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Wednesday, June 28, 2023TV Midyear ReportOn something of a lark, I started jotting this down while working on Speaking of Which, linking to the Washington Post list. As it grew, I decided to hold it back, giving me a couple extra days to play with it. I've pretty much given up on watching movies. For one thing, the story arc timing is almost always both too long or too short: too long because the 2-3 hour time chunk tries one's patience, especially given how clichéd most movie story arcs are; and too short because there's very little you can do with characters in the given chunk of time. TV started getting more interesting when they learned to develop the stories and characters over multiple episodes, instead of always returning to the rest state of traditional TV series. And the lengths got shorter, flexible enough to fit the story -- not that it isn't annoying when they decide to split stories over multiple seasons. It also helped to get past the family censors -- although the rise of anti-heroes isn't something I'm particularly happy with. My wife, Laura, and I watch a couple hours late each night. She watches some more during the day, which I may or may not notice. She also watches news -- she's much more engaged in daily politics than I am -- and she's still interested in movies, although finding 2-3 hour chunks of time can be difficult (cartoons and classics tend to be shorter). Sometimes, I'll watch something on my own, usually late, but it's hard for me to find time. Two lists follow. The first starts with a qualification of how much (or often, how little) I've seen, followed by an explanatory note. This falls far short of a review or even description, but may help explain my reaction. The notes inevitably include spoilers, so if you're phobic about that, sorry. (I tried to implement some workaround code, but failed and gave up. I understand why, but don't see a workaround.) For some entries, I've included a letter grade, which is a summary judgment on nothing more than how much I enjoyed the show. The grades are probably scaled lower than my music grades, but that's partly because we're talking about whole series, not individual episodes. (Also, note that grades are for this year only. Shows that I've only seen previous seasons from aren't graded.) As a rule of thumb, anything with a B or higher was pleasant enough to watch, and not a waste of time. That there's nothing lower below just signifies that I didn't have the patience to finish anything worse. The lists consulted are as follows (the Washington Post was the first). The shows appeared in one or more lists, and are divided into two sets: ones I've seen at least some of, and ones I've never seen. I've also added shows to the first list that didn't make any of the consulted lists, but which we watched. These are marked [*].
I also looked at several more lists to try to remind myself of TV shows that we've seen that didn't show up in the best-of lists. These shows, in this first section, are marked with [*]. Abbott Elementary, Season 2: Seen: first season, working on second. Comedy. Feels a little claustrophobic with just five teachers and two other adult regulars, all finely drawn and brilliantly acted caricatures, but that seems to be some constraint of the workplace sit-com universe. More troubling is the lack of significant roles for children in a series that's ostensibly about teaching them. B+ All Creatures Great and Small, Season 3: Seen: all. Based on a series of books about a Yorkshire veterinarian named James Herriot, proceeds from 1937 to the call up for war in 1939 (with gruesome flashbacks to the Great War). The veterinary work often makes me wonder, but you get lots of countryside and animals, and while the home life isn't exactly idyllic, you wish them the best. And fear for the war, which the young Tristan Farnon foolishly signed up for, not least to prove himself to his older brother, who still bears the scars of the previous war, and would rather spare him the trauma. A- Atlanta, Season 4: Seen: some of the first season, none since. Donald Glover's riff on aspiring rappers. Didn't stick (or I didn't stick with it). Barry, Season 4: Seen: all. Third season could have sufficed, as it ended with Barry arrested, facing the rest of his life in jail, so fourth season always seemed superfluous. First three episodes have him in jail, and are dead-ass boring, until a few brilliant moments of botched assassination turned into escape. Then they jump ahead eight years, revealing him in a desert hideaway ith Sally Reed, who evidently had nothing better to do, and their young son. That episode was boring, too. Then events shook Barry out of his torpor, leading to a final reckoning, and a reprise as folklore. Ends about as well as it could. B Big Sky, Season 3: Seen: first season, and not sure we got all of it. Set in Montana, about a highway patrol cop and a trucker who pick up prostitutes and sell them to traffickers. The trucker gets mad at a couple teens and snatches them, and things go bad from there. False start with the ostensible hero, a PI named Cody, getting killed in the first episode, leaving his wife and his partner-lover to carry on. By the end of what we've seen, the cop is dead, and the trucker has slipped away. [*] Bloodlands, Season 2: Seen: not sure about Season 1. Police drama set in Northern Ireland, where a DCI goes bad initially to cover up something he did during the "troubles" period, but it's really the gold. B [*] The Brokenwood Mysteries, Season 9: Seen: all. Mystery set in northern New Zealand, built around idiosyncratic Detective Mike Shepherd and his local crew (most dependably his Sergeant Kristin Sims, and most eccentrically a Russian medical examiner). This season he seemed more distracted than usual -- one problem being the meeting of his ex- and would-be future wives, which turns out badly. A long-time favorite. A- [*] The Conners, Season 5: Seen: Hit and miss, but not so much lately. The family from Roseanne, rebooted without the matriarch, the vacuum more than filled by now-adult daughters, Darlene and Becky. [*] The Consultant: Seen: one episode. Christoph Waltz plays a creepy corporate "fixer" in a high-tech world he doesn't particularly relate to (but, I'm guessing, he does understand a thing or two about capitalism and/or crime). Cunk on Earth: Seen: one episode. Pseudo-documentary, Diane Morgan (Cunk) goes around interviewing and misunderstanding experts while regularly cycling back to a refrain of "Pump Up the Jam." Dalgliesh, Season 2: Seen: all. British murder mysteries, based on novels by PD James, with Bertie Carvel playing the titular character. Fairly classic. B+ [*] Deadloch: Seen: working on it (6/8). Murder mystery set in Tasmania, with two mismatched women detectives, a preponderance of lesbians, a peculiar sense of humor, and a series of ill-fated prime suspects. So far: A- Death in Paradise, Season 12: Seen: all. A long-time favorite, set in the fictional Caribbean island of Saint Marie, where brilliant but odd British DI's are sent to solve a regular series of murders, each with a set of visiting suspects, the perpetrator deduced in a final scene each week. A- [*] The Diplomat: Seen: all. The political angle is completely implausible, and the war game scenario is scarcely any better, but at least it's not Madame Secretary. The power marriage between the Wylers also strains credibility. The acting, on the other hand, is superb, as is the flow, and the various mismatches add a gratifying dimension of comedy. Also, the comedy doesn't come at the expense of competency (unlike, say, Veep, where incompetency is the point). Season ends prematurely, with the story only half-baked, keying up a second season. It's not like we shy away from genius detective shows because they're nothing like real world cops. A- Endeavour, Season 9: Seen: working on it (2 episodes down, of 3); all previous, plus most of the 1987-2000 Morse this is a prequel to, and the later Lewis spinoff. Classic British detective series, set 1965-72. A few new cases, more or less tied to old cases (many too old to recall), trying to wrap up the series, so the next/last episode will be crucial. Probably: A- Father Brown, Season 10: Seen: All earlier, working on this season. Slightly ridiculous crime sleuthing drama, where the priest of a village that seems to be all Catholic has a knack for figuring out crimes, even with the interference of a series of hapless inspectors. Fairly major supporting cast shake up this season, as Sorcha Cusack's fussy parish secretary has been replaced by a suitably odd pair, and Tom Chambers is back as Inspector Sullivan, exiled from Scotland Yard and more aggravating than ever. Of course, we love it. B+ [*] Godfather of Harlem, Season 3: Seen: Some of first season. Forest Whitaker plays a fictional Harlem mob boss, fresh out of prison in the early 1960s. Much of the interest is in the intersection with historical characters like Adam Clayton Powell Jr and Malcolm X. [*] The Great, Season 3: Seen: two seasons. An "occasionally true" but comedic portrayal of Catherine the Great, Empress of Russia 1762-1796, got stuck in 1762 as Nicholas Hoult's portrayal of Peter III saved him from the death that is prerequisite to Catherine's greatness, leaving us with a highly entertaining royal court opera. Laura wasn't interested in this one, so I've only just found out about it. I'll get to it in due course. Hopefully, the third time will be the charm. Happy Valley, Season 3: Seen: all. British ex-detective-turned-beat-cop wrapped up in nearly unbearable psychodrama. Laura was annoyed enough to drop it, but I insisted on slogging through, and the payoff at the end is satisfying. The lead, played to Sarah Lancaster, is bitter, bottled up, and threatening to explode, mostly due to a villain so psychotic I've finally gotten past remembering the very nice vicar he played in Grantchester. Happy enough with the ending that I might wind up remembering it better, but it's been a rough road