Streamnotes: November 25, 2024

Most of these are short notes/reviews based on streaming records from Napster (formerly Rhapsody; other sources are noted in brackets). They are snap judgments, usually based on one or two plays, accumulated since my last post along these lines, back on October 31. Past reviews and more information are available here (24416+ records).

Recent Releases

Michaël Attias: Quartet Music: Vol. I + II: LuMiSong + Kardamom Fall (2021-22 [2024], Out of Your Head, 2CD): Alto saxophonist, born in Israel, grew up in Paris and Minneapolis, returned to Paris, then to New York in 1994. I'm surprised he has no Wikipedia page, as he's recorded extensively since 1989 (Discogs lists 95 albums). This 2-CD combines two quartet sessions that are separately released as digital, so I've broken them out below. B+(***) [cd]

Michaël Attias: Quartet Music: Vol. I: LuMiSong (2021 [2024], Out of Your Head): With Santiago Leibson (piano), Matt Pavolka (bass), and Mark Ferber (drums): 4 tracks, 29:36. B+(**) [cd]

Michaël Attias: Quartet Music: Vol. II: Kardamom Fall (2022 [2024], Out of Your Head): With Santiago Leibson (piano), Sean Conly (bass), and Tom Railey (drums): 8 tracks, 62:05. B+(***) [cd]

Ashtyn Barbaree: Sent Through the Ceiling (2024, Artists 3 60): Country singer-songwriter, from Arkansas, has a 2018 EP and and a 2022 debut album which I checked a couple months ago, when I got this promo, and found "nice enough." This second album is nicer still, with some solid songwriting, good voice, and serious fiddle. B+(***) [cd]

Big Bambi: Compositions for Bass Guitar & Bassoon, Vol. I (2022 [2024], Greene Avenue Music): Duo of Maribel Alonso (bassoon) and Jochem van Dijk (bass guitar/electronics), as advertised, interesting as far as it goes. B+(**) [cd]

T.K. Blue: Planet Bluu (2022 [2024], Jaja): Saxophonist, mostly alto, b. 1953 in New York as Eugene Rhynie, parents Jamaican and Trinidadian, recorded several albums as Talib Kibwe (1987-96), side credits including Randy Weston and Sam Rivers, made his debut as T.K. Blue in 1999. Very spirited mainstream group here. B+(**) [cd]

John Cale: POPtical Illusion (2024, Domino): Originally from Wales, made his mark in New York as a co-founder of the Velvet Underground, playing electric violin on first two albums. Now 82, with his 18th studio album, not counting various collaborations (including notable ones with Terry Riley, Lou Reed, and Brian Eno) and many soundtracks. This reminds me much of his early 1970s albums, his baroque phase, not that he hasn't picked up a few tricks since then. B+(***) [sp]

Avishai Cohen: Ashes to Gold (2023 [2024], ECM): Israeli trumpet player (not the bassist), albums since 2002. Quartet with piano (Yonathan Avishai), bass (Barak Mori), and drums (Ziv Ravitz). This is quite nice. B+(**) [sp]

Steve Coleman and Five Elements: PolyTropos/Of Many Turns (2024, Pi, 2CD): Alto saxophonist, started back in the mid-1980s developing a strain of funk-fusion, especially in his M-Base Collective. I should probably revisit those albums, which I wasn't much into (excepting 1993's The Tao of Mad Phat/Fringe Zones). But his later postbop, from 2013's Functional Arrhythmias on, has been very engaging, especially this live double, with sets from Paris and Voiron. The group is a quartet, with Jonathan Finlayson interweaving on trumpet, backed by Rich Brown on bass, and Sean Rickman on drums. A- [cd]

The Cure: Songs of a Lost World (2024, Fiction): English art rock band, principally Robert Smith, debut 1979, one of those 1980s bands other people seemed to like but I never developed any attachment to. Hit their commercial peak with Wish in 1992 (UK: 1, US: 2), dropped back to a record every four years after that, until 2008, then a 16-year gap until this one, which I was surprised to find well reviewed (91/29 at AOTY). I recall very little of that, but there are impressive patches here, and some not so. B+(*) [sp]

