Streamnotes: October 26, 2020

Most of these are short notes/reviews based on streaming records from Napster (formerly Rhapsody; other sources are noted in brackets). They are snap judgments, usually based on one or two plays, accumulated since my last post along these lines, back on September 28. Past reviews and more information are available here (15505 records).

Recent Releases

21 Savage & Metro Boomin: Savage Mode II (2020, Slaughter Gang/Epic): Atlanta rapper Shéyaa Bin Abraham-Joseph and producer Leland Tyler Wayne, sequel to their 2016 EP. B+(**)

Harry Allen: The Bloody Happy Song (2020, GAC): Tenor saxophonist, retro-swing guy, recorded this at home under lockdown, only credit his sax and midi keyboards. He somehow managed to sample a whole big band for the opener, but eventually drops down as far as solo, then overdubs a duet. His playing is exemplary throughout, but the non-existent others aren't so inspired. B+(**)

JD Allen: Toys/Die Dreaming (2020, Savant): Tenor saxophonist, albums since 1999, trio with Ian Kenselaar (bass) and Nic Cacioppo (drums). Five originals, two standards ("You're My Thrill," "I Should Care"). Always a strong performer, this one impresses in the usual ways, then grows on you. A-

Ammar 808: Global Control/Invisible Invasion (2019 [2020], Glitterbeat): Sofyann Ben Youssef, electronica producer from Tunisia based in Brussels, alias comes from South India, and this was recorded in Chennai, with Indian vocalists and percussion. B+(**)

Courtney Marie Andrews: Old Flowers (2020, Fat Possum): Folkie singer-songwriter from Arizona, fifth album since 2010. B+(*)

Angel-Ho: Alla Prima (2020, Hyperdub, EP): South African singer-songwriter, "gypsy of the world," released Death Becomes Her in 2019, returns with a five track, 14:55 EP. Credits are her (vocals) and Bon (production), but most vocals sound male and hip-hop: "you can either be an angel or a ho/ the choice is yours." B [bc]

Florian Arbenz/Greg Osby: Reflections of the Eternal Line (2020, Hammer): Swiss drummer, couple albums c. 2001, two more this year. This is a sax/drums duo, Osby playing soprano and alto. Stephan Spicher also get his name on the cover for "visuals." B+(***) [bc]

Steve Arrington: Down to the Lowest Terms: The Soul Sessions (2019-20 [2020], Stones Throw): Joined the funk group Slave in 1975, left in 1981 to record as Steve Arrington's Hall of Fame, then solo through 1987. Recorded albums in 2009 and 2014, and now this new one, with "a new generation of talented producers." B+(*)

Babe, Terror: Horizogon (2020, Glue Moon): Brazilian electronica producer Claudio Szynkier, at least nine albums since 2009. Ambient snooze with choral vocals. B- [bc]

Victoria Bailey: Jesus, Red Wine & Patsy Cline (2020, Rock Ridge Music): Country singer-songwriter from California -- probably the source of her wine taste (aside from the title, there's another song called "Spent My Dime on White Wine"), but everything else is standard honky tonk, including a lot of pedal steel. B+(***)

Juliana Barwick: Healing Is a Miracle (2020, Ninja Tune): American singer-songwriter, composes music with choir-like vocals and electronic loops. Fourth album since 2011, plus EPs and a couple of collaborations. There is some attraction to this murk, but not much pleasure. B

John Beasley: MONK'estra Plays John Beasley (2020, Mack Avenue): Pianist, put this big band together to play Thelonious Monk arrangements, turns it loose on his own compositions (plus Ellington and Parker). B+(**)

Benny the Butcher: Burden of Proof (2020, Griselda): Buffalo rapper Jeremie Pennick, has two cousins also in the game (Westside Gunn, Conway the Machine), second album. B+(**)

Biffy Clyro: A Celebration of Endings (2020, 14th Floor/Warner): Scottish rock band, eighth album since 2002, a big deal in Scotland since their debut, scaled the UK charts with 2007's Puzzle, sell well in Europe but not US. Mix it up toward the end, ranging from punk to prog, still makes me want to hear more. B

Elvin Bishop & Charlie Musselwhite: 100 Years of Blues (2020, Alligator): Two geezers happy to play "front-porch, down-home music," "12 rootsy, spirited, humorous songs, mixing nine originals with three reimagined classics." Gets topical on "What the Hell?" with its big question, "I want to know how can four years seem so long." Charlie brings plenty of harmonica. B+(**)

Black Thought: Streams of Thought, Vol. 3: Cane and Abel (2020, Republic): Roots MC Tariq Luqmaan Trotter, nothing from his group since 2014, but he released two EPs in 2018, and this follow up edges into album territory, with 13 tracks, 34:19. Conscious and hard, the sample beats not as supple as the live band's, but more to the point. Not sure why it's "Cane" instead of "Cain" -- I'm often eluded by fine lyrical points (assuming there is an explanation, like slavery was built on sugar). A-

Benjamin Boone: The Poets Are Gathering (2017-20 [2020], Origin): Saxophonist (soprano/alto), previously released two good albums with poet Philip Levine, entertains twelve more poets here (two each for Patricia Smith, Patrick Sylvain, T.R. Hummer, and Edward Hirsch). Mixed bag, some impressive, some righteously angry. Especially like the saxophone. B+(***) [cd]

Geof Bradfield/Ben Goldberg/Dana Hall Trio: General Semantics (2020, Delmark): Tenor/soprano sax & bass clarinet, soprano & contralto clarinet, drums. Nice combination, free, loose, never grating. B+(***)

Bright Eyes: Down in the Weeds, Where the World Once Was (2020, Dead Oceans): Conor Oberst band since 1995, 10th studio album, not that it's kept him from pursuing a solo career and other projects. Still, this feels like a lot of work: 14 songs, 54:45, band members Mike Mogis and Nathaniel Walcott play 20 instruments (from Mellotron to Marxophone), and 50+ additional musicians are credited (most on strings or choir, but he's got half a big band's worth of horns, and two guys on bagpipes). I'm sure it's all very important, but not so sure I want to sort it out further. B+(**)

