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Friday, July 26, 2024

Daily Log

ArtsFuse published my Mid-Year Jazz Critics Poll essay today, so I opened up the website with all the totals and ballots. I'm updating Music Week to reflect that, and have posted a note on X:

ArtsFuse published my Mid-Year Jazz Critics Poll, which collects the diligent research and expert listening skills of 90 of the world's most exacting jazz critics and fans. Essay includes top 50 new and top 20(+1) old music albums, with links to the rest.

I did a notice in a comment on Facebook, but will do a more proper post later.

ArtsFuse allows comments, so I thought I should track them here:

  • Steve: Did the Norma Winstone/Jon Downes album come out too late to have a shot?
    I'm surprised there's only one International Anthem release, and that it placed fairly low.

  • Tom Hull: There was no release date window. I allowed any 2024 (or 2023) releases, including ones in advance of the polling deadline -- a couple dozen such albums received votes. Winstone/Downes came out on May 7, on ECM, the label of the winning album by Vijay Iyer, a label which placed two later releases in the upper charts (Oded Tzur, Tomasz Stanko). It's inevitable that most voters will have missed most albums in any given time frame, but an ECM release in May had a pretty decent chance of getting recognized.

    Four International Anthem albums received votes in the poll, but only one (SML) made it to the top 50. They aim for crossover albums and make an effort to promote their albums in the rock/pop press, which sometimes pays dividends, but this year's batch of artists are still pretty obscure. My favorite album on the label so far this year, by Ibelisse Guardia Ferragutti & Frank Rosaly, didn't receive any votes. Lots of albums didn't receive votes.


I wrote a fairly long Facebook comment, in response to a grade dispute:

The June 2023 CG has "Big Sistahs" as an "A MINUS." As does the website copy of that CG, as does the CG database. So as far as I am concerned, not a typo. I usually grab the CG text a day or two after it's initially posted, which gives Christgau a chance to edit where he sees fit. After that, I depend on him to tell me of any changes, which almost never happens. When I later add the CGs to the database, I run the database output by him, which gives him a second chance to correct anything (as well as catch any errors I add -- I also run those things by Joe Yanosik, who has a good eye and memory for such things, and who has always been a big help to me). Unlike Joe, I've learned never to bug Bob about his grades. He doesn't like it, and usually just digs in harder. I'm sure he understands that opinions, even his, are in constant flux, but he doesn't feel any obligation to constantly alter the historical record to reflect those changes. I personally take a more flexible view on this, in part because I've never regarded my grades as definitive, but even I rarely change old grades, sometimes just because I don't feel up to doing the paperwork (but mostly because I never find time to get back to old music, even records I really liked).

Thursday, July 25, 2024

Music Week

Expanded blog post, July archive (in progress).

Tweet: Music Week: 35 albums, 5 A-list

Music: Current count 42703 [42668] rated (+35), 23 [15] unrated (+8).


New records reviewed this week:

  • أحمد [Ahmed]: Giant Beauty (2022 [2024], Fönstret, 5CD): [bc]: A-
  • Alliance [Sharel Cassity/Colleen Clark]: Alliance (2024, Shifting Paradigm): [sp]: B+(**)
  • Beholder Quartet: Suspension of Disbelief (2024, Sachimay): [sp]: A-
  • Oddgeir Berg Trio: A Place Called Home (2024, Ozella): [sp]: B+(*)
  • Isaiah Collier & the Chosen Few: The Almighty (2023 [2024], Division 81): [sp]: B+(**)
  • Nick Dunston: Colla Voce (2024, Out of Your Head): [cd]: B+(**)
  • Isabelle Duthoit & Franz Hautzinger: Dans le Morvan (2021 [2024], Relative Pitch): [sp]: B+(*)
  • Nick Finzer: Legacy: A Centennial Celebration of JJ Johnson (2024, Outside In Music): [sp]: B+(***)
  • Gregory Groover Jr.: Lovabye (2023 [2024], Criss Cross): [sp]: B+(**)
  • Giovanni Guidi: A New Day (2023 [2024], ECM): [sp]: B+(**)
  • Jo Harrop: The Path of a Tear (2024, Lateralize): [sp]: B+(***)
  • Xaver Hellmeier: X-Man in New York (2022 [2023], Cellar Music): [sp]: A-/li>
  • اسم ISM [Pat Thomas/Joel Grip/Antonin Gerbal]: Maua (2022 [2024], 577): [dl]: A-
  • Tobias Klein/Frank Rosaly/Maria Warelis: Tendresse (2022 [2024], Relative Pitch): [sp]: B+(**)
  • Christian McBride/Edgar Meyer: But Who's Gonna Play the Melody? (2024, Mack Avenue): [sp]: B+(*)
  • The New Wonders: Steppin' Out (2024, Turtle Bay): [sp]: B+(***)
  • Carlos Nińo & Friends: Placenta (2022-23 [2024], International Anthem): [sp]: B
  • Omawi [Marta Warelis/Onno Govaert/Wilbert De Joode]: Waive (2021 [2023], Relative Pitch): [sp]: B+(**)
  • Hery Paz: River Creatures (2023 [2024], Porta Jazz): [sp]: B+(***)
  • Frank Paul Schubert/Michel Pilz/Stefan Scheib/Klaus Kugel: Live at FreeJazz Saar 2019 (2019 [2024], Nemu): [cd]: B+(***)
  • SML: Small Medium Large (2022-23 [2024], International Anthem): [sp]: B+(***)
  • Space: Embrace the Space (2024, Relative Pitch): [sp]: B+(***)
  • Natsuki Tamura/Satoko Fujii: Aloft (2023 [2024], Libra): [cd]: B+(***)
  • Terton [Louie Belogenis/Trevor Dunn/Ryan Sawyer]: Outer, Inner, Secret (2023 [2024], Tzadik): [sp]: B+(***)
  • Marta Warelis/Andy Moor: Escape (2022 [2024], Relative Pitch): [sp]: B+(**)

Recent reissues, compilations, and vault discoveries:

  • Cannonball Adderley: Burnin' in Bordeaux: Live in France 1969 (1969 [2024], Elemental Music, 2CD): [cd]: B+(**)
  • Cannonball Adderley: Poppin' in Paris: Live at L'Olympia 1972 (1972 [2024], Elemental Music): [cd]: B+(***)
  • Atrás del Cosmos: Cold Drinks, Hot Dreams (1980 [2024], Blank Forms Editions): [sp]: A-
  • Charlie Mariano: Boppin' in Boston 1947-1953 (1947-53 [2024], Fresh Sound): [sp]: B+(**)
  • Gerry Mulligan: Night Lights (1963 [2024], Philips): [sp]: B+(*)
  • The Oscar Pettiford Memorial Concert (1960 [2024], SteepleChase): [sp]: B+(*)

Old music:

  • Beholder: Claim No Native Land (2017, Sachimay): [sp]: B+(*)
  • Beholder: The Cicada Sessions (2022, Sachimay): [sp]: B+(**)
  • Beholder Quartet: Omni Present (2023, Sachimay, EP): [sp]: B+(*)
  • اسم ISM [Pat Thomas/Joel Grip/Antonin Gerbal]: Nature in Its Inscrutability Strikes Back (2014 [2015], Café Oto): [sp]: B+(***)


Unpacking: Found in the mail last week:

  • Cannonball Adderley: Burnin' in Bordeaux: Live in France 1969 (Elemental Music) [04-26]
  • Cannonball Adderley: Poppin' in Paris: Live at L'Olympia 1972 (Elemental Music) [04-26]
  • Livia Almeida: The Brasilia Sessions (Zoho) [07-19]
  • Orrin Evans and the Captain Black Big Band: Walk a Mile in My Shoe (Imani) * [08-12]
  • Richard Guba: Songs for Stuffed Animals (self-released) [06-06]
  • Joel Harrison & Alternative Guitar Summit: The Middle of Everywhere: Guitar Solos Vol. I (AGS) [07-24]
  • Jason Kao Hwang: Soliloquies: Unaccompanied Pizzicato Violin Improvisations (True Sound) (09-15]
  • Lux Quartet: Tomorrowland (Enja/Yellowbird) [08-09[
  • Rose Mallett: Dreams Realized (Carrie-On Productions) [09-01]
  • Shelly Manne & His Men: Jazz From the Pacific Northwest (1958-66, Reel to Real) [04-20]
  • Brother Jack McDuff: Ain't No Sunshine: Live in Seattle (1972, Reel to Real) [05-17]
  • Terence McManus: Music for Chamber Trio (Rowhouse Music) [09-24]
  • Jason Stein: Anchors (Tao Forms) [09-13]

Wednesday, July 24, 2024

Speaking of Which

Blog link.

Originally scheduled for July 21, this kept getting pushed out as I worked on my mid-year jazz critics poll. Finally posted [07-24], with some later adds.

Wednesday, July 17, 2024

Music Week

Expanded blog post, July archive (in progress).

Tweet: Music Week: 44 albums, 9 A-list

Music: Current count 42668 [42624] rated (+44), 15 [20] unrated (-5).

I put out the call for a Mid-Year Jazz Critics Poll back on June 30, offering a July 14 deadline for ballots, which would give me a few days to wrap things up before ArtsFuse returns from vacation on July 17. Sure, I expected a light turnout: mid-year lists, while increasingly common as click-bait, don't have the same gravitas as year-end wrap-ups, so fewer voters would be prepared let alone interested; there are vacations and other distractions; the voting period was much shorter than for the year-end poll; and I didn't want to work as hard at rounding up voters. (Last year's 159 voters took a lot of hustle on my part, but in taking the poll over from Francis Davis, I really wanted to prove that I could do it, and it was very wearing.) I didn't do any prospecting for new voters, and hoped that sending a single message to my Jazzpoll mailing list would do the trick.

It didn't: by last Wednesday, I had only about two dozen ballots counted, with another dozen promises to vote later, and a half-dozen polite declines, out of approx. 200 invitees. I had figured that 50% (let's say 80) ballots would still be a good showing, and would generate a lot of information. But 25% struck me as way too low. I had reason to suspect that a big part of the problem was that many messages from my server were being flagged and sequestered as "spam," especially by the gmail servers. So I rebooted, and sent a second round of invitations out to a subset of the list -- the ones I hadn't heard from, skipping a few who hadn't voted in recent years -- in MailMerge-customized letters from my regular email account (which has been dicey enough of late). That took many hours I had wanted to avoid, but got an almost immediate response. I streamlined the invitation a bit, and extended the deadline to July 17 (tonight, or effectively tomorrow morning). As of last night, I had 78 ballots counted, and as I'm writing this I have 2 more in my inbox, so I'm happy with my 50%. [PS: By posting time, the count increased to 86.]

I'll need to move on from this to write an essay (intro, overview, whatever), as well as footnotes on various oddities and discrepancies in the voting. I've struggled with the essay the last couple years, so fear I may again. On the other hand, the data is really extraordinary, so just dive into that. And every time I do this, I come away even more impressed with the extraordinary knowledge and exemplary judgment of the fine people who participate in this Poll. There's nothing we need more in this increasingly complex and scatter-brained world than smart people who develop and share their expertise so that we all may benefit. I'm proud to do my bit, and to help them do theirs.

I might as well start here and disclose my own ballot:

NEW RELEASES

  1. Fay Victor, Herbie Nichols SUNG: Life Is Funny That Way (Tao Forms)
  2. Emmeluth's Amoeba, Nonsense (Moserobie)
  3. Luke Stewart Silt Trio, Unknown Rivers (Pi)
  4. Ballister, Smash and Grab (Aerophonic)
  5. Dave Douglas, Gifts (Greenleaf Music)
  6. The Core, Roots (Moserobie)
  7. James Brandon Lewis Quartet, Transfiguration (Intakt)
  8. Roby Glod-Christian Ramond-Klaus Kugel, No Toxic (Nemu)
  9. Ivo Perelman Quartet, Water Music (RogueArt)
  10. Mike Monford, The Cloth I'm Cut From (self-released)

RARA AVIS (REISSUES/ARCHIVAL)

  1. Sonny Rollins, Freedom Weaver: The 1959 European Tour Recordings (Resonance)
  2. Mal Waldron & Steve Lacy, The Mighty Warriors: Live in Antwerp (1995, Elemental Music)
  3. Alice Coltrane, The Carnegie Hall Concert (1971, Impulse!)
  4. Karen Borca Trio Quartet & Quintet, Good News Blues: Live at the Vision Festival 1998 & 2005 (NoBusiness)
  5. Mars Williams & Hamid Drake, I Know You Are but What Am I (1996, Corbett vs. Dempsey)

As lists go, this feels pretty haphazard and tentative. I keep an ongoing ranked list, but don't put much effort into maintaining it. What usually happens is that once I decide an album is A-, I scan the list from the top or bottom (depending on whether it's a real solid A- or a somewhat iffy one), find something that is roughly comparable, and insert the new record above or below that reference point. I fiddled with these a bit, but didn't do much rechecking. Fact is, I never do much rechecking.

This week's batch of reviews are mostly albums that popped up on ballots. I wasn't previously aware that the Kenny Barron, Ivanna Cuesta, Welf Dorr, and [Ahmed] albums existed. Tomeka Reid was one of those download links I've been sitting on -- I probably have nearly 100 stashed away, but I'm loathe to do the extra work when it's so easy to play a promo or stream something -- but it did well enough I felt obligated to listen to it. (Same for Braxton, with all 8 hours + 10:36, available on Bandcamp.) Beger, Borca, and Brötzmann were promo CDs, but they too can be found complete on Bandcamp. I learned about the Armstrong from hype mail the day it became available to stream.

I started to prepare a file with all of my 2024 jazz reviews, similar to my 2023 best jazz, but it isn't ready to be presented yet. I'll clean it up if I decide I want to mention it in my poll essay, or just discard it until end-of-year. (Once I've started it, it's just another thing to try to keep updated.) One thing I can note here is that when I divvied the 2024 file up into jazz and non-jazz sections, the split among new A/A- records was 52-to-25, with old music 12-to-5. That seems like a lot, given that I wound up with only 84 for all of 2023 (and 75 for 2022, 77 for 2021, 86 for 2020, 77 for 2019, 67 for 2018, 84 for 2017, 75 for 2016, 81 for 2015, 69 for 2014, 87 for 2014 -- that's as far as the file series goes back, and the record as far as I can easily tell. Makes me wonder if I'm going soft in my old age, but other explanations are possible, including that the Mid-Year Poll has made me aware of 237 albums I didn't previously have in my tracking file. Most I haven't played yet, but the dozens I have gotten to contributed to this skew.


Given all the extra work on the Mid-Year Jazz Critics Poll, I didn't get around to Speaking of Which until Saturday, when I started with a long section on why Biden should withdraw from the Democratic presidential nomination. This all seems so obvious that it's hard to fathom the negligence and nonsense of whoever's conspiring to keep Biden in the race. On the other hand, much else that popped up in the week's news is hard to fathom. I certainly haven't had the time to figure it out.