Caleb Wheeler Curtis: The True Story of Bears and the Invention of the Battery (2024, Imani, 2CD): Leader is mostly a saxophonist (tenor, sopranino, stritch), but also plays trumpet. Title is from the first disc, with the second titled Raise Four: Monk the Minimalist. Both are trios with bass and drums -- Sean Conly and Michael Sarin up front, Eric Revis and Justin Faulkner on the bonus. Both impress. A- [cd]

The Dare: What's Wrong With New York? (2024, Republic): New rave singer-songwriter Harrison Smith, from Los Angeles, previously known as Turtlenecked, had a 2022 single that got him noticed by Charli XCX, giving him a bit role on Brat. First album (as The Dare, anyway), 10 songs, 27:24, makes an impression. B+(*) [sp]

Day Dream: Duke & Strays Live: Works by Duke Ellington & Billy Strayhorn (2023 [2024], Corner Store Jazz, 2CD): Ellington tribute trio, with Steve Rudolph (piano), Drew Gress (bass), and Phil Haynes (drums). Same trio did an album under their names (Rudolph) called Day Dream, released in 2023 but recorded back in 2009. Ten songs, 77:09, so could have been squeezed onto a single CD. Slips by if you're not paying close attention. B+(**) [cd]

Hania Derej Quintet: Evacuation (2023 [2024], ZenneZ): Polish pianist, several albums since 2016, this group with tenor sax, trombone, bass, and drums. B+(***) [sp]

Joe Fahey: Andrea's Exile (2024, Rough Fish): Folkie singer-songwriter, another nice album. B+(**) [sp]

Elin Forkelid: Songs to Keep You Company on a Dark Night (2024, Sail Cabin): Swedish saxophonist, tenor mostly, née Larsson, has a previous Plays Trane, several group efforts, quartet here with Tobias Wiklund (cornet/trumpet), David Stackenäs (guitar), and Mats Dimming (bass). B+(**) [sp]

Fred Again . .: Ten Days (2024, Atlantic): British electronica producer Fred Gibson, has several albums, including a collaboration with Brian Eno that never really took off earlier this year. Credited with "programming" here, plus vocals on 6 (of 20) tracks. B+(**) [sp]

The Fugs: Dancing in the Universe (2023, Fuga): Tuli Kupferberg died in 2016, but he left four demo vocals from 2006 that survivor Ed Sanders and some friends -- they go back to a 1984 revival, and were on The Fugs Final CD (both of them, one from 2003, the other 2010 -- fashioned into a new album, 58 years after their The Fugs' First Album. They're older, well old, resigned never making the Rock & Roll Hall of Fame, remembering Johnny Cash, Frank O'Hara, and Emma Goldman. I take some comfort in "Where Have All the Commies Gone?" (after noting such destinations as academia, drugs, and Hillary, "when will they ever learn, when will we ever learn"). But not so much from "We Are Living in End Times." B+(**) [bc]

Nubya Garcia: Odyssey (2024, Concord Jazz): British tenor saxophonist, parents from Guyana and Trinidad, debut EP in 2017, various lineups here, including vocal features for Esperanza Spalding and Georgia Anne Muldrow plus her own spoken word. I'm not wild about that turn, but I'm more bothered by the soundtrack texturing. B [sp]

Andy Haas: For the Time, Being (2023 [2024], Resonant Music): Saxophonist, originally from Toronto, where he started in the new wave Martha and the Muffins, based in New York, also worked in groups God Is My Co-Pilot and Radio I-Ching. Mixed bag of experimental releases under his own name, but I much liked 2023's Accidentals (lead credit Don Fiorino). This one is solo, his credits: "saxophone, strap-on tremolo, mm w/hazaral, vinyl LP manipulation" -- so mostly sounds like electronics, or scattered sound effects. B+(*) [cd]

Rich Halley 4: Dusk and Dawn (2023 [2024], Pine Eagle): Tenor saxophonist, from Portland, has run up a string of superb albums ever since I first noticed him in 2005, about the time when he retired from his day job (as I recall, but he's 77 now, and had a couple earlier albums I still haven't heard). His last two albums were elevated by pianist Matthew Shipp. Here he's back with his old quartet: Michael Vlatkovich (trombone), Clyde Reed (bass), and Carson Halley (drums, his son). Little if any drop here, the trombone a definite plus. A- [cd]

