own thinking and coding. If you're interested in helping, or just know of a critic we should be polling, please get in touch. As for my own writing, the next two months should be a good time to re-evaluate what, if anything, I still might try to work on. I've resisted checking the news all evening, which should hold out until I get this (and the Speaking of Which) updates up, around 11 PM CDT. New records reviewed this week: T.K. Blue: Planet Bluu (2022 [2024], Jaja): Saxophonist, mostly alto, b. 1953 in New York as Eugene Rhynie, parents Jamaican and Trinidadian, recorded several albums as Talib Kibwe (1987-96), side credits including Randy Weston and Sam Rivers, made his debut as T.K. Blue in 1999. Very spirited mainstream group here. B+(**) [cd] John Cale: POPtical Illusion (2024, Domino): Originally from Wales, made his mark in New York as a co-founder of the Velvet Underground, playing electric violin on first two albums. Now 82, with his 18th studio album, not counting various collaborations (including notable ones with Terry Riley, Lou Reed, and Brian Eno) and many soundtracks. This reminds me much of his early 1970s albums, his baroque phase, not that he hasn't picked up a few tricks since then. B+(***) [sp] Avishai Cohen: Ashes to Gold (2023 [2024], ECM): Israeli trumpet player (not the bassist), albums since 2002. Quartet with piano (Yonathan Avishai), bass (Barak Mori), and drums (Ziv Ravitz). This is quite nice. B+(**) [sp] The Cure: Songs of a Lost World (2024, Fiction): English art rock band, principally Robert Smith, debut 1979, one of those 1980s bands other people seemed to like but I never developed any attachment to. Hit their commercial peak with Wish in 1992 (UK: 1, US: 2), dropped back to a record every four years after that, until 2008, then a 16-year gap until this one, which I was surprised to find well reviewed (91/29 at AOTY). I recall very little of that, but there are impressive patches here, and some not so. B+(*) [sp] The Dare: What's Wrong With New York? (2024, Republic): New rave singer-songwriter Harrison Smith, from Los Angeles, previously known as Turtlenecked, had a 2022 single that got him noticed by Charli XCX, giving him a bit role on Brat. First album (as The Dare, anyway), 10 songs, 27:24, makes an impression. B+(*) [sp] Joe Fahey: Andrea's Exile (2024, Rough Fish): Folkie singer-songwriter, another nice album. B+(**) [sp] Nubya Garcia: Odyssey (2024, Concord Jazz): British tenor saxophonist, parents from Guyana and Trinidad, debut EP in 2017, various lineups here, including vocal features for Esperanza Spalding and Georgia Anne Muldrow plus her own spoken word. I'm not wild about that turn, but I'm more bothered by the soundtrack texturing. B [sp] Rich Halley 4: Dusk and Dawn (2023 [2024], Pine Eagle): Tenor saxophonist, from Portland, has run up a string of superb albums ever since I first noticed him in 2005, about the time when he retired from his day job (as I recall, but he's 77 now, and had a couple earlier albums I still haven't heard). His last two albums were elevated by pianist Matthew Shipp. Here he's back with his old quartet: Michael Vlatkovich (trombone), Clyde Reed (bass), and Carson Halley (drums, his son). Little if any drop here, the trombone a definite plus. A- [cd] Jazzmeia Horn: Messages (2024, Empress Legacy): Jazz singer, from Dallas, fourth album since 2017, impressive range, some scat, I'm unclear on credits. B+(**) [sp] Randy Ingram: Aries Dance (2024, Sounderscore): Pianist, originally from Alaska, studied at USC and NEC, has a half-dozen albums since 2009, this a nice mainstream trio with Drew Gress (bass) and Billy Hart (drums), playing six originals and three standards. B+(**) [cd] Ryan Keberle & Catharsis: Music Is Connection (2023-24 [2024], Alternate Side): Trombone player, albums since 2006, adopted the group name in 2012, has increasingly used vocals, sings some himself but mostly Camila Meza here (also on guitar). With Jorge Roeder (bass) and Eric Doob (drums), plus a spot for saxophonist Scott Robinson. I like the trombone more than the vocals, but the latter grew on me. B+(***) [cd] Jason Keiser: Kind of Kenny (2024, OA2): Guitarist (acoustic, steel string & nylon string), from San Francisco, second album, also features John Stowell (electric guitar & baritone fretless guitar), with a tribute to Kenny Wheeler, with Erik Jekabson (trumpet/flugelhorn), Michael Zilber (tenor/soprano sax), and Danielle Wertz (vocals). B+(**) [cd] Laura Marling: Patterns in Repeat (2024, Chrysalis/Partisan): English singer-songwriter, seventh studio album since 2008, a quiet affair of voice and acoustic guitar, against a background of dubbed-in strings. B+(**) [sp] Thollem McDonas: Infinite-Sum Game (2023 [2024], ESP-Disk): Pianist, originally from Bay Area, many albums since 2004, often just goes as Thollem. Solo set, recorded in Dublin, pretty engaging as these things go. B+(***) [cd] Nacka Forum: Peaceful Piano (2024, Moserobie): Swedish quartet, founded 1999, not sure whether they qualify as "all-stars," but all players you should know on their own: Goran Kajfes (trumpet), Jonas Kullhammar (reeds), Johan Berthling (bass), Kresten Osgood (drums), with a couple guest spots for Lars-Göran Ulander (alto sax, "known from the legendary '60s recordings"). No piano. None needed. A- [cd] NLE Choppa: Slut Szn (2024, Warner, EP): Memphis rapper Bryson Potts, first singles/mixtape 2018, two albums, this is 8-song, 21:56 set is counted as his eighth mixtape. Very jumpy, but runs down fast. B+(*) [sp] Pony Boy All-Star Big Band: This Is Now: Live at Boxley's (2024, Pony Boy): Seattle-based big band, led by drummer/arranger Greg Williamson, also exists as a 7-piece "mini big band." Seems to be their first album, the group taking its name from an independent jazz label that has several dozen other albums, but few names I'm familiar with. My promo came with a bonus CD (two tracks, 15:58, from an earlier date). B+(**) [cd] Brandon Seabrook: Object of Unknown Function (2023 [2024], Pyroclastic): Plays banjo and guitar, solo here, supplemented by electronics/tapes. I'm impressed, but without much pleasure. B+(*) [cd] Luke Winslow-King: Flash-a-Magic (2024, Bloodshot): Singer-songwriter, originally from Michigan, at least eight albums since 2008. B+(*) [sp] Recent reissues, compilations, and vault discoveries: Terry Gibbs Dream Band: Vol. 7: The Lost Tapes, 1959 (1959 [2024], Whaling City Sound): Vibraphonist, still ticking at 100 -- his first album was Good Vibes in 1951, his "last" the quite good 92 Years Young from 2017, or perhaps 2022's The Terry Gibbs Songbook, credited to Terry Gibbs Legacy Band, which he played some on, and he's still listed as producer here. He led a big band in 1959, with Mel Lewis on drums, Bill Holman on tenor sax (and arranging), and other cool jazz notables, with Marty Paich, Med Flory, Manny Albam, and Al Cohn among the arrangers. They produced four albums through 1961, starting with Launching a New Band, and since 1986's Dream Band various of their concert tapes have been released, through 2006's superb Vol. 6. This latecomer is one of the best, ferocious swing and crackling power extended over 71 minutes. A- [cd] Old music:
Unpacking: Found in the mail last week:
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