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An occasional blog about populist politics and popular music, not necessarily at the same time. LinksLocal Links Social Media My Other Websites Music Politics Others Networking Music DatabaseArtist Search: Website SearchGoogle: Recent Reading
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Music Week [400 - 409]Monday, August 20, 2018 Music Week
Music: current count 30165 [30119] rated (+46), 310 [325] unrated (-15). Server still down, so I'm writing this for posterity -- not for immediate consumption. Working in seclusion like this made it seem more appropriate to continue using Napster to look up albums in my database as unrated (things I have physical copies of, or had, but they're often difficult to locate in my clutter). I started this a couple weeks ago with reggae and rap, then I started with the rock lists: currently up to rock-90s, although I skipped some 2CD sets along the way, and couldn't find others. The old music list below is mostly '80s. Along the way, I started to compile a list of Christgau A-list albums I missed. Mostly this came into play only after I had an unrated album by an artist: e.g, I had two unrated Anna Domino albums, but Christgau had preferred her first, so I checked it out too; David Johansen (I had Buster Poindexter unrated, but had missed two A- records, and wound up checking out a couple more; another case where I went fairly deep was Freedy Johnston. I had one unrated Kid Creole album, and went further there just to satisfy my own curiosity. On the other hand, after Christgau's A- picks from Steve Arrington and Rick James didn't make the grade, I didn't feel compelled to look further. I figure I'll keep doing this for a while. August is always a slow month for new music -- indeed, most of the new jazz in my queue doesn't officially released until September -- so I don't feel much pressure to keep up. And with so much shit breaking all around me, focusing on the unrated list saves me from having to do a lot of research. It also, as this week shows, makes it much easier to keep the rated count up. Also, mixing in the Christgau picks where convenient makes it likely to find some A-list records of my own. (Lido and Never Home were Christgau picks, but Christgau didn't even review The Conquest of You and Whereabouts Unknown, so they came as big surprises.) Along the way, I also took the time to reconsider a couple of records that I had previously rated, but seemed like I might have underestimated way back when. David Johansen was a special case because I recalled a number of songs there with the sort of detail I often have trouble mustering for A-list albums these days. New records rated this week:
Old music rated this week:
Grade (or other) changes:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Monday, August 13, 2018 Music Week
Music: current count 30119 [30076] rated (+43), 325 [337] unrated (-12). Server crashed Thursday and has been down since, so I don't have anywhere to post this. Latest message says: "We are trying to get your server online today. Thank you again for your patience." Evidently it was damaged by a power surge, and it took a couple days for them to get the undamaged servers up. Second message had something about disk drives, suggesting they have some slow and tedious salvage method. Presumably the worst-case scenario is starting again from scratch on a new server -- probably faster, maybe a bit cheaper. Most of the websites are cloned or backed up elsewhere, so I don't expect much permanent loss -- although a couple have been managed to someone else, and I don't know the state of his backups. Reconfiguring all of the domains and accounts (8-10) isn't something I remember how to do, so will be a bit of a slog. Of course, this situation is somewhat worse coming a couple months after my local server crashed, costing me a lot of data loss. I've been able to rebuild my local copies of websites from the server, but differences in software revisions have caused a lot of code to break. I haven't been doing full updates since then, so things have gotten a bit precarious. (Robert Christgau's website is on its own virtual server, so is still up. I updated about 95 files recently, but still have a bunch more to work on before I can do a complete resynch.) I've been taking it easy since the disruption, trying to avoid panic and depression. So far, so good, but I imagine the cumulative weight of all this stress will take a toll. I'm sure not as confident in my mastery of this technology as I thought I was. Meanwhile, been playing music. Continued my scan through my reggae list, especially seeking out albums I previously owned and marked as U in my database. Wound up with just two U records left (both by Big Youth). Decided to play some Jon Hassell after that, starting with two albums I used to own but never got registered in the database, then picked up a couple more that Christgau had liked. Finally, moved on to U-rated rap albums, having a bit less success at finding them (still unrated: M.O.P.'s Handle Ur Bizness [EP], Twice Thou's The Bank Attack, MTV: The First 1000 Years: Hip-Hop. Moving on to the rock lists next. Maybe at some point doing this I'll knock the unrated list down to something I can print out and physically search for. Meanwhile, actually made a dent in the new jazz queue. I haven't been getting much, and most of what's been in the mail recently has September (or later) release dates, so didn't seem like a rush. Also took a look at Dan Phillips, who had sent me a download link for his latest a few months back. I downloaded it, but wound up reviewing it from Napster. Also found it and more on Bandcamp. I didn't go all completist on him, but did find one from 2017 I liked even more than the new one. (His Decaying Orbit, credited to Chicago Edge Ensemble, was also on my 2017 Jazz List.) Other main thing I've been doing has been to collect the political bits from my notebook. I created one book file for 2001-2008 (766k words, 1590 pages), another for 2009-2012 (708k words, 1768 pages), and I've just filled out a third for 2013-2016 (675k words, 1666 pages). Most