Alan Broadbent Trio: Trio in Motion (2020, Savant): Pianist, from New Zealand, several dozen records since 1979. Trio with Harvie S (bass) and Billy Mintz (drums). B+(**)

Apollo Brown & Che' Noir: As God Intended (2020, Mello Music Group): Detroit hip-hop producer Erik Stephens, two dozen albums since 2007, mostly collaborations with featured rappers -- this one a young woman from Buffalo. B+(**)

The Cadillac Three: Tabasco & Sweet Tea (2020, Big Machine): Southern rock/country group, from Nashville, fifth album since 2012, Jaren Johnston the singer-guitarist. Title song is about a girl. Got some funk licks. Remind me a bit of ZZ Top, minus the Texas shtick. B+(*)

Bill Callahan: Gold Record (2020, Drag City): Singer-songwriter, born in Maryland, lived early years in UK, recorded 14 albums as Smog 1990-2005, seventh album under his own name. Mostly guitar and voice, not much to it, maybe a bit of cowboy theme. B

Valentin Ceccaldi: Ossos (2017 [2020], Cipsela): French cellist, younger brother of violinist Théo Ceccaldi, solo album, occasionally harsh and/or abstract. B+(*)

Ceramic Dog: What I Did on My Long Vacation (2020, Northern Spy): Trio led by guitarist Marc Ribot, with Shahzad Ismaily (bass/keyboards) and Ches Smith (drums/electronics), everyone also credited with vocals. These are actually the leftovers from an album due in 2021, recorded over two weeks with the trio working in separate rooms, able to hear but not see each other. Six tracks, 31:04. B+(***) [bc]

Jay Clayton/Jerry Granelli: Alone Together (2020, Sunnyside): Jazz vocalist, very skilled even if sometimes she just seems to be talking, accompanied by a drummer. Pretty spare, but not as limited as you'd expect. B+(*)

Brent Cobb: Keep 'Em on They Toes (2020, Ol' Buddy): Country singer-songwriter from Georgia, released a couple albums on Elektra, self-released here. B+(**)

Bootsy Collins: The Power of the One (2020, Sweetwater Sounds): Bassist, major contributor to James Brown and George Clinton, first solo albums credited to Bootsy's Rubber Band. Not much credit info, but name dropping for George Benson, Christian McBride, Branford Marsalis, and others. One foot in classic funk, the other dancing about. B+(***)

Convergence: Convergence (2020, Hammer): Swiss drummer Florian Arbenz, in an international group with two Cubans -- Jorge Vistel (trumpet) and Maikel Vistel (tenor sax) -- and others from UK, Australia, and Brazil. B+(**) [bc]

Sylvie Courvoisier Trio: Free Hoops (2019 [2020], Intakt): Swiss pianist, trio with Drew Gress (bass) and Kenny Wollesen (drums). B+(**)

Creeper: Sex, Death & the Infinite Void (2020, Roadrunner): British "goth-punk" group, second album, currently Metacritic's 4th highest rated album of 2020 (91/8) so seemed like something I should check out. May appeal to Nick Cave fans, but who am I to say that? B

Brian Cullman: Winter Clothes (2020, Sunnyside): Singer-songwriter from New York, third album, recorded this with members of Ollabelle, about a mutual friend named Jimi Zhivago. B+(**)

John Daversa Quintet: Cuarentena: With Family at Home (2020, Tiger Turn): Trumpet player, from California, eighth album since 2009. Quintet with Gonzalo Rubalcaba (piano), Dafnis Prieto (drums), Sammy Figueroa (percussion), and Carlo De Rosa (bass). B+(**)

Marie Davidson & L'OEil Nu: Renegade Breakdown (2020, Ninja Tune): Canadian electronica producer, formed a band (trio) here, and sings (or talks) throughout. Title cut notes: "there are no money makers on this record/ this time I'm exploring the losers' point of view." Most interesting songs, wander a bit. B+(***) [bc]

Josephine Davies: Satori: How Can We Wake? (2020, Whirlwind): British tenor saxophonist, first album 2006, named group for 2017 album, but looks here like group name slid back into title. Trio, with bass (Dave Whitford) and drums (James Madden), and a bit of soprano sax. B+(***)

Sam Decker: Shrove (2020, Sunnyside): Tenor saxophonist, second album, postbop quintet with Michael Sachs (clarinet, bass clarinet), Dov Manski (piano), bass, and drums, drawing on "folk-inflected sounds of composers like Igor Stravinsky, Bela Bartok and Dmitri Shostakovich." B+(*)

Doves: The Universal Want (2020, Heavenly): English alt rock band, from Manchester, released four albums 2000-09, split, regrouped for this one. Melodic sense, but strikes me as heavy. B

Drive-By Truckers: The New OK (2020, ATO): Second album this year, after The Unraveling in January -- currently my first-listed A- record in 2020, more because it got there early than anything else, as I don't recall it clear enough to compare it to later A- records. Even more uncertain here. I don't doubt their motives or their craft, but if three plays didn't do it, maybe it's not happening? Only half-impressed with their Ramones cover -- maybe their accent isn't distant enough from "The KKK Took My Baby Away"? B+(***)

Open Mike Eagle: Anime, Trauma and Divorce (2020, Auto Reverse): Underground rapper, gets catchier on the second spin before I start to lose track. B+(**)

Ronnie Earl & the Broadcasters: Rise Up (2020, Stony Plain): Guitarist Ronald Horvath, from Queens, played with Roomful of Blues 1980-88, has a couple dozen albums leading this group. Diana Blue sings, band adds keyboards, bass, drums. Includes a "Blues for George Floyd." B+(*)

Nir Felder: II (2020, Ropeadope): Guitarist, based in New York, debut album 2014, this is his second, with a dozen or more side credits. All originals, also plays banjo, mandolin, electric sitar, and keyboards, backed by Matt Penman (bass) and Jimmy Macbride (drums). B+(*)