The Trump shooting remains a story I know very little about, and have very little interest in pursuing, unless it turns out that my suspicion, as yet purely based on cynicism, that it was a staged PR ploy, turns out to be valid. (By the way, we've been watching the old Jane Marple mysteries. In one of them, the killer creates a blackout, kills someone else, then shoots herself, nicking the ear, so that when the lights come back on, she appears to have been the target (and very lucky). The ear was chosen because it bleeds readily but not seriously. It also emphasizes the luck involved, because it's generally very hard to shoot someone's ear without hitting their head. Of course, there are other ways to fake it, at little risk to Trump. The whole thing would take skill and timing, which seems beyond Trump and his cronies, the chances of such a scheme getting exposed are high, and it's hard to imagine that even Trump could lie his way out of it. On the other hand, how gullible is just about everyone involved so far? So it can't possibly be true, but they're playing it just like it was scripted. And everyone else seems to be falling for it.

Hardly any adds to Speaking of Which today: fixed a couple broken links, some typos. I'll open a file for next week after Music Week goes up. It'll be lower priority than the Poll, but good for the occasional break from thrashing on the Poll essay. I haven't been following the RNC, but I'm sure the people who have will be able to explain in its all its true horror.

There's also this story: Inae Oh: [07-16] The DNC's plan to force Biden's nomination is everything people hate about the DNC. If they go through with this, it won't have been the first time they gamed the rules to help Biden escape normal Democratic procedures: derailing the Iowa caucus and New Hampshire primary, where Biden had performed poorly in 2016, while making South Carolina the first primary, eliminated the most likely path for someone more credible than Dean Phillips to challenge Biden, so no one risked it. This would be shabby in any case, but is especially galling from the people who sell themselves as the guardians of democracy.


New records reviewed this week:

  • أحمد [Ahmed]: Wood Blues (2022 [2024], Astral Spirits): [sp]: A-
  • Kenny Barron: Beyond This Place (2024, Artwork): [sp]: A-
  • BassDrumBone: Afternoon (2023 [2024], Auricle): [cd]: B+(***)
  • Jamie Baum Septet+: What Times Are These (2023 [2024], Sunnyside): [sp]: B+(*)
  • Albert Beger/Ziv Taubenfeld/Shay Hazan/Hamid Drake: Cosmic Waves (2023 [2024], No Business): [cd]: A-
  • Anthony Braxton: 10 Comp (Lorraine) 2022 (2022 [2024], Braxton House): [bc]: B+(*)
  • George Cartwright & Bruce Golden: Dilate (2024, self-released): [bc]: B+(*)
  • Ivanna Cuesta: A Letter to the Earth (2023 [2024], Orenda): [sp]" A-
  • Jeremiah Cymerman: Body of Light (2022-23 [2024], 5049): [sp]: B+(*)
  • Welf Dorr/Elias Meister/Dmitry Ishenko/Kenny Wollesen: So Far So Good (2022 [2024], self-released): [bc]: A-
  • Edition Redux: Better a Rook Than a Pawn (2023, Audiographic): [bc]: B+(***)
  • Bill Frisell: Orchestras (2021-22 [2024], Blue Note): [sp]: B+(**)
  • Paul Giallorenzo Trio: Play (2021 [2023, Delmark): [sp]: B+(*)
  • Erik Griswold/Chloe Kim/Helen Svoboda: Anatomical Heart (2023 [2024], Earshift Music): [sp]: B+(**)
  • Sarah Hanahan: Among Giants (2024, Blue Engine): [sp]: B+(***)
  • Simon Hanes: Tsons of Tsunami (2024, Tzadik): [sp]: B+(**)
  • Roger Kellaway: Live at Mezzrow (2023 [2024], Cellar Music): [sp]: B+(*)
  • Brian Landrus: Plays Ellington & Strayhorn (2023 [2024], Palmetto): [cd]: B+(***)
  • Nduduzo Makhathini: Unomkhubulwane (2024, Blue Note): [sp]: B+(***)
  • Fabiano do Nascimento & Sam Gendel: The Room (2024, Real World): [sp]: B+(**)
  • Madeleine Peyroux: Let's Walk (2024, Just One Recording/Thirty Tigers): [sp]: B+(***)
  • Tomeka Reid Quartet: 3+3 (2023 [2024], Cuneiform): [dl]: A-
  • Michael Shrieve: Drums of Compassion (2024, 7D Media): [sp]: B+(*)
  • Harry Skoler: Red Brick Hill (2022 [2024], Sunnyside): [sp]: B+(**)
  • Something Else! [Featuring Vincent Herring]: Soul Jazz (2024, Smoke Sessions): [sp]: B+(*)
  • Gregory Tardy: In His Timing (2023, WJ3): [bc]: B+(*)
  • Alan Walker: A Little Too Late (2024, Aunt Mimi's): [cd]: B+(*)

Recent reissues, compilations, and vault discoveries:

  • Louis Armstrong: Louis in London (1968 [2024], Verve): [sp]: A-
  • Derek Bailey/Sabu Toyozumi: Breath Awareness (1987 [2024], NoBusiness): [cd]: B+(***)
  • Karen Borca Trio Quartet & Quintet: Good News Blues: Live at the Vision Festival 1998 & 2005 (1998-2005 [2024], No Business): [cd]: A-
  • Peter Brötzmann/Toshinori Kondo/Sabu Toyozumi: Complete Link (2016 [2024], NoBusiness): [cd]: A-
  • Nat King Cole: Live at the Blue Note Chicago (1953 [2024], Iconic): [sp]: B+(**)
  • The Jazzanians: We Have Waited Too Long (1988 [2024], Ubuntu Music): [sp]: B+(**)
  • Charles Mingus: Incarnations (1960 [2024], Candid): [sp]: B+(**)
  • Louis Moholo-Moholo: Louis Moholo-Moholo's Viva-La-Black (1988 [2024], Ogun): [bc]: B+(**)
  • Septet Matchi-Oul: Terremoto (1971 [2024], Souffle Continu): [sp]: B+(***)
  • Sun Ra & His Arkestra: Pink Elephants on Parade (1985-90 [2024], Modern Harmonic): [sp]: B+(***)
  • The John Wright Trio: South Side Soul (1960 [2024], Craft): [sp]: B+(**)

Old music:

  • Albert Beger: The Primitive (1995, NMC): [sp]: B+(**)
  • Albert Beger: lThe Art of the Moment (2000, Third Ear Music): [sp]: B+(*)
  • Welf Dorr: Funk Monk 2002 (2002 [2020], self-released): [sp]: B+(*)
  • Welf Dorr: Flowers for Albert (2005 [2020], self-released): [sp]: B+(**)
  • Welf Dorr Unit: Blood (2014 [2018], Creative Sources): [bc]: B+(*)
  • Welf Dorr/Dmitry Ishenko/Joe Hertenstein: Pandemic House Sessions (2020 [2021], self-released): [sp]: B+(***)


Unpacking: Found in the mail last week:

  • Greg Copeland: Empire State (Franklin & Highland, EP) [09-06]
  • Ize Trio: The Global Suites (self-released) [08-02]
  • Frank Paul Schubert/Michel Pilz/Stefan Scheib/Klaus Kugel: Live at FreeJazz Saar 2019 (Nemu) [05-01]

Tuesday, July 16, 2024

Mid-Year Jazz Critics Poll ballot, new albums:

  1. Fay Victor: Herbie Nichols SUNG: Life Is Funny That Way (Tao Forms, 2CD)
  2. Emmeluth's Amoeba: Nonsense (Moserobie)
  3. Luke Stewart Silt Trio: Unknown Rivers (Pi)
  4. Ballister: Smash and Grab (Aerophonic)
  5. Dave Douglas: Gifts (Greenleaf Music)
  6. The Core: Roots (Moserobie)
  7. James Brandon Lewis Quartet: Transfiguration (Intakt) **
  8. Romy Glod/Christian Ramond/Klaus Kugel: No ToXiC (Nemu)
  9. Ivo Perelman Quartet: Water Music (RogueArt) *
  10. Mike Monford: The Cloth I'm Cut From (self-released)

Old music:

  1. Sonny Rollins: Freedom Weaver: The 1959 European Tour Recordings (Resonance, 3CD)
  2. Mal Waldron/Steve Lacy: The Mighty Warriors: Live in Antwerp (1995, Elemental Music, 2CD)
  3. Karen Borca Trio Quartet & Quintet: Good News Blues: Live at the Vision Festival 1998 & 2005 (No Business)
  4. Mars Williams & Hamid Drake: I Know You Are but What Am I (1996, Corbett vs. Dempsey) **

Daily Log

I made a quick pass at a Best Jazz Albums of 2024, thinking that might help me construct a mid-year poll ballot. I didn't want to put the effort into doing a companion non-jazz file, but as a side effect, I wound up with the following list of A/A- non-jazz new releases:

  1. Heems & Lapgan: Lafandar (Veena Sounds)
  2. Fox Green: Light Over Darkness (self-released)
  3. Pet Shop Boys: Nonetheless (Parlophone)
  4. The Paranoid Style: The Interrogator (Bar/None)
  5. Beth Gibbons: Lives Outgrown (Domino)
  6. Kali Uchis: Orquídeas (Geffen)
  7. Dua Lipa: Radical Optimism (Warner)
  8. Bill Ryder-Jones: Iechyd Da (Domino)
  9. Thomas Anderson: Hello, I'm From the Future (Out There)
  10. Kim Gordon: The Collective (Matador)
  11. Tierra Whack: World Wide Whack (Interscope)
  12. Taylor Swift: The Tortured Poets Department (Republic)
  13. Bob Vylan: Humble as the Sun (Ghost Theatre)
  14. Willie Nelson: The Border (Legacy)
  15. Kneecap: Fine Art (Heavenly)
  16. 1010benja: Ten Total (Three Six Zero)
  17. Nia Archives: Silence Is Loud (Hijinxx/Island)
  18. Maggie Rogers: Don't Forget Me (Capitol)
  19. Madi Diaz: Weird Faith (Anti-)
  20. Serengeti: KDIV (Othar)
  21. Kacey Musgraves: Deeper Well (MCA Nashville)
  22. Leyla McCalla: Sun Without the Heat (Anti-)
  23. Billie Eilish: Hit Me Hard and Soft (Interscope)
  24. Hermanos Gutiérrez: Sonido Cósmico (Easy Eye Sound)
  25. Sprints: Letter to Self (City Slang)

Also non-jazz reissues/compilations/archival music:

  1. Franco & O.K. Jazz: Franco Luambo Makiadi Presents Les Editions Populaires (1968-1970) (Planet Ilunga)
  2. Mixmaster Morris/Jonah Sharp/Haruomi Hosono: Quiet Logic (1998, WRWTFWW)
  3. Rail Band: Buffet Hotel De La Gare, Bamako (1973, Mississippi)
  4. Merengue Típico, Nueva Generación! (1960s-70s, Bongo Joe)
  5. Austin Peralta: Endless Planets [Deluxe Edition] (2011, Brainfeeder)

Meanwhile, the jazz list looks like this:

  1. Fay Victor: Herbie Nichols SUNG: Life Is Funny That Way (Tao Forms, 2CD)
  2. Emmeluth's Amoeba: Nonsense (Moserobie)
  3. Luke Stewart Silt Trio: Unknown Rivers (Pi)
  4. Ballister: Smash and Grab (Aerophonic)
  5. Dave Douglas: Gifts (Greenleaf Music)
  6. The Core: Roots (Moserobie)
  7. James Brandon Lewis Quartet: Transfiguration (Intakt) **
  8. Romy Glod/Christian Ramond/Klaus Kugel: No ToXiC (Nemu)
  9. Ivo Perelman Quartet: Water Music (RogueArt) *
  10. Mike Monford: The Cloth I'm Cut From (self-released)
  11. Matt Wilson: Matt Wilson's Good Trouble (Palmetto)
  12. Advancing on a Wild Pitch: Disasters, Vol. 2 (Hot Cup) **
  13. Dan Weiss: Even Odds (Cygnus)
  14. QOW Trio: The Hold Up (Ubuntu Music) **
  15. Ivo Perelman/Mark Helias/Tom Rainey: Truth Seeker (Fundacja Sluchaj) **>
  16. Queen Esther: Things Are Looking Up (EL)
  17. Dave Rempis/Pandelis Karayorgis/Jakob Heinemann/Bill Harris: Truss (Aerophonic/Drift)
  18. Julia Vari Feat. Negroni's Trio: Somos (Alternative Representa)
  19. Chris Potter/Brad Mehldau/John Patitucci/Brian Blade: Eagle's Point (Edition) **
  20. Kahil El'Zabar's Ethnic Heritage Ensemble: Open Me, a Higher Consciousness of Sound and Spirit (Spiritmuse) **
  21. David Murray Quartet: Francesca (Intakt) **
  22. Matthew Shipp Trio: New Concepts in Piano Trio Jazz (ESP-Disk)
  23. Amanda Gardier: Auteur: Music Inspired by the Films of Wes Anderson (self-released)
  24. Four + Six: Four + Six (Jazz Hang)
  25. Charles Lloyd: The Sky Will Still Be There Tomorrow (Blue Note) **
  26. Ivanna Cuesta: A Letter to the Earth (Orenda) **
  27. Idit Shner & Mhondoro: Ngatibatanei [Let Us Unite!] (OA2)
  28. Jason Stein/Marilyn Crispell/Damon Smith/Adam Shead: Spi-raling Horn (Balance Point Acoustics) **
  29. Claudio Scolari Project: Intermission (Principal)
  30. Ivo Perelman/Barry Guy/Ramon Lopez: Interaction (Ibeji Music) **
  31. Charlie Kohlhase's Explorer's Club: A Second Life (Mandorla Music) **
  32. John Surman: Words Unspoken (ECM) **
  33. William Parker/Cooper-Moore/Hamid Drake: Heart Trio (AUM Fidelity)
  34. Joel Ross: Nublues (Blue Note) **
  35. Radam Schwartz: Saxophone Quartet Music (Arabesque)
  36. Tomeka Reid Quartet: 3+3 (Cuneiform) **
  37. Alfredo Colón: Blood Burden (Out of Your Head)
  38. Albert Beger/Ziv Taubenfeld/Shay Hazan/Hamid Drake: Cosmic Waves (No Business)
  39. Welf Dorr/Elias Meister/Dmitry Ishenko/Kenny Wollesen: So Far So Good (self-released) **
  40. Julieta Eugenio: Stay (Cristalyn)
  41. Layale Chaker & Sarafand: Radio Afloat (In a Circle)
  42. Samo Salamon/Vasil Hadzimanov/Ra-Kalam Bob Moses: Dances of Freedom (Samo)
  43. Nicole Glover: Plays (Savant) **
  44. Owen Broder: Hodges: Front and Center, Vol. Two (Outside In Music)
  45. Jason Robinson: Ancestral Numbers (Playscape)
  46. Beings: There Is a Garden (No Quarter) **
  47. Maria Faust Jazz Catastrophe: 3rd Mutation: Moth (Bush Flash) **
  48. Gilbert Holmström: Peak (Moserobie)
  49. Bill Orcutt Guitar Quartet: Four Guitars Live (Palilalia) **
  50. Ernesto Rodrigues/Bruno Parinha/Joăo Madeira: Into the Wood (Creative Sources)
  51. Mathias Hřjgaard Jensen: Is as Is (Fresh Sound New Talent)
  52. Mercer Hassy Orchestra: Duke's Place (Mercer Hassy)

And for reissues/compilations/archival music:

  1. Sonny Rollins: Freedom Weaver: The 1959 European Tour Recordings (Resonance, 3CD)
  2. Karen Borca Trio Quartet & Quintet: Good News Blues: Live at the Vision Festival 1998 & 2005 (No Business)
  3. Mal Waldron/Steve Lacy: The Mighty Warriors: Live in Antwerp (1995, Elemental Music, 2CD)
  4. Charles Gayle/Milford Graves/William Parker: WEBO (1991, Black Editions Archive) **
  5. Mars Williams & Hamid Drake: I Know You Are but What Am I (1996, Corbett vs. Dempsey) **
  6. Alice Coltrane: The Carnegie Hall Concert (1971, Impulse!) **
  7. Mal Waldron/Terumasa Hino: Reminscent Suite (1973, BBE) **
  8. Grupo Irakere: Grupo Irakere (1976, Mr. Bongo) **
  9. Louis Armstrong: Louis in London (1968, Verve) **
  10. Art Tatum: Jewels in the Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings (Resonance, 3CD)
  11. Christer Bothén Featuring Bolon Bata: Trancedance [40th Anniversary Edition] (1984, Black Truffle) **
  12. Roberto Magris: Love Is Passing Thru: Solo/Duo/Trio/Quartet (2004, JMood)

Monday, July 15, 2024

Speaking of Which

Blog link.