Halsey: The Great Impersonator (2024, Columbia): Pop star, fifth album since 2016, all charted US 1-2, still not much glitz here, mostly mid-tempo introspection, some muscled up, with more than a few lyrics breaking through, like "I think I'm special because I cut myself wide open," "I'm not old but I am tired," "I still believe in heaven, if they'll never let me in," and "is it love or a panic attack?" A- [sp]

The Hard Quartet: The Hard Quartet (2024, Matador): Billed as a supergroup, but any group that lets Stephen Malkmus sing should be counted as his. Besides, who the hell are these guys? Matt Sweeney (guitarist for Skunk, Chavez, and Zwan), Jim White (drummer from Dirty Three), and Emmett Kelly (guitarist from Cairo Gang; he's the only one other than Malkmus with an album under his own name)? Not my idea of hard, perhaps even a bit thin for Malkmusian, but that much is identifiable. B+(*) [sp]

Alex Heitlinger Jazz Orchestra: Slush Pump Truck Stop (2019 [2024], SteepleChase): Trombonist, several albums since his 2004 debut, composed (7 of 8 pieces) and arranged this for conventional big band. B [sp]

Jazzmeia Horn: Messages (2024, Empress Legacy): Jazz singer, from Dallas, fourth album since 2017, impressive range, some scat, I'm unclear on credits. B+(**) [sp]

Randy Ingram: Aries Dance (2024, Sounderscore): Pianist, originally from Alaska, studied at USC and NEC, has a half-dozen albums since 2009, this a nice mainstream trio with Drew Gress (bass) and Billy Hart (drums), playing six originals and three standards. B+(**) [cd]

Laird Jackson: Life (2024, self-released): Jazz singer-songwriter, has previous albums from 1994 and 2002, most songs here originals co-written by Jeff Haynes (percussion, bass on one track, vocals on two). This is an ambitious work, a bit slow and ponderous for my attention span, but the "Wild Is the Wind" cover is striking, and there may well be more to it. B+(*) [cd]

The Jesus and Mary Chain: Glasgow Eyes (2024, Fuzz Club): Scottish group, principally brothers Jim and William Reid, debut album 1986, developed a distinctive sound between new wave and shoegaze, disbanded 1998, regrouped c. 2007 but didn't release a new album until 2017, followed up here. Sound remains distinct, but perhaps more as a medium for songwriting than as an end in itself. B+(**) [sp]

Ariel Kalma/Jeremiah Chiu/Marta Sofia Honer: The Closest Thing to Silence (2022-23 [2024], International Anthem): French ambient composer, many albums since 1975, collaborators here did a 2022 album I liked, Recordings From the Åland Islands. Notes on wrapper: "Ephemeral, eylsian electro-acoustic collusion birthing a realized humanized multi-generational poly-technological expression." Another of those Hassel-like "fourth world" vibes. B+(**) [sp]

Pandelis Karayorgis/George Kokkinaris: Out From Athens (2023 [2024], Driff): Piano and bass duets (one solo each), the former born in Athens but long-based in Boston, with many albums since 1989. B+(**) [bc]

Ryan Keberle & Catharsis: Music Is Connection (2023-24 [2024], Alternate Side): Trombone player, albums since 2006, adopted the group name in 2012, has increasingly used vocals, sings some himself but mostly Camila Meza here (also on guitar). With Jorge Roeder (bass) and Eric Doob (drums), plus a spot for saxophonist Scott Robinson. I like the trombone more than the vocals, but the latter grew on me. B+(***) [cd]

Jason Keiser: Kind of Kenny (2024, OA2): Guitarist (acoustic, steel string & nylon string), from San Francisco, second album, also features John Stowell (electric guitar & baritone fretless guitar), with a tribute to Kenny Wheeler, with Erik Jekabson (trumpet/flugelhorn), Michael Zilber (tenor/soprano sax), and Danielle Wertz (vocals). B+(**) [cd]

Rebecca Kilgore: A Little Taste: A Tribute to Dave Frishberg (2023 [2024], Cherry Pie Music): Standards singer, b. 1949, one of her first albums (1994) had her only backed by Frishberg on piano, a formula they repeated several times since. Discogs says she "retired from performing in 2024 after being diagnosed with dementia with Lewy Bodies," so this looks like it could be her last. In between, she mostly recorded with retro swing and trad jazz artists, especially for Arbors, where she always seemed right at home. I should check out what I've missed. She gets more backing here, including some strings, and limits herself to 11 songs (38:22), but she sounds fine, and the late pianist's songs are as witty as ever, even without his sly drawl. B+(***) [cd]