Andy Fusco: Remembrance (2019 [2020], SteepleChase): Alto saxophonist, started in Buddy Rich's big band, continued with Steve Smith's alumni band, Buddy's Buddies; fifth album on this label since 2016, a quintet with trumpet (Joe Magnarelli), piano (Peter Zak), bass, and drums. B+(*)

Joel Futterman: Intervals (2018 [2020], Fundacja Sluchaj): Avant pianist, originally from Chicago, Wikipedia credits him with 80+ albums since 1982. This one is solo, three improv pieces. B+(*) [bc]

Lafayette Gilchrist: Now (Lafayette Gilchrist Music, 2CD): Pianist, leads a trio with Herman Burnie (bass) and Eric Kennedy (drums). First disc impresses with non-stop rhythm (75:41). Second (73:36) has a bit less drive. B+(***) [cd]

Osvaldo Golijov/The Silkroad Ensemble: Falling Out of Time (2020, In a Circle): Argentine composer of classical music, moved to Israel in 1983, wound up in Massachusetts; first album (1997) a collaboration with Kronos Quartet. Has roots in Jewish liturgical music, also Piazzolla tango; won a MacArthur Fellowship. Probably an interesting character, but when he turns toward opera I have a hard time hanging on. Calls this "a tone poem for voices based on the novel by David Grossman." Sounds like opera to me, but if you can set aside the voices, the music has some interesting twists. B [cd]

Benny Green: Benny's Crib (2020, Sunnyside): Pianist, 20+ albums since 1988, 70+ side credits, mostly plays electric piano here: 5 solo, 6 with bass and percussion, 2 of those with flute (Anne Drummond), 1 vocal (Veronica Swift). B

Noah Haidu: Doctone (2019 [2020], Sunnyside): Pianist, born in Virginia, based in New York, fourth album since 2011, tribute to Kenny Kirkland (1955-98), half trio with Todd Coolman and Billy Hart, half with added sax (Steve Wilson, Gary Thomas, and/or Jon Irabagon), one track with extra percussion. B+(**) [cd]

Luke Haines & Peter Buck: Beat Poetry for Survivalists (2020, Cherry Red): Postmodern bohemians: Haines sings and writes, best known for the Auteurs and Black Box Recorder; Buck plays guitar, mainly for R.E.M. but he's also dabbled elsewhere (e.g., Baseball Project, Filthy Friends). Both make their mark here, one might even say complementarily. B+(**)

Mary Halvorson's Code Girl: Artlessly Falling (2019 [2020], Firehouse 12): Guitarist, often brilliant, follows up her widely praised 2018 2-CD album with a sequel, the group slightly rejiggered -- Adam O'Farrill takes over trumpet, and Maria Grand is added on tenor sax; bass, drums and voice return (Michael Formanek, Tomas Fujiwara, Amirtha Kidambi), with Robert Wyatt on three tracks. As with Code Girl, I hate the way the vocals are tortured to wrap around unsingable lines. Without vocals the music is slippery and devious, which works for the trumpet. B [cd] [10-30]

Clay Harper: Dirt Yard Street (2020, Casino Music): Singer-songwriter, started out in a band called the Coolies, has a few albums since 1997 but doesn't seem intent on making a career out of it. This one's a bit of a downer. B+(*) [bc]

Hazar: Reincarnated (2020, IAN Productions): Acoustic guitarist Ulas Hazar, also plays saz, grew up in Germany, has at least one previous album. Al DiMeola joins here on guitar and cajon, with Piotr Torunski (bass clarinet), piano, and percussion. Package includes a DVD. B+(*) [cd]

Conrad Herwig: The Latin Side of Horace Silver (2020, Savant): Trombonist, born in Oklahoma, studied at UNT, worked in big bands, moving into Latin jazz in the 1990s. Has several Latin Side albums: John Coltrane (1996), Miles Davis (2004), Wayne Shorter (2008), Herbie Hancock (2010), Joe Henderson (2014). Silver came closer than any of the others at showing his own Latin side, so Herwig doesn't have to add much. B+(*)

Homeboy Sandman: Don't Feed the Monster (2020, Mello Music Group): New York rapper Angel Del Villar II, steady stream of records since 2007, most close to the EP/LP divide, this one of his longest (15 songs, 53:21), produced by Quelle Chris. B+(***)

Idles: Ultra Mono (2020, Partisan): British band, from Bristol, third album, got a lot of early hype as the second coming of the Clash, which (of course) was ridiculous -- they lack both the early punk fury and the later pop knack, but somehow find a middle line, which supports today's fire and fury. B+(***)

I.P.A.: Bashing Mushrooms (2018 [2020], Cuneiform): Norwegian-Swedish free jazz quintet, mostly well-known names -- Atle Nymo (tenor sax/bass clarinet), Magnus Broo (trumpet), Mattias Ståhl (vibes), Ingebrigt Håker Flaten (bass), Håkon Mjåset Johansen (drums) -- fifth album since 2009. B+(**) [dl]

Loraine James: Nothing (2020, Hyperdub): Electronica artist, based in London, 2019 album (For You and I) was a breakthrough, follows that up with 4-track, 18:12 EP. Kind of murky. B

Jealous of the Birds: Peninsula (2020, Atlantic): Naomi Hamilton, from Northern Ireland, second album plus a couple EPs. B+(*)

Keleketla: Keleketla! (2020, Ahead of Our Time): Side project for British rock band Coldplay, with Jon Moore and Matt Black co-writers on all songs, joined by Nigerian drummer Tony Allen on most, with others from UK (Joe Armon-Jones, Shabaka Hutchings), South Africa (Yugen Blakrok, Gally Ngoveni, Thabang Tabane), many more. B+(**) [bc]

Alicia Keys: Alicia (2020, RCA): Soul singer-songwriter, debut was a big hit in 2001; 2016 album Here was one of her best. B+(**)

Adam Kolker: Lost (2019 [2020], Sunnyside): Tenor saxophonist (also soprano), sixth album since 1999, quartet with names on the cover: Bruce Barth (piano), Ugonna Okegwo (bass), and Billy Hart (drums). B+(**)