Not actually posted until 16-July-2024.

I'm starting this introduction on Tuesday, already two days late, ignoring for now the new news pouring in, especially from the RNC. Due to my Mid-Year Jazz Critics Poll project, I wasn't able to start until Saturday, at which point I started with the long introduction to the Biden section. After that, I scrounged up a few quick links to seemingly important stories. The alleged Trump shooting -- I'm not denying it, but I'm not fully buying it either -- had just happened, so I had to spin off a section on that. Monday the Cannon ruling on the Trump documents case came down, so I had to note that. If I find out that Hamas and Netanyahu agreed to a cease fire deal -- I've heard that, but as I'm writing this I haven't seen any confirmation -- I'll note that too. (But thus far I've been smart to ignore past rumors of impending agreement.)

A couple days ago, still with Biden very much on my mind, I thought I'd begin this introduction with a spur-of-the-moment tweet I posted:

Unsolicited advice to the ruling class: can someone point out to Biden that being president and running are two different full-time jobs. He should pick one, like the one we need someone to focus on and do well, right now. He could set a model we should add to the Constitution.

Looking it up now, I see that it only has 97 views, with 0 replies, forwards, or likes. It seems like views have been steadily declining, although the number of followers (640) is about double from a long plateau about a year ago.

One thing that stimulated my thought was when I saw several folks pushing a constitutional amendment to impose a maximum age limit on presidents. (Search doesn't reveal a lot of examples, but here's one.) I have no time to argue this here, but I've often worried about the accumulation of arbitrary power in the presidency -- especially war-making power, but there are other issues here -- and with in the development of a political personality cult (Reagan is the obvious example, with Trump even more so, but they at least remained aligned with their party, while Clinton and Obama used their office to direct their party to their own personal fortunes, a shift that worked to the detriment of other Democrats).

Banning self-succession (second consecutive terms) wouldn't fix all of the problems with the presidency, but it would help, especially in terms of democracy. I won't go into details here, but there should also be limits on nepotism (spouses, children, possibly more), and major campaign finance reforms. Whether you keep the two-term total limit is optional -- eliminating it may get rid of the often stupid "lame duck" argument. But I also suspect that people will have little appetite for returning a non-incumbent ex-president.

One more point: if presidents can't run again, maybe they'll actually put their political instincts aside and settle into actually doing their jobs. Trump is the obvious worst-case example: the first thing he did after inauguration in 2017 was to file as a candidate for 2020, and he returned to holding campaign rallies a month or two later. Given how temperamental his judgment was, we are probably lucky that he turned out to be so oblivious to actually doing the job, but that's hardly something we can count on saving us again. Even more competent presidents were repeatedly distracted by political duties -- ones they were, as a requirement for selection, more interested in, if not necessarily better at.

At this point, the essential skill sets of campaigners and administrators have diverged so radically that it's almost inconceivable that you could find one person for both jobs. I could imagine a constitutional change where whoever wins the presidency has to appoint someone else (or maybe a troika) to run the executive government, while being personally limited to symbolic public service, like the King of England, or the President of Israel. But the amendment I proposed above should be a much easier sell, especially given the mess we're in now.

Fortunately, we don't actually need the amendment this year. All we need is for Biden to drop out. As I explain below, there are lots of good reasons for him to do so. This is one more, and if he grasped it, would be a principled one.


About 10 PM Tuesday, time to call it quits for this week. I may pick up a few adds while I'm working on the similarly delayed Music Week, but I expect to be extremely busy on deadline day for the Mid-Year Jazz Critics Poll (up to 78 ballots as I write this). No doubt I'll have to do a lot of cross-checking next week to keep from repeating stories. But the big ones, rest assured, will return, pretty much as they are here, so what's below should give you a leg up on everyone else.


Top story threads:

Israel:

America's Israel (and Israel's America):

Israel vs. world opinion:

  • Roxanne Dunbar-Ortiz: [07-12] We must understand Israel as a settler-colonial state: I'd go a bit deeper and say we can only understand Israel if we start from acknowledging that it is primarily a settler-colonial state. I'm not saying this because I think "settler-colonial state" means we should automatically condemn Israel, and especially not to argue that the only solution is expulsion ("go back where you came from" just won't do here). But identifying it as such puts Israel into a conceptual framework that really helps explain the options and choices that Israeli political leaders made -- many of which do indeed deserve approbation -- as well as providing a framework to see some way of ending the conflict on terms that most people can find agreeable. I would add that among settler-colonial states, Israel is exceptionally frustrated, which is why it has turned into such a cauldron of interminable violence.

  • Marcy Newman: [07-13] The reluctant memoirist exposes the academy: "At a time when Palestine activism and free expression at U.S. universities are under attack, Steven Salaita's new memoir disabuses us of the notion that these universities are anything other than hedge funds with a campus."

  • James North: [07-10] Israel's leading paper says its own army deliberately killed Israelis on October 7. But in the US media: silence: "Israel ordered the 'Hannibal Directive' on October 7 by ordering the killing of captive Israeli soldiers and civilians. But the U.S. media continues to hide the truth."

  • Alice Rothchild: [07-14] The destruction of healthcare in Gaza and the scientific assessment of settler colonial violence: "The Jewish Voice for Peace Health Advisory Council held a distinguished panel of experts that addressed the settler colonial determinants of health in light of the Gaza genocide." Following up on these documents:

  • Philip Weiss: [07-14] Weekly Briefing: The 'NYT' justifies Israeli slaughter of civilians as necessary tactic: "The New York Times says Israel has been 'forced' to massacre Palestinian civilians because Hamas militants hide in bedrooms. The U.S. used such justifications for massacres in Vietnam."

Trump:

Well, this happened:

  • [Vox]: [07-14] Who shot Trump? What we know about the assassination attempt. [PS: This piece has been updated after I wrote the following, as more information was released, such as the identities of the people shot, including the alleged shooter.] "This is what happened at the Butler rally, as we understand it right now." As I understand it, shots were fired during a Trump rally. Trump dropped to the ground. When he appeared again, there was blood on his face. Secret Service surrounded him, and moved him off the platform. The people around him jerked when he did, but afterwards mostly looked confused. He tweeted later that he had been shot, nicked in the ear. (From his head angle at the time of the shot, it must have come from the far side -- not from the crowd, or from the gallery behind him.) Reports are that two people wound up dead -- one the alleged shooter, and another person, still unidentified, and two more people were injured. It's not clear where those people, including the shooter, were, or what the timing of were. One report says the shots came from an "AR-type" gun.

    I'll link to more pieces as I collect them. But knowing only what is in here (and having watched the video provided), my first reaction is that a real assassination attempt like this would be very hard to pull off, but would be very easy to fake (assuming you could imagine that anyone involved would be willing to do so, which with this particular crew isn't inconceivable; still, the risk of faking it and then getting exposed seems like it should be pretty extreme). No need to jump to that conclusion, but I'm pretty sure the "grassy knoll" squad is going to jump all over this story. More Vox pieces are collected in: Donald Trump targeted in assassination attempt.

  • Zack Beauchamp:

  • Constance Grady: [07-15] The pure media savvy of Trump's first pump photo, explained by an expert: "It's his brand now." The interview goes into the making of other iconic photos, as well as Trump's history of seizing on moments like this.

  • Jeet Heer:

  • Murtza Hussain: Will this make Trump more popular? "Assassination attempts targeting populist leaders have had a track record of boosting their popularity."

  • Sarah Jones: [07-15] God's strongman.

  • Ed Kilgore: [07-15] Trump assassination attempt makes 2024 election more bonkers than ever: "But will it cinch a victory for him?" Evidently, "many Republicans are already saying the bullets that nearly killed Donald Trump have clinched his return to the White House."

  • Natasha Lennard: The only kind of "political violence" all U.S. politicians oppose.

  • Eric Levitz:

  • Stephen Prager: [07-16] 'Political violence' is all around us: "Condemning 'political violence' rings hollow coming from politicians who are highly selective in the violence they deplore. We should oppose it consistently."

  • Aja Romano: [07-15] The Trump assassination attempt was a window into America's fractured reality. I'm not sure whether the subhed is a conclusion or just a premise: "The shooting wasn't staged, but conspiratorial thinking has become widespread in our paranoid age." You know, the latter truism doesn't prove "the shooting wasn't staged." It just suggests that we shouldn't jump to that conclusion.

  • Helen Santoro/Lucy Dean Stockton/David Sirota/Joel Warner: Pennsylvania GOP fought a ban on the gun used in Trump shooting.

  • Timothy Messer-Kruse: [07-15] The myth of the magic bullet: He doesn't weigh in on the Trump shooting, but takes on the more general idea, that a single bullet can change history for the better. I rather doubt his assertion that "there would still be a MAGA movement" without Trump, because no matter how much fuel of "white resentment" had accumulated, it still took a spark to set it off, and it's hard to find a leader with Trump's particular mix of ego and ignorance. But he is right when he says, "Trump is not a threat to democracy as much as he is a symbol of its deepening absence."

On Monday, Trump announced his pick for vice president: JD Vance:

  • Zack Beauchamp: [07-15] What J.D. Vance really believes: "The dark worldview of Trump's choice for vice president, explained."

    Vance has said that, had he been vice president in 2020, he would have carried out Trump's scheme for the vice president to overturn the election results. He has fundraised for January 6 rioters. He once called on the Justice Department to open a criminal investigation into a Washington Post columnist who penned a critical piece about Trump. After last week's assassination attempt on Trump, he attempted to whitewash his radicalism by blaming the shooting on Democrats' rhetoric about democracy without an iota of evidence.

    This worldview translates into a very aggressive agenda for a second Trump presidency. In a podcast interview, Vance said that Trump should "fire every single mid-level bureaucrat" in the US government and "replace them with our people." If the courts attempt to stop this, Vance says, Trump should simply ignore the law.

    "You stand before the country, like Andrew Jackson did, and say the chief justice has made his ruling, now let him enforce it," he declares.

  • Aaron Blake: [07-15] The risk of J.D. Vance: "Trump went with the MAGA pick. But the 2022 election suggests that might not be the right electoral one."

  • Jonathan Chait: [07-15] J.D. Vance joins ticket with man he once called 'America's Hitler': "Apparently he meant it as a compliment."

  • Ben Jacobs: [07-15] J.D. Vance on his MAGA conversion: "Trump's man in Ohio once called him 'America's Hitler,' but there's an explanation."

  • Sarah Jones: [07-15] Hillbilly shapeshifter: "Re-reading J.D. Vance's memoir." This came out earlier this year, but gets an update for the moment.

  • Ed Kilgore: [07-15] J.D. Vance as VP means Trump picks MAGA over 'unity'. What does "unity" even mean? Trump has complete control. He doesn't need to compromise with anyone. One might ask why he would pick a double-crossing weasel, but Trump probably figure he's on top of that game. Maybe Kilgore is just trying to plug the Intelligencer liveblog: So much for 'national unity': RNC live updates. Republicans don't need "unity": they believe they're the only ones who count, so they already are "unity" -- now if they can just get rid of everyone else, they'll be set (and America will be great again, like it was when the other people didn't count).

  • Daniel Larison: [07-15] What will Vance do for Trump's foreign policy? "The Ohio senator's ideology is hard to nail down as he has vacillated between restraint and interventionism."

  • Steve M: [07-15] J.D. Vance probably hates you more than Trump does: "It is clear that Vance is an angry, nasty person whose contempt for the people he doesn't like is bone deep." Also:

    Now that Trump has chosen Vance, I expect Democrats to focus on the mean tweets Vance posted about Trump before he became a Trump fan. I don't see the point -- politicians (and non-politicians) change their minds about people all the time. Kamala Harris said harsh things about Joe Biden during the 2020 campaign. George H.W. Bush attacked Ronald Reagan's economic ideas in the 1980 campaign. I think it's more important for voters to know how much contempt Vance has for everyone who disagrees with him or does things he doesn't like. I have kids, so he hates me. Maybe he hates you too.

  • Veronica Riccobene/Helen Santoro/Joel Warner: J.D. Vance wants police to track people who have abortions.

  • Ross Rosenfeld: The scary message Trump sent by choosing J.D. Vance: "The Ohio senator is a sycophant who will never challenge or question his boss -- not even to defend American democracy."

Of course, the Trump news doesn't end there.

  • Sasha Abramsky: [07-14] A brief history of Trump and violence: "But that can't be allowed to erase the long, ugly history of Trump's dalliance with violence."

  • David Atkins: [07-08] Pay attention to Trump's every cruel and crazy syllable: "All eyes are on President Biden's words, but Trump is getting meaner and increasingly bonkers each day."

    Let's look at just a few recent examples.

    1. Trump wants to make poor migrants fight each other for sport.
    2. Trump wants to ban electric cars because someone in an electric boat might get eaten by a shark.
    3. Donald Trump wants to ban all vaccine mandates in schools, which would include polio, measlesl, etc.
    4. Trump wants to end meaningful elections in the United States.
    5. Trump thinks the end of Roe v Wade was "amazing" and brags that he was "able to kill Roe v. Wade.
  • Elizabeth Austin: [07-13] Trump's Democrats-support-infanticide trope is an infuriating lie: "Republicans like the soon-to-be GOP presidential nominee are mocking every woman who got that horrible call from the obstetrician and made the tragic decision to end a hopeless pregnancy."

  • Christopher Fettweis: [05-15] Trump's big idea: Deploy assassination teams to Mexico: "His plan to kill drug kingpins to solve the American opioid crisis will backfire dramatically."