Lady Gaga: Harlequin (2024, Interscope): Tie-in to the Todd Phillips movie, Joker: Folie à Deux, which she co-stars in (as Harleen "Lee" Quinzel) and wrote the soundtrack for. I don't know how much of this features in the film: one of two originals is "The Joker," but the rest are standards (some with added Stefani Germanotta credits), which suggests continuity from her Tony Bennett duet albums. They are splashy, but not especially interesting. B+(*) [sp]

The Linda Lindas: No Obligation (2024, Epitaph): Punk girl band, from Los Angeles, had a viral breakout single in 2021, "Racist, Sexist Boy," followed that up with a debut album, and now this second album. B+(**) [sp]

Brian Lynch: 7X7BY7 (2021 [2024], Holistic MusicWorks): Trumpet player, started mainstream but moved quickly into Latin jazz, especially once he joined Eddie Palmieri. Septet here is a good example of that, with Craig Handy (tenor sax), Alex Wintz (guitar), Luis Perdomo (piano), bass, drums, and percussion. B+(***) [cd]

Lyrics Born: Goodbye, Sticky Rice (2024, Mobile Home): Rapper Tom Shimura, originally from Tokyo but grew up in Salt Lake City and Berkeley, started as half of Latyrx, has a superb string of albums going, with an exuberant beat and extra vocals that appeal to me the same way Parliament did in the 1970s. He's billed this as his "final album." At 52, he may feel he's "cooked," but even if this feels offhanded, he's still got a lot going on. A- [sp]

Laura Marling: Patterns in Repeat (2024, Chrysalis/Partisan): English singer-songwriter, seventh studio album since 2008, a quiet affair of voice and acoustic guitar, against a background of dubbed-in strings. B+(**) [sp]

MC5: Heavy Lifting (2024, EarMusic): Hard rock band from Detroit, released a famous live album in 1969 (Kick Out the Jams), two studio albums through 1971, several live bootlegs since, with various reunions, but this is the first album of new material. The only suriving original members, Wayne Kramer and Dennis Thompson, regrouped in 2022, and only Kramer (songwriter, guitar, some vocals) made it onto this recod, released after Kramer too had passed. B+(**) [sp]

Thollem McDonas: Infinite-Sum Game (2023 [2024], ESP-Disk): Pianist, originally from Bay Area, many albums since 2004, often just goes as Thollem. Solo set, recorded in Dublin, pretty engaging as these things go. B+(***) [cd]

JD McPherson: Nite Owls (2024, New West): Singer-songwriter, guitarist from Oklahoma, country roots, favors rockabilly, fifth album since 2012, includes a Duane Eddy nod. B+(**) [sp]

Moby: Always Centered at Night (2024, Mute): Some album I've heard recently and already forgotten about reminded me that I hadn't heard this one, his 22nd since 1992, so I figured why not? Released in June, already available in two remixes, but I went to the original. Some nice stuff here, in line with his previous gospel sampling. B+(*) [sp]

Monolake: Studio (2024, Imbalance Computer Music): German electronic music group, first album 1997 as a duo of Robert Henke and Gerhard Behles (later Torsten Pröfrock), now just Henke. Sharp beats with Krautrock airs and extra klang. B+(***) [sp]

Thurston Moore: Flow Critical Lucidity (2024, Daydream Library Series): Sonic Youth guitarist-vocalist, did a solo album in 1995, plus a number of collaborations with jazz and avant/experimental figures, more after the band broke up. Curve fits the milder-with-age trajectory, maintaining his distinct sound post-group, even while attenuated. B+(**) [sp]

Nacka Forum: Peaceful Piano (2024, Moserobie): Swedish quartet, founded 1999, not sure whether they qualify as "all-stars," but all players you should know on their own: Goran Kajfes (trumpet), Jonas Kullhammar (reeds), Johan Berthling (bass), Kresten Osgood (drums), with a couple guest spots for Lars-Göran Ulander (alto sax, "known from the legendary '60s recordings"). No piano. None needed. A- [cd]