likely I'll do the same thing for post-2016. At the same time, I've collected various non-music, non-political notes into a sidecar file (currently 324k words, 780 pages): autobiographical bits, notes on friends and family (many deceased), work on the house, computers, cooking, movies and television I've watched, pets, various maladies. Should be useful for the long-procrastinated memoir, but mostly it's gotten me reviewing the late stages of my life. Not sure whether I should be proud of all the work I've put into writing since Laura told me she'd rather I do that than start that home automation business, or ashamed of all the time I've wasted while not making any sort of tangible living. Probably will depend on whether she (or anyone else) can carve all this writing up into several worthwhile books. At some point I'll share these files -- assuming that at some point I get a working server, or come up with some other suitable outlet. PS: Occurs to me that I should make one more pass through the notebook to pick out the music writings that I didn't already stick in to the jazz guide books. Some good material there, especially from the Expert Comments period. Unfortunately, also a lot of lists and statistical analysis that are likely to be of little if any general interest. I wish someone else would take a crack at that, not least because such a person would start with a different vantage point. Also, I already have way too much to work with already. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Monday, August 6, 2018 Music Week
Music: current count 30076 [30033] rated (+43), 337 [344] unrated (-7). I made my usual last-minute push just before publishing July Streanotes on Tuesday, and for once found some A-list records at the last minute. After that, I resumed my mop-up of old Silkheart jazz (leaving about fifteen titles that I couldn't find on Napster; they are all on Bandcamp, but only a few songs each, so can't really be reviewed), and wandered on as the spirit moved me (e.g., found a Darius Jones album I missed). Finally, I spent the latter half of the week listening to old reggae. Two things steered me toward reggae. One was the Nat Birchall Meets Al Breadwinner album, which I found a review of on Bandcamp Daily. The review started with Birchall, but went on to mention and link to a half-dozen older reggae titles, including a Skatalies album (Foundation Ska) I knew and recommend, a Count Ossie album similar to (possibly overlapping) one I have but never graded, and a Tommy McCook set I didn't know. I played a couple of those (still, especially, want to check out the Don Drummond), and they led to others. The other thing that steered me toward reggae was an Xgau Sez letter which argued that Clinton Fearon's Mi Deh Yah was one of the five greatest reggae albums ever. I doubted this. I had never even heard of Fearon (former bassist/backup singer for the Gladiators, which I only knew of through anthologies). Also, the competition starts with four A+ records -- Natty Dread (Bob Marley), Two Sevens Clash (Culture), Anthem (Black Uhuru), Making History (Linton Kwesi Johnson) -- and includes full A albums by the Abyssinians, Black Youth, Cedric Im Brooks, Burning Spear, Jimmy Cliff, Joe Higgs, Ras Michael, Pablo Moses, Niney, Augustus Pablo, Sly & Robbie, Toots & the Maytals, UB-40, and Bunny Wailer. (Dozens more with A- records, including: Ken Boothe, Dennis Brown, Junior Byles, The Chantells, Count Ossie, Desmond Dekker, Dillinger, Leonard Dillon, Clint Eastwood, Winston Hussey, Gregory Isaacs, Macka-B, Tommy McCook, Freddie McGregor, Junior Murvin, Mutabaruka, Lee Scratch Perry, Prince Far I, Ernest Ranglin, Rebel MC, Max Romeo, Skatalites, Steel Pulse, Peter Tosh, U-Roy, Willi Williams, Delroy Wilson, and Yellowman. Admittedly, this list is all 20th century, as I skipped more recent artists, but they're few and far between.) Still, I figured it was worth checking out, so did, then followed up with some Gladiators. That got me looking at my Reggae file, and I honed in on two sets of records: ones I had ungraded copies of, and a few that Christgau had A-listed but I hadn't heard. That added up to quite a few albums. Of course, it's much easier to deal with an ungraded album by streaming it than by tracking down the physical copy. I've done that a few times in the past, and should do it more often in the near future. The unrated count was up around 800 when I started tracking it in the notebook (Feb. 2003), soon jumped over 900, peaked at 1157 (July 2004), rising dramatically on record-buying binges, especially trips out of town and close out sales as Wichita's last decent record stores bit the dust. But after I started getting jazz promos in the mail, my shopping atrophied, and the unrated count slowly dropped: dipping under 1000 in Dec. 2004, 900 (Mar. 2005), 800 (July 2007), 700 (July 012), 600 (Dec. 2012), 500 (Dec. 2014), and 400 (Mar. 2015), with plenty of bumps along the way. Still, with streaming it's been easier (and often more interesting) to look up new records than to dig through my mess to find unrated physical product. (I do have some unrated shelves, but a lot of records on the unrated list are folded into other collections, if indeed I still own them. Still, would be gratifying to knock the number down to whatever the current queue float amounts to. As I am writing this, the only unrateds left in the reggae file are two Big Youth albums. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Unpacking: Found in the mail last week:
Miscellaneous Album Notes:
Ask a question, or send a comment. Thursday, August 30, 2018 Music Week