  • Chris Lehman: [07 -11] Donald Trump's new strategy: act normal: "With the opposition in disarray, Trump and his campaign have begun exhibiting unusual restraint in hopes of expanding his support."

  • Clarence Lusane: [07-12] Who thinks Donald Trump is racist? "Other racists, that's who!"

  • Nicole Narea: [07-15] A right-wing judge just threw out a case against Trump in a brazen abuse of power: "The classified documents case against Trump hits another major setback before the 2024 election." Why?

    In her ruling, Cannon argued that because Smith had not been appointed a special counsel by the president and confirmed by the Senate, his appointment violated the Constitution's Appointments Clause. . . .

    Cannon's ruling, which relies on a stringent reading of the Constitution and represents a brazen break with precedent, has come under heavy criticism from legal scholars. Under her ruling, the appointment of prior special counsels would have also come into question, from Archibald Cox, who investigated the Watergate scandal that led to President Richard Nixon's resignation, to Robert Mueller, who investigated Russian interference in the 2016 election.

    I'm sure there will be more on this next week. Well, for now, this one is worth quoting at length:

    • Steve M.: [07-15] The death of America is steady rot:

      We think we'll lose democracy and the rule of law suddenly if Donald Trump becomes president again. We think the edifice will be destroyed like the Twin Towers on 9/11: the planes hit the buildings, and without hours they collapsed in on themselves.

      But our system is like a house that's rotting room by room. The foundation has cracks. There are termites. The roof leaks. One room after another has become uninhabitable.

      We've lost the federal courts. The would-be murderers of America already have the federal bench they need to sustain the horrible America they want. A second Trump presidency won't really worsen the federal bench -- it will only fix it in place in its current form for several more decades. I'm 65, and I'll never live to see a federal bench that isn't an extremist Republican legislature in robes.

      Through gerrymandering, we lost democracy in many state legislatures years ago. In states like North Carolina, Wisconsin, and Texas, liberals and moderates add up to more than 45% of the electorate and have exactly none of the legislative power, because of gerrymandering. This happened long before Trump and there were no "Death of Democracy" front-page headlines.

      If Trump wins in November, he and the thugs of Project 2025 might take a wrecking ball to what's left of the house. But already several rooms are closed off. It's unsafe to live in them. And even if Trump loses, or wins and doesn't follow through with the worst ideas his backers have proposed, many rooms in the house will continue to rot.

      A lot of this rot can be traced back to Reagan in the 1980s, when a brief majority of Americans put sentiment and emotion over reason and practicality, and ceded power to the people Kurt Anderson called Evil Geniuses (subtitle: The Unmaking of America: A Recent History), and for that matter to the conspiracies -- to use a word we've systematically been trained to abjure -- of the 1970s that many others have written about (off the top of my head: Rick Perlstein, Jane Mayer, Max Blumenthal, Kim Phillips-Fein, Laura Kalman, Nancy McLean, Jeff Madrick). For sure, part of the blame lies with Democrats, like Carter and Clinton, who thought they could beat the Republicans at their own game, and some to with Democrats like Obama and Biden, who chose to play along rather than rouse the people to defend their rights against relentless Republican assault.

      M's point is absolutely right. Bad choices often take years, sometimes decades, to manifest themselves. To cite two examples where the elapsed time was too short to cloud causality, the distance from Reagan's deregulation of the S&L industry to its collapse was 6-8 years. The distance from Clinton's repeal of Carter-Glass and the deregulation of derivatives -- changes mostly championed by Republicans like Phil Gramm, but Clinton signed off on them -- was 8-10 years. Longer, more insidious time frames are even more common. I recall George Brockway tracing the financial madness circa 2000 back to an obscure banking law Republicans passed after their fluke congressional win in 1946 -- the same one that gave us Taft-Hartley, which had little effect on unionized auto, aircraft, steel, etc., workers through the 1960s but led to their collapse from the 1980s on. Similarly, there are blunders from the early Cold War that still haunt us (like the overthrow of Iran in 1953).

      We've been systematically starved of democracy for decades now: ever since campaigns became media circuses, increasingly in thrall to the sponsor class. Maybe now that the strangulation has become so obvious -- the only choice we've been allowed is between the two least popular, and quite arguably the two least competent, politicians in America -- we'll finally realize our need to struggle to breathe free. Or maybe we'll just fucking die. After all, we're about 90% buried already.

. . . And other Republicans:

  • Sasha Abramsky: [07-02] Will Arizona be MAGA's last stand? "Trump needs the state's votes to win. But after its highest court revived an 1864 law that bans abortions, all bets are off."

  • Hassan Ali Kanu: [07-11] No, Trump and GOP have not 'softened' on abortion, women's rights: "The language change in their platforms is nakedly dishonest bait and switch."

  • Sarah Jones: [07-14] The authoritarian plot: "At the National Conservatism conference, Republicans mix with racists ranting about 'post-white America.'"

  • Steve M: I have a couple more of his posts elsewhere, but let's go to town here:

    • [07-13] First thoughts on the shooting (updated): Starts with his own prediction tweet: "Every rank-and-file Republican voter believes this was an assassination attempt ordered by President Biden. Trump will soon start pouring gasoline on the flames by stating this as if it's fact." Update shows it's happening even ahead of Trump's provocation. He does have them well trained.

    • [07-13] Project 2025: the gaslighting is well underway.

    • [07-13] Fear the all-powerful left! "The fever dreams of the propaganda-addled crazies at the Heritage Foundation are hilarious."

    • [07-12] Are Biden's poll numbers impervious to bad news, like Trump's? I think the upshot here is that while people may not know what (or whom) to believe, they've become so wary of being lied to that they reject any news, probably from any source, leaving them impervious to change. If you're a journalist/pundit, you may think it's your job to adjust to new facts, but if you're not, it's just fucking noise, almost all of which can be discounted.

    • [07-11] New York Times editorial: Trump is bad -- but the Republican Party is awesome! That editorial was titled Trump is not fit to lead.

      Not a single Democrat is cited in this editorial. I understand that that's the point -- the ed board members, if you asked them about this, would say, "We're making the point that even Trump's fellow Republicans know he's unfit" (though no Republican in good standing dares to say that). But this is also a sign that the Times ed board agrees with the Republican Party's decades-long campaign to "other" Democrats. Our political culture accepts the GOP's assertion that Democrats aren't really Americans.

    • [07-10] Dear Democrats: You know people can hear you, right? (updated):

      It's been thirteen days since the June 27 debate. On each of those thirteen days, the top news story in America -- not just in the monomaniacal New York Times, but everywhere -- has been "Christ, That Joe Biden Is Really, Really Old. He Can't Possibly Win. He Has to Step Aside. Has He Done It Yet?" Other stories, including stories that could have been very damaging to Donald Trump, were fully or partly buried. And still Democrats can't muscle Biden out, persuade him to leave the race, or stop talking about it and get behind him. . . .

      I think Democrats believe it's okay for this to play out in public for two weeks -- two weeks of bad headlines for the man who now seems certain to be the nominee -- because of a fundamental misunderstanding of politics that hurts them in other areas as well. They think this is fine because they think voters pay attention to politics only in the last couple of months before an election. That's the reason most Democrats don't bother with messaging unless it's election season, while Republicans engage in messaging every day of every year.

      I'm not personally super bothered by the protracted process, but clearly this has given Trump and the Republicans a whole month of big PR wins, from the June 27 debate all the way through the end of the RNC, especially as, in response to the shooting incident, Democrats have wisely decided to pull their ads, and keep their powder dry. But if the election was next week, this would have been a total disaster for the Democracy. (Maybe not for the small-d concept, but that's what they called the Party back in Jackson's day, and that's what Will Rogers meant when he said he wasn't a member of an organized political party: he was a democrat.) But at some point soon-ish, they really have to get the act together and turn this mess around. I don't see how they can do that without first jettisoning Biden, who is the indelible personification of a much greater crisis in democratic faith.

    • [07-09] The press doesn't have a "bias toward coherence" -- it has a bias toward Republicans.

  • Shawn Musgrave: Trump's camp says it has nothing to do with Project 2025 manifesto -- aside from writing it.

  • Timothy Noah: The GOP platform perfectly reflects the lunacy of Trump's party: "I read it so you don't have to: It's an unconditional surrender to the cult of Trump, and its plan to reduce inflation is laughable."

  • Rick Perlstein: [07-10] Project 2025 . . . and 1921, and 1973, and 1981: "Terrifying blueprints for the next Republican presidency are a quadrennial tradition." Perlstein points out that aside from all the truly evil stuff you've possibly read about elsewhere, there is also a lot of confusion and in-fighting going on. For example:

    The section about Russia in the State Department chapter -- the author is an old hand of the High Reaganite wing of the Republican foreign-policy guild; a "globalist," if you will -- emphasizes that the Russia-Ukraine conflict "starkly divides conservatives," with one faction arguing for the "presence of NATO and U.S. troops if necessary," while the other "denies that U.S. Ukrainian support is in the national security interest of America at all."

    This misunderstanding is important. The silence, so far, on those parts, indicts us. These are great, big, blinking red "LOOK AT ME" advertisements of vulnerabilities within the conservative coalition. Wedge issues. Opportunities to split Republicans at their most vulnerable joints, much as when Richard Nixon cynically expanded affirmative action requirements for federal building projects, in order to seed resentment between blue-collar building trades Democrats and Black Democrats.

    And yes, there is plenty of blunt insanity, too. But, bottom line, this is a complicated document. "Conservatives in Disarray" is precisely the opposite message from that conveyed by all the coverage of Project 2025. But it is an important component of this complexity, and why this text should be picked apart, not panicked over, and studied both for the catastrophes it portends and the potential it provides.

  • Andrew Prokop: [07-13] Project 2025: The myths and the facts: "The sweeping conservative plan for Trump's second term is very real. Here's what it actually says."

  • Prem Thakker: GOP platform doesn't mention the word "climate" once -- even after hottest year on record.

Biden

Evidently Biden's age was already an issue in 2008, when Barack Obama picked him for Vice President. The thinking was that his age would balance off Obama's youth, that the position would cap off an already long and distinguished political career, and that he'd be too old to mount a serious run in 2016, leaving the field open for Hillary Clinton.

But when Clinton lost to Donald Trump -- let that sink in for a moment, folks -- Biden convinced himself that he could have done better, and set out to prove it in 2020. And he was a flop, his age dulling the charisma he never really had in the first place, but with Bernie Sanders a year older age wasn't so much an issue, and with Sanders winning, Biden became the only credible option to stop him, and the donor wing of the Democratic Party were desperate to do that.

After derailing Sanders, defeating Trump should have been the easy part, but somehow Biden managed to make even that look hard fraught. He won, but not decisively enough to lead Congress, or to squelch Trump's big lie about a rigged/stolen election. Trump has, if anything, loomed larger in American politics than Biden, even as president, could do. While that is testimony to several alarming tendencies in public opinion -- and media that both panders to and cashes in on controversy -- one cannot help but suspect that Biden's age is part of the problem.

At any rate, it's the part that people focus on once they realize that there is a problem that it could plausibly explain. They do that because it's tangible, something they have lots of experience with or at least observing. It's also something you can base expectations on, because it's inevitably progressive: if age seems to be a problem now, you can only expect it to get worse. Many Democrats, especially one who have closely bound their careers to Biden, have worked hard to hide evidence and deflect discussion of Biden's age -- even from Biden himself. But once you see it, as most people did in his June 27 debate with Trump, it's hard to revert to denialism. It's like the zit you never noticed, then found you can't avert your eyes from. Pretty soon you wind up with the Emperor's New Clothes.

As the following links will show, Democrats are divided: Biden and his closest allies still think that if they hold firm, he can ride the story cycle out, and by November refocus the campaign on beating back the immense threat of a Trump win; many others are skeptical and/or worried sick; a few actually see that replacing Biden with a younger, more dynamic, and hopefully much sharper candidate -- Harris seems to fill that bill, and is well-placed to step in, but there could be dozens of good options -- opens up an opportunity to not just eke out a win in November but deliver a crushing blow to Trump and his crony fascists.

As I've probably made clear over the last couple weeks, I'm skeptical, but also in the latter camp. I'm not really capable of the sort of despair that sees Biden, even as decrepit as he obviously is, losing to Trump -- despair in the future tense, as anticipation of a horrible turn of events, something very different from the sickening feeling when such events happen (as I remember all too well from November 2016). That part is just faith, still intact even if waiting to be shattered.

But my skepticism takes many forms. The one I'm most certain of is that if Biden remains in the race, he will commit a fair number of age-related gaffes and blunders, maybe including what wouldn't be his first fall, and that every time he does, his age will return as the paramount media obsession, shifting attention from the real and present threat of Trump. I don't know how many votes that will cost Biden, but it is a risk, and also a major opportunity cost. We need Democrats to win not just to stop Trump and shore up the somewhat liberal wing of the militarist oligarchy that Biden aligns with, but to actually address real problems, helping an overwhelming majority of Americans through very troubling times.

Another form of skepticism is suggested by my rather sour turn of phrase in that last line. I gravitated toward the new left in the late 1960s, and since then I've been as acutely critical of the Democratic Party as I've been of the Republicans, even as I've most often voted for Democrats, figuring them to be not just lesser evils but occasionally good for modest reforms. Either is reason enough to vote Democratic. (It's not like your vote is good for much else.) But if you're on the left (or anywhere else excluded from access to power), you might also consider voting a tactical choice: you're going to spend the next four years in opposition anyway, but which issues would you rather protest against? Biden, or any other Democrat with a chance, will leave you plenty to argue against.

One thing I can say about age is that it mellows you out. My critical analysis is as radical (in the sense I originally got from a 1966 book titled The New Radicals) as ever, but my appetite for conflict has really dimmed, and I'm willing to appreciate almost any tad of ameliorative reform. I chalk much of my personal change up to aging, and I suspect similar things happen to most people, including politicians like Biden. As I've noticed, Biden is the only president in my lifetime who turned out better than I expected (well, until Gaza, which is hard to excuse). Part of that is that he came in with really low expectations. Part of it may be that he's old enough to remember the pre-Carter, pre-Reagan, pre-Clinton Democrats -- even though he seemed totally simpatico with them, you know how old people lose recent memories before they lose formative ones? There's no one else like him in the Democratic Party these days. (Sanders is old enough, but never was that kind of Democrat. He was much better, which is why he remains so much sharper.) I do worry that whoever replaces Biden will be just another neoliberal shill. But even where Biden's heart is in the right place -- and, let's face it, it isn't always -- he's lost his ability to persuade, to lead, and to listen.

So my considered view is that we need to move him out, and start working on viable future. Even if Biden sticks and wins -- and I'll vote for him, despite thinking he really belongs in a Hague Court -- he's only going to get older, more decrepit, less credible, more embarrassing, and less effective as he struggles to hang on past his 86th birthday. And if he dies, resigns, or has to be removed, his replacement will enter with a much reduced mandate. Dump him now, elect his replacement, elect a Congress that's willing to do things, and the next four years will start looking up.