Meshell Ndegeocello: No More Water: The Gospel of James Baldwin (2024, Blue Note): Singer-songwriter, plays bass guitar, originally Michelle Johnson, had some success on the r&b charts 1993-2014, since then has landed on a jazz label, but the arc from Plantation Lullabies to Baldwin themes isn't really all that far. Possibly more here than what I can immediately grasp, but I'm not sure how hard I want to work for it. B+(**) [sp]

The Necks: Bleed (2024, Northern Spy): Australian jazz trio, with Chris Abrahama (piano), Lloyd Swanton (bass), and Tony Buck (drums), close to 30 albums since 1989. This is a single piece, 41:10, more ambient than anything else. B+(*) [sp]

Willie Nelson: Last Leaf on the Tree (2024, Legacy): Ninety now, second album this year, 76th "solo studio album" (per Wikipedia), son Micah Nelson produced and co-wrote the one new original (a cover of an older Nelson song is a hidden track). Title from one of two Tom Waits covers. Production is spare and laid back, which suits him fine (not that all the songs hold up). B+(**) [sp]

The New Mastersounds: Old School (2024, One Note): British funk-fusion band, from Leeds, 20+ albums since 2001, quartet with organ/keyboards (Joe Tatton), guitar (Eddie Roberts), bass (Peter Shand), and drums (Simon Allen). B+(*) [sp]

NLE Choppa: Slut Szn (2024, Warner, EP): Memphis rapper Bryson Potts, first singles/mixtape 2018, two albums, this is 8-song, 21:56 set is counted as his eighth mixtape. Very jumpy, but runs down fast. B+(*) [sp]

Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra (2024, Red Hot +): Discogs files under Kronos Quartet, but they don't seem to play on all of the tracks, while numerous "friends" come and go. The label has been producing various artists specials going back to their initial 1990 AIDS benefit (Red Hot + Blue), including a couple tied to the music of Sun Ra. Some interesting stuff here, including Laurie Anderson and Jlin, but it can get pretty scattered. B+(**) [sp]

Pony Boy All-Star Big Band: This Is Now: Live at Boxley's (2024, Pony Boy): Seattle-based big band, led by drummer/arranger Greg Williamson, also exists as a 7-piece "mini big band." Seems to be their first album, the group taking its name from an independent jazz label that has several dozen other albums, but few names I'm familiar with. My promo came with a bonus CD (two tracks, 15:58, from an earlier date). B+(**) [cd]

Remedy [Thomas Heberer/Joe Fonda/Joe Hertenstein]: Live at Jazzkammer (2024, 420 CPW): German trumpet player, based in New York, with bass and drums, group named for their 2022 album title, followed by a Remedy II. B+(**) [bc]

Cene Resnik/Samo Salamon/Samuel Ber: The Thinkers (2023 [2024], Samo): Tenor sax/guitar/drums trio, the former from the group Siddharta (1999-2007), like Salomon from Slovenia. B+(***) [bc]

Brandon Seabrook: Object of Unknown Function (2023 [2024], Pyroclastic): Plays banjo and guitar, solo here, supplemented by electronics/tapes. I'm impressed, but without much pleasure. B+(*) [cd]

Tyshawn Sorey/Adam Rudolph: Archaisms II (2023 [2024], Meta): Two percussionists, Rudolph listed first on the previous volume, Sorey's credit for piano/drumset, with three more names in a second tier on the cover: Sae Hashimoto, Russell Greenberg, Levy Lorenzo, each credit "multiple percussion," with Lorenzo's adding "electronic percussion." B+(**) [sp]

Squarepusher: Dostrotime (2024, Warp): English electronics producer Tom Jenkinson, debut (Feed Me Weird Things 1996), I've only heard one previous album, but this popped up as Bleep's best record pick this year. It does have its moments. B+(***) [sp]

Kevin Sun: Quartets (2022-23 [2024], Endectomorph Music, 2CD): Tenor saxophonist, debut a Trio in 2018, has chops plus a deep understanding of sax lore. Two sets here, both with bassist Walter Stinson, one with Dana Saul (piano) and Matt Honor (drums), the other with Christian Li (piano) and Kayvon Gordon (drums). He's impressive here, but stretched a bit thin. B+(***) [cd]

Peter Van Huffel/Meinrad Kneer/Yorgos Dimitriadis: Synomilies (2022 [2024], Evil Rabbit): Free jazz trio of alto/baritone sax, bass, and drums. [bc]