Music: current count 30033 [30010] rated (+23), 344 [345] unrated (-1). Week didn't start until Wednesday, after we got the air conditioning fixed, or probably later given how sleep-deprived I was by then. Returned to the Silkheart catalog, figuring that might be easiest, although by the end of the week, trying to move quickly through so much avant-squawk made it hard to distinguish. Generally speaking, the Sun Ra veterans came out on top, probably because they still swung some. The Ernest Dawkins record is probably the best of the B+(***), although they're all pretty good. And, of course, I strayed off-label for a few things that caught my eye. Unfortunately, Napster only had one cut from Dawkins' Jo'burg Blues, so that remains unreviewed. New music, mostly picked from Napster's lamentably short "featured" lists, didn't yield much of interest, although I started playing the digital-only reissue of a 1992 collection of A Tribe Called Quest remixes before I knew what I was getting into. Most of the songs originated on their debut album, and I was surprised how many I recalled, especially given that at the time I only gave the album a B -- sure, probably from their 1999 best-of The Anthology. Seemed pretty likely that I had underrated their debut. I was tempted to quietly nudge the grade up to B+, but wound up re-checking the album, and decided A- would be more appropriate. Biggest caveat I had was their paean to veganism, but (on principle at least) that's not something I either credit or begrudge. One background note is that I've been reading the questions sent into Robert Christgau's Xgau Sez, and one of the most common threads there is to ask about records he rated low at the time but has since come to regard more highly. I can think of a couple dozen for him, a few more for me, but realistically we only find such shifts (or errors) when there is some current reason to revisit. I'll also note that Christgau feels even less compulsion than I do to match his graded list to his current taste, partly because he's more disciplined at spending his listening time on paying projects, partly because he puts a higher value on the authority of his grades. On the other hand, I'm almost never certain of my grades, figuring they're never more than my latest impression, worth jotting down because I figure any small bit of information is better than none. At one point, I even thought about adding a parameter to the grades: a second number which would indicate an estimate of certainty. For instance, I might add [1] to indicate a single play, [2] for two, maybe even [∞] for the Pet Shop Boys' Very -- the last record I can remember playing at least once a day for more than three months. That might help, but it's just another wild ass guess, and would be a lot of extra hassle. My big project last week was to update Robert Christgau's website to prepare for the release of his new book, Is It Still Good to Ya? Fifty Years of Rock Criticism 1967-2017, to be published October 26 by Duke University Press. One stipulation of the contract is that most of the previously published pieces be embargoed from the website for three months before and two years after publication date, so most of the work involved tucking those pieces away, so they'll reappear on the proper date. I did some further work sprucing up the book pages and the Xgau Sez feature, and started the task of converting old pages as I ran into them into proper validated HTML5. The latter wasn't terribly hard, but frustrating in two respects: one had to do with warnings about nesting CSS styles inside tables, which I temporarily fixed by moving the CSS but a better fix would be to get rid of the tables used for page layout; the other was that in most cases I was left with one or two warnings about a squib of non-conforming javascript code I picked up from Twitter. I decided to let that go, but at some point would like to rewrite the code myself, without the warning (and probably a lot of other shit). Sure, you'd think that a state-of-the-art outfit like Twitter could write valid code, but then I accidentally ran a simple Google search result page through the validator, and results there were shocking indeed: 36 errors, 315 warnings. Turns out that despite my best efforts some of the book pieces weren't even on the website. I did find two in a "nyet" directory that I had forgotten about, and the Chuck Berry obit over on Billboard's website. Not sure offhand what else is missing, but I couldn't find mention of "Sticking It in Their Ear: Bob Dylan" anywhere on the web. I also managed to add this year's Expert Witness posts to the monthly CG columns (although some are time-locked). They're not in the CG database yet. I still have technical problems reconciling the changed database access code and, until I figure out the UTF-8 requirement I'm reluctant to make an database changes. I'll make another push on this once the dust settles. Thus far I've gotten zero feedback on the update, so I guess that means that I didn't screw it up too bad. One more project milestone last week: I've been collecting the political posts from my notebook/blog, starting from 2001, initially under the title The Last Days of the American Empire. Sheer verbiage made me split this project into two volumes, one for the Bush era (2001-08), a second from 2009 on (or maybe just for Obama, as Trump is already getting out of hand, and has a different feel. I made it through 2008 a while back, but decided to make a second pass and stick things into a separate personal file, which I call Notes on Everyday Life: family and friends, cooking, house work, computers and blog maintenance, notes on movies and TV, some bits on music (but not the stuff already collected in the jazz guides). I had initially put some of that stuff (mostly movies) into a 2001-09 volume appendix. The 2001-08 tome wound up at 1590 pages (766k words), while Notes has 316 pages (130k words). I doubt the latter has any but personal interest, although I could refer to it if I ever get around to writing that memoir, and I'm happy to have it better organized. I'd like to think my political writings might have some more general appeal. The most straightforward thing would be to keep the chronicle organization, trim lots of fluff and redundancy, flesh out the framework with historical notes and asides, and add some post-facto commentary. One thing I'm struck by is much of Trump's agenda was introduced by Bush, in many cases implemented much more efficiently. Had Trump not been elected, we should be closing the door on the Bush years -- something Obama should have worked much more dilligently at doing -- but with Trump it's all the more