I guess that's more of an editorial than an introduction. I wrote it before collecting the following links:

  • Intelligencer: [07-09] Biden resistance appears to be waning in Congress: For a brief period, this publication seemed convinced that Biden is persevering in his fight to stay atop the Democratic Party ticket.

  • Sasha Abramsky: [07-10] An open letter to the president of the United States: "There are worse things in life than a comfortable retirement."

  • Michael Arria: [07-09] Biden was already a vulnerable candidate because of the genocide: "Biden was already plummeting in the polls before his disastrous presidential debate with Trump. The reason was his ongoing complicity in the Gaza genocide and the Uncommitted movement."

  • David Atkins: [07-11] I'm a DNC member and a public opinion professional. It's highly unlikely Biden can win: "Only one person can build on the administration's accomplishments, have unfettered access to funds and ballot lines, and do so without wasting precious time. Her name is Kamala Harris." Another long-time, major Biden apologist breaks ranks.

  • Rachel Bade/Eugene Daniels/Ryan Lizza: [07-11] Playbook: What Obama and Pelosi are doing about Biden. Report here is that George Clooney showed his op-ed to Obama before he ran it, and did not receive any objection. "Obama's team declined to comment." Pelosi seems to be maneuvering behind the scenes, but "out of respect for Biden and national security writ large" thought he should hang on through the NATO summit. Now (my thinking here), with the shooting, it would make sense to wait until after the RNC shuts down.

  • Joseph Contreras: [07-06] What Joe Biden could learn from Nelson Mandela about knowing when to quit: "Unlike the beleaguered U.S. president, the South African leader did not want to be an 81-year-old head of state and served only one term."

  • Keren Landman: [07-11] The controversy over Biden and Parkin's disease, explained.

  • Eric Levitz:

  • Andrew Prokop:

    • [07-09] Is it undemocratic to replace Biden on the ticket? "Biden says the primary voters picked him. Is there more to democracy than that?" What kind of democracy was that? Practically nobody ran against Biden in 2024 because the campaign finance system lets donors pick who can run, and they didn't dare cross Biden -- especially after Democrats canceled Iowa and New Hampshire, which historically have been wide open and have a history of upsets, and which Biden lost badly in 2020, in favor of running South Carolina first, the sourc of Biden's breakthrough win in 2020.

    • [07-11] What Biden's news conference did, and didn't, clear up: "The presser went fine. But the Democratic defections continued."

    • [07-14] Will Trump's shooting change everything? Or surprisingly little? "Two theories on the political impact of the Trump assassination attempt." The Trump campaign will try to spin this in to a big deal, blaming it all on the left and championing Trump as a life-risking fighter for true Americans, who want nothing more than to make their beleaguered nation great again. But it doesn't change the issues, or stakes, one iota.

    • [07-15] Did Trump's shooting save Biden's nomination? "Democratic defections have slowed, but Biden isn't out of the woods yet." Perhaps I should re-read this more carefully, but on first scan, absolutely nothing in this piece makes any sense to me.

  • Kaleigh Rogers: [07-12] Americans were worried about Biden's age long before the debate. Background from the poll-watchers at 538, who also produced:

  • Luke Savage: [07-12] The Biden problem has been years in the making: "As concerns mount over Biden, the Democratic Party reminds us this isn't a democracy."

  • Bill Scher:

    • [07-05] I've defended Biden for years. Now, I'm asking him to withdraw: "After waiting too long to reassure the public of his mental fitness, the president is sinking in the polls with little hope for recovery. But he can resign with grace and make history." Scher has long struck me as the most diehard Biden apologist in the Washington punditocracy, and indeed he was one of the few to have reserved hope after the debate (see: A wasted opportunity for Biden (but still time for redemption)). So this appears as a significant retreat. And he's followed with:

    • [07-09] How Kamala can win (without mini-primary madness).

    • [07-12] Wilson didn't resign. The world suffered. Biden need not repeat that mistake: "Wilson hid an incapacitating stroke from the public and fatally compromised his mission to establish a functional League of Nations. Once again, global peace and democracy precariously rely on a president reluctant to face a personal health crisis." Well, that's another whole can of worms, and while it's always fun to argue about Wilson, his case is really not relevant here. I will say that Wilson was a very complex but tragically flawed character, often invoked in arguments that reduce him to caricature. My own argument is that his failure to sell Americans on the League of Nations -- which was evident before his stroke took him out of action -- had no real bearing on the coming of WWII, but his failures at Versailles did (as Britain and France cast aside his anti-imperialism and insisted on punitive reparations over his better sense).

  • Jeffrey St. Clair:

    • [07-12] Running on empty: Very good coverage on Hurricane Beryl here, but this is mostly on Biden, starting with a Chris Hayes quote: "Biden is a decent man who has done nothing wrong. He has not got caught in a scandal -- he's just aging." To which St. Clair responds: "The real scandal is that liberals don't see arming a genocide as a scandal." I'm inclined to compartmentalize and see opposing Netanyahu's genocide in Gaza and opposing Trump in America as both critically important but separable matters, and I'm even willing to cut Biden some slack, as he is a potential solution to both -- although in the latter he's mostly proven hapless, in the former, which is something he could do something about on his own, he's drifted into criminal negligence. But clearly Hayes misspoke, and he, at least, should have known better. We've seen many attempts to use flattery to tempt Biden to quit (e.g., George Clooney, Thomas Friedman, Paul Krugman, David Remnick, Matthew Yglesias), but it hasn't worked, and it's hard to see why it would. This seems more like the time for brutal honesty. If you must, sugar-coat it as tough love, but save the huzzahs for after he does "the right thing."

    • [07-15] Big Boy Biden in his own words: He starts by quoting some of the praised heaped on Biden for his press conference performance, like Andrew Bates: "To answer the question on everyone's minds: No, Joe Biden does not have a doctorate in foreign affairs. He's just that fucking good." That leaves St. Clair wondering:

      After hearing these encomia, I had to check myself. This is Joe Biden they're talking about, right? The same Joe Biden who voted for the Iraq War, the most disastrous foreign policy debacle in US history? The same Joe Biden who backed the overthrow of Qaddafi, turning Libya into an anarchic war zone dominated by slave trading gangs? The same Joe Biden who provoked and now refuses to seek an end to a bloody, stalemated war in Ukraine? The same Joe Biden who has continued Trump's Cuban embargo and tariffs on China? The same Biden who has spent the last 3.5 years pandering to the bone-sawing Saudi regime he called a "pariah" state during his 2020 campaign? The same Biden who refused to renegotiate a nuclear agreement with Iran? The same Biden who has armed a genocide in Gaza that may end up claiming over 200,000 Palestinian lives? The same Biden who could barely string together two complete sentences a couple of weeks ago?

      Adding, "An unlikely transformation, IMHO." So then he reads the White House transcript, and quotes it liberally, although his best line is in his introduction: "Biden's answers reminded me of some of Samuel Beckett's later works exploring the thought patterns of a decaying mind."

  • Alexander Stille: We learned everything we needed to know about Biden in 1988: "His stubborn refusal to heed wise advice, and bottomless belief in his own greatness, were on display in his first campaign for president."

  • Michael Tomasky: [07-12] Democrats: "He was better than the debate" is not remotely good enough: "In Trump world, they're thinking landslide. Democrats need to act and talk Biden into stepping aside, and soon."

  • p>Cenk Uygur: [07-11] Biden will not be the nominee: "The Young Turks host has long predicted Biden's campaign would implode. He explains why it wasn't obvious to everyone, and predicts what will happen next." Nathan J Robinson interviews him.

And other Democrats:

Legal matters and other crimes:

Climate and environment:

Economic matters:

Ukraine War and Russia:

America's empire and the world:


Other stories:

Zack Beauchamp: [07-10] What the world can learn from Indian liberalism: "The intellectual Pratap Bhanu Mehta explains how liberalism grew out of 3,000 years of Indian history."

Roger Kerson: [07-09] You think this year's presidential conventions will be crazy? 1924's fights over the Ku Klux Klan were wilder.

Katie Miles: [07-08] "She usually won." Remembering Jane McAlevey, 1964-2024. Also:


Initial count: 146 links, 9355 words. Updated count [07-16]: 193 links, 9436 words.

Local tags (these can be linked to directly): Biden.

Friday, July 12, 2024

Daily Log

I've written about this in the blog, but decided to reduce it to a twitter point:

Unsolicited advice to the ruling class: can someone point out to Biden that being president and running are two different full-time jobs. He should pick one, like the one we need someone to focus on and do well, right now. He could set a model we should add to the Constitution.

Some interaction with Phil Overeem following my B review of Sun Ra's Excelsior Mill, which he had named in his mid-year jazz ballot:

Phil: Trust me and not Tom on Sun Ra's EXCELSIOR MILL. Just kidding, because it truly ain't for everyone, but it IS for some of you, I promise! Phantom of the Opera + Garth + Space Exploration + plus a crafty dude with over a half century of keyboard in his fingers.

Me: As Ronald Reagan liked to say, "trust, but verify."

Phil: Tom, subjective verification is tricky business, but to me that just means, TRY IT! Loving it, though, doesn't make me right and you wrong, obviously! That's all I am saying: put your ear to it. But concentrate and don't be playing with your phone

Me: I did try it, on your recommendation, and thanks for that. I gave it as much concentration as seemed necessary, which is just the way I work. I find more good albums that way than anyone needs, so I don't mind it much when I reject something someone else treasures. That happens all the time. Surely no one thinks that I think that they should think what I think. That would make this kind of work impossible. Nor am I dismissing the suggestion that more concentration might make a difference. I discovered that quite memorably long ago with a record called "Hirth From Earth" (too late to review it for Christgau, who usually focuses much better than I do but let it go with a B+; I did write about his second album). But it's impossible, at least for me, to sustain that degree of focus, so often I allow myself to be satisfied with fleeting impressions. I thought I heard enough to appreciate but not recommend it. But it's certainly plausible that there's more to it.

I was tempted to point out that I never play with my phone, but then I realized I do lots of other things on my computer while I'm listening to records I'm reviewing.

Tuesday, July 09, 2024

Music Week

Expanded blog post, July archive (in progress).

Tweet: Music Week: 42 albums, 5 A-list

Music: Current count 42624 [42580] rated (+42), 20 [29] unrated (-9).


New records reviewed this week:

  • BbyMutha: Sleep Paralysis (2024, True Panther): [sp]: B+(**)
  • Beings: There Is a Garden (2024, No Quarter): [sp]: A-
  • Chris Byars: Boptics (2023 [2024], SteepleChase): [sp]: B+(**)
  • Kim Cass: Levs (2023 [2024], Pi): [cd]: B+(***)
  • Ernesto Cervini's Turboprop: A Canadian Songbook (2022 [2024], Three Pines): [bc]: B+(***)
  • Coco Chatru Quartet: Future (2024, Trygger Music): [lp]: B+(***)
  • Alfredo Colón: Blood Burden (2023 [2024], Out of Your Head): [cd]: A-
  • GloRilla: Ehhthang Ehhthang (2024, CMG/Interscope): [sp]: B+(***)
  • Conrad Herwig: The Latin Side of McCoy Tyner (2023 [2024], Savant): [sp]: B+(**)
  • Janel & Anthony: New Moon in the Evil Age (2024, Cuneiform): [cdr]: B+(**)
  • Mathias Hřjgaard Jensen: Is as Is (2022 [2024], Fresh Sound New Talent): [cd]: A-
  • Malcolm Jiyane Tree-O: True Story (2020-21 [2024], New Soil/Mushroom Hour): [sp]: B+(**)
  • Alex Kautz: Where We Begin (2024, Sunnyside): [cd]: B+(*)
  • Cassie Kinoshi's SEED.: Gratitude (2023 [2024], International Anthem): [sp]: B+(*)
  • Charlie Kohlhase's Explorer's Club: A Second Life (2022 [2024], Mandorla Music): [sp]: A-
  • Janel Leppin: Ensemble Volcanic Ash: To March Is to Love (2023 [2024], Cuneiform): [cdr]: B+(***)
  • Frank London/The Elders: Spirit Stronger Than Blood (2023 [2024], ESP-Disk): [cd]: B+(***)
  • Megan Thee Stallion: Megan (2024, Hot Girl): [sp]: B+(***)
  • Che Noir: The Color Chocolate, Volume 1 (2024, Poetic Movement, EP): [sp]: B+(**)
  • Clarence Penn: Behind the Voice (2024, Origin): [cd]: B+(*)
  • Ken Peplowski: Unheard Bird (2024, Arbors): [sp]: B-
  • Ken Peplowski: Live at Mezzrow [Smalls Live Living Masters Series] (2023 [2024], Cellar Music): [sp]: B+(***)
  • Carla Santana/José Lencastre/Maria do Mar/Gonçalo Almeida: Defiant Ilussion (2023 [2024], A New Wave of Jazz): [bc]: B+(***)
  • Dirk Serries/Rodrigo Amado/Andrew Lisle: The Invisible (2021 [2024], Klanggalerie): [bc]: B+(***)
  • Matthew Shipp: The Data (2021 [2024], RogueArt): [cdr]: B+(***)
  • TV Smith: Handwriting (2024, JKP/Easy Action): [sp]: B+(***)
  • Anthony Stanco: Stanco's Time (2023 [2024], OA2): [cd]: B+(**)
  • TiaCorine: Almost There (2024, South Scope/Interscope, EP): [sp]: B+(**)
  • Ryan Truesdell: Synthesis: The String Quartet Sessions (2022-23 [2024], ArtistShare, 3CD): [cdr]: B+(**)
  • Steve Turre: Sanyas (2023 [2024], Smoke Sessions): [sp]: B+(***)
  • Lisa Ullén: Heirloom (2023 [2024], Fönstret): [bc]: B+(**)
  • Jack Walrath: Live at Smalls (2023 [2024], Cellar Music): [sp]: B+(***)
  • Neil Young & Crazy Horse: Fu##in' Up (2023 [2024], Reprise): [r]: B+(***)
  • Denny Zeitlin: Panoply (2012-23 [2024], Sunnyside): [sp]: B+(**)

Recent reissues, compilations, and vault discoveries:

  • Christer Bothén Featuring Bolon Bata: Trancedance [40th Anniversary Edition] (1984 [2024], Black Truffle): [bc] A-
  • Johnny Griffin Quartet: Live in Valencia 92 [The Jordi Suńol Archives 3] (1992 [2024], Storyville): [sp]: B+(***)
  • Shelly Manne & His Men: Jazz From the Pacific Northwest (1958-66 [2024], Reel to Real): [sp]: B+(**)
  • Brother Jack McDuff: Ain't No Sunshine: Live in Seattle (1972 [2024], Reel to Real): [sp]: B+(*)
  • Kalaparusha Maurice McIntyre: Live From Studio Rivbea: July 12, 1975 [Rivbea Live! Series, Volume 1] (1975 [2024], No Business): [cd]: B+(***)
  • Sun Ra: Excelsior Mill (1984 [2024], Sundazed/Modern Harmonic): [sp]: B

Old music:

  • Christer Bothén Trio: Triolos (2003-04 [2006], LJ): [sp]: B+(**)
  • Ernesto Cervini: Joy (2021 [2022], Three Pines): [sp]: B+(**)
  • Maurice McIntyre: Humility in the Light of the Creator (1969, Delmark): [sp]: B+(***)
  • Kalaparusha Maurice McIntyre: Forces and Feelings (1970 [1972], Delmark): [r]: B+(**)
  • Kalaparusha Maurice McIntyre Quartet: Peace and Blessings (1979, Black Saint): [sp]: B+(**)
  • Jack Walrath Quintet: In Europe (1982 [1983], SteepleChase): [sp]: B+(*)


Unpacking: Found in the mail last week:

  • Robby Ameen: Live at the Poster Museum (Origin) [07-26]
  • BassDrumBone: Afternoon (Auricle) [06-24]
  • Mai-Liis: Kaleidoscope (OA2) [07-26]

Daily Log

I wrote this in a letter to a musician who sent me a notice about some future albums. The notice included an offer to send CDs. Rather than a simply reply, I went into some detail about how I work. At the time, I thought I might include it in Music Week, but as the evening came to a close, I figured it might be best just to move it aside, perhaps to return to later.