Juliet Kurtzman/Pete Malinverni: Candlelight: Love in the Time of Cholera (2020, Saranac): Violin and piano duets, classical and jazz, two pieces by the pianist, no less than five by Beiderbecke. Pretty enough. B [cd] [11-13]

Fenne Lily: Breach (2020, Dead Oceans): British singer-songwriter, from Dorset, second album. Landed gigs opening for Lucy Dacus and Marika Hackman. Appealing in that vein. B+(**)

Low Cut Connie: Private Lives (2020, Contender): Adam Weiner, from Philadelphia, plays a mean piano, sixth album since 2011. I thought the first three were pretty good, then lost interest. B

Major Lazer: Music Is the Weapon (2020, Mad Decent): Dance music trio, originally billed as Jamaican-American but producer Diplo and MCs Walshy Fire and Ape Drums were all born in US. Still draws on dancehall (and maybe reggaeton), to distinctive effect. B+(**)

Christian McBride Big Band: For Jimmy, Wes and Oliver (2020, Mack Avenue): Bassist, third Big Band album since 2011, a tribute to Smith and Montgomery, who dominated their instrumental niches in the 1960s and played together as "the dynamic duo," and Nelson, a saxophonist better known as a big band arranger (Blues and the Abstract Truth is his masterpiece). In addition to the usual suspects, Joey DeFrancesco plays organ and Mark Whitfield guitar. They certainly hit all the right notes, but we're barely removed from a world where practically everyone tried to sound like Smith and Montgomery. McBride's choice of Nelson as his arranger idol isn't any more far-fetched. B+(**)

Zara McFarlane: Songs of an Unknown Tongue (2020, Brownswood): British jazz/soul singer-songwriter, parents Jamaican, fourth album. B+(*)

Ron Miles: Rainbow Sign (2020, Blue Note): Trumpet player, leads an all-star quintet with Bill Frisell (guitar), Jason Moran (piano), Thomas Morgan (bass), and Brian Blade (drums). Solid support, which sometimes leaves you wondering about the leader. B+(**)

Thurston Moore: By the Fire (2020, Daydream Library): Sonic Youth honcho, sounds much like his old band but less commanding, still misses his better half. Express panned this as a "pale imitation," which isn't really true. B+(**)

The Mountain Goats: Getting Into Knives (2020, Merge): Singer/songwriter John Darnielle, 19th album, 2nd this year. He has a knack for tunes and memorable turns of phrase. B+(***)

Tobin Mueller: What Survives: Radio Edits (2020, Artsforge): Pianist, discography (dating from 1980s) is split between jazz/funk and prog rock, with sections for solo piano, piano plus voice, and spoken word; biography includes a claim to have been one of the inventors of new age music. This is based on a 1995 Broadway show he wrote, played by nonet plus guests, the CD edited down from a much longer download-only release. Vocals are a weak spot. B+(*) [cd]

Róisin Murphy: Róisin Machine (2020, Skint): Irish singer-songwriter, fifth album since 2005, electropop. B+(**)

Johnny Nicholas: Mistaken Identity (2020, Valcour): Bluesman, from Rhode Island, recorded an album called Too Many Bad Habits in 1978, played in Asleep at the Wheel (1978-81), took a long hiatus (albums in 1988, 1994, 2001, 2005) before picking up the pace recently. B+(**)

Michael Olatuja: Lagos Pepper Soup (2020, Whirlwind): Bassist, born in London, raised in Lagos, based in New York. Second album. Core band: Terreon Gully (drums), Aaron Parks (piano), Etienne Sladwijk (keyboards), plus numerous guest spots, including five singers, also spots for Lionel Loueke, Regina Carter, Brandee Younger, Gregoire Maret, and Joe Lovano (by far the best). B+(*)

Douglas Olsen: 2 Cents (2018 [2020], self-released): Trumpet player, cites a 25-year history with a number of big bands, Latin jazz outfits, and r&b sidework, but I'm not finding any previous albums under his own name. Mostly a hard bop lineup, some tracks with extra congas. Six originals, a rumba, old bebop tunes from Dizzy Gillespie and Howard McGee/Fats Navarro. B+(**) [cd] [11-01]

OM [Urs Leimgruber/Christy Doran/Bobby Burri/Fredy Studer]: It's About Time (2020, Intakt): Group -- soprano sax, guitar, bass, and drums -- produced six albums 1975-80, returned for a live one in 2010, now this. Impressive when everyone connects and the sax fights its way to the top. B+(***)

Kelly Lee Owens: Inner Song (2020, Smalltown Supersound): Electronica producer, from Wales, based in London, second album. Was prepared to dis the vocals, but sometimes they work. Beats discreet, but they work too. John Cale contributes a song, neither here nor there. B+(**)

Ivo Perelman & Arcado String Trio: Deep Resonance (2018 [2020], Fundacja Sluchaj): Brazilian tenor saxophonist, avant, very prolific. String musicians are jazz stars in their own right -- Mark Feldman (violin), Hank Roberts (cello), and Mark Dresser (bass), resurrecting a group name they used 1989-96 -- and they control the flow here. B+(**) [bc]

Pinegrove: Marigold (2020, Rough Trade): Alt/indie band from New Jersey, singer-songwriter Evan Stephens Hall and drummer Zack Levine. Voice promises Americana. B+(*)

Pop Smoke: Meet the Woo 2 (2020, Victor Victor/Republic): Brooklyn rapper Bashar Barakah Jackson, second mixtape, commercial breakthrough (certified gold), released 12 days before he was shot dead, age 20. Plays much older than he was. B+(*)

Pop Smoke: Shoot for the Stars, Aim for the Moon (2020, Victor Victor/Republic): Posthumous debut studio album, topped charts around the world. Opaque. B+(*)

Potsa Lotsa XL: Silk Songs for Space Dogs (2019 [2020], Leo): German alto saxophonist Silke Eberhard's project, originally a wind quartet, augmented here to tentet, with two brass, three reeds, piano, cello, bass, vibes, and drums. All originals by Eberhard. A-