Friso van Wijck: Friso van Wijck's Candy Container (2024, TryTone): Dutch drummer, has side credits going back to 1992, but unclear whether this is his first as leader. Two saxophonists, two guitarists, one bassist, geared for conflict, and sometimes resolution, B+(***) [cd]

Western Jazz Collective: The Music of Andrew Rathbun (2021 [2024], Origin): Rathbun is a tenor/soprano saxophonist who's been kicking around since his 2000 debut, and he's part of this septet (plus guest), the "Western" hailing from Western Michigan University (Kalamazoo, MI). B+(**) [cd]

Andy Wheelock/Whee 3 Trio: In the Wheelhouse (2024, OA2): Drummer, seems to be his first album (Discogs shows one side credit), trio includes Walter Gorra (piano) and Gonzalo Teppa (bass), but the record is really dominated by the guitar of "special guest" Gilad Hekselman. B+(**) [cd]

Luke Winslow-King: Flash-a-Magic (2024, Bloodshot): Singer-songwriter, originally from Michigan, at least eight albums since 2008. B+(*) [sp]

Tucker Zimmerman: Dance of Love (2024, 4AD): Singer-songwriter, b. 1941 in Sonoma County, California, debut album Ten Songs in 1969, more through 1983, with a couple revivals since. I'd never heard of him, but evidently David Bowie was a fan, as is Adrienne Lenker, whose Big Thief backs him here, with perfectly unobtrusive music he can talk or sing over, with Lenker and Marie Claire backing. A- [sp]

Recent Reissues, Compilations, Vault Discoveries

Black Artist Group: For Peace and Liberty: In Paris, Dec 1972 (1972 [2024], WeWantSounds): Avant-jazz group from St. Louis, 1968-72, aka BAG, just one live album before this tape surfaced. Quintet with three members who later became well-known: Oliver Lake (alto sax), Baikida Carroll (trumpet), Joseph Bowie (trombone), Ron LeFlore (trumpet), Charles Shaw (percussion). B+(***) [sp]

Terry Gibbs Dream Band: Vol. 7: The Lost Tapes, 1959 (1959 [2024], Whaling City Sound): Vibraphonist, still ticking at 100 -- his first album was Good Vibes in 1951, his "last" the quite good 92 Years Young from 2017, or perhaps 2022's The Terry Gibbs Songbook, credited to Terry Gibbs Legacy Band, which he played some on, and he's still listed as producer here. He led a big band in 1959, with Mel Lewis on drums, Bill Holman on tenor sax (and arranging), and other cool jazz notables, with Marty Paich, Med Flory, Manny Albam, and Al Cohn among the arrangers. They produced four albums through 1961, starting with Launching a New Band, and since 1986's Dream Band various of their concert tapes have been released, through 2006's superb Vol. 6. This latecomer is one of the best, ferocious swing and crackling power extended over 71 minutes. A- [cd]

Andrew Hill Sextet Plus Ten: A Beautiful Day Revisited (2002 [2024], Palmetto, 2CD): Pianist (1931-2007), recorded a series of now-classic Blue Note albums starting with 1963's Black Fire up through 1970, after which, like so many, his discography wanders around Europe -- Shades, on Soul Note in 1986, is a fine example -- but he got more attention on the rare occasions when he resurfaced on American labels: Blue Note in 1989 and 2006, and Palmetto in 2000 (Dusk) and 2002 (A Beautiful Day). I liked the Blue Notes (especially Awakening), but at the time was less happy with the Palmettos, especially the live big band album reissued here, resequenced and expanded (82 minutes), and somewhat better for it. Note credit for Ron Horton: "arranged by, conductor, music director, liner notes," with Matt Balitsaris as producer and engineer. B+(**) [cd]

Old Music

Blue Muse ([2019], Blues Maker Foundation): Various artists sampler, no recording dates but presumably recent, as the Foundation/label has been cultivating local talent, but it's salted with a few names most recognize. B+(***) [bc]

Steve Coleman Group: Motherland Pulse (1985, JMT): Alto saxophonist, originally from Chicago, moved to New York in 1978, worked in big bands (Thad Jones/Mel Lewis, Sam Rivers) and joined Dave Holland's Quintet, with this his first album as leader, an adventurous slab of postbop maneuvers. With Geri Allen (piano), Lonnie Plaxico (bass), and Marvin Smith (drums), plus Graham Haynes (trumpet) on two tracks, and a Cassandra Wilson vocal (possibly the album's high point). B+(***) [yt]