Just a few notes on how I work: The lag time between when I write about something and when I post it is one week or less. I don't like reviewing things that aren't available yet, so I keep my promo CDs sorted by release date, and usually hold them until they're released. However, if I do accidentally play an album before its release date, I'll go ahead and publish the review. Everything I receive on CD gets some kind of review (which may just be a grade).

I keep the promo literature with the CDs until I review them, after which I throw it away. In any case, I look up some background on the internet. There are certain pieces of information I like to have, like recording dates (Penguin Guide prefers them over release dates; I track both).

I can play LPs, but CDs are easier for me to manage, so I prefer them.

As the number of promo CDs I receive, I've turned to streaming sources for most of the records I review. I subscribe to Napster and Spotify, and will use Bandcamp (and sometimes YouTube) where full albums are available. I've used a couple other platforms on occasion, but don't look for them. The main frustration there is finding background information, so it helps if that's readily available.

I get a fair number of download links from publicists. I almost never act on them immediately: many are advances, many are on labels that will eventually be available through streaming, and some I just don't care about. The ones I think I might eventually be interested in get moved into a "Downloads" directory. I may eventually go back there to look for things I wasn't able to review from CD or streaming but am still interested in. That doesn't happen often, and it may be well after release date. Downloads are a lot more work for me than streaming, so I treat them as a last resort (even knowing that they often have better sound; I put little emphasis on sound quality, but don't doubt that it has a subliminal effect).

So at present, it's safe to say that I act on fewer than 10% of the downloads I'm offered. I can imagine things I could do to make better use of this resource. I could, for starters, keep a log file of all of my download offers (searchable by artist, title, label, and date), so I could could more easily look them up, and quickly see what I do have available. I could also find (or less likely, write) a program to manage the things I have downloaded. I know that other people use things like iTunes for that, and I gather that some of them are happy enough with their choices that they actually prefer downloads (or so I hear from corner-cutting publicists), but I've never found one I liked. (Suggestions welcome. In principle, having a digital store of items I can't readily stream would be a nice thing to have.) I'll also note that I've never mastered the art of burning CDs from my download files, which would be an alternative way of storing them.

Monday, July 08, 2024

Speaking of Which

Blog link.

Daily Log

I got the following message from FacebooK:

You're Temporarily Blocked

It looks like you were misusing this feature by going too fast. You've been temporarily blocked from using it.

If you think this doesn't go against our Community Standards let usk now.

I clicked on "let us know" and sent a message to the effect that I don't have any idea what they're talking about. I looked up a Help Center page on "Why you may be blocked from using features on Facebook. It listed three possible reasons for "why you may be blocked." It's hard to see how any apply ("something you posted or shared seems suspicious or abusive"; "messages or friend requests you sent were marked unwelcome"; "you've done something that doesn't follow our Community Standards"). I think I've made two posts in the last week: one Music Week announcement to "Expert Witness," the other a food pic.

Upon reflection, the "going too fast" message might have been triggered because I rebooted and restarted Firefox, restoring my session with a half-dozen Facebook tabs open. Each would have to reload automatically, so it could seem like multiple new page requests occurring at robotic speeds (perhaps if most of the pages are stale, which can happen with Facebook; most of the time Firefox reloads pages from cache).

If I click OK on the blocked message, I can see the page. First time I tried that and tried reloading the page, I got another blocked message, but second time it worked, so maybe the block has been cleared.

Saturday, July 06, 2024

Speaking of Which: Afterthoughts

Blog link.

Wednesday, July 03, 2024

Music Week

Expanded blog post, July archive (in progress).

Tweet: Music Week: 31 albums, 3 A-list

Music: Current count 42580 [42549] rated (+31), 29 [22] unrated (+7).

Nominally a day late (ok, two days), but last Music Week was two days late, so this is still a short week. I started off most days with old r&b in the CD player -- especially Scratchin': The Wild Jimmy Spruill Story, which combined a few minor hits with some major studio work, leading me to tweet up two singles (Bobby Lewis, Tossin' and Turnin', and Bobby Long, The Pleasure Is All Mine). Beyond that, what I got to was pretty haphazard, with a fair amount of old music left over from the William Parker research.

My piece was published by ArtsFuse, here: Celebrating bassist William Parker's lifetime of achievement. You can also find my 2003 CG, with its updated discography, and my notes file, which includes my full set of reviews of albums Parker. The former could still use some cleanup, especially to separate out the albums that Parker didn't play on -- the CG was originally focused on Matthew Shipp and the Thirsty Ear Blue Series he curated, until I started noticing how many more albums Parker played on and how central they were to the whole circle. The latter needs even more work, as most of it was cut-and-pasted from my book files (which are now several years out of date), with others copied with HTML markup (where they still have bold credits and letter grades). If I didn't fear getting sucked into a huge time sink, I'd go fix those, but for now I can only offer excuses.


Besides, I have a much more urgent website project to work on. I've decided to use my Francis Davis Jazz Critics Poll contacts to run a Mid-Year straw poll. I explain this on the website (which still needs a good deal of work) and in the invite letter (which went out to approx. 200 critics on June 30). I'm asking for lists of up to 10 new releases (which can include newly discovered 2023 releases) and/or up to 5 "rara avis" (old music, recorded 10+ years ago, or reissues). Deadline is July 14, and ArtsFuse will publish the results, probably later that week.

The Poll is a quickie experiment. I've simplified the rules to make it easier on voters (and hopefully on he who counts), and I've saved myself a lot of work by only sending out one batch of invites without trying to vet new voters. The problem with the "one batch" approach is that I'm using a server and software that has been known to run afoul of some spam traps. I especially fear that people with gmail addresses may have their invites diverted or discarded. But it's impossible to test and verify these things. I made an effort to research this problem before, to little avail, and I will make another one soon, but in the meantime, please read the following, and follow up if anything seems to apply to you:

  1. If you've ever voted before, or for that matter received an invite before, and haven't received an invite, please check your spam filter. If you find one, take steps to get your mail provider to recognize that the mail isn't spam. If you can't find one, assume you're eligible and use this one. Follow the instructions, and vote. Let me know if you want to be added to my list (jazzpoll [at] hullworks.net). Not everyone who has voted is on the list (various reasons, including sloth on my part), but I can add you. The advantage of being on the list is that I'll send you updates and further requests.

  2. If you haven't received an invite, but think you should be qualified, look up the invite, follow instructions, and send me your lists. You need to have some real expertise in jazz (my first approximation would be listening to 200+ jazz records per year, but that's easy for me to say because I listen to 700+), have some verifiable credentials (you write about some of them, which can be on your own blog or mainstream or niche publications, and/or you broadcast about them, which obviously includes radio but I suppose could extend to podcasts), and construct lists that are focused on jazz (the occasional outlier or, as DownBeat likes to call them, "beyond"; by the way, "smooth jazz" is not jazz, at least for purposes of establishing credibility, although it may be acceptable as "beyond"). If this checks out, I will very likely accept your ballot, and you'll be on the inside track for future invites.

  3. Check with your friends: make sure they got their invites, and let people you think should be voting know that they can vote, and how. They can always hit me up with questions, but we don't have a lot of time, so it's best to move fast.

  4. I suppose it wouldn't hurt to publicize this wider, although bear in mind that I still see this as a forum of critics -- even though I recognize that there are lots of fans that have become pretty expert themselves, especially given how easy it's become to check out new music on streaming platforms.

Also, one key point to emphasize is that this isn't a big deal. I'm not asking you to exercise Solomonic (or Christgauvian) judgment over the jazz universe. Your list doesn't have to find the absolute best records (whatever that might mean). Nor does it have to be ranked. (Although blessed are the rankers, for they get slightly more points weighting for their efforts.) Nor does it even have to be a full list. Just jot down a few albums that you would like to recommend to other people. That's mostly how these lists will be used.

Given the late date, the short deadline, my various shortcuts, and the fact that we've never done this before, I'm not expecting much, but even if we just get 50 voters (as opposed to the 159 in 2023), I think the lists will be interesting and informative.

I started to track mid-year lists when they started appearing just before June 1 -- see my metacritic file, which is running behind at the moment, as the last couple weeks haven't allowed much opportunity to work on it -- and they both give me a broad sense of what's out there and a useful roster of prospects to check out. This also ties into my tracking file, which has a jazz selector (currently listing 400 jazz albums, of which I have 332; this list will expand as I receive your lists: from past experience, about 30% of the albums that show up in ballots are ones I hadn't previously tracked; there's also a no grade variant, for those who don't want to see my grades).

The website started off as a clone of last year's, with minor hacks. As I do more work to it this week, it should become a more useful source of information about the Poll and its progress. For instance, I need to revise things like the FAQ and the Admin Guide. I also hope to get some work done on the older parts of the website, especially to fill in information that predates my involvement (in administration; I've voted every year, from the founding).

I hope to make the website the best source for information about the Poll. But if you wish to follow, check my Music Week posts, and follow me on twitter (or "X" if you prefer; I haven't jumped ship yet, although at this point it's rare for one of my tweets to be viewed by as much as a third of my nominal followers, so the returns seem pretty slim).


New records reviewed this week:

  • Arooj Aftab: Night Reign (2024, Verve): [sp]: B+(***)
  • Alan Braufman: Infinite Love Infinite Tears (2024, Valley of Search): [sp]: B+(***)
  • Ani DiFranco: Unprecedented Sh!t (2024, Righteous Babe): [sp]: B+(*)
  • Dayramir González: V.I.D.A. [Verdad, Independencia, Diversidad Y Amor] (2024, self-released): [sp]: B
  • Morgan Guerin: Tales of the Facade (2024, Candid): [sp]: B+(*)
  • Goran Kajfeš Tropiques: Tell Us (2024, We Jazz): [sp]: B+(***)
  • Bill Laurance/The Untold Orchestra: Bloom (2022 [2024], ACT Music): [sp]: B+(**)
  • Les Savy Fav: Oui, LSF (2024, Frenchkiss): [sp]: B+(**)
  • Grégoire Maret/Romain Collin: Ennio (2024, ACT Music): [sp]: B+(*)
  • Zara McFarlane: Sweet Whispers: Celebrating Sarah Vaughan (2024, Universal): [sp]: B+(**)
  • Ngwaka Son Systčme: Iboto Ngenge (2024, Eck Echo): [sp]: B+(**)
  • Normani: Dopamine (2024, RCA): [sp]: B+(**)
  • Carly Pearce: Hummingbird (2024, Big Machine): [sp]: B+(***)
  • Dave Rempis/Tashi Dorji Duo: Gnash (2024, Aerophonic): [cd]: B+(***)
  • Sisso & Maiko: Singeli Ya Maajabu (2024, Nyege Nyege Tapes): [sp]: B+(*)
  • Jason Stein/Marilyn Crispell/Damon Smith/Adam Shead: Spi-raling Horn (2023 [2024], Balance Point Acoustics): [sp]: A-
  • Thollem: Worlds in a Life, Two (2024, ESP-Disk): [cd]: B+(**)

Recent reissues, compilations, and vault discoveries:

  • Alan Braufman: Live in New York City: February 8, 1975 (1975 [2022], Valley of Search): [r]: B+(***)
  • DJ Notoya: Funk Tide: Tokyo Jazz-Funk From Electric Bird 1978-87 (1978-87 [2024], Wewantsounds/Electric Bird): [sp]: B-
  • Charles Gayle/Milford Graves/William Parker: WEBO (1991 [2024], Black Editions Archive): [sp]: A-
  • Ron Miles: Old Main Chapel (2011 [2024], Blue Note): [sp]: B+(***)

Old music:

  • Collective 4tet: Orca (1996 [1997], Leo Lab): [r]: B+(***)
  • Collective 4tet: Live at Crescent (1997 [1998], Leo Lab): [r]: B+(**)
  • Collective 4tet: Moving Along (2002 [2005], Leo): [r]: B+(**)
  • Collective 4tet: In Transition (2008 [2009], Leo): [sp]: B+(***)
  • Marco Eneidi Quintet: Final Disconnect Notice (1994, Botticelli): [yt]: B+(***)
  • Marco Eneidi/Glenn Spearman: Creative Music Orchestra: American Jungle Suite (1995 [1997], Music & Arts): [sp]: B+(**)
  • Marco Eneidi: Cherry Box (1998 [2000], Eremite): [sp]: A-
  • Marco Eneidi/Vijay Anderson: Remnant Light (2004 [2018], Minus Zero): [bc]: B+(**)
  • Marco Eneidi Streamin' 4: Panta Rei (2013 [2015], ForTune): [sp]: B+(*)
  • Heinz Geisser/Shiro Onuma: Duo: Live at Yokohama Little John (2007 [2008], Leo): [sp]: B+(*)
  • The Ivo Perelman Quartet: Sound Hierarchy (1996 [1997], Music & Arts): [sp]: B+(*)


Unpacking: Found in the mail last week:

  • Derek Bailey/Sabu Toyozumi: Breath Awareness (1987, NoBusiness) [05-27]
  • Albert Beger/Ziv Taubenfeld/Shay Hazan/Hamid Drake: Cosmic Waves (No Business) [05-27]
  • Karen Borca Trio Quartet & Quintet: Good News Blues: Live at the Vision Festival 1998 & 2005 (No Business) [05-27]
  • Peter Brötzmann/Toshinori Kondo/Sabu Toyozumi: Complete Link (NoBusiness) [05-27]
  • Alfredo Colón: Blood Burden (Out of Your Head) [06-14]
  • Nick Dunston: Colla Voce (Out of Your Head) [04-26]
  • The Sofia Goodman Group: Receptive (Joyous) [07-26]
  • Monika Herzig's Sheroes: All in Good Time (Zoho) [07-22]
  • Hyeseon Hong Jazz Orchestra: Things Will Pass (Pacific Coast Jazz) [08-23]
  • Kalaparusha Maurice McIntyre: Live From Studio Rivbea: July 12, 1975 [Rivbea Live! Series, Volume 1] (No Business) [05-27]

Monday, July 01, 2024

Speaking of Which

Blog link.