Dafnis Prieto Sextet: Transparency (2020, Dafnison Music): Cuban drummer, moved to US in 1999, eighth album since 2003. With trumpet (Alex Norris), two saxes (Roman Fiiu and Peter Apfelbaum), piano, and bass, playing originals and "Con Alma." Drummer can dazzle. B+(**)

Rempis/Rosaly Duo: Codes/Myths (2018 [2020], Aerophonic, 2CD): Sax-drums duo, Rempis playing his usual alto/tenor/baritone, Rosaly a frequent collaborator, especially as one of the two drummers in Rempis Percussion Quartet. Each disc is manageable, with one long and one shorter piece (totaling 40:05, 41:19). B+(***) [bc]

The Ridiculous Trio: The Ridiculous Trio Plays the Stooges (2020, Modern Harmonic): Trombone-tuba-drums trio, no vocals -- not so ridiculous, given that the concept could be applied to all sorts of music. Bandcamp tags are: punk, jazz, stooges, Chicago. Not sure they've crossed into jazz -- most songs are done up pretty straight, although the tonality is novel. B+(**)

Terje Rypdal: Conspiracy (2019 [2020], ECM): Norwegian guitarist, long list of records since 1968 (on ECM since 1971). With keyboards (Ståle Storløkken), fretless/electric bass (Endre Hareide Hallre), drums (Pål Thowsen). He always had a hint of fusion, but it's pretty deeply buried in ambient here. B+(*)

Angelica Sanchez & Marilyn Crispell: How to Turn the Moon (2019 [2020], Pyroclastic): Piano duets. Crispell is one of the few pianists who are really good at this, and the much younger Sanchez is an apt pupil. A- [cd]

Sa-Roc: The Sharecropper's Daughter (2020, Rhymesayers): Rapper Assata Perkins, originally from DC, studied biology at Howard, tenth album since 2010 (per Wikipedia; Discogs has 4 since 2014). B+(**)

Sault: Untitled (Rise) (2020, Forever Living Originals): British electronica group, little known about them, fourth album in two years, first two reminded me of Chic. Choice cut: "You Know It Ain't." B+(***)

Darrell Scott: Jaroso (2020, Full Light): Second generation country singer-songwriter, more prolific but less impressive than his late father, Wayne Scott (1935-2011). B+(*)

Sturgill Simpson: Cuttin' Grass Vol. 1 (The Butcher Shoppe Sessions) (2020, High Top Mountain): Metamodern country singer, seems like his progression through 2019's Sound and Fury was to make his work larger and grander than ever, but he had something extra that mere arena rockers (like Eric Church) didn't -- I was starting to think of him as the Wagner of Nashville. But when the pandemic threw him a curve ball, he choked up and slapped it down the left-field line. He scrounged some of these songs from his early albums, giving them a down-home bluegrass treatment. Presumably he's got more, and I could see the fascination fading, but for now this is the most likable he's every been. A-

Bette Smith: The Good, the Bad and the Bette (2020, Ruf): R&B singer-songwriter, from Brooklyn, parents from Trinidad, second album, on a German blues label. Rocks. B+(**)

The Soft Pink Truth: Shall We Go on Sinning So That Grace May Increase? (2020, Thrill Jockey): Alias for Drew Daniel, half of Matmos, fifth album since 2003, started in house but seems to have wandered widely (one subtitle is Electronic Profanations of Black Metal Classics). After an erratic start, eases into ambience. B+(*)

The Bobby Spellman Nonet: Revenge of the Cool (2020, Sunnyside): Trumpet player, from Boston, based in Brooklyn, several albums (including a group called Big Mean Sound Machine). Models this group on the Miles Davis Birth of the Cool band. Coolest bit is when they move beyond their models to briefly play free. B+(**)

Sufjan Stevens: The Ascension (2020, Asthmatic Kitty): "Singer-songwriter" seems too self-limiting. He is a pop composer of grand sweep and delicate bearing, an heir to Brian Wilson working on if anything a broader canvas. His is not a style I'm fond of, but half of these songs click for me, and the others seem to be lurking in the depths, awaiting their moment. A-

Ray Suhy & Lewis Porter Quartet: Transcendent (2020, Sunnyside): Guitar and piano, second album together, Porter is a well-known educator with a bunch of records since 2007. Backed by Brad Jones (bass) and Rudy Royston (drums). B+(**)

Sylvan Esso: Free Love (2020, Loma Vista): Electropop duo from North Carolina, singer Amelia Meath and producer Nick Sanborn. Third studio album, a short one (10 songs, 29:14). Slight inside the grooves as well, but that's part of the charm. B+(*)

Throwing Muses: Sun Racket (2020, Fire): Lo-fi indie pop band from Rhode Island, debut 1985 with step-sisters Kristin Hersh and Tanya Donnelly, latter left in 1991 (to found the Breeders), band broke up in 1997, reformed in 2003, third album since their return. Whispery vocals over off-kilter guitar/electronics. B+(*)

T.I.: The L.I.B.R.A. (2020, Grand Hustle/Empire): Rapper Clifford Harris, eleventh album, acronym for "Legend Is Back Running Atlanta." B+(**)

Tricky: Fall to Pieces (2020, False Idols): Trip-hop inventor Adrian Thaws, 14th album since 1995, a short one (11 tracks, 28:30), most featuring singer Marta. B+(*)

Josh Turner: Country State of Mind (2020, MCA Nashville): Neotrad country singer, eighth studio album since 2003. All covers here, most duets with guest stars: John Anderson stands out, possibly due to his contrast with Turner's deep voice, and Randy Travis delivered the single. B+(**)

Diego Urcola Quartet Featuring Paquito D'Rivera: El Duelo (2019 [2020], Sunnyside): Trumpet player, from Argentina, and clarinet player, from Cuba, backed by Hamish Smith (bass) and Eric Doob (drums). Both leaders share their differences, and both love Dizzy Gillespie. B+(**)

Luís Vicente: Maré (2017 [2020], Cipsela): Portuguese trumpet player, quite a few projects since 2013. This one is solo, holds your interest longer than most. B+(**) [cd]