urgent. I've also kicked around three other book ideas that could pick up words from this journal. One is a dictionary of terms and concepts -- I started working on such a thing a long time ago, and it will take some digging to see if I can find what I actually did. A second is a collection of slightly longer essays on various topics, especially those related to free software and related concepts. My working title here is borrowed from an old Paul Goodman book: Utopian Essays & Practical Proposals. A third possible carve out would be material on Israel-Palestine. I wrote a lot more about that than would make sense for a US-oriented political chronicle. I came up with an outline for such a book a while back, and tried pitching it to a friend to co-write. She didn't bite, but if enough good material already exists, it might be worth reconsidering. (And, of course, the second volume will add to this base. Whereas Bush-Obama-Trump make for clearly differentiated epochs, Sharon-Olmert-Netanyahu is a single piece. I've started moving on to 2009. Did a lot of work on the house in January, while Israel was smashing up Gaza, and Bush and Obama were keeping their heads down. One last note: Polish trumpet player Tomasz Stanko has just died, age 76. He played with Krzysztof Komeda in the 1960s, gravitated to free jazz. He somehow managed to straddle the Iron Curtain, playing in Western Europe in groups like Globe Unity while maintaining his ties to Poland. He recorded primarily for ECM from 1994 on, with Leosia and Litania early masterpieces -- you can find my grade list here. Poland continues to be an exceptionally strong and vibrant jazz venue, with dozens of superb musicians emerging in the last decade or two. Stanko was their pioneering giant. PS: Will try to get Streamnotes out tomorrow (last day of July). New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Grade (or other) changes:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Wednesday, July 25, 2018 Music Week
Music: current count 30010 [29979] rated (+31), 345 [340] unrated (+5). Week was short, for all practical purposes ended Friday or Saturday, when I figured out that the insufferable heat was due to a failed air conditioner compressor. It would have to be replaced, which took until Tuesday. By Saturday afternoon I was so miserable that I decided not to do any writing or even web surfing for the duration -- certainly no Weekend Roundup, although I figured I'd just postpone Music Week. Went to bed relatively early Sunday but only managed about four hours sleep, with a little nap Monday afternoon. Monday night was worse: went to bed at 4:30, and woke up at 7:00, so got up to wait for the service tech, and was up all day. Was so worn out last night I spent an hour staring at a jigsaw puzzle without being able to add a single piece. But by then the house had cooled, and I slept last night. Not enough to catch up, but I'm at least I'm functional today. The one piece of work I did manage to do was to post the first batch of questions and answers on Robert Christgau's website. Joe Levy suggested that Christgau do this to help promote his new book, Is It Still Good to Ya? Fifty Years of Rock Criticism 1967-2017. The obvious model is Ask Greil, where Greil Marcus fields readers' questions. That feature was put together by using the WordPress blog tool, but I thought it would work better with some custom coding. I had this pretty much worked out before the weekend catastrophe, but had trouble with the final edits, and couldn't respond to some style issues under the circumstances. We should have a page intro and a link to the question form. I'd like to have a banner instead of the usual H2 title. Joe wanted to insert some links, but I lost them (as well as a couple edits), and didn't feel up to tracking them down. Current plan is to publish a batch of these every other Tuesday -- which, as long as I'm in the loop probably means early AM (or as I prefer to think of it, late Monday). Currently have 160 questions, so demand has already way outpaced supply. My scheme will present the most recent dozen or so, letting you scroll back through the rest (like the news file). But I've thought a bit about making it easier to search back through the archive, possibly using keywords or simple text search, maybe more complex queries. It also should be possible to develop some sort of FAQ, but that would involve moving the q&a into the database, and that would complicate the still unsettled work flow. Meanwhile I'm trying to manage three sets of work involving the Christgau website. The first problem is that after my computer crash, I had to rebuild my local copy of the website from the server copy, and that revealed a fairly substantial amount of code breakage: PHP 7 dropped support for a number of functions, including literally all of the MySQL database interface. Until I fix that (in a way that remains compatible with the PHP 5 the server is running) I can't do a general website update. I got about a third of the way through that before I got distracted by a bunch of other things several weeks ago. Second, I need to update files to enforce a contractual embargo on various articles that are going into the new book. That's supposed to be done this week (three months before publications date), so has the tightest deadline. I was working on that before the air conditioning went out, and need to get right back to it after I post this. Instead of doing a general update, I figure I can do that by just updating a select subset of files, but they still have to be changed in ways that work on both platforms. Also, I'm trying to change them in ways that will also work in the future. That introduces the third set of work: the website is overdue for a comprehensive redesign. When I originally built it back in 2001, I wrote it to conform to "HTML 4.01 Transitional," using ISO-8859-1 (Latin-1) character set encoding (which works for all Western European languages), implemented using PHP 3 and whatever MySQL was then (I think also 3). Some newer features have been incorporated piecemeal, but I've been fighting a rearguard battle to keep what I have working for