Steve Coleman and Five Elements: The Sonic Language of Myth: Believing, Learning, Knowing (1999, RCA Victor): "Five Elements" has been Coleman's most common group name since 1986, with 23 albums to date, but the lineups have varied -- it would be nice to have one of those Wikipedia-style timelines to plot it all out. Aside from the alto sax, the core group here is Anthony Tidd (electric bass), Sean Rickman (drums), and Miguel "Anga" Diaz (percussion), although only Coleman plays on all tracks, and many others join in on various tracks, including tenor sax (Ravi Coltrane and Craig Handy), trumpet (Ralph Alessi and Shane Endsley), piano (Vijay Iyer and Jason Moran), strings, and vocals. B+(***) [yt]

Steve Coleman and Five Elements: Drop Kick (1992, RCA/Novus): Mostly riffing over funk beats, mostly from Reggie Washington (electric bass) and Marvin "Smitty" Smith (drums), some with James Weidman (piano/keyboards) and/or Michael Wimberly (percussion), and an alternate bass/drums combo on three. Guest spots include Lance Bryant (tenor sax), Grgeg Osby (alto sax), Don Byron (clarinet/bass clarinet), and Cassandra Wilson (vocals). B+(*) [sp]

Steve Coleman and the Mystic Rhythm Society: Myths, Modes and Means (1995, Groovetown/RCA/BMG France): The first of three CDs with the same cover logo: "Recorded Live at the Hot Brass, 24-29 March, 1995." With Ralph Alessi (trumpet) for a second horn, two name keyboard players (Vijay Iyer and Andy Milne), funk rhythm and a few exotic instruments (like Miya Masaoka's koto) and dancers. B+(**) [sp]

Steve Coleman and Metrics: The Way of the Cipher (1995, Groovetown/RCA/BMG France): Same cover sticker: "Recorded Live at the Hot Brass, 24-29 March, 1995." Band is pretty much the same (just Andy Milne on keyboards), but this time features rappers (Black Indian, Kokayi, Sub Zero). B+(**) [sp]

Steve Coleman: Invisible Paths: First Scattering (2007, Tzadik): Alto saxophonist, solo album, pretty long at 71 minutes (16 pieces). B+(*) [sp]

Andrew Hill: But Not Farewell (1990 [1991], Blue Note): The pianist's much-heralded return to Blue Note in 1989 (Eternal Spirit) was short-lived, with this set of scraps released only in Japan, so it was "farewell," at least until 2006's Time Lines. Four quintet tracks, with Greg Osby (alto/soprano sax), Robin Eubanks (trombone), bass, and drums. The fifth track is a duo with Osby, and the last two are solo. The quintet pieces are typical of his avant-postbop, and the solos are nice and thoughtful. B+(**) [sp]

Rebecca Kilgore and Dave Frishberg: Not a Care in the World (1995, Arbors): Standards singer, her second album with the pianist backing, this one adding Dan Faehnle on guitar for 10 (of 17) tracks (none by Frishberg, but you get "South American Way" and a Jobim), ending with a delightful version of "The Glow-Worm." B+(**) [sp]

Rebecca Kilgore & Dave Frishberg: The Starlit Hour (1997 [2001], Arbors): Just voice and piano, some applause, I'm not seeing song credits but they're pretty standard. B+(***) [r]

Rebecca Kilgore: Moments Like This (1998-99 [2001], HeavyWood Music): Standards singer, backed by Randy Porter (piano), Scott Steed (bass), and Neil Masson (drums). B+(**) [sp]

Rebecca Kilgore and the Bobby Gordon Trio: Make Someone Happy: A Further Remembrance of Maxine Sullivan, Volume Two (2004 [2005], Audiophile): Follows her 2001 album, Harlem Butterfly: A Remembrance of Maxine Sullivan, also recorded with Gordon (clarinet), Chris Dawson (piano), and Hal Smith (drums). Sullivan (1911-87) was a delightful singer, but I've only sampled her lightly, and have no sense of her repertoire, and tend to focus on the standards everybody's done. Kilgore does a superb job with them, and I really enjoy the clarinet. A- [sp]