After missing last week, I knew I had a lot to catch up on here. I also got interrupted several times. It took longer than expected to wrap up my piece on bassist William Parker (see: Celebrating bassist William Parker's lifetime of achievement). I had two other internet projects that required significant amounts of attention (one was an update to Carola Dibbell's website, announcing a new printing of her novel, The Only Ones; the other was setting up a framework for a Jazz Critics Mid-Year Poll, which still needs more work). We also had trips to the ER and various doctors (including a veterinarian). So no chance of getting done on Sunday night. I'm not really done on Monday, either, but I'm dead tired and more than a little disgusted, so this will have to do for now.

That will, in turn, push Music Week back until Tuesday, which is just as well.


Before I really got started, the debate happened -- I couldn't be bothered to watch, my wife got disgusted and switched to a Steve Martin movie -- and I haven't (yet, as of noon 06-28) read any reviews, but I wanted to grab these tweets before they vanish:

Rick Perlstein: The main argument on the left was that he was a bad president. That was incorrect.

Tim Price: The left is going to be in big trouble for being right too early again.

Another scrap picked up on the fly from fleeting social media:

Greg Magarian: [06-27] Democratic Party establishment, relentlessly, for eight months: "You stupid kids need to stop criticizing Biden! If we get four more years of Trump, it's all your fault!"

Democratic Party establishment, tomorrow morning, set your clock by it: "You stupid kids need to fix this! If we get four more years of Trump, it's all your fault!"

Because of course it's never their fault.

In a comment, Magarian added:

I don't know the best process for replacing Biden. There's no playbook for this. The biggest question is whether the party should essentially try to crown Harris, either by having Biden resign the presidency or by having him stay and endorse her. But this is kind of the point of my post: the onus here shouldn't be on Biden's critics. The party is supposed to exist to win elections. They're royally screwing this one up. I want to know what they're going to do.


Initial count: 290 links, 11720 words. Updated count [07-03]: 320 links, 16021 words.

Local tags (these can be linked to directly): on music, Christgau.


Top story threads:

Israel:

America's Israel (and Israel's America):

Israel vs. world opinion:

About last Thursday's debate:

When the Biden-Trump debates were announced, I jotted down the following:

Ed Kilgore: [05-24] Is Biden gambling everything on an early-debate bounce? My read is that the June debate is meant to show Democrats that he can still mount a credible campaign against Trump. If he can -- and a bounce would be nice but not necessary -- it will go a long way to quelling pressure to drop out and open the convention. If he can't, then sure, he'll have gambled and lost, and pressure will build. But at least it will give him a reference point that he has some actual control over -- unlike the polls, which still seem to have a lot of trouble taking him seriously.

I'm writing this before I go through the paces and collect whatever links I deem of interest, which will help me better understand the debate and its aftermath, but my first impression is that Biden failed to satisfy Democrats that he is really the candidate they need to fight off Trump in November. I'll also note that my expectation was to see a lot of confirmation bias in reactions. I'd expect people who dislike Biden and/or Trump, for any reason, to find faults that fortify their feelings, while people who are personally invested in their candidates will at least claim to be vindicated. Hence, the easy way to scan this section is to look for reactions that go against type.

Debate tweets:

  • Zachary D Carter: Donald Trump is delivering the second-worst presidential debate performance I've ever seen.

And more post-debate tweets:

  • Zachary D Carter: [06-30] If Biden refuses to step aside it will not be an act of high principal or strong character. He did not just have a bad night. He is not fit for the job and stayuing in the race would be the worst kind of vanity and betrayal.

  • Laura Tillem: [06-30] He did terrible in the debate because he gags when he has to pretend to support abortion rights or universal health care.

  • holly: [06-28] If you want to see Joe Biden in his prime, just go back and watch footage of him calling Anita Hill a liar and ensuring that we'd have to deal with Clarence Thomas forever.

  • Moshik Temkin: [06-28] Worth recalling that the only reason Biden is President now is because, after he finished 5th in NH Dem primary in 2020, Obama persuaded all the other candidates to drop out and endorse Biden in order to stop Bernie Sanders, who was in 1st place (and crushing Trump in the polls)

  • John Ganz: Dude they just gotta roll the dice with Harris.

Plus I scraped this from Facebook:

  • Allen Lowe [07-02]: Cold medicine my a##. On my worst day during chemo and radiation I made more sense than Biden did at that debate; coming out of the anaesthetic after a 12 hour surgery with half of my nose removed I could have debated Trump more coherently; after they pulled a tube out of of my arm at 4 in the morning after another (8 hour) surgery, causing me to scream in the worst pain of my life and curse like a sailor, I would have remembered more accurately what I last said and organized my thoughts more clearly. The night I was born and ripped from my mother's womb I was better prepared than Biden was (my first words were "Henry Wallace!").

    This guy must go. Go. Go.

    This whole thing has, honestly, made me lose all respect for Biden, as he continues to place his personal ego and "legacy" ahead of the country. As Carl Bernstein reports [on YouTube], aides have privately reported a Biden loss of coherence and noticeable cognitive slippage occurring "15 to 20 times" in the last year.

Election notes:

Trump:

And other Republicans:

Biden and/or the Democrats:

  • Jonathan Alter: [06-28] How the Democrats should replace Biden: This seems ok to me, aside from the snootiness of dismissing Sanders and Warren out of hand and seeking to ban "anyone from the Squad." That they've already limited the electorate to Biden's hand-picked supporters is rigged enough without having to rub it in.

  • Aaron Blake:

  • Abdallah Fayyad: [06-29] LBJ and Truman knew when to quit. Will Biden? "Some lessons from the two presidents who walked away."

  • Margaret Hartmann: [07-01] All the gossip on the Biden family's postdebate blame game.

  • David Klion: [06-19] The lifelong incoherence of Biden's Israel strategy: "The president's muddled policy course in the Middle East is angering voters across the political spectrum -- and it could usher Trump back into the White House."

  • Eric Levitz:

    • [06-19] Biden's ads haven't been working. Now, he's trying something new. Written before the debate: "President Joe Biden's odds of reelection may be worse than they look. And they don't look great."

    • [06-28] How Democrats got here: "Democrats really need to choose electable vice presidents." This might have gone deep into the sorry history of vice presidents and vice-presidential candidates, few of whom could be described as "electable" -- at least as Levitz defines it to exclude Biden and Harris, which is the point of his article.

      Unfortunately, the last two Democratic presidents did not prioritize political chops when selecting their veeps.

      Barack Obama didn't choose Joe Biden because he thought that the then-Delaware senator would make a great Democratic nominee in 2016. To the contrary, by most accounts, Obama thought that Biden would be a totally nonviable candidate by the time his own hypothetical presidency ended. And he reportedly selected Biden precisely for that reason. . . .

      Biden's choice of Kamala Harris in 2020 was even more misguided. When he made that choice in August 2020, there was little basis for believing that Harris was one of the most politically formidable Democrats in the country.

      There's a lot that could be said about this, most of which comes back to the poor conception of the office (both in the Constitution and when revised after the emergence of political parties led to the 1800 fiasco and the 12th Amendment). The VP has to do three things, which require three very different skill sets, especially since the presidency has grown into this ridiculous imperial perch: they have to add something to the campaign (e.g., "Tippecanoe and Tyler too"); once elected, they have to behave themselves innocuously, for which they are sometimes given busy work (LBJ's Space Race, Pence's Space Force, Gore's Reinventing Government) or sometimes just locked in a closet (remember John Nance Garner?); and if the president dies, they're thrust into a role they were rarely prepared for, with no real, personal political mandate (some, like Tyler and Andrew Johnson, were wretched; a few, like Teddy Roosevelt and Lyndon Johnson, thrived; but most were just mediocre, including the two others who went on to win full terms: Calvin Coolidge and Harry Truman).

      I accept that Obama's pick of Biden was part of a deal to give the 2016 nomination to Hillary Clinton. The Clintons had turned the Democratic Party into a personality cult. Obama rode a popular backlash against that, but Obama was no revolutionary: he wanted to lead, but was willing to leave the Party to the Clintons. We now know that wasn't such a good idea, but after a very divisive primary, in the midst of economic and military disaster, it was at least understandable.

      The Harris nomination made at least as much sense in 2024. The "little basis" line is unfair and inaccurate. She won statewide elections in the most populous and most expensive state in the country. Her resume entering 2016 was similar to and every bit as strong as Obama's in 2008. She had enough financial backing to organize a top-tier presidential campaign. She floundered, because (unlike Obama) she was outflanked on the left (Sanders and Warren), while hemmed in on the right (Klobuchar, Buttigieg, Bloomberg, and Biden). But she wasn't incompetent (like Biden already was), and her position and standing made her the logical choice to unite the party. And sure, her affirmative action points may have helped a bit with the left -- at least she wasn't another Tim Kaine, or Al Gore -- without the tokenism raising any hackles with the donors.

      Sure, Harris polls poorly now, but that's largely because Biden never put her to good use: she could have taken a more prominent role in cajoling Congress, which would have given her opportunities to show her mettle fighting Republicans, and she could have spelled Biden on some of those high-profile foreign trips (especially confabs like G7 and NATO); instead, they stuck her with the tarbaby border issue. Having wasted those opportunities, I can see wanting to go with some other candidate, one with a bit more distance from Biden. But I'm not convinced that she would be a weak, let alone losing, candidate. And while I give her zero credit for those affirmative action tick boxes, I can't see holding them against her, either. And as for the people who would, well, they were going to vote for Trump anyway, so why appease them?

  • Nicole Narea:

  • Evan Osnos: [06-29] Biden gets up after his debate meltdown: Good. But are people talking about that, or the meltdown? Even if they could flip the message back to "Biden's really ok," that would still be a huge deficit. We need people talking about how awful Trump is. Even if you can't impress on many people how bad his policies are, he gives you lots of other things you can fixate on.

  • Christian Paz:

    • [06-26] We rewatched the 2020 Trump-Biden debates. There's so much we didn't see coming. "The five most telling moments and what they foreshadow ahead of this week's rematch."

      1. Trump calls the 2020 election rigged and doesn't commit to accepting the results
      2. Roe v. Wade is nearly forgotten
      3. Trump gets defensive on immigration
      4. No one is worried about inflation
      5. Everyone is worried about Russia, Ukraine, or China, but for the wrong reasons
    • [06-26] What about Kamala? "The vice president has taken on an expanded role in the last few months. Now Biden needs her more than ever."

  • Rick Perlstein: [07-03] Say it ain't so, Joe: "With democracy itself on the ballot, a statesman with charactger would know when to let go of power."

  • Andrew Prokop: [06-28] Will Biden be the nominee? 3 scenarios for what's next.

  • Bryan Walsh: [07-01] Democrats say Trump is an existential threat. They're not acting like it. "If the stakes of the 2024 election are as great as the party says, there's no excuse for inaction."

Legal matters and other crimes:

Climate and environment:

Economic matters:

  • Dean Baker:

    • [06-17] We can't have a new paradigm as long as people think the old one was free-market fundamentalism. He's on solid ground pointing out that most profits in our current economy are effectively rigged by monopolies (either government-minted, like patents, facilitated through favors, or just tolerated with lax enforcement), it's less clear to me what this is about:

      • Farah Stockman: [06-17] The queen bee of Bidenomics: On Jennifer Harris. Back when Trump started flirting with tariffs, I tried to make the point that tariffs only make sense if they are exercised in concert with a coherent economic development plan. Biden has, somewhat fitfully, moved in that direction, so that, for instance, tariffs and content rules can be seen as nurturing domestic production of EVs, helping the US develop them into world-class exports, as opposed to simply providing shelter for high prices (which was the net effect of Trump's corrupt favoritism). Whether this amounts to a paradigm shift is arguable, as government sponsorship of private industry has always been part of the neoliberal position (most obviously in arms and oil).

    • [06-20] NAFTA: The great success story: Compares Mexican-to-American GDP figures since 1980, showing that the gap has increased since NAFTA, putting Mexicans even more behind. What would be helpful here is another chart showing income inequality in both countries. It has certainly increased in the US since NAFTA, and probably in Mexico as well.

  • Kevin T Dugan: [06-18] Nvidia is worth as much as all real estate in NYC -- and 9 other wild comparisons.

  • Corey Robin: [06-29] Hayek, the accidental Freudian: "The economist was fixated on subconscious knowledge and dreamlike enchantment -- even if he denied their part in this relationships."

Ukraine War and Russia:

America's empire and the world:


Other stories:

Noam Chomsky: Briefly in the news after false reports that he had died at 95 -- see Brett Wilkins: [06-18] Manufacturing Obituaries: Media falsely reports Noam Chomsky's death -- which led to a quick burst of posts, including a couple of his own, still vibrant and still relevant:

William Hartung: [06-25] An AI Hell on Earth? Silicon Valley and the rush toward automated warfare.

Sean Illing: [06-23] What nuclear annihilation could look like: "The survivors would envy the dead." Interview with Annie Jacobsen, author of Nuclear War: A Scenario.

Joshua Keating: [06-16] The world is running out of soldiers: Good. Soldiering is a losing proposition, no matter what side you think you are on. I'm not sure that Keating is right that "wars are getting more common and militaries are building up." I'll grant that war business is booming, and that the costs -- both to wage and to suffer war -- are way up, but aren't costs supposed to be self-limiting? One cost, which is finding people dumb and/or desperate enough to enlist, certainly is, and that's a good thing. Somehow some related pieces popped up:

  • Jack Hunter: [06-18] Congress moves to make Selective Service automatic: "Raising the specter of the draft, this NDAA amendment seems ill-timed." Actually, no one's advocating to bring back the draft. All the amendment does is simplifying the paperwork by leaving it to the government to sign people up, giving people one less awful thing to do. Simpler still would be to eliminate registration, and the whole useless bureaucracy behind it.

  • Edward Hasbrouck: [06-29] A war draft today can't work. Let us count the ways.

Jacob Kushner: [06-23] The best plan to help refugees might also be the simplest: "More refugees live in cities. Could cash help them rebuild their lives?"

Dave Lindorff: [06-28] Assange is finally free as America, Britain, Sweden and Australia are shamed.

Also, some writing on music:

Robert Christgau: [06-26] Xgau Sez: June, 2024: Several things of possible interest here, but I wanted to comment on this interchange:

[Q] On October 18, you tweeted a defense of Israel citing a well written piece which postulated that the hospital bombing committed one week after 10/7 was actually not committed by Israel. You stated that prior to this evidence, you were "profoundly disturbed" that such a thing could happen. So now here we are, over half a year later, after tens of thousands of deaths and countless hospital bombings which have all undeniably been committed by Israel--and you haven't said a single word? It's one thing for you to have stayed quiet on the issue completely, but you only speak up when Israel can be protected? Bob, what is wrong with you? How are you not profoundly disturbed as the death toll of innocent civilians reaches nearly 40,000 with no clear end in sight? The last thing I ever expected from my decades of following your works was for you to be so spineless. I refuse to believe you only actively stand for something when the narrative suits your desires. -- Brandon Sparks, America

[A] Anyone but a genuine expert who writes about the appalling Gaza war risks being incomplete and probably wrong. I cited that hospital bombing story because that early there seemed some reason for hope that the war would resolve itself with a modicum of sanity. It wasn't yet clear just how appalling Netanyahu would prove to be--or, I will add with my hands shaking, Hamas either. The "lots" I know is too little and in public at least I intend to say as little as possible. I've long believed in a two-state solution and this war is easily the cruelest and most gruesome international conflict of my adulthood. But it hasn't yet turned me into a full-bore anti-Zionist, because as an American of German extraction with many dozens of Jewish friends, I've spent too much of my life taking anti-Semitism seriously to put it on any sort of back burner now.