getting there. B+ History of the World, Part II: Seen: first episode). Sketch comedy jumping around history, same as with Brooks' 1981 film. Hunters, Season 2: Seen: first season only. Conspiracy series starting in 1977, with a group of Nazi hunters who ultimately discover a hidden Fourth Reich, led by Eva Braun, with a geriatric but still living Hitler. Some choice acting, headlined by Al Pacino, with Dylan Baker playing a Nazi secret agent who kills everyone present, including his family, when he is recognized at a barbecue he is hosting. I wasn't aware of a second season, but the first ended with the reveal of Braun and Hitler. [*] Love and Death: Seen: one episode. Set in small town Texas from 1978, church choir singers turn to adultery and wind up with murder. Supposedly based on a true crime. Don't see much point to it. The Marvelous Mrs Maisel, Season 5: Seen: all. Portrait of a Jewish comedian who isn't Lenny Bruce, but keeps bumping into him. I've loved all of this, but Laura dropped out for the middle seasons, and heckled parts of this one. (The Jewish schtick is laid on very thick, but she also dislikes the stand up.) Problem here is that it tries to wrap up the long story after her big break, while holding the break off until the last episode, so suffers lots of time jumps, many into a rather dubious future. On the other hand, the first four seasons struggled with throttling her brilliance with setbacks delaying her success, probably suspecting that once it hit it'd be as boring as it turned out. B+ Miss Scarlet and the Duke, Season 3: Seen. Set in Victorian England, Eliza Scarlet is the daughter of a PI, determined to continue her late father's business, despite much prejudice to the contrary. In this she is reluctantly aided by Scotland Yard DI William Wellington, and a Jamaican underworld figure named Moses Valentine. B+ [*] Mrs. Davis: Seen: one episode. Too scattered, but if I had to watch more, I probably would. Supposedly has something to do with AI. The Murdoch Mysteries, Season 16: Seen: caught up through season 15; haven't found new one yet. Police drama set in Toronto c. 1900, the title character a brilliant innovator, his doctor-wife even more modern, his sergeant given to flights of fancy that often foreshadow the future, his superintendent helps keep the rest grounded. Livened up with guest cameos for numerous historical figures. Great fun. NCIS, Season 20: Seen: all of this, and several recent seasons, probably going back to season 11, when Ziva David left and Eleanor Bishop joined. Laura watched it from much further back, but quit during or after season 18. Requires considerable suspension of one's critical facilities, but has redeeming features, including expert teamwork, and a general sense of honor and decency (even if it's sappy soft on the military; at least every episode starts with a dead Marine or Sailor, and the cases usually reflect corruption both within and beyond the ranks -- everyone else, of course, is impeccably disciplined). I don't miss Gibbs, whose replacement is more an amiable chaperone than a psychotic leader. Also nice not to have any Afghanistan story arcs, although I'm afraid Russian nemesis is on the rise. As for the spinoffs, we watched NCIS: New Orleans for a while, but quit before they canceled it. I've missed out on the occasional overlapping story lines, but probably haven't missed much. B [*] Party Down, Season 3: Seen: one or two episodes, rebooted from two seasons 2009-10 I've never seen. Comedy series about would-be actors working for a catering firm, played by actors recognizable enough this feels like slumming. Funny enough. Perry Mason, Season 2: Seen: all. Radical prequel which cannot possibly evolve into the famous TV show, making me wonder whether the source books have any relationship to either. But this works as grimy Los Angeles noir, with the familiar names recast as black, gay, or (for Mason himself) as a seedy PTSD drunk. One case per season, hopeless until miraculously saved (but not half so miraculous as most weeks of the TV show). B+ Poker Face Seen: all. Natasha Lyonne plays a lady whose uncanny ability to spot lies gets her into and out of lots of trouble, solving murders Columbo-style but being on the lam herself not having the authority of most detectives. (A symbiotic relationship with an FBI agent developed late helps.) Episodes are structured oddly, with one thread up to a murder, then a step back in time that integrates Lyonne's character, allowing her to do her thing. Fun enough. Sets up a second season, with a new nemesis replacing the (now deceased) old one. B+ Rabbit Hole: Seen. Mega conspiracy plot starring Kiefer Sutherland as a corporate spy facing a global conspiracy based on the idea that whoever controls big data can run the world, but the specific mechanism seems to be to find and use blackmail, which turns people like security guards into automatons doing the conspiracy's bidding. Many flashbacks and, worse, hallucinations acting as false flags -- most immediately recalled, but some leave you confused (e.g., did Miles Valence survive his skyscraper jump, adding to a long list of characters who faked their deaths?). Entertaining as long as you're amused. B [*] Ridley Seen: working on it (just one episode so far). British crime drama, Adrian Dunbar plays a retired DI brought in to consult on something possibly related to one of his cold cases. The Righteous Gemstones, Season 2: Seen: bits (Laura's watching). Danny McBride comedy about a megachurch dynasty, has some good actors. Review touts: "outlandish set pieces, absurd but gripping action sequences, awkward invective and clumsy love." From what I've seen (or sometimes just heard), that seems plausible. Sanditon, Season 3: Seen. Unfinished Jane Austen novel, set as the tides were changing from landed aristocracy to rising bourgeoisie, and as the young heroines aren't in quite as much hurry to get married. More rough spots this time than I would have liked, but it does all come to an agreeable end. A- Shrinking: Seen: couple episodes. Therapists, a genre I've never warmed to. (I totally skipped In Treatment, which Laura loved.) I took a quick dislike for the main character, a depressed widower played by Jason Segel, but there's little appeal elsewhere, aside from straight man Harrison Ford. Sister Boniface Mysteries, Season 2: Seen: all. A spinoff from Father Brown, one major difference being that the Sister gets encouragement from her Inspector, who hires her as a consultant, and generally steps back while she solves the cases. Also, unlike Father Brown, she's pays little attention to saving souls, and she's a lot funnier -- a delight, as are the rest of the cast, even the Reverend Mother. A- [*] Somebody Somewhere, Season 2: Seen: all this year, most of season one. Comedy, set in a part of Kansas I've never set foot in, with people I scarcely recognize (although I'm not sure my late sister wouldn't have known them all). B A Spy Among Friends Seen. Kim Philby's defection to the Soviet Union, with flashbacks to his time, going back to the 1930s, as a double agent, revolving around his close friendship with fellow agent Nicholas Elliott (played by Damian Lewis). B+ [*] Stonehouse: Seen. Matthew Macfayden plays a 1970s British MP who fakes his own death to dodge an inadvertent scandal, going from bad to worse. B Succession, Season 4 Seen: all. There have never been any sympathetic characters here, let alone rooting interests in the contest of heirs. But it's been quite watchable for three seasons, mostly as an exposé of the lush and damaged lives of the ultra-rich. But, I'm almost reluctant to admit, it finally got good in this year, not least because of how brutal and harrowing it turned once stakes turned real. A Ted Lasso, Season 3: Seen: all. Jason Sudeikis plays a folksy football coach from Wichita rebounding from a broken marriage. He goes to England as the butt of a joke, which his good humor turns around. As ingratiating as he is, the best characters are all around him, and the balance between the coaches, the players, and the business end (somehow, "management" doesn't feel right here). The final season feels a bit rushed, and Lasso's final return to his wife doesn't make much more sense than his departure. A- The Tower, Season 2: Seen. Police drama, set in London, the first series about two people (a cop and a young girl) who fell to their deaths from Portland Tower, where two witnesses (one a cop) prove less than helpful -- while the police have their own problems. Second season picks up the police, running them through another wrenching case. Seems like it ends abruptly, after setting up a second story line about an undercover shot at a gangster. B+ [*] Vienna Blood, Season 3: Seen. Mystery series set in 1900s Vienna, where detective Oskar Reinhardt draws on young psychologist Max Liebermann to solve the usual run of murder cases. They make an engaging pair. B+ [*] White House Plumbers: Seen. Early WWII novels aimed for realism, but over time they became increasingly surreal, at least through Catch 22 and Slaughterhouse Five. Something like that is happening with Watergate art, moving from the very straightforward All the President's Men up through last year's Gaslight, and now this, which aims for laughs by focusing on the "third-rate burglars." John Dean is the common denominator in the last two, which helps you calibrate the shift. So do the wives and children, largely unheard of before. B+ [*] Seems like there must be more, but I'm hard pressed to recall at the moment -- hence the dependency on lists. Of course, we're still catching up on 2022, and sometimes older items as we stumble across them. The Nordic Murders (a German series, originally titled Der Usedom-Krimi) is one we particularly liked. We are, of course, at the mercy of our various streaming sources, which offer a lot of stuff we have little interest in, but seem to miss (or delay) much that we do. These are additional series that appeared in the best-of lists. I haven't seen any of them (except perhaps a trailer).