Rebecca Kilgore: Rebecca Kilgore's Lovefest at the Pizzarelli Party (2010, Arbors): With guitarist Bucky Pizzarelli, his sone John (guitar) and Martin (bass), and some others: Larry Fuller (piano), Aaron Weinstein (violin), Harry Allen (tenor sax), and Tony Tedesco (drums). B+(**) [r]

Rebecca Kilgore: With Hal Smith's Rhythmakers (2015, Audiophile): Smith is a trad jazz drummer, from Arkansas, side credits from 1972 with many notable bands, leader of his own since 1984, with at least two previous albums featuring singer Kilgore. B+(*) [r]

Rebecca Kilgore With Hal Smith's Rhythmakers: Sings the Music of Fats Waller (2016, Audiophile): The drummer's group is well suited for a Waller program, with Chris Dawson (piano) and Clint Baker (banjo) for rhythm, and all the right horns: clarinet (Bobby Gordon), cornet (Marc Caparone), trombone (Alan Adams), and alto sax (John Otto). B+(***) [sp]

Ruckus Juice & Chittlins: The Great Jug Bands Vol. 1 (1927-35 [1998], Yazoo): Nice sampler of vintage jug bands, easily identified by "Jug" in the group name (most famously, Memphis Jug Band, Cannon's Jug Stompers). B+(***) [sp]

Ruckus Juice & Chittlins: The Great Jug Bands Vol. 2 (1927-35 [1998], Yazoo): A second helping. I haven't checked many of the dates, but the cover says "1920's and 30's," and I found this same range quickly enough. No drop-off here: I recognize more songs, and most of the ones I don't have an extra step to them. A- [sp]

Trout Fishing in America: Safe House (2022, Trout): Duo from Houston, Keith Gromwood and Ezra Idlet, two dozen albums since 1979. B+(*) [sp]

Limited Sampling

Records I played parts of, but not enough to grade: -- means no interest, - not bad but not a prospect, + some chance, ++ likely prospect.

Grade (or other) Changes

Sometimes further listening leads me to change an initial grade, usually either because I move on to a real copy, or because someone else's review or list makes me want to check it again. Also some old albums extracted from further listening:

Additional Consumer News:

Verve's Finest Hour series:

• Cannonball Adderley (2001)
• Fred Astaire (2003)
• Gato Barbieri (2000)
• Count Basie (2002)
• Willie Bobo (2003)
• Clifford Brown (2000)
• Betty Carter (2003)
• The Crusaders (2000)
• Duke Ellington (2002)
• Bill Evans (2001)
• Tal Farlow (2001)
• Errol Garner (2003)
• Stan Getz (2000)
• Astrud Gilberto (2001)
• Woody Herman (2001)
• Antonio Carlos Jobim (2000)
• Quincy Jones (2000)
• Roland Kirk (2001)
• Ramsey Lewis (2000)
• Chuck Mangione (2000)
• Carmen McBride (2000)
• Charles Mingus (2002)
• Wes Montgomery (2000)
• Anita O'Day (2000) A-
• Oscar Peterson (2000)
• Sonny Rollins (2002)
• Nina Simone (2000)
• Jimmy Smith (2000)
• Art Tatum (2000)
• Mel Tormé (2001)
• Sarah Vaughan (2000)
• Dinah Washington (2000)
• Ben Webster (2000)
• Joe Williams (2001)

Grades on artists in the old music section.

Music Weeks

Music: Current count 36534 [36534] rated (+0), 149 [149] unrated (+0).

Excerpts from this month's Music Week posts:

Notes

Sources noted as follows:

• [cd] based on physical cd
• [cdr] based on an advance or promo cd or cdr
• [lp] based on physical lp (vinyl)
• [dvd] based on physical dvd (rated more for music than video)
• [bc] available at bandcamp.com
• [r] available at napster.com (formerly Rhapsody)
• [sc] available at soundcloud.com
• [sp] available at spotify.com
• [yt] available at youtube.com
• [os] some other stream source
• [dl] something I was able to download from the web; may be freely available, may be a bootleg someone made available, or may be a publicist promo

Grades are probably self-explanatory, aside from B+, which is subdivided 1-2-3 stars, because most records that come my way are pretty good, but they're not all that good.