Christgau has been a good friend for close to fifty years, and a friend of my wife's even longer (he introduced us), and we're generally pretty simpatico politically, drawing on similar class and cultural backgrounds and experiences -- although he's eight years older than I am, which is enough for him to look up to other people as mentors (especially Greil Marcus, whose view of Israel and Gaza I wrote about here, and probably the late Ellen Willis, who was left of Marcus but still a devoted Zionist) and to look down on me as a protégé (not that he doesn't respect what I have to say; he's often a very astute reader, but still doggedly fixed in his beliefs).

After what Marcus wrote, we gave him credit for publishing this letter, and not for simply shirking it off. But while his cautious and self-effacing tone evaded our worst expectations, nearly every line in his answer is wrong in some fundamental sense, just not in the manner of Marcus (ridiculous, hypocritical accusations cloaked in a storm of overwrought emotion and self-pity), but mostly by pleading ignorance and accepting it as bliss. To wit:

  1. "Anyone but a genuine expert . . . risks being incomplete and probably wrong." If you know any history at all, you must know that in 1948 Israel expelled 700,000 Palestinians, driving many of them into Gaza (more than the previous population of Gaza), leaving them under Egyptian rule until Israel invaded and occupied Gaza in and ever since 1967, and that under Israeli rule, they were denied human rights and subject to multiple waves of violent repression, a dire situation that only got worse when Israel left Gaza to the circumscribed gang rule of Hamas. Under such circumstances, and having repeatedly failed to appeal to Israel's and the world's sense of justice, it was only a matter of time before Hamas resorted to its own violence, since nothing less could move Israel.

    If you don't know the history, you might not have understood the Hamas revolt on Oct. 7, but you would have observed that the revolt was limited and unsustainable, because Hamas had nothing resembling a real army, few modern arms, no arms industry, no safe haven, no allies. It may have come as a shock, but it was no threat. Israel killed or repelled the attackers within a couple days. After that, virtually all of the violence was committed by Israel, not just against people who had desperately fought back but against everyone in Gaza, against their homes, their farms, their utilities, their hospitals. Since Hamas was powerless to stop Israel, even to make Israel pay a further price for their war, the only decent choice Americans had was to inhibit Israel, to back them down from the genocide their leaders openly avowed. There was nothing subtle or complex about this.

  2. "There seemed some reason for hope that the war would resolve itself with a modicum of sanity": Really? Israel, following the example of the British before them, has always punished Palestinian violence with disproportionate collective punishment. The Zionist leadership embraced what is now commonly called "ethnic cleansing" in 1937, as they embraced the Peel Commission plan to forcibly "transfer" Palestinians from lands that Britain would offer for Israel. From that point on, genocide was woven into the DNA of Zionism. The only question was whether they could afford to discredit themselves to the world (which, by 2023, really just meant the US). When Biden vowed unlimited, uncritical support, Israel was free to do whatever they wanted, sane or not, with no fear of reprisal, isolation, and sanctions.

  3. "It wasn't yet clear just how appalling Netanyahu would prove to be": Granted, few Americans have any real appreciation for Israeli politics, especially given the extent to which most Israeli politicians misrepresent themselves to Americans. Still, you have to be awful naďve not to understand where Netanyahu came from (he was born royalty on the fascist right: his father was Jabotinsky's secretary) and where he would go any time he got the chance (ever farther to the right). Sure, he was more circumspect than his partners Smotrich and Ben-Gvir, who were free to say what he actually wanted to do. Even before the Oct. 7 revolt, their coalition was curtailing Palestinian rights within Israel, and was encouraging and excusing a campaign of terror against Palestinians in the West Bank, while Gaza was being strangled, and the only relatively liberal courts were being neutered. Outrage over Oct. 7 was immediately turned into license to intensify operations that were already ongoing.

  4. "I've long believed in a two-state solution": "Two states" isn't a belief. It's just something people talk about to keep people separated into rival, hostile blocs. Give them equal power and they would be at each other's throats, but with unequal power you have one standing on the other's neck. "Two states" started out as a British idea, tried disastrously first in Ireland then in India. Israelis endorsed the idea in 1937 (Peel Commission) and in 1947 (UN Partition Plan), but when they had the chance to actually build a state, they went with one powerful state of their own, and prevented even a weak Palestinian state from emerging: Jordan and Egypt were given temporary control of chunks of Palestine, their population swelled with refugees from ethnic cleansing in Israel's captured territories, then even those chunks were regained in 1967, when Israel was finally strong enough to keep their people confined to impoverished stans.

    True, the "two state" idea recovered a bit in the 1990s, as bait to lure corrupt "nationalists" into policing their own people, but few Israelis took the idea seriously, and after Sharon in 2000, most stopped pretending -- only the Americans were gullible enough to keep up the charade. You can dice up territories arbitrary to provide multiple states with different ethnic mixes allowing multiple tyrannies, but that kind of injustice only leads to more conflict. The only decent solution is, as always, equal rights for everyone, however space is allocated. Imagining othewise only shows how little you know about human nature.

  5. "Easily the cruelest and most gruesome international conflict of my adulthood": The American wars in Indochina and Korea were worse by almost any metric. The oft-genocidal wars in and around India and the eastern Congo certainly killed more people. Even the CIA-backed "white terror" in Indonesia killed more people. Israel's wars are more protracted, because they feed into a self-perpetuating culture of militarism, but while the latest episode in Gaza is off the charts compared to any of these catastrophes, but averaged out over the century since British imperialism gave force to the Balfour Declaration, Israel's forever war has been fairly well regulated to minimize its inconvenience for Israelis. It persists only because Israelis like it that way, and could be ended easily if they had any desire to do so.

  6. "But it hasn't yet turned me into a full-bore anti-Zionist": You don't have to be an anti-Zionist to oppose genocide, or to oppose a caste system where given or denied rights because of their birth and parents. Admittedly, those behaviors are deeply embedded in the fabric of actually-existing Zionism, but there have been alternative concepts of Zionism that do not encourage them, and even actual Zionists have resisted the temptation to such barbarism more often than not. You can be Israeli, or you can love Israel and Israelis and wish nothing more than to keep them safe and respected and still oppose the racist and genocidal policies of the current regime. Indeed, if you are, you really must oppose those policies, because they do nothing but bring shame on the people you profess to love and cherish. And you can do this without ever describing yourself as pro-Palestinian, or in any way associating yourself with Palestinian nationalists -- who, quite frankly, have made a lot of missteps over the years, in the worst cases acting exactly like the Israelis they claim to oppose.

  7. "Because as an American of German extraction with many dozens of Jewish friends, I've spent too much of my life taking anti-Semitism seriously to put it on any sort of back burner now." Again, you can be Jewish, or you can love and respect Jews, and still oppose Israel's policies of racism and genocide. You can find ample reason within Judaism, or Christianity, or any other religion, or secular humanism, socialist solidarity, or simple human decency, to do so. And you can and should be clear that if the roles were reversed you would still oppose racism and genocide, and seek to protect and sustain victims of those policies.

    This is actually quite easy for people of the left to do, because the definition that identifies us on the left is that we believe that all people deserve equal political, economic, and human rights. It is harder for people on the right, who again by definition believe that some people are chosen to rule and that others are commanded to serve, or at least not annoy or inconvenience their betters by their presence. They are likely to be divided, depending on whether they identify with the people on top or on the bottom, and they are likely to be the worst offenders, because they also believe that the use of force is legitimate to promote their caste and to subdue all others.

    There is a form of gravity involved in this: if you're under or excluded from the dominant hierarchy, you tend to move left, because your self-interest is better served by universal rights and tolerance than by the slim odds that you can revolt and seize power. This is why almost all Jews in America lean left -- as do most members of most excluded and/or disparaged minorities, pretty much everywhere. Israel is different, because right-wing Jews did manage to seize power there, and as such have become a glaring example of why the right is wrong.

    Zionists have worked very hard to obscure the inevitable divide between rightist power in Israel and left leanings in the diaspora, and for a long time, especially in America, they've been remarkably successful. I'm not going to try to explain how and why, as the key point right now is that it's breaking down, as it is becoming obvious that Israel acts are contrary to the political and moral beliefs of most Jews in America -- that there is any significant support for Israel at all can only be attributed to denial, lies, and the rote repetition of carefully crafted talking points.

    One of those talking points is that opposition to Israel's wars and racism reflects and encourages anti-semitism, thus triggering deep-seated fears tied back to the very real history of racism and genocide targeting Jews -- fears that, while hard to totally dismiss, have been systematically cultivated to Israel's advantage by what Norman Finkelstein calls "the holocaust industry." Some people (and Marcus presents as an example) grew up so traumatized that they are completely unreachable (which is to say, disconnected from reality) on Israel. Others, like Christgau, are just enmeshed in sympathy and guilt -- although in his case, I don't see what other than his name binds him to German, much less Nazi, history and culture (for instance, the Christian church he often refers to was Presbyterian, not Lutheran, not that Lutheranism is all that Teutonic either; in music about all I can think of is that he likes Kraftwerk and Kurt Weill, but who among us doesn't?).

    That Zionists should be accusing leftists, including many Jews, of being anti-semitic is pretty ripe. Zionism was a minority response to the rising tide of anti-semitism in 19th century Europe, which insisted that anti-semitism was endemic and permanent -- something so ingrained in Euopean culture that could never be reformed by socialist political movements or tolerated by liberalism, a curse that could only be escaped from, by retreating to and fortifying an exclusively Jewish nation-state, isolated by an Iron Wall.

    But along the way, Zionists learned to play anti-semitism to their advantage. They pleaded with imperialists to give them land and to expel their unwanted Jews. They pointed Christians to the prophecy in Revelations that sees the return of Jews to the Holy Land as a prerequisite for the Second Coming. (David Lloyd George was one who bought that line. In America today, Postmillennial Dispensationalists are the staunchest supporters of Zionism, and every last one of them relishes the Final Solution that eluded Hitler.) They negotiated with Nazis. They lobbied to keep Jews from emigrating to America. They organized pogroms to stampede Arabic Jews to ascend to Israel. They stole the shameful legacy of the Holocaust and turned it into a propaganda industry, which plies guilt to obtain deferrence and support, even as Israel does unto others the same horrors that others had done to Jews.

    Opposition to anti-semitism is a core belief of liberals and the left in America. This is because such forms of prejudice and discrimination are inimical to our principles, but it's gained extra resonance because Jews tend to be active in liberal/left circles, so non-Jews (like Christgau and myself) know and treasure many of them. Nearly all of us are careful, sometimes to the point of tedium, to make clear that our criticisms of Israel are not to be generalized against Jews. In this, we are helped by the many Jews who share our criticisms, and often, like the group Jewish Voice for Peace, lead the way. But not everyone who criticizes Israel exercises such care, and not everyone does so from left principles, and those are the ones who are most likely to fall back on anti-semitic tropes and popularize them, increasing the chances of an anti-semitic resurgence. That would be bad, both politically and morally, but no form of opposition to tyranny justifies the tyranny. We need to understand that the offense is responsible for its opposition, and to seek its solution at the source: Israel's racist and genocidal behavior.

    So if you're really concerned that this war may make anti-semitism more common, the only solution is to stop the war: in practical terms, to demand a ceasefire, to halt arms deliveries to Israel, to insist that Israel give up its claims to Gaza (if anything is clear by now, it's that Israel is not competent to administer Gaza), to organize aid and relief, and to open a dialogue with Israel to come to some sort of agreeable solution where everyone can live in peace, security, and hopefully prosperity with full and equal rights. The main reason for doing this is that it's the right thing to do, for pretty much everyone, but if you're primarily concerned about anti-semitism, that is one more reason to sue for peace.

    In this age where kill ratios exceed 100-to-1, and the starvation ratio is infinite, I'm not going to pretend that the psychic trauma the war is causing for Israelis, for Jews, and for philo-semitic Americans somehow balances off against the pain and suffering that is being inflicted on Palestinians, but that traums is real, and needs to be addressed and relieved, and only peace can do that. And in this particular conflict, only Israel can grant peace. Until they choose to do so, all focus should be directed on those who are responsible for this war: for fighting it, for supporting it, for excusing it, and for letting them get away with it.

I guess that last point ran away from me a bit, while still leaving much more to be said. More succinctly: to whatever extent Israel is able to identify its war with Jews in general, and to equate opposition to its war with anti-semitism, the prevalence and threat of anti-semitism will grow. To stop this, stop the war. If anti-semitism is the issue you really care about, stopping the war is the only thing that will help you.

People on the left, by definition, are opposed to the war, and are opposed to anti-semitism, and see their opposition to both as part of the same fight. People on the right are often confused, crazy, and/or sick. You may or may not be able to help them, but know that they are much less dangerous in times of peace and good will than in times of war and turmoil, so again the imperative is to stop the war. And if you, like Christgau (and even Marcus) hate and fear Donald Trump (who's firmly on the right for all three reasons), same prescription: stop the war.

One last point: you don't have to specifically care about Jews on this matter. I'm addressing these points to people who do. While I think it would be more helpful to protest in ways that help gain support from people who are initially sympathetic to Israelis -- e.g., I think a lot of Palestinian flag waving isn't very helpful -- I understand that people can come to the right conclusion from all sorts of reasoning. What matters most is that we all demand a ceasefire, and an end to Israel's mistreatment of Palestinians.

David A Graham: Doug Emhoff, first jazz fan: "The second gentleman gets the beauty and meaning of the genre."

Chris Monsen:

  • [06-19] Midweek pick, June 19th, 2024: Okka Disk: A reminder of Bruno Johnson's Milwaukee-based avant-jazz label, noting that "perhaps a deep dive into their output would be in order at a later date." For what little it's worth, I started working on Ken Vandermark & Friends: A Consumer Guide back around 2004, as it seemed like a good follow up to my A Consumer Guide to William Parker, Matthew Shipp, et al., but I didn't get very far. My database does contain 66 albums released by Okka Disk, 55 with grades, of which the following rated A- or higher:

    • Jim Baker/Steve Hunt/Brian Sandstrom/Mars Williams: Extraordinary Popular Delusions (2005 [2007])
    • Peter Brötzmann/Toshinori Kondo/Massimo Pupillo/Paal Nilssen-Love: Hairy Bones (2008 [2009])
    • Caffeine [Ken Vandermark]: Caffeine (1993 [1994])
    • FME [Vandermark]: Underground (2004)
    • FME: Cuts (2004 [