Daily LogScraped this off Facebook. Not sure who the original author is (posted by John Rose, forwarded by Iris Demento):
Monday, June 26, 2023Music WeekExpanded blog post, June archive (final). Tweet: Music Week: 40 albums, 4 A-list, Music: Current count 40476 [40436] rated (+40), 9 [12] unrated (-3). Another big Speaking of Which yesterday: 6163 words, 98 links. I started on Thursday, so the Prigozhin putsch drive caught me midstream. Upon reflection, the critical detail that's rarely reported is that Putin had moved to force Wagner back under Russian military command, so the revolt was a reaction to an existential threat. Anti-Russian pundits enjoyed themselves immensely this weekend by taunting Putin as weak, but at several critical junctures it was Prigozhin whose hand was forced. Also, it was rather clever of Putin to allow Prigozhin an exit ramp to Belarus. The big question now is how much of the Wagner army will join Prigozhin in Belarus. My guess is that it won't be much, so the net effect will be equivalent to house arrest. There Prigozhin will still remain as a potential political threat to Putin, but he's given up on being a military one. And while Putin is often regarded as a front man for the oligarchs, it's worth remembering that Prigozhin's not the first one Putin forced to heel. None of this strikes me weakness. Sure, the war is still a disastrous miscalculation, and Putin is likely to be judged for that mistake eventually. But not yet. Looking around this morning, one link worth adding is Heather Digby Parton: Trump's messianic appeal can't be replicated. One thing I've never understood about these "Revelations" scholars is why none of them recognize Trump (or, before him, GW Bush) as the Antichrist. As one who doesn't believe in that crap, this isn't a point I'm inclined to belabor, but given the assumptions, doesn't it seem pretty obvious? Parton also gets into a story I didn't bother with, which is how Moms for Liberty got caught quoting Hitler, then had to beat a retreat. Pro tip: you're much less likely to make this mistake if you don't believe in the same things Hitler believed in. Parton quotes "Ryan Helfenbein @ the Faith & Freedom Coalition Gala": "If you don't control education, you can't control the future. Stalin knew that. Mao knew it. Hitler knew it. We have to get that back for conservative values." The problem with this isn't that he aligned conservatism with bad examples. The problem is thinking that the future is purely a creation of will, and as such subject to thought control (or more precisely, by keeping people from thinking for themselves). One of the most important truths about the world today is that we need lots of people who are capable of thinking critically and creatively when faced with new problems, because they're coming all the time. That's way up there with we have to learn to accept and respect people different from ourselves, because we can't afford to fight all the time. It's not that conservatives have no good ideas -- some traditional values should be honored, and some change should be resisted -- but their inability to grasp such fundamental concepts, along with their defense and promotion of greater social and economic hierarchy, has made them not just wrong but dangerously so. I've been pretty bummed about lack of progress, even on previously simple home projects. But while writing on book projects has been hard to get into, cranking out the weekly Speaking of Which still comes easy, and almost seems therapeutic. Same could be said for Music Week, but I'm more anxious to get it out of the way, thinking that will open up a new week of opportunity. Those frustrations, along with trouble finding things to listen to, led me to start off the last couple days with something old from the cases (leading to a couple tweets). That threatened to suppress the ratings count, but turns out not by much. Peter Brötzmann died last week, at 82, ending a 56-year career that literally spans the entire German (and for that matter, European) avant-garde. I've often had trouble with his exuberant cacophony -- his Penguin Guide crown album, 1968's Machine Gun, is a mere B+(**) in my list -- but I've occasionally found items to A-list, including this year's set with Majid Bekkas and Hamid Drake, Catching Ghosts, and, to pick an example where the noise is transcendent, 2009's Hairy Bones. Chris Monsen got me going when he linked to Sprawl. Among new releases, I've never cared much for Jason Isbell, and had the new one wrapped up at B+(***), until I gave it a couple more plays. Also benefiting from extra attention was Mother Earth, a side trip after checking out the latest Tracy Nelson album. I remembered having at least one of their albums, but hadn't filed a grade. Jeffrey Callahan posted a request for mid-year lists on Expert Witness. Few returns as yet, but Clifford Ocheltree identified "only three items strike me as durable":
I suppose you can derive my list from here, but I wouldn't put much stock in the order, which reflects initial slotting but little sorting. Last Monday in the month, so I've opened a new monthly Streamnotes archive for July. But indexing for June will have to wait -- no need holding this post up for a bunch of busy work. I'll also do a post of notes on television shows, probably tomorrow. Diminishing returns have me given up on mid-year music lists, but similar lists exist for television (and probably movies, which I've lost all interest in). Not on any list so far is Deadloch, a mystery series set in Tasmania that still has a couple episodes to come. Body count is too high to really call it a comedy, but it often is very funny. New records reviewed this week:
Recent reissues, compilations, and vault discoveries:
Old music:
Unpacking: Found in the mail last week:
Sunday, June 25, 2023Speaking of WhichThe Washington Post Editorial Board headline today is actually rather sensible (and hopefully sobering): Putin's humiliation means new dangers for Russia -- and the world. Still, given the dangers, maybe "humiliation" isn't the word we should be using. While the odds that Putin would resort nuclear weapons were never very high, it should be understood that they do go up with every humiliation, with every time he gets pushed back into a corner. The only way out of this trap is a negotiated settlement based not on the balance of power but on generally recognized principles, notably self-determination. And to bring that about, we still need a stable Russia. Blowing it up and replacing Putin with even crazier leaders isn't the way. The Washington Post Editorial Board also wrote another piece that should be sobering but probably isn't: [06-24] Is there enough money to rebuild Ukraine? In it, they fantasize about getting Russia to pay for the rebuilding, which may be "an unarguable moral case" but is also a total non-starter. (Remember when LBJ promised to pay for rebuilding Vietnam?) Meanwhile, the fact that Americans are asking these questions suggests that they don't intend to pay either. One problem is probably that the Post editors are reading their own war propagandists, like David Ignatius: [06-24] Putin looked into the abyss Saturday -- and blinked. From what I can gather, it looked like Prigozhin was the one who took the easy way out. But then the former Iraq War apologist has been writing pieces like this all along: [06-06] D-Day dawns for Ukraine. As usual, it's impossible to get to everything. I do hope this is the last time I ever devote a whole section to Hunter Biden. Even with this much, I doubt I really got adequately into the Republican reaction, or their continuing obsession with him. Sure, he could serve as an example of why nepotism and influence-peddling are wrong, but that's not a point Republicans are going to make. Tax cheating and gun buying are things they normally celebrate. Top story threads:Trump:
DeSantis, and other Republican lowlifes:
Hunter Biden: The president's son agreed to plead guilty to two tax misdemeanors and admitted to the facts of a rather dubious gun charge. The plea deal would give him three years of probation, plus a diversion on the gun charge, so it is expected that he will not go to jail. This should bring to a close one of the sillier outrages of the "lock her up" era, but Republicans have invested so much in it they can't bear the idea of letting go. Besides, what else to they have to run on? Certainly not policy ideas. On the other hand, it's hard to have much sympathy for him, even if you buy that he was railroaded. His influence-peddling schemes may not have been illegal, but probably should have been. (Had they been, that would wipe out a large swathe of Washington's upper crust, and good riddance to them.) And as a person, he seems to offer little to respect much less admire. But that, too, is hardly grounds for prosecution, and if it were, I can think of lots to put in line ahead of him.
Law and the courts: The Alito scandal broke last week, under Li Zhou below. It's beginning to look like Leonard Leo not only grooms conservatives for the Supreme Court, he hooks them up with billionaire patrons to keep them on the straight and narrow. And, let's face it, no one in recent history has been more narrowly partisan than Alito.
Environment:
Ukraine War: High hopes for Ukraine's counteroffensive have precluded any interest in diplomacy, but so far: [06-23] Early stages of Ukrainian counteroffensive 'not meeting expectations,' Western officials tell CNN. On the other hand, the head Wagner Group, a mercenary outfit Russia has employed especially at Bakhmut, has "declared war" on Russia's military command, which may signal a rebellion or even a coup against Putin. I cited this piece last week, by Anatol Lieven and George Beebe, which now looks prophetic. This is very much a developing situation. I'm citing some articles as it develops, but (as with the "counteroffensive") note that nobody knows very much. One thing that does seem clear is that Prigozhin's beef with the Russian command (and Putin?) isn't over whether to continue the war, but how to fight it more effectively. Lieven and Beebe ended their piece with: "however bad things are in Russia, they can always get worse." PS: As of Sunday afternoon, the key events are: Wagner occupied Rostov (Russia's "southern command" center), and started to march on Moscow; Putin condemned them harshly ("Those behind the mutiny will pay"), then Belarus president Lukashenko negotiated a stand down, which will allow Prigozhin and those who revolted with him to relocate to Belarus.
Sunday morning, Max Blumenthal tweeted: "Everything we said about Russia yesterday was an insane lie or completely wrong, now check us out on the White House ex-propaganda minister's show today." He's referring to "Inside with Jen Psaki," where the guests constitute a war council: Michael McFaul (former Ambassador to Russia), James Stavridis (Admiral), Anne Applebaum, Elissa Slotkin (Representative), and Nancy Pelosi (House Speaker Emerata). So the "we" isn't meant to include Blumenthal, but most likely it applies to him as well -- he has spent the last year attacking Ukraine and military support from US/NATO so exhaustively it's hard to draw a line between his stand against the US-led empire and his willingness to repeat Russian propaganda. But it's easy to imagine these five going gaga over the prospect of a revolution against Putin, even from the right -- something they have little conception of, despite the fact that Putin's harshest critics have always come from that direction -- then their disappointment when Prigozhin called the whole thing off. Whiplash is a risk of cheerleaders for politicians who can spin on a dime. I'm always reminded of the poor Communists who woke up one day finding they had to defend the Hitler-Stalin Pact. [1] Blumenthal quotes Applebaum as saying: "Yet even the worst successor imaginable, even the bloodiest general or most rabid propagandist, will immediately be preferable to Putin, because he will be weaker than Putin." Weaker, but still armed to the teeth with nuclear weapons. Around the world: Indian president Narenda Modi visited Washington last week, which occasioned much agonizing over India's human rights record, and Biden's willingness to overlook it. That actually strikes me as respect due to leader of another nation -- respect that the US, with its compulsion to divided the world up between friends and foes -- rarely shows. Which doesn't mean that the parties weren't up to no good.