Alexander von Schlippenbach: Slow Pieces for Aki (2019 [2020], Intakt): German pianist, a founder of the avant-garde from 1966 on, married to another very accomplished pianist, Aki Takase. Solo piano, slow as advertised, striving to make each note count. B+(***)

Loudon Wainwright III With Vince Giordano & the Nighthawks: I'd Rather Lead a Band (2019 [2020], Search Party): Sez here this album "travels back to Wainwright's big-band-era youth," but he's not that old. Randall Poster supervises, Giordano rounded up the 15-piece band (playing bass sax, tuba, and string bass), and Wainwright croons, mostly 1930s standards. B+(**)

Doug Webb: Apples & Oranges (2020, Posi-Tone): Tenor/soprano saxophonist, mainstream, nice tone, backed by Brian Carrette (organ) and Andy Sanesi (drums). Helps here that Charrette stays clear of organ clichés, not that he's quite able to push Webb out of his comfort zone. B+(***)

Amber Weekes: The Gathering (2020, Amber Inn Productions): Jazz singer, has a couple of albums, this one planned for Christmas. Played it by accident, and found it tolerable enough, fairly secular aside from "Silent Night," which oddly enough I found most appealing. B

What Happens in a Year: Cérémonie/Musique (2018 [2020], FiP): Josh Sinton (baritone sax/bass clarinet), Todd Neufeld (electric guitar), and Giacomo Merega (electric bass), group debut, ambles gently, leaning more toward chamber jazz than fusion. B+(*) [cd] [10-09]

Walter White: BB XL (2020, Walter White Music): Trumpet player, has one of those names that make searching difficult, but has one previous record in my database, maybe more in the real world. Very splashy big band, some originals, also jazz standards like "Cantaloupe Island," "Blue Rondo a la Turk," "Nica's Dream," and a Latin bash ("Yo Conecto"). B [cd]

Tessy Lou Williams: Tessy Lou Williams (2020, Tessy Lou Williams): Country singer-songwriter, from Montana, parents moved there from Nashville, where they were session musicians. First album, nice voice, impeccable neotrad sound. B+(**)

Michael Wolff: Bounce (2020, Sunnyside): Pianist, close to 20 albums since 1993, this one a trio with Ben Allison (bass) and Allan Mednard (drums). Includes one vocal ("Cool Kids"). B+(*)

Nate Wooley: Seven Storey Mountain VI (2019 [2020], Pyroclastic): Trumpet player, prolific since his 2005 debut, released his first piece based on Thomas Merton's famous meditation in 2011, a trio with C Spencer Yeh (violin) and Chris Corsano (drums). This is done with a much larger group,with guitars, keyboards, pedal steel (Susan Alcorn), and voices. Starts in a dense murk, clarifies as the voices rise. B+(*) [cd] [10-16]

Yelle: L'Ère Du Verseau (2020, Recreation Center): French electropop band, principally singer Julie Budet (Yelle) and Jean-François Perrier (GrandMarnier), recorded this fourth album (since 2007) in Montreal. B+(*)

Yo La Tengo: We Have Amnesia Sometimes (2020, Matador): Short album (37:16), pandemic filler, with (per Pitchfork) "five formless, comforting drones, recorded with a single microphone placed in the middle of their Hoboken practice space." The exception is the rather likable "Thursday" piece. B

Glenn Zaleski: The Question (2020, Sunnyside): Pianist, from Massachusetts, studied with Dave Brubeck, several records since 2010, this mostly a quintet with trumpet (Adam O'Farrill), tenor sax (Lucas Pino), bass, and drums. B+(*)

Denny Zeitlin: Live at Mezzrow (2019 [2020], Sunnyside): Pianist, many albums since 1963, trio with Buster Williams (bass) and Matt Wilson (drums), a group he's worked with off-and-on since 2001. B+(**)

Recent Reissues, Compilations, Vault Discoveries

Allman Brothers Band: The Final Note: Painters Mill Music Fair, Owings Mills, MD 10-17-71 (1971 [2020], Allman Brothers): Guitarist Duane Allman's last gig, 12 days before he was killed in a motorcycle accident. So-so sound. Adds nothing to the band's legacy. B-

Walter Bishop Jr.: Coral Keys (1971 [2020], Black Jazz/Real Gone Music): Pianist (1927-98), first album, side A a quartet with Harold Vick on soprano sax/flute, B side Vick moves to tenor sax and Woody Shaw joins on trumpet. B+(**)

Daora: Underground Sounds of Urban Brasil ([2020], Mais Um Discos, 2CD): "Hip-hop, leftfield beats, afrobeat and dub-influenced sounds from Brasil," 32 tracks, compiled by Rodrigo Brandao, vintage unknown but probably recent, only one artist I recognize (Baiana System), title slang "for something that's dope." Edges a little soft, as tends to be the case in Brazil, but that introduces a loopy, oblique humor that you rarely hear elsewhere. A- [bc]

Ella Fitzgerald: Ella: The Lost Berlin Tapes (1962 [2002], Verve, 2CD): Recorded two years after Ella in Berlin. She turns in a superior "Mack the Knife" here, and I like her blues closer, but seemed pretty typical before those. B+(**)

Dennis González: Forever the Falling of Stars (1995 [2020], Daagnim): Trumpet player from Texas, started recording in 1979 and has ever since released a steady stream of albums, except for a dry spell in the 1990s, when this "rare gem" was commissioned but only circulated within a "small circle." No credits, but mostly electronics, with voices ranging from rap to tone color, and some trumpet. B+(**) [bc]

Wanda Jackson: The Capitol Singles 1971-1973 (1971-73 [2020], EMI Music Nashville): Rockabilly star from the mid-1950s, touted as "the queen of rockabilly," recorded for Capitol 1958-73, moving on to gospel label Myrrh -- most of her later records were religious, but she recorded I Remember Elvis in 2006, and The Party Ain't Over for Third Man in 2011. This is the tail end of her Capitol recordings, material that Rhino skipped when they ended Rockin' in the Country: Best of Wanda Jackson at 1970. After an over-the-top "Battle Hymn of the Republic" this settles into a ballad groove. B+(*)