more than a decade (I found a 2008 notebook entry about codeset problems). I'm not sure what all this entails, but a good start is to make the files conform to HTML5, and that's what I'm trying to do now, in a piecemeal framework. However, some changes will have to be applied globally -- the viewport change to better support phones, replacing table layout with CSS, and (most traumatically, I'm sure) converting to UTF-8. I hope to have the book support and enough of the code breaks fixed to do a partial update by the end of the weekend. After that, I think the next step is to build a separate beta website, first locally then on the server, to work out the kinks in the redesign. I'd be curious if anyone has ideas to incorporate -- technology, of course, and graphics (obviously something I'm weak in) but perhaps more importantly matters of usability. The other thing to note here is that my rated count passed a pretty major round number this week: 30,000. I suppose I should go back through the notebook and plot the rise. I'm not even sure when I started keeping a rated list. I bought my first computer -- and last Apple, an Apple II -- in 1979, but didn't do a very good job of carrying data forward until I set up my first Linux machine in 1998, which if memory serves was my sixth or seventh generation machine. (I still have that machine, and only shut it down a year ago, when I replaced it with an appliance router.) Sometime before 1998 I had a file called "records.txt" which was an alphabetized list with letter grades as a crib sheet (an aide de memoire in case I got confused over "which was the good one" of some poorly remembered artist). But in its early days, the list didn't capture everything I owned, much less had heard. I had very few LPs before I went to college -- maybe three dozen bought in the 1960s -- and didn't grow much until I left college and finally got a job, setting type in St. Louis. At that point, I started driving all over town, shopping every week, sometimes buying things simply because the cover enticed me. (Not always successfully, but that's how I got into Roxy Music and Ducks Deluxe.) When I moved to New York in 1976, I had a plywood filing cabinet with six drawers, each of which could hold over one hundred albums (you could thumb through them, cover facing), plus a shelf on top with two dividers that could hold a couple hundred more. Not sure when I filled them up and moved on to industrial shelving -- probably after I moved to New Jersey in 1980. I didn't write about music in the 1980s, so I probably slowed down, but my income went up, so maybe I didn't. I think I had somewhere between 2000 and 3000 LPs when I started buying CDs, rather late in that game. The CD numbers exploded in the mid-1990s as I got seriously into jazz (and had a private office where I could play music while I worked), and exploded again for a few years after moving back to Kansas in 1999 (and worked at home, before I became freer still). And from 2003 on, especially after the Voice started publishing my Jazz Consumer Guide, I started getting promos. The rated count jumped further once I started streaming Rhapsody. I started writing Streamnotes in 2007, figuring that as long as I was listening, I should take notes, and the grade is the simplest, most gut level form of note. The earliest rated count I can find in the notebook is from February 2003, when the count passed 8,000, so I've averaged about 1,420 per year since then (or 118 per month, or 27 per week). Perhaps we should divide this stretch into two periods, before and after streaming. February 2008 is a fair dividing line, I averaged 1230/year (101/month, or 24/week), which with streaming rose to 1510/year (125/month, 29/week). This confirms my subjective feeling that 30-count weeks are very common, and that 10-year average still seems to be the case. This year seems to be on track: counting 133 records in July's Streamnotes file, I have 912 graded records for the year-to-date (130/month, 30/week). That would put me on track to hit 40,000 in seven years (August 2025), and 50,000 seven years later (2032), but it's unlikely I'll be able to sustain that pace for anything close to that long -- I'd be close to 75 for the former, 82 for the latter. And every year, with well over 50,000 new records coming out, I'd fall ever further behind -- my list shrinking into an ever smaller sampling. I'm sorry but the more I do this, the more insignificant it feels. As for this week's haul, I noticed new vault tapes from Dexter Gordon and Woody Shaw, so I thought I'd see what else Napster had that I hadn't heard. Turns out there was very little by Shaw, but quite a bit of Gordon -- hence this week's "old music." One album in particular I wanted to listen to was Homecoming, since I had wrangled myself a ticket to one of Gordon's Village Vanguard shows (the only time I saw him, or for that matter the famous club). Also turns out that Shaw was on stage with Gordon there -- something I didn't recall, probably because I wasn't aware of him at the time. Still more Gordon I didn't get to (mostly on European labels, especially the one named for his tune: SteepleChase). New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Grade (or other) changes:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Monday, July 16, 2018 Music Week
Music: current count 29979 [29939] rated (+40), 340 [342] unrated (-2). Easiest way for me to scrounge for new music is to bring up the "featured" lists on Napster, descending into my dozen or so "favorite" genre lists. (Not most useful, but sometimes easy trumps.) One surprise record on their jazz list was 5 x Monk 5 x Lacy, a Penguin Guide 4-star album that had eluded me, so I jumped on it. It had been released on the Swedish Silkheart label back in 1997, and it turns out that a whole passel of old Silkheart releases have just appeared on Napster (and probably other streaming services, as well as Bandcamp -- unfortunately only limited cuts on the latter, so they're useless for me to review). I scanned through my database and came up with a list of 24 Silkheart records I had noted but hadn't heard, and listened to 18 of them last week. Before this bonanza appeared, I had several Silkheart albums at A-:
I'll probably hit some more of them up in the coming week(s). Another album I picked out of the Napster featured lists is the Millie Jackson remix. It raised my hopes that label Ace's compilations would also be available, but that doesn't appear to be the case. Tempted me to go and take a dive through her back catalog, but I held back. Very likely my database picks will stand: the 1974 concept album Caught Up, the 1979 Live and Uncensored, and to mop up the rest, Rhino's 2-CD compilation Totally Unrestricted. The remix album frames her in disco strings with occasional but weak horns. Pretty useless, although not even Levine can suffocate "Never Change Lovers in the Middle of the Night." Some hip-hop too. Robert Christgau did an Expert Witness on a batch of six recent EPs, including four of Kanye West's 7-cut productions. I listened to four of them in previous weeks: Pusha T: Daytona [***], Kids See Ghosts [*], Gift of Gab: Rejoice! [A-], Kanye West: Ye [*]. I should revisit the first two; good chance both could be nudged up a notch. (Ye is more likely to drop one.) I did bump my initial Tierra Whack grade up after seeing her video: Welcome to Whack World: A Visual and Auditory Project by Tierra Whack. I still have reservations about musical flow, but it doesn't feel too short or incomplete when you keep your eyes glued to the screen. I've never been a fan of EPs. Always thought one needs more time to develop a statement or even a feel, but the recent vogue for mini-albums looks to be unstoppable. Probably ties to shorter attention spans and a huge explosion of digital product. On the other hand, Christgau has always been a big fan of EPs. Probably relates back to his early preference for singles over albums, and his complaints when CDs were introduced about them being too long. Last Friday we announced a new feature on Christgau's website, Xgau Sez, where Christgau will answer readers' questions. Here's a form for submitting questions. The idea came from Greil Marcus's Ask Greil posts. The timing has something to do with promoting Christgau's new (October 2018) essay collection, Is It Still Good to Ya?: Fifty Years of Rock Criticism, 1967-2017. The initial plan is to answer questions in batches of a half-dozen or so, every other week. I've counted 73 submissions to date (not counting 2 spam). I imagine he'll pick and choose the questions that pique his interest, and adjust the quantity and frequency accordingly, depending on how much other work he has (quite a bit at the moment) and his other commitments. Meanwhile, I need to do a fair amount of work to support this new feature, and also to promote the new book. In particular, the book contract requires that most of the essays and reviews in the book be removed from the website for an extended period (if memory serves, five years), so I have to identify and flag all of those. Also write up a new book page. I hope to get most of this work done by the end of the week, but I'm still hampered by the crash and its attendant conversion issues. I'm only about half way through rewriting the PHP files that access the database. (The database interface library was rewritten between PHP 5 and PHP 7 with new function names.) Until that work is done, I won't be able to do a comprehensive update of the server, so I'll have to poke selected files. Complicating this is the longer-term need to convert the website character set from ISO-8859-1 (which handled Western European languages) to UTF-8 (which handles all languages), and to upgrade the HTML markup from 4.1 (Transitional) to 5.0. The former is simple in principle -- just run the program iconv on everything -- but has to be done all at once, upsetting the whole apple cart. The latter is complex, but may be done somewhat incrementally -- I don't have a real good handle on it. It would also be a good time to do some re-design, especially to make the website easier to use from smart phones. I'm far behind the learning curve there. Would appreciate any suggestions on this sort of thing. One big problem from last week appears to have been solved. I was experiencing sudden garbage screen updates, where pieces of previously rendered windows would pop up suddenly on top of things I was working on. I suspected the problem was the video card. Those things have much more memory than is needed for a simple screen buffer, so the computer can offload window manager display lists and buffers. Anyhow, problem has vanished since I installed a new video card (an ASUS R7240-2GD3-L 2GB, cost $75). One more (important) news item: Mike Hull has released a short video on Sacred Space, a collaborative art project that my sister, Kathy Hull, took a leading role in conceiving and executing back in 2002. It consists of eight portals: doorways from around the world, each opening to landscapes featuring endangered wildlife, viewed through the prism of the world's major religions. The portals are 7-8 feet high, 5-6 feet wide. The exhibition includes a labyrinth in the middle of the room, and origami cranes hanging from the ceiling. It is currently exhibited at Wichita State University, and will be up until August 31, 2018. However, the longer-term future of the exhibit is up for grabs. We are looking for a future home for the artwork. Anyone interested should get in touch with Mike (contact details in video). Special thanks to Joanna Pinkerton, who designed three of the portals, and appears in the video. Kathy was very excited about this showing before her death in March this year. PS: One thing that must mark me as an old-fashioned UNIX hand is a fondness for obsolete tools like the classic spell program. (Newbies seem to prefer the interactive ispell, which steps you interactively through a file, giving you alternative choices to toggle in; spell just lists possible misspelled words one per line, leaving it to you to figure out what to do about them.) I had to explicitly download spell to even get it. But when I run it on HTML files, it routinely flags lots of markup, especially URLs, as possible errors. Some while back I had written a shell script to sift the HTML tags out before piping a file through spell, but that got lost in the crash. Finally took a few moments to rewrite the script, and came up with this:
First line throws out some meta-markup I use in my faux blog files. Second is a perhaps over-simplistic way of deleting HTML tags (without deleting HTML comments or PHP markup, which often span multiple lines, but rarely occur in things I need to spellcheck). I could add code to strip HTML entities, but again they very rarely show up. A more useful enhancement would be to add a post-filter to weed out complaints about non-dictionary words that are commonly used (e.g., Silkheart, ECM, Interscope, remix). One way to do this would be to figure out how to add books to ispell's dictionary. Another would be to pipe the output through fgrep -vw and the "good word" list. PPS: Played Daytona three more times, and it didn't budge, but Kids See Ghosts picked up a notch. New records rated this week:
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Unpacking: Found in the mail last week:
Ask a question, or send a comment. Monday, July 9, 2018 Music Week
Music: current count 29939 [29896] rated (+43), 342 [348] unrated (-6). New video card arrived today, but I figured I should post this before I risked installation. No guarantee it will fix my screen problem, and no guarantee it won't wreck everything. High rated count this week. Got off to a fast start last Monday as I was collecting data on mid-year best-of lists, and checking out things I had missed. Probably also helped in that more than a few of them turned out to be EPs (or "mini-albums"). Only one of those albums made this week's A-list (Seun Kuti's), but I was pleasantly surprised by Shawn Mendes, and at least understand the interest in the Carters' Everything Is Love and Against All Logic's 2012-2017. Meanwhile, after something of a drought, three good jazz albums -- one from my queue, the other two from Bandcamp. (Actually, pretty sure Again is also on Bandcamp.) The computer problem has kept me from doing much updating of the mid-year aggregate, but Janelle Monae managed to slip ahead of Kacey Musgraves for the top spot. I haven't factored Robert Christgau's grades in yet, but doing so would help (among the top 25): Monae (A-), Cardi B (A), Courtney Barnett (A-), Black Panther (A), Superchunk (A), Superorganism (A-), and Parquet Courts (A). My grades are listed in the file, but also not counted. I have those same records at B+(***) or above, plus Kali Uchis at A- and Saba at B+(***). Latter was hard to find a streaming source for, and I'm not sure how well I heard it. New records rated this week:
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Unpacking: Found in the mail last week:
Ask a question, or send a comment. Monday, July 2, 2018 Music Week
Music: current count 29896 [29859] rated (+37), 348 [348] unrated (-0). Nothing monumental below that I didn't get to before posting June Streamnotes on Saturday, although the Grupo Mono Blanco records are pretty nice if you're interested in Mexican folk music that doesn't veer into Mariachi or more generally Norteño. I spent a fair amount of time in the EOM crunch pouring over Phil Overeem's We're Halfway There -- But to Where? midterm list. Still 27 records in his main list (out of "damn near 100") that I haven't heard, as well as 12 title under "Old Music Nicely Repackaged." I'll try to knock a few more off that list next week. Since it's midway through 2018, I figured there would be some "So Far" album lists to look at. I thought it might not be too hard to adapt my EOY Aggregate architecture to collecting data from mid-year lists. (I've done minimal editing, so I can purge the mid-year data and reuse the program files come November.) I collected 21 lists, mostly from Album of the Year, which netted 240 albums (three are new releases of archival music so they're in separate files; two are new works by various artists, which I kept with the new music in large part because Black Panther: The Album is likely to show up on a competitive number of lists). The data is here. The top albums (my grades in brackets, but not counted):
The first number in braces is points, followed by number of lists the album appears on (I used that as a tiebreaker). Main caveat here is that most of the lists were unranked, so each album listed there got one point. Numbered lists were counted on my standard scale -- 5 for number one, 4 for 2-5, 3 for 6-10, 2 for 11-20, 1 for everything else -- although only 6 ranked lists had more than 20 albums (the max was 50, by Stereogum and Uproxx). That scale works better for longer year-end lists, especially more of them, but with such a small sample expect some distortion. I expected Janelle Monae and Cardi B to dominate the list, but not much else was obvious. I didn't like the Kacey Musgraves album at all. I'm not surprised that it has fans, but so many? The Pusha T EP was produced by Kanye West, and seems to have gotten a perverse boost as West's fortunes faded (1 mention; his Kid Cudi collaboration, Kids See Ghosts, got 2). Lot of women in the top 10 (if memory serves, 9 of 10, though only 2 of the next 8, or 4 of 20). Kali Uchis and Saba have high metacritic scores, but so do Confidence Man and Rolo Tomassi (1 mention each). Kamasi Washington's Heaven & Earth broke late (4 mentions, 4 points, tied for 54th), between Mount Eerie/Tracey Thorn and Car Seat Headrest/Ezra Furman. I played a bunch of these today while compiling the list. Unfortunately, Napster is performing poorly in the new computer, with audible glitches every 15-30 seconds. Pretty sure it's a problem with Firefox, which has split up its content handlers into multiple processes. At the moment, with music off, one of those processes is chewing up 70-78% of CPU, which probably means that some JavaScript somewhere is spinning in an infinite loop. I don't know of any way to profile individual tabs, so I'm hard pressed to map the performance loss back to specific web pages. I do find it striking, though, that Google search windows are among the slowest pages to refresh, and Wikipedia is also surprisingly sluggish. I've killed off the two most likely suspects -- Facebook and Twitter -- to little avail. One positive bit of computer news is that I bought a new keyboard -- a Logitech K740 Illuminated -- that I'm pretty happy with. Not sure what you'd call the switches, but they have a better than usual tactile feedback without being as clunky (clicky?) as the mechanical keyboards. Plus it has LED backlighting on the key legends, so I can find whatever key I'm looking for in the dark. (I am a competent touch typist, but that doesn't help if you can't find the right starting keys.) New records rated this week:
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Unpacking: Found in the mail last week:
Ask a question, or send a comment. Monday, June 25, 2018 Music Week
Music: current count 29859 [29839] rated (+20), 348 [349] unrated (-1). I expected many distractions last week to depress this week's rated count. Indeed, I didn't manage to play any new music until Friday, when my nephew flew out after nine days of photographing my late sister's art. We did a big mixed grill bash on Thursday to wrap things up -- chicken wings; kebabs of lamb, pork, and swordfish; quail, squid, thin-sliced steak, with a range of marinades from Turkey, Iran, China, and Korea. Added a sweet potato platter, horiatiki salad, soft shell crabs, and grilled Japanese eggplant with spicy peanut sauce. Date pudding for dessert. Only thing there I had never done before was the pork, but I found some fresh ham, cut it into cubes, and mixed up a hoisin/bean sauce. Very tasty. Should be memorable. We gave most of the excess away, but I kept the lamb and made Turkish yogurtlu kebap with the leftovers. Friday I started working on the intro to yesterday's Weekend Roundup. After finding the latest Satoki Fujii in the queue, I turned to my tracking file looking for jazz I could find on Napster, figuring I would have trouble mustering the requisite attention for sorting out new pop records but I could multitask new jazz easily enough. Wound up playing a lot of records (some old) on the Danish SteepleChase label, and they all went pretty fast (although the new Pierre Dørge merited a couple of extra spins). Moved on to Clean Feed, and I'm still working there. Meanwhile, my website/system recovery work has slowed down. I probably have about half of the robertchristgau.com files working at this stage. I did manage to implement a new feature but it hasn't been announced yet: something similar to the Ask Greil thing, where you can ask questions and Bob can answer (if he deigns them worthy of an answer, or maybe just if he thinks his answer would be worthwhile). I suppose I could consider offering something similar here, if there's any interest. I've long suspected I would be more productive on demand-driven projects (or in collaborations where I'd feel more compelled to keep up my end). I'm still not doing complete updates of any of my websites. I'm not aware of a lot of unfixed problems with this one, but need to get some testing in before I feel confident to update. Nor have I extracted and tested my old disk drives. One thing I did want to do was to replace my cheap keyboard here with a fancy mechanical one. To that end I bought a Corsair Strafe, only to find out it doesn't work at all with my computer. So back to the drawing board on that. Month runs out on Saturday, so I should post Streamnotes no later than then. Draft file currently runs to 99 records (100 counting the new Lily Allen, which I'm not done with yet), of which 72 are new (65 new music, 7 compilations). Despite the shortfalls the last two weeks, should wind up as a pretty average month. Also, despite scant A-list records the last two weeks, should wind up pretty solid in that regard too. New records rated this week:
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Unpacking: Found in the mail last week:
Ask a question, or send a comment. Tuesday, June 19, 2018 Music Week
Music: current count 29839 [29818] rated (+21), 349 [344] unrated (+5). A day late and a few records short of a normal week. We attended a reception for the opening of the Sacred Space Exhibition at Wichita State University. My nephew, Mike Hull, came to Wichita for the reception, and has stayed on to continue photographing artwork my late sister Kathy Hull. My modest contribution to all this hasn't gone much beyond cooking, including a roast chicken last night, and some Korean ribs today. Unfortunately, I didn't feel up to doing a big Korean thing today, so I decided to accompany with my everyday Chinese fried rice and lima beans. [PS: Wound up also making three distinctly Korean little dishes: sliced cucumbers with garlic, sesame, and Korean red pepper; dried shiitake mushrooms, soaked and stir-fried with garlic, sesame, and scallions; and dried squid softened up in a sweet-and-spicy glaze.] Started working on the Korea piece back on Thursday, thinking of a different entry angle -- one that would focus on how Democrats should talk about Trump when he veers away from neocon warmongering. But I didn't do my due dilligence there, and as the dumb chatter died down decided not to beat myself up over it. (When Colbert last night announced he'd be doing something "after the break" on Kim, Trump, and Putin, I hit delete.) And, as I noted, the family separation at the border story has taken over. I have little to add there, and don't even feel much like piling on. (Although, here's a link to a video Mike and Ellyssa Roberson did on a demonstration here in Wichita.) Nor am I the least bit obsessive about the Russia collusion/obstruction news, but it's hard to believe that even Trump's diehard supporters aren't picking up on how guilty he's managing to look -- of course, some of them are actually get off on his criminal side. Mixed bag of records this week, including four very different ones at A-. Also a couple of lower-than-usual grades. Not much jazz. I wasn't able to find the new Skadedyr record Chris Monsen likes, so checked out the old ones but didn't get into them. Next week should be similar, maybe even shorter. New records rated this week:
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