Other stories:Dean Baker: [06-25] Why the RFK Jr., Rogan, Musk outrage machine doesn't bother Big Pharma. Also see Sarah Jones, below. Tim Dickinson: [06-15] Is America already in a civil war? Interview with Bradley Onishi, author of Preparing for War: The Extremist History of White Christian Nationalism -- and What Comes Next. I have to admit that my eyes glaze over when I read these pieces about the Christian Right, given that my own faith is so lapsed that they seem to be from a completely different planet. The idea that anyone, much less than 30% of all Americans, believe in predispensationalism just boggles my mind -- even though I now realize that one of my more memorable conversations with my grandfather (1895-1965) was about exactly that. I never took him to be insane, but in that moment he was. Andrea González-Ramirez: [06-23] One year without Roe: "All the ways abortion bans have affected pregnant people, providers, and clinics, by the numbers and in their own words." Also:
Constance Grady: [06-22] When you can't separate art from artist: Interview with Claire Dederer, author of Monsters: A Fan's Dilemma, a meditation on how to feel about art produced by people who turned out to have committed other reprehensible acts. (Michael Jackson, Woody Allen, and Bill Cosby are among the first-named, along with Pablo Picasso, Ernest Hemingway, and Roman Polanski.) I'm only bringing this up because my wife read the book, so it came up in conversations I never really answered. But I do have two core reactions: one is that I believe that works of art stand on their own the moment they are released (you might argue that copyrights and residuals argue differently, but I've never cared much for boycotts either); the other is that people are complicated but only turn monstrous when they take or are given power over others. So this isn't a dilemma I often engage in. I won't deny that some works of art embody their creator's damaged psyches in ways that merit little or no respect (e.g., Ayn Rand's novels). But the problem there is the art, not the artist (not that Rand, herself, wasn't quite some piece of work). Greg Grandin: [06-21] Cormac McCarthy's unforgiving parables of American empire. Sarah Jones: [06-24] Anti-vaxxers don't want a debate; they want a spectacle. Image here, with a mask reduced to the space of a Hitler moustache grafted onto a picture of Anthony Fauci, and the caption: "Stop! Faucism," is one way of saying, I'm so dumb, no point arguing with me! One of the most disturbing things about the Republicans (and one of the most Republican things about RFK Jr) is how completely, based on nothing but symbolism and bile, anti-vaxxers have taken over the collective consciousness of the GOP. Naomi Klein: [05-08] AI machines aren't 'hallucinating'. But their makers are. Too broad a subject to simply endorse her take, although the core idea that AI will serve the powers that control it, which means that in a system of rapacious capitalism, that's what it will mostly be used for. The details are messier. The word "theft" gets thrown around a lot, which needs to be squared with a stiff critique of so-called "intellectual property" rights. Eric Levitz: [06-23] The recession that didn't happen: Well, didn't happen yet -- Jerome Powell is still promising further rate increases, his pause explained by worry over failing more banks (the health and wealth of banks, after all, being the Fed's true raison d'ętre). Nicole Narea: [06-22] What happens now that the Titanic submersible search has ended in tragedy. Not that you need more, but:
Joseph O'Neill: [03-21] One man's foray into the heartland of the far right: Review of Jeff Sharlet's The Undertow: Scenes From a Slow Civil War. Alex Park: [06-16] 'Freakonomics' was neoliberal bullshit: "A look back at the bestselling book franchise that taught people to 'think like economists,' by which it meant 'think cynically and amorally.'" The bestseller was written by Steven D Levitt and Stephen J Dubner, and published in 2005, and sold over four million copies, spawning a sequel and other exploitations. I never read it, but I've read several other think-like-an-economist books (the most disturbing being Steven Landsburg's Armchair Economist, which left me haunted by "the principle of indifference"). I don't know about neoliberal, but I've been reading John Quiggin's Economics in Two Lessons, and I have little doubt that Freakonomics qualifies as what Quiggin calls "Lesson One economics": if it looks "cynical and amoral," that's because the theory doesn't allow for anything else. Heidi Przybyla/Shia Kapos: [06-23] No Labels declines to reveal just who is funding its third party bid. I don't think I've mentioned this "centrist" group, with its plot to offer the distraction of a presidential candidate not aligned with either major party. I've had plenty of opportunities from Democrats who have been whining about third-party candidates on the left since Nader in 2000. This year their pet peeve is Cornell West -- for some reason they assume that they should pocket the votes of everyone on the left, even if they offer nothing in return. But this year, they're even more worried about No Labels siphoning away center votes they do bend over backwards to woo. After all, Biden in 2024 is the only possible protection against Trump (or some equally vicious MAGA maniac), and everyone should be willing to put up with a lot of waffling and compromise to keep that from happening. The fact that the money behind the operation is secret just adds to the air of conspiracy. As does the flirtation with conservative Democrats like Manchin and Sinema, which makes it look like they are prioritizing capturing Democratic votes. I suspect that, like most third party efforts, it won't ultimately amount to much, and is likely to serve as a protest outlet for more disaffected Republicans than Democrats, so may even help Biden. But in any case, the answer isn't to whine. It's to come up with a better campaign, and win so big the third parties are irrelevant. Tweets:Dr. David A. Lustig @drdave1999:
Tuesday, June 20, 2023Daily LogRannfrid Thelle wrote a piece on The best history books about how we know the past. She listed:
I commented on Facebook:
More midyear lists: Monday, June 19, 2023Music WeekExpanded blog post, June archive (in progress). Tweet: Music Week: 44 albums, 5 A-list, Music: Current count 40436 [40392] rated (+44), 12 [16] unrated (-4). I published another fairly long (5592 words, 96 links) Speaking of Which last night. Lots of important points there. I noticed a few more mid-year album lists:
A few more, like Boston Globe and Times of London, were paywalled, and others no doubt missed Google's net. I doubt if they change the listings I presented last week very much. They drove much of my listening this week, as did Robert Christgau's June Consumer Guide -- although in the latter case it mostly got me to relisten to albums that I possibly had shortchanged previously. Two of them I bumped up a couple notches, although even now I'm wondering if one might have been more correct. The rest I left as is, with Wednesday's Rat Saw God headed for a lower grade before the last couple cuts showed some promise. It's one of the five or so best-regarded albums of the year, which leaves me feeling wildly out of synch with current music trends. Pretty out of synch with his Consumer Guide, too, although I will note that the África Negra compilation got an A- from me back in May 2022. I updated the Consumer Guide database at Robert Christgau's website. It had gotten considerably in arrears, although the practice of withholding reviews nine months to give his Substack subscribers some exclusivity makes it seem more like a bookkeeping exercise. Still, something I should be doing more regularly, if only to keep from having to rediscover how to do it. I've been playing the original Hairspray soundtrack a lot. While the dance songs are as great as I remembered, the real earworm is the slow dance number, Gene Pitney's Town Without Pity. The lyrics still resonate: "How can we keep love alive/ how can anything survive/ when these little minds tear you in two." Indeed, the "little minds" the film sends up in the early 1960s have returned to hector us, even more stunted and deformed than before. New records reviewed this week:
Recent reissues, compilations, and vault discoveries:
Old music:
Grade (or other) changes:
Unpacking: Found in the mail last week:
Sunday, June 18, 2023Speaking of WhichCalling time on this, 10 PM Sunday evening. The most obviously missing story is something on the heat waves in Asia and Texas. Also, note that while the non-Trump Republican section is short, it's pretty ominous, and even worse things are lurking down in the miscellaneous section. Top story threads:Trump: He was arrested on Tuesday, pled innocent, and was allowed to leave. Republicans are so sure he's guilty they're already talking about pardoning him. Some "law and order" party they are!
DeSantis, and other Republican scum:
Climate and environment, disastrous and new-normal:
Courts and the law:
Ukraine War: The "counteroffensive" has officially started, but there's little reporting on it -- the best the cheerleaders of the New York Times can muster is: [06-18] Ukraine appears to make a small gain in the south as counteroffensive continues.
Around the world:
Other stories:Dean Baker:
Niccolo Barca/Tommaso Grossi: [06-15] The damage Silvio Berlusconi (1936-2023) leaves behind: "The notorious tycoon and former Italian prime minister is gone, but his toxic legacy remains." Before Trump, there was another billionaire who sought office to flamboyantly flount his ego. With his death (and his neo-fascist successor), I'm surprised not to see more on their analogies, including a stretch out of office before coming back, and various skirmishes with the law. Ok, found one:
Zack Beauchamp: [06-15] What a new conservative call for "regime change" in America reveals about the culture war: Review of Patrick J Deneen's new book, Regime Change: Toward a Postliberal Future. Deneen, a political science professor at Notre Dame, previously wrote Why Liberalism Failed in 2018. I grew up reading fairly radical critiques of liberalism, and only softened my view as liberals lost power and prestige and stopped being the ones chiefly responsible for American imperialism and instead became fair-weather defenders of people with little power that conservatives like to pick on. So I can imagine writing books with titles like these, but not this crap, which boils down to a program of seizing power for self-appointed right people and using that power to marginalize or suppress everyone else, resulting in a well-ordered utopia of well-behaved automatons. One problem with liberals is they cut fascists too much slack. Frederick Clarkson: [06-17] "Unfriending" America: The Christian right is coming for the enemies of God -- like you and me. Inside the "New Apostolic Reformation (NAR), a movement at the cutting edge of Pentecostal and Charismatic evangelicism, which is now the second largest Christian faction in the world after the Roman Catholic Church and the largest growth sector in American and global Christianity." Fabiola Cineas: [06-17] The "anti-intellectual attack" on higher ed will take years to undo: Interview with Irene Mulvey, president of the American Association of University Professors (AAUP), noting more than 50 bills in 23 states aimed at "chilling academic freedom." Could have filed this under DeSantis. David Cohen: [06-16] Daniel Ellsberg, who exposed the truth behind the Vietnam War, dies at 92. "Some called Ellsberg a hero and others branded him a traitor." Count me in the hero camp. As far as I know, there has never been any "top secret" document more in need of exposure than the deep history of mistruths and bad faith exposed in The Pentagon Papers. More on Ellsberg:
Michael Hiltzik: [06-13] A farewell to James G Watt, environmental vandal and proto-Trumpian: Reagan's infamous Interior Secretary (1981-83) has died, at 85. His most Trumpian attribute was a loose tongue that repeatedly offended everyone but mining company executives, although it's worth noting that eventually he was (per Wikipedia) "indicted on 18 counts of felony perjury and obstruction of justice and accused of making false statements before a federal grand jury investigating influence peddling at the Department of Housing and Urban Development," which was settled when he "pleaded guilty to one misdemeanor count of withholding documents." More:
Sarah Jones: [06-15] What the censors want. Same question raised by Jane Smiley: [05-30] What are the book banners afraid of? It's not just that they want to hermetically seal young people in a cocoon that celebrates the conservative order. "They are afraid of readers -- especially young readers -- learning the truth about humans, about American history, about, perhaps, their own lives." They talked less about banning books in my day, because it was effectively done before any schools could get their hands on contraband. My reaction was to seek out anything else I could find, and, well, look how I turned out. Jay Caspian Kang: [06-13] What was Nate Silver's data revolution? I've sometimes wondered whether I should read Silver's book (The Signal and the Noise, 2014). I avoided statistics when I was a sociology major (much to my regret), but I've picked up a general understanding since then; even if I still lack technical skill, I have an interest in and feel for data. But scanning through the book sample on Amazon doesn't reveal much I don't already know. Nor is this piece especially enlightening, least of all about Silver's recent defenestration from FiveThirtyEight. On the other hand, it does highlight a new stats/gambling competitor, Split Ticket. Their Initial 2024 Presidential Ratings are almost exactly what you'd expect. Ed Kilgore: [06-16] Why do so many Americans think Biden is doing a bad job? That's a good question. I'm afraid it boils down to Republicans never missed a beat in trashing Biden, Democrats rarely fighting back, and the media's predilection for bad news and/or controversy, and their lack of interest in context or complexity. It also hurts that Biden's not much good at speaking for himself. Context matters, because most of our current problems have been developing for decades, making change hard, especially given entrenched Republican power centers. Climate change is probably the clearest example, but workers have been losing ground since the 1980s, inequality has been increasing, the military has been growing (to no good effect), diversity has been increasing (along with a more virulent backlash). The net effect is a sense of decline, which Republicans rail against, blame and exacerbate, while Democrats craft weak reforms and try to exude confidence (without much conviction). The easiest response here is to list the many ways Democrats are not as bad as Republicans, while glossing over the cases where there isn't much difference (foreign policy, especially the Ukraine War; support for the military; policing immigration; bailing out banks). Even there, it's possible to hope that Democrats will improve. But even where Biden has fallen short, the solution isn't to throw him out -- the only hope is to elect more Democrats. Related:
Ezra Klein: [06-18] 'What the hell happened to the California of the '50s and '60s?': Talks with California Gov. Gavin Newsom about permitting problems, especially environmental impact studies that are slowing down and often killing decarbonization projects needed to save the environment. While consideration of environmental impacts is important, it shouldn't be crippling, as is often the case. Republicans have made "permitting reform" a hot-button issue, with a view to pipelines and mines that are being held up, but it's also obstructing "green energy." Reading this, two thoughts came to mind: one is that California wouldn't exist as we know it had the water projects of the early 1900s had to pass environmental impact studies (one can argue whether that would be good or bad, but it's certainly big). The other is that the first principle of the New Deal was "do something." One looks back at the 1930s and marvels at how much they did, how fast and cheap it was. And sure, much of what they did was build dams, but they changed people's lives, mostly for the better. A progressive movement that can't do that is going to have a hard time surviving, much less flourishing. Naomi Klein: [06-14] Beware: we ignore Robert F Kennedy Jr's candidacy at our peril: Useful if you're considering giving him a second thought. I read his 2005 book Crimes Against Nature: How George W Bush and His Corporate Pals Are Plundering the Country and Hijacking Our Democracy, which seemed solid enough, but in retrospect was an easy target. He dedicated that book to his then-wife ("the real environmentalist in the family"). He filed for divorce in 2012, and four days later she killed herself. He moved to Los Angeles, married an actress, and within months was railing against vaccines. As Klein documents, he went crackers after that, including his hate book (The Real Anthony Fauci, published by right-wing Skyhorse Publishing). One more point I'd like to add is that I really hate the idea of dynastic politics (and more generally the whole nepotism dynamic, and for that matter inherited wealth -- which better describes Trump than entrepreneur, not that new money can't be obnoxious either). Also on Kennedy:
Eric Levitz: [06-14] Larry Summers was wrong about inflation. He argued that "we need two years of 7.5 percent unemployment or five years of 6 percent unemployment or one year of 10 percent unemployment" to contain inflation. Of course, he'd argue that it's still not contained, even if levels have dropped significantly. But the problem isn't just that Summers is often wrong. It's the ways in which he's wrong, and his obliviousness to the human toll that he argues for. Jaclyn Peiser: [06-17] How Instant Pot went from coveted appliance to bankruptcy: Regardless of "post-pandemic trends," the real culprit is private equity, which robbed the company (Instant Brands) blind while saddling it with excessive debt. Thomas Piketty: [06-15] The wealth of (some) nations: French economist, author of major works Capital in the Twenty-First Century (2013) and Capital and Ideology (2020) as well as more pointedly political collections of essays, interviewed by Felicia Wong and Michael Tomasky. Kelsey Piper: [06-14] Four different ways of understanding AI -- and its risks: I'm surprised this isn't illustrated with a simple four quadrant chart, where one axis is how important AI will be (really big to fairly minor) and the other is how useful or troubling it will be. The piece does mention four quadrants, but only focuses on the "big and good" corner. I think the more important questions are whether access to AI will be restricted to enhance corporate profits, and whether the AI itself will be engineered to further corporate interests. Of course, the same thing can be said about software in general, and the line between crude deterministic software and AI is already rather blurry (e.g., in shopping for an electric toothbrush I found models that advertise AI, which almost certainly is far short of I). There are also questions of whether AI is subordinate to human decision making or autonomous, and whether it is able to command mechanical power (self-driving cars are a case in point), and therefore how fast it can act, or how hard it is to halt. The author's "four quadrants" depend a lot on these questions. Related:
Alex Shephard: [06-12] The rise of independent voters is a myth: Well, it feels better to think of yourself as an independent, as opposed to someone who blindly follows party choices you have little or no control over. Also, both parties share one major negative: both spend much of their time chasing donors, offering to do their bidding. And both parties are bound to the military and the residues of imperialism, even though we have nothing but sorrow to show for their last twenty (or, hell, seventy-five) years of belligerence. Democrats have the extra burden of having repeatedly ignored and undercut the interests of most of their voters. Republicans have the extra burden of nearly everything they try backfiring. So it's easy to see why many people prefer to distance themselves from such a dysfunctional system. But the self-proclaimed centrists rarely offer any sort of alternative. Rather, they embrace the worst of both parties, a muddle of clichés. Alex Skopic: [06-13] How the lottery became a substitute for hope: I knew a guy who signed all his email with a definition of lottery: "a tax on stupidity." My quick take was that it's a tax on hopelessness. It offers people an extremely small chance of becoming rich, which could be seen as a good deal if your actual real life chances were even slimmer. But it also depends on people believing that becoming rich is the answer to their problems. Jeffrey St Clair: [06-16] Roaming Charges: All the girls around him say he had it coming. Starts with a quote from the late Cormac McCarthy: "Life is brief and to have to spend every day of it doing what somebody else wants you to do is not the way to live it." Then he mentions Trump, but just to point out he's no whistleblower (his counterexample is Julian Assange, who Trump's DOJ prosecuted, and Biden's is still after). Then: "When I think about the many victims of the Espionage Act, my thoughts immediately go to Ethel Rosenberg," who was convicted and executed not for treason but for "being engaged in a conspiracy to 'commit espionage.'" A crucial figure in that execution was Trump's old mentor, Roy Cohn, who personally lobbied the judge to sign the death warrant. Trump fancies himself as the victim of a "witch hunt," but while he's earned a desire among many for vengeance, he doesn't grasp the most basic principle of actual witch hunts, which is less to punish the initial target than to smoke out more witches. Arthur Miller wrote The Crucible to point out how much McCarthyism had in common with the Salem witch trials -- two episodes in American paranoid thought that are now widely regretted (if not fully: one can imagine DeSantis setting up tribunals to interrogate witnesses -- "are you now or have you ever been woke?" -- and demand that they name names; and while none of the recent laws criminalizing aid and advice on getting an abortion specifically mention witches, the history there runs pretty deep; by the way, later down there's a Pat Robertson quote about the "feminist agenda" which lists "practice witchcraft" among other evils, like "leave their husbands" and "destroy capitalism"). St Clair shows a meme, where Trump says "In reality, they're not after me . . They're after you. I'm just in the way." But where was Trump when "the feds came for crack users, welfare mothers, immigrant families, striking workers, jaywalkers, whistleblowers, and medical pot users"? He was mostly cheering them on. "There are 2 million people currently incarcerated in US prisons and jails. There are 5 million formerly incarcerated people in the US. 20 million people have been convicted of felonies. 80 million have some kind of criminal record. They've already come for and gotten almost all the rest of us." Then there's a quote from DeSantis vowing "We will fight the woke in education, we will fight the woke in corporations, we will fight the woke in the halls of congress." St Clair:
Colin Woodard: [06-16] The geography of gun violence: Most likely interesting for the map, which was the subject of Woodard's 2011 book American Nations: A History of the Eleven Rival Regional Cultures of North America. But the differences in gun deaths are striking (3.5 and 3.8 at the bottom, 12.2 in the Far West and 15.6 in the Deep South, and a few outliers even higher). Notable tweet, from Dean Baker (linked to a Washington Post editorial you can chase down yourself):
Monday, June 12, 2023Music WeekExpanded blog post, June archive (in progress). Tweet: Music Week: 54 albums, 2 A-list, Music: Current count 40392 [40338] rated (+54), 16 [16] unrated (-0). I wrote another long Speaking of Which (5822 words, 105 links). Started early to capture the tweets at the bottom, then had to restructure twice after Trump was indicted. Even pulling the Trump pieces out, I still had more pieces in the section on other Republicans. Anyone who fancies that DeSantis might be less bad than Trump should read the Ezra Klein piece. The environment section is a bit skimpy, especially in my comments, but the pieces (and even the titles) speak for themselves. The Ukraine stories drew me out more, but I still never got around to making the most obvious point, which is that this week's horrible stories are the natural consequence of not negotiating an end to the war a year ago, and not preventing it two-to-eight years ago. Further down, the Irin Carmon and Sarah Jones interviews remind us of the real world impacts of Republicans' obsession with controlling pregnancy. The Dean Baker and Ryan Cooper pieces remind us that Pharma profits are rigged by policy choices that can be changed. The James Galbraith piece works as a tombstone over the debt fiasco. As I recall, he wrote a similarly belated piece on the 2008-09 bank bailouts, which argued that we should have let the banks fail, and put the public money into helping those who got hurt, as opposed to those who were responsible for the recession. Given how little progress we've made on getting the banks to work for the general good, it's hard to say he's wrong. And the Zachary Carter piece points out current myths about inflation, and points to better solutions than the classic Volcker recession. (And yes, let's call it that, unless you can convince me that it's really Milton Friedman's fault -- not implausible, given his contribution to NAIRU.) Lots of good-but-not-great records below. Stereogram seems to have been first out of the gate with a "best of 2023 so far" list. At least, that's the first one I saw. By the time I counted, I had heard 33 (of 50) albums on the list (probably closer to 40 now, but I've lost track). Then I started looking for more, and found the following:
I did a partial tabulation (probably 10 of 13 lists, skipping the last three added -- if memory serves, Mixmag, Pitchfork, and Saving Country Music). This gives the following frequency of mentions (almost none of the lists were ranked, so no point trying to weight them). The following records appeared three or more times (numbered by count; my grades in brackets):
I have six A- records there. Christgau has just two so far, and his (JPEGMafia and Boygenius, both full A) aren't in my six. Two I haven't heard yet. I'll probably fix that, but given that the only Metallica album I've heard so far landed at C-, it's hard to see much point. This probably skews a bit more toward hip-hop than my recent EOY aggregates, but I count that as a plus. On the other hand, virtually no country (even "Americana") or jazz made the lists. I don't know of anyone who's done a "best jazz so far" list, but I can copy one out from my always-changing scratch list:
Don't put much stock in the order: this has been haphazardly assembled since January and I haven't done any editing, let alone rechecking. Not that it makes much difference these days, but ** indicates streamed or downloaded, with the rest on CD (pretty sure there's no vinyl here. Of this list, the only albums I'm more than 50:50 confident will end up in the top ten in year-end critics polls are McBride, Threadgill, and Lewis (on Anti-), although AEC, Benjamin, Moran, Smith, and/or Lowe could surprise; NIS is a real left field prospect. In most of these cases, the artists are sufficiently well-known, but the labels have little if any track record at getting the music out to critics. PS: Three more links: The Week; Subjective Sounds; i-D. New records reviewed this week:
Recent reissues, compilations, and vault discoveries:
Old music: None. Grade (or other) changes:
Unpacking: Found in the mail last week:
Sunday, June 11, 2023Speaking of WhichI see that Nathan Robinson's Current Affairs has launched a biweekly News Briefing via Substack. If the free first issue is anything to judge by, it's better than what I've been trying to do (e.g., below) over the last several years. Still, I stopped cold when confronted with the paywall (Substack's minimum $5 per month, or $50 per year). Nonetheless, I got an email within minutes saying, "You're receiving free posts from Current Affairs Biweekly News Briefing." (I did nothing more, but maybe they glommed onto a cookie, as I'm a non-paying subscriber to a couple other Substack newsletters. The way they do this makes it impossible for my wife and me to share Substack accounts, which disinclines me from doing anything with them at all.) By the way, apologies for the paywalled content linked to below. My wife subscribes to a lot of stuff (New York Times, Washington Post, etc.), which I piggyback on, so I don't notice when it's not free. On the other hand, the titles usually work as an outline, and my comments are always visible, never joined to a shakedown or any other kind of scam. If Current Affairs (or anyone else) wants to fold stuff I write here into their own offerings, more power to them. Just don't charge me for it. I continue to be bothered by my lack of progress on any other writing front, despite the relative ease with which this weekly compendium practically writes itself. Top story threads:Trump: I started collecting before the Trump indictments dropped, but that only partially obsoletes Andrew Prokop: [06-08] Trump's next indictment is looming -- and the evidence against him is trickling out. Prokop also wrote: [06-08] Trump says he's been indicted again: The Mar-a-Lago classified documents case, explained; and [06-09] The detailed, damning new Trump indictment, explained.
DeSantis, and other Republicans: I originally wanted to keep all the sociopaths together, but the Trump volume argued for a separate section. Still, the only significant difference seems to be that he got caught -- something that in happier times he derided John McCain for:
While the following articles aren't strictly about Republicans, this seems like a good place for them:
Fire and smoke:
And other environmental disasters:
Ukraine War: Most observers are reporting that Ukraine seems to have started their "counteroffensive," albeit with little fanfare. Their only discernible victory so far is in getting journalists to say "counteroffensive" instead of "[Spring] offensive" -- we still need to make clear that Russia is the aggressor in this war. It's been pretty clear all Winter that Zelensky has no intention of negotiating until he first gives his fancy new war weapons -- especially the tanks -- a chance to tip the scales. While I wouldn't be surprised if Ukraine manages to claw back much of the territory they lost in 2022, the only solution is still negotiation, and the only reasonable basis for negotiation is the self-determination of the people involved. Until both sides realize that, the destruction continues. And if you think this week's dam destruction was a disaster for everyone, wait until the fighting overwhelms the Zaporizhzhia nuclear plant (already endangered, especially denied water from the dam).
World:
Other stories:Dean Baker: [06-07] Owning up to mistakes and pandemic deaths: "It would be a huge step forward for both public health and US foreign policy if we could begin down the road of freely sharing health care technology rather than trying to bottle it up so that a small number of people can get very rich." Also see Ryan Cooper, below. Zack Beauchamp: [06-11] How the right's defeats gave us the anti-LGBTQ moment: "The American right is returning to its homophobic roots." I figured the culture war over LGB was pretty much settled, but T opened it up again, largely, I think, because the right will embrace any non-economic grudge they can get any leverage on. (Gas stoves is an almost comical example.) Economic issues are trickier, because helping the rich get richer isn't all that popular, even among caste-conscious Republicans. Beauchamp's thesis is less convincing, but the right has few rivals when it comes to nursing grudges and stoking paranoia about vast left conspiracies. Otherwise, they might have to face responsibility for their repeated failures. Irin Carmon: [06-06] When pregnancy is the crime: "An exit interview with Lynn Paltrow, who has spent decades representing women jailed for miscarriages and stillbirths." Zachary Carter: [06-06] What if we're thinking about inflation all wrong? "Isabella Weber's heterodox ideas about government price controls are transforming policy in the United States and across Europe." With visions of magical markets dancing in their heads, economists hate price controls (even if coupled with wage controls, which softens the blow because economists also hate people), it's easy to see how they fell for the Volcker maneuver as the only proper remedy for inflation. But it's a very blunt, indiscriminate instrument, kind of like engineering a flood to put out a house fire. It may eventually work, but the collateral damage is immense, and may not even solve the real problem. This recent round of inflation always struck me as caused by two things: the first is temporary supply chain kinks, which made it possible for companies to price gouge, some of which stuck given that most companies preferred profit to volume; which was possible due to increasing monopolization of damn near everything. Monopoly rents had trailed limits to competition because customers resist price increases, making companies reluctant to squeeze their every advantage, but the dam broke, companies could take whatever the market would bear. For proof, consider that most companies have been raking in record profits while others pay their premiums. Weber has some interesting ideas for price controls -- often ones that avoid the bureaucratic overhead of the old OPA, although with modern computers you'd think that overhead could be slashed. Ryan Cooper:
James K Galbraith: [06-09] Next time, dammit, just default: "Democrats feared a monster called 'default' -- but it's just another Washington scare story." Makes sense to me. In fact, makes me wonder why I didn't see something like this before the deal -- although parts of it are somewhat familiar. It's actually an old story where the Left (or its compromised proxies in parties like the Democratic) are called on to sacrifice their own goals in order to save capitalism, on the premise that not doing so would hurt worse. Sarah Jones: [06-11] "It's not just the fringe who are committing these violent acts": Interview with Julie Burkhart, who runs the only clinic that provides surgical abortions in Wyoming. She formerly worked for the late George Tiller here in Wichita. Peter Kafka: [06-07] Firing Chris Licht won't fix CNN. Licht drew flak for his efforts to move CNN toward the "center," especially the synthetic news event he billed as a "Trump town hall, but Kafka attributes his firing to the exposure in Tim Alberta: [06-02] Inside the meltdown at CNN. Alberta says "Licht felt he was on a mission to restore the network's reputation for serious journalism." I'm not sure that "serious journalism" is even possible on TV given diminished attention spans, but if one wanted to try, the obvious way to go about it would be to look beneath the headlines and start to notice the interests that corrupt and distort understanding.
Robert Kuttner: [06-09] Remembering William Spriggs: "A life devoted to pursuing economic justice." Died this week, at 68. Dylan Matthews: [06-10] Labor unions aren't "booming." They're dying. "Unions won't come back without fundamental changes to bargaining." Ian Millhiser:
Nathan Robinson:
Greg Sargent: [06-08] How Pat Robertson created today's Christian nationalist GOP: The Christian Broadcasting Network founder died at 93. Interview with Rick Perlstein.
Jeffrey St Clair: [06-09] Infamy at sea, cover-up in DC: Israel's attack on the USS Liberty: In 1964, two American ships in the Gulf of Tonkin reported being fired on, which LBJ quickly blew up into the casus belli that justified America's escalation of war against Vietnam. Three years later, another American ship was attacked at sea, this time killing 34 US sailors and injuring 174. LBJ was still president, but the only thing he escalated this time was the amount of foreign aid sent to the attackers. This is an old piece, from a 2004 book, but perhaps the story is new to you? Maureen Tkacik: [06-02] Days of plunder: A review of two recent books on the most malign force in modern capitalism: Gretchen Morgenson/Joshua Rosner: These Are the Plunderers: How Private Equity Runs -- and Wrecks -- America, and Brendan Ballou: Plunder: Private Equity's Plan to Pillage America. Opens with more than you want to know about PetSmart, but that's just one example. Robert Wright: [06-07] AI is at a dangerous juncture: It's hard to know just where to hook into this argument, mostly because it's unclear what AI is going to do -- the most obvious thing is to increase speed and productivity of data-intensive operations -- or more pertinently what it could do that we don't want it to do. One thing that makes that alarming is that for many years speed has been viewed as the holy grail of war (from blitzkrieg to the decision to respond to a nuclear first strike). Still, the question we should ask isn't how AI can give us (or them) an advantage in waging war, but whether our model of defense through deterrence hasn't been thorough discredited (e.g., in Ukraine). One comment here: "AI will not be regulated properly because companies will always put profits over everything else." For all the talk about the need to regulate AI, I've never seen a concrete proposal for doing so. My best guess is that the first movers want it regulated to keep future competitors out -- that's actually a common regulation strategem. What would make more sense to me is not to regulate what AI can do but to regulate the business you can do with it, starting with how it can be monetized. A good start would be to deny any patents on it, which would disincentivize developers, especially from doing unsavory things with it. One could go a step further and require that the source code be free (in the GNU sense). For starters, that would make it publicly inspectable (and again it would disincentivize bad actors). And certainly, the products of AI shouldn't be copyrightable. (Thus far, as I understand it, they are not.) Of course, if we start talking along these lines, the current companies' push to regulate is going to evaporate. As long as politics are driven by greedy parties, this isn't likely to happen, but if the threat is real, how can we afford not to?
Abby Zimet: [06-04] A rank immunity: Henry Kissinger is still a war criminal: I thought we had flogged this not-year-dead 100-year-old carcass enough over the last couple weeks, but couldn't resist tipping you to the Wonder Wart-Hog detail used as an illustration. If you can stand more, try Jonathan Guyer: [06-08] I crashed Henry Kissinger's 100th-birthday party: "The elite love him but for some reason won't say why." Notable tweet from @sorrelquest:
From Zachary D Carter:
Monday, June 05, 2023Music WeekExpanded blog post, May archive (in progress). Tweet: Music Week: 46 albums, 3 A-list, Music: Current count 40338 [40292] rated (+46), 16 [38] unrated (-22: 16 new, 0 old). I published a Speaking of Which Sunday evening. I collected a few links early, but didn't touch it for most of Friday and Saturday -- cooked a little dinner -- so it came up short (45 links, 2846 words, the shortest since Dec. 27 last year). Rated count should be down too, but I cheated, massively. It's a one-shot deal, and I'm happy it's done. Ever since I've been blogging reviews, I've started each post off with a slug line, noting how many records I've rated (week and total), plus how many I had sitting around unrated. In the early days, I bought a lot more than I could listen to quickly, and then I started getting promos, including some I had little interest in, so the number combined those. In March, 2003, I rated 13 albums, bringing me to a total of 8080, but also added 78 unrated albums, which put me at 899. The unrated count continued to grow over the next couple years, hitting an all-time high of 1157 in July, 2004, before I finally started whittling away at it. By the end of 2008 I got it down to 757, but it shot up as high as 886 in 2011 and 882 in 2012, before finally dropping below 600 (Dec. 2012), 500 (Dec. 2014), 400 (Mar. 2015), 300 (Aug. 2018), 200 (Oct. 2021), and 100 (June 2022). I finally got it down to 27 a couple months ago, and it's been stuck at that level since then. Aside from a couple boxes that I never found time for, the remaining albums were proving very hard to locate. Last week I dug through a neglected shelf of loose, unpackaged promos, and found four of them. On closer inspection, only one of the four was even worth cataloguing (a Campbell Bros. advance that turned out to be pretty good). The other three (two label samplers and a 14-minute live single that was probably never released as a product) I just commented out of the database. After that, and looking in some more desperate places to no avail, I decided to wipe the slate. Henceforth, unrated albums will only be items in the current demo queue (or new purchases). A few things from the list that I either found or could stream show up in Old Music below. Everything else is noted in the Unrated Closeout section below. In some cases I went ahead and ascribed grades (pretty conservatively, I think): some were based on memories, some from sampling similar material, and a couple were minimal estimates based on general familiarity. In other cases, I was too unsure to bother. If/when I do manage to find and play any of those items, I'll revisit the grades, or add them as ordinary old music discoveries. Probably meaningless to anyone else, but feels like a weight lifted. Been having trouble thinking of new things to play. The Music Tracking file has grown to 881 items, of which I've rated (or have unrated) 414. I'm pretty sure that's behind last year's pace -- if you figure four months (forget January, which is catchup for 2022), we're a third of the way through. I won't be surprised if I slack off as the year progresses. Depends on how the non-music writing comes along. I did manage to wrap up the May, 2023 Streamnotes file. Quite a bit of good music in it. New records reviewed this week:
Recent reissues, compilations, and vault discoveries:
Old music:
Unrated Closeout Back when I bought lots of CDs, I added them to the database with grade 'U' -- unrated, waiting my attention. At one point the Unrated list topped 900 albums. I've gradually whittled it down over the years to less than 30, which roughly speaking divide into two categories: records I can't find, and records I can locate but don't feel like listening to (some of these are big box sets that would take up major time). For my own sanity, I've decided to clean out the category here. Some I found and reviewed above. Some I've gone ahead and assigned grades to (based on my memory, not especially trustworthy here, but sometimes supplemented by sampling). Some of these I may find later and review as makes sense. Unless noted otherwise, I just commented out my 'U' grade and added a note-to-myself. ("Dropped from database" means I decided I shouldn't even track it as an album.) Absolut Null Punkt: Absolut Null Punkt (2003 [2004], Important): Japanese band (1984-87), reformed in 2003. Album (almost certainly a CDR) not listed in Discogs, could possibly be Live in Japan. Dropped from database. Derek Bailey/Pat Metheny/Gregg Bendian/Paul Wertico: The Sign of 4 (1996 [1997], Knitting Factory, 3CD): Improv clash of two guitarists and two drummers. Had CD, and remember having trouble with it. Penguin Guide 4-star, but others hated it. Fair grade: B Berkeley Guitar 2006 (2006, Tompkins Square): Effectively a sampler; found CDR but dropped from database. Big Stick: Drag Racing Underground (1989, Albertine): As best I recall, a noise rock band with a drag racing fetish. Discogs doesn't list, but AMG has this as a 23-track CD. Later compilation Some of the Best of Big Stick has some overlap. I have it at B+(**), so this is probably some kind of: B+ Boston Horns: Shibuya Gumbo (2008, Boston Horns): Funk-jazz group, seven albums 2001-11. No recall. Brazil Today! Volume 2 ([1984], Polygram): Classic selection (16 tracks) of MPB, dates not provided. Label should be Philips. Not sure whether this or another album (not in database) was my introduction to Brazilian music. Césaria Evora: Nova Sintra (1990 [1998], West Wind Latina): Cape Verdean singer, have four other albums rated (two at A-). This appears to be a reissue of Distino Di Belita, reviewed above, making this redundant (but since I have a copy somewhere under the other title, I'll count it twice). Grade: B+(**) Funkatronic: Live at Discover Festival Burlington, VT (2002, self-released, EP): Three-song promo (length 14:28), found CDR, not in Discogs, band doesn't appear to have released anything else, so no harm dropping from database. Rory Gallagher: Big Guns: The Very Best of Rory Gallagher (1970-90 [2005], Capo, 2CD): Irish rocker (1948-95), probably deserves a best-of, but I've never played any of his 14 records. Iscathamiya: Zulu Worker Choirs in South Africa (1986, Heritage): Compilation recommended by Christgau, related to the mbube made famous by Ladysmith Black Mambazo, but tougher (or so I hear). Fairly safe guess: B+ Flaco Jimenez: El Sonido de San Antonio (1980, Arhoolie): Tex-Mex legend, tons of stuff in print but not this. Probably ex-LP: B+ JSL Records 20th Anniversary Sampler (1988-2006 [2008], JSL): Label sampler, found CDR but dropped from database. Hazard/Fennesz/Biosphere: Light (2001 [2004], Touch, EP): Turns out I had this listed twice, once under various artists (each has his own section) and once as listed. The latter was graded: B Mind Over Matter Music Over Mind: Matador (2004, Soundz Impossible): Not in Discogs, but aka MOM2, with Bobby Hill and Thomas Stanley. Probably got this because Stanley is a friend of a friend, and could kick myself for losing it. Bassist Luke Stewart played in a later iteration of group (Chris Downing was on this record). No idea. Astor Piazzolla: Themes Originaux (1982, Jonathan): Probably ex-LP. Some early albums sound uncomfortably classical. I think this is one, but cannot be sure, and I'm reluctant to guess. Astor Piazzolla: Tristezas de un Doble A (1987, Rounder): Could be LP or CD. Again, hard to guess. I have nine Piazzolla albums graded in database. Leslie Pintchik: Live in Concert (2010, Pintch Hard, DVD+CD): Jazz pianist, probably got waylaid (and for that matter ignored) due to DVD packaging. Six other albums in database are various levels of B+, so most likely this is also some kind of: B+ Richard Pryor: . . . And It's Deep, Too! The Complete Warner Brothers Recordings (1968-92 [2000], Rhino, 9CD): Christgau graded this A+. I don't doubt that he was a genius, but I rarely listen to comedy albums, and don't feel like spending 9-10 hours -- even if I could bag extra credit by breaking out the original albums. But I do know where it is, and figure this is a lazy, minimal grade: B+ Elba Ramalho: Personalidade ([1987], Verve): Brazilian star, many records, this a sampler, only one in my database. Hank Snow: The Singing Ranger, Vol. 4 (1969-84 [1994], Bear Family, 9CD): Country star from Canada. I was a big fan, and grabbed this big box when I could, but never got through it all. Maybe some day. The five Bear Family boxes (the first is called The Yodelling Ranger) total 39 CDs. This is the only one I have. Spire: Live in Geneva Cathedral/Saint Pierre (2004 [2005], Touch, 2CD): Ambient/minimalist concert, pieces by seven artists, the most famous being Henryk Górecki and Fennesz, the first disc heavy on the organ. Alan Stivell: Zoom 70/95 (1970-95, [1997], Dreyfus, 2CD): Legendary Celtic harpist from Breton in France. One other item in my database at B+. Almost certainly have CD somewhere. I don't have a lot of patience for this music, but minimal grade is: B Mel Tormé: The Mel Torme Collection (1944-85 [1996], Rhino, 4CD): Career-spanning box set of one of the more important jazz singers of the 1950s. I feel negligent for not getting to this. Little chance that this is not some kind of: B+ Neil Young: Archives Vol. 1 (1963-1972) (1963-72 [2009], Reprise, 10CD): Another big box I never made it through. (Bought it when Borders was going out of business, and not sure I even tried.) Safe guess: B+ Unpacking: Found in the mail last week:
Sunday, June 04, 2023Speaking of WhichAbbreviated this week, as I basically lost Friday and Saturday to a cooking project. Anyhow, enough for a placeholder. The non-story of the week is the debt deal. (Glad that's over.) The story that really looms large is the insurance industry debacle. Also note the problems in Kosovo, which should remind us that temporary hacks don't last where long-term stable solutions are needed. Top story threads:Trump, DeSantis, and other Republican sociopaths:
Biden, Democrats, and the end of the debt crisis: For the record, I'm not unhappy with Biden's debt ceiling deal. He gave McCarthy a little victory and a bit of respect, which he probably didn't need to do, but it didn't cost much. And what Biden gained was to kill the issue until 2025, or longer if Democrats recover and win Congress. Anything else would be litigated endlessly, and while he'd probably win, that would have made the Supreme Court look a bit less fanatical than they are. It might have been different had he been able to rally the media to his viewpoint, but he's not that kind of guy. I wish Democrats could do better, but there's not much evidence of them even trying.
Ukraine War:
The rest of the world:
Other stories:Christopher Flavelle/Jack Healy: [06-01] Arizona limits construction around Phoenix as its water supply dwindles. Matthew Duss: [06-01] The bad thing Henry Kissinger did that you don't even know about: "the practice of turning vast global contacts into wealth has been horrible for American democracy." After leaving government, Kissinger set up shop and encouraged rich people to give him money. What he did for all that money was often unclear (and still is). But he turned GW Bush's invite to oversee a commission on 9/11 because he feared that taking the post would expose his business to public scrutiny. He wasn't the first person to do that sort of thing, and many more have followed in his footsteps. Victoria Guida: [05-29] Historic gains: Low-income workers scored in the Covid economy. Something else for Republicans to try to destroy. Umair Irfan:
Sarah Jones:
Glenn Kessler: [05-16] And the president most to blame for the national debt problem is . . . Author cites one fairly arbitrary study to pin the blame on Lyndon Johnson, on the theory that "entitlements" like Medicare and Medicaid are the culprit, and ranks Nixon second for similar reasons, despite later admitting that "social programs, in fact, can provide more benefits than costs in the long run." Curiously, no mention here of the impact of war and defense spending on the balance sheet -- not even Johnson's (and Nixon's) largely unfunded Vietnam War, which was the source of most budget imbalances at the time. Whizzy Kim: [05-26] What was Succession actually trying to tell us? The HBO series has been a rare unflattering portrait of the very rich, and the many ways their wealth warps their perceptions and actions. For its first three seasons, it managed to be watchable despite a total absence of sympathetic characters, but it finally got good in the fourth season, when Logan Roy's death raised the stakes. Kim also wrote [05-29] Succession ends exactly how it needed to. I'd say they did what they could after painting themselves into a corner. To say Tom Wambsgans came out the winner overlooks how totally hollow his new position will be. But I don't like Lukas Matsson's odds any better. He came out as a phony and bully way out of his league. Except that everyone involved comes out with unimaginable piles of money, conjured from rarefied bullshit. This is no way to run a world. Ian Millhiser: [06-01] The Supreme Court deals another blow to labor unions. Andrew Perez: [06-03] Right-wing dark money funded Kansas's failed anti-abortion campaign. Jeffrey St Clair: [06-02] Roaming Charges: The shame of the game. Not happy with the debt deal: "The Democrats asked for nothing and got less. The Far Right demanded all they could think of, got it and now wants more." Peter Turchin: [06-02] America is headed toward collapse: From the author's new book, End Times: Elites, Counter-Elites, and the Path of Political Disintegration. Section here is a very sketchy outline of two previous crises -- the Civil War and the Great Depression -- with similarities to the current period highlighted. Turchin has several previous books. His War and Peace and War: The Rise and Fall of Empires, is summarized as follows:
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