John Lennon: Gimme Some Truth: The Ultimate Mixes (1969-80 [2020], Universal, 2CD): Capitalizing on that would have been the ex-Beatle's 80th birthday, this 2-CD solo (plus Yoko Ono) survey recycle the title from their 70th birthday 4-CD box. This includes 3-7 songs each from six albums, one each from three more, plus a few singles. The miscellany isn't as brilliant as that collected for the soundtrack The U.S. Vs. John Lennon (2006), and three of the albums are worth owning whole. (Some argue for Double Fantasy, but I've never been a big fan, and the seven songs sound like the weak spot here -- snapped hard by Milk and Honey's "Nobody Told Me.") Still, a remarkable, tragically shortened career, nicely summed up. B+(***)

Leyla McCalla: Vari-Colored Songs: A Tribute to Langston Hughes (2013 [2020], Smithsonian Folkways): Carolina Chocolate Drops cellist, also plays banjo and guitar and sings, first solo album, wrote music to frame the poet's words, mixing in some Haitian folk songs. B+(***)

On the Road: A Tribute to John Hartford (2020, LoHi): Various artists resurrect 15 songs by the folksinger, best known for writing "Gentle on My Mind" but he was just as likely to toss off something like "Granny Woncha Smoke Some Marijuana" or "Tear Down the Grand Ole Opry." B+(***)

Evan Parker/Agustí Fernandez: Tempranillo (1995 [2020], Fundacja Sluchaj): Sax (tenor and soprano) and piano duets, recorded in Barcelona, first meeting. B+(**) [bc]

Edward Simon: 25 Years (1995-2018 [2020], Ridgeway, 2CD): Pianist, from Venezuela, studied in Philadelphia and New York, more than a dozen albums since 1995. Fine selection here, including a SFJazz piece. Most tracks have horns -- alto saxophonist Dave Binney most impressive -- and many have Luciana Souza scat, nothing much to complain about. B+(***) [cd]

Ebo Taylor: Palaver (1980 [2019], BBE): From Ghana, sings, plays guitar, was a minor star in the 1970s, staged something of a comeback from 2008, with Strut compiling a CD of his early work in 2011. B+(***)

TEST/Roy Campbell: TEST and Roy Campbell (1999 [2020], 577): TEST was a collective that made some noise in the late 1990s, with two saxophonists (Daniel Carter and Sabir Mateen, Carter also playing flute and trumpet, Mateen flute and clarinet), plus bass (Matthew Heyner) and drums (Tom Bruno). Campbell, a trumpet player who died in 2014, played with everyone (including with Carter in Other Dimensions in Music). One 47:08 free-for-all. B+(**) [bc]

Johnny Thunders: Live From Zürich 1985 (1985 [2020], Johnny Thunders Archive): Second banana in the New York Dolls, name Gemzale, went on to form the Heartbreakers (L.A.M.F.) and record a couple solo albums -- So Alone (1978) is a favorite -- before succumbing to the inevitable drug overdose at 38 (or was it?). Live date, past his prime but looks as far back as the Dolls, band includes a saxophone as well as some primal guitar. A-

Old Music

J.D. Allen: In Search of J.D. Allen (1998 [1999]. Red): Tenor saxophonist, from Detroit, first album, recorded in New York with Fabio Morgera (trumpet), Eric Revis (bass), Rodney Green (drums), and piano on three tracks (Shedrick Mitchell). Nine originals, closing with a cover of "Lonely Woman." B+(***)

J.D. Allen: Pharoah's Children (2001 [2002], Criss Cross): Second album, quintet, with Jeremy Pelt (trumpet), Orrin Evans (piano), Eric Revis (bass), and Gene Jackson (drums). B+(**)

JD Allen: Radio Flyer (2017, Savant): Expands on his usual trio -- Gregg August (bass) and Rudy Royston (drums) -- adding Liberty Ellman on guitar. B+(***)

Tony Allen Plays With Afrika 70: No Accomodation for Lagos (1979, Polydor): Nigerian drummer, third album, leading what was essentially Fela Kuti's band. Two side-long tracks, 29:16; was squeezed with a second album into a 2002 CD, then split again for a 2011 vinyl reissue (by Kindred Spirits). B+(**)

Tony Allen Plays With Afrika 70: No Accomodation for Lagos/No Discrimination (1979 [2002], Evolver): Combines two albums, although Napster omits one track ("Ariya"). B+(**)

The Cramps: Songs the Lord Taught Us (1980, IRS): Garage punk/psychobilly band, seems like I must have seen them 5-6 times in the late 1970s, mostly an opening act at CBGB, never the one I looked to see. Christgau loathed them, and I never heard anything that convinced me he was wrong. First proper album, after an EP called Gravest Hits (1979), and they lasted a long time, finally breaking up in 2009 (last studio album 2003). Seems fairly tight to me. Closes with not-bad covers of "Tear It Up" and "Fever." B+(*)

The Cramps: Bad Music for Bad People (1977-81 [1984], IRS): Compilation was a mop-up operation for the label once the band went elsewhere, combining their best-known songs ("TV Set," "Garbageman") with leftovers -- not really sure if anything here was recorded after their second/last IRS album in 1981. More covers, mostly rockabilly. B+(*) [yt]

The Dirtbombs: Horndog Fest (1998, In the Red): Detroit garage punk band, first album, Mick Collins rushes through 12 originals in 29:31. The opener skitters on the edge of pure noise, but the second song ("I Can't Stop Thinking About It") has too good a bass line to ruin. Goes back and forth like that, a bit attenuated over time, or maybe just sloppier. B+(**)

The Dirtbombs: Ultraglide in Black (2001, In the Red): Second album, soul and funk covers, from the 1960s and early 1970s. Good chance I'd like a compilation of the originals better, but some kind of thing in its own right. B+(***)

The Dirtbombs: Dangerous Magical Noise (2003, In the Red): Less noise than their debut, no less loud, they've given themselves permission to write songs with melodies and hooks even, but not too nice. B+(**)

Fairport Convention: Fairport Chronicles (1968-72 [1976], A&M, 2LP): Genre-defining English folk-rock group, originally Simon Nicol (guitar/vocal), Richard Thompson (guitar/vocal), Ashley Hutchings (bass guitar), and a drummer (first in a long series), with fiddler Dave Swarbrick and Sandy Dennis becoming the voice of the group in 1969). B+(**) [yt]

Tav Falco/Panther Burns: 10th Anniversary Live LP: Midnight in Memphis (1989 [1990], New Rose): Rockabilly revivalist, or psychobilly pioneer, formed his band in 1979 and returned to the obvious spot for this anniversary. Gets sloppy toward the end, then wins me back with "Bourgeois Blues." B+(**)

Dennis Gonzalez: Stars/Air/Stripes (1981 [1982], Daagnim): Trumpet player, from Dallas, early album (first was 1979), organized sixteen musicians for this, recorded in various combos in various locations, to scattered effect. B+(*) [bc]

Dennis Gonzalez's Ataraxia: Ts'iibil Chaaltum (2017, Daagnim): "Eastern jazz trio," the leader playing trumpet/cornet, with Drew Phelps (bass) and Jagath Lakpriya (tabla), everyone adding to the percussion, but not breaking the calm. B+(*)

John Hartford: RCA Country Legends (1967-70 [2001], Buddha): Banjo-playing folksinger, I remember him on Flying Fish in the 1970s, but he started out with RCA in Nashville. This reduces seven albums to convenient form, including a song he wrote that Glen Campbell made famous: "Gentle on My Mind." B+(***)

Skip James: Blues From the Delta (1966-68 [1998], Vanguard): Mississippi bluesman, plays piano as well as guitar, high and lonesome voice, recorded 18 songs in 1931 -- many people revere those sides but I've never warmed to them, partly due to the poor sound quality -- then, like John Hurt, Son House, and others, vanished until the folk blues boomlet in the 1960s. This compiles most of two albums -- 9 (of 12) each from Today! and Devil Got My Woman plus two previously unreleased. Best cuts from the latter album. B+(***)

OM [Urs Leimgruber/Christy Doran/Bobby Burri/Fredy Studer]: A Retrospective (1976-80 [2006], ECM): Group -- saxes/flute, guitar, bass, drums -- recorded four albums for Japo, Manfred Scheffner's "Jazz by Post" mail-order label, eventually picked up by ECM. First two went on to have substantial careers as leaders, and I've run across Studer numerous times, with all four reuniting recently (see above). Given the dates, it's hard not to look at how this fits into fusion, but no matter how easily it flows, it doesn't even hint at the sickly aftertaste of the era's juggernauts. A-

Lee Perry "The Upsetter" Presents: Roast Fish Collie Weed & Corn Bread (1978 [1992], VP): Reggae star, started with the Upsetters in 1969, found his niche in dub, remains active after 50 years. One of his first records to use his name, and one of the last not to feature the nickname "Scratch." Island had released his Super Ape, but rejected this one. Hard to hear why now, given how popular dub was to come. A-

Ramones: It's Alive (1977 [1979], Sire): London show, three good albums in, bashing through 28 songs in 53:49. Approximately the same as the albums, which may make it redundant, or a reasonable substitute, or nothing much at all. [Pretty sure I had this as a 2-LP import, but didn't register a grade in my database. Christgau didn't review it until a 1995 reissue. In 2019 it was reissued in a 40th Anniversary Deluxe Edition: 4-CD comprising all 4 concerts, plus 2-LP reprising the original release, plus a hardcover book.] B+(***)

Shaver: Unshaven: Live at Smith's Olde Bar (1995, Zoo Entertainment): Country singer-songwriter Billy Joe Shaver, debuted in 1973, was mostly distinguished by his wit until 1993, when he teamed up with his guitarist son Eddy Shaver and went with the common denominator band name. Band recorded six hard rocking albums up to Eddy's death in 2000. This is the live one, with many of his old songs revved up -- not as high and hard as this band could get, but this is fast becoming my favorite setting for his best-of. A-

Toots and the Maytals: True Love (2004, V2): Greatest hits, recut with a long list of guest stars, the sort of project Ray Charles and John Lee Hooker did late in their careers. Opens with a Willie Nelson duet -- the only cut that reduces Toots to background singer. Most, like Eric Clapton on "Pressure Drop" and Jeff Beck on "54-46 Was My Number" are just happy to play along. B+(***)

Link Wray: Rumble: The Best of Link Wray (1958-79 [1993], Rhino): Guitarist, cut instrumental rock singles after Duane Eddy and before surf guitar, but only the first two ("Rumble" and "Raw-Hide") were minor hits, with "Jack the Ripper" grazing the charts (64 in 1963). He got a second brush with fame in 1977 when Robert Gordon recruited him for a rockabilly revival project that didn't go very far, but got him a new record with the best track here ("Switchblade"). Five tracks have vocals. B+(**) [yt]

Revised Grades

Sometimes further listening leads me to change an initial grade, usually either because I move on to a real copy, or because someone else's review or list makes me want to check it again:

Dramarama: Color TV (2020, Pasadena): New wave band from New Jersey in the 1980s, recorded two good 1985-87 albums, a couple more before hanging it up in 1994. Regrouped for another in 2005, and now this one. Singer-songwriter John Easdale is constant, but happier than ever. [was: B+(*)] A-

Additional Consumer News:

Grades on artists in the old music section.

Music Weeks

Current count 33007 [33007] rated (+0), 219 [219] unrated (-0).

Excerpts from this month's Music List posts:


Everything streamed from Napster (ex Rhapsody), except as noted in brackets following the grade:

  • [cd] based on physical cd
  • [cdr] based on an advance or promo cd or cdr
  • [lp] based on physical lp (vinyl)
  • [dvd] based on physical dvd (rated more for music than video)
  • [bc] available at
  • [sc] available at
  • [sp] available at
  • [yt] available at
  • [os] some other stream source
  • [dl] something I was able to download from the web; may be freely available, may be a bootleg someone made available, or may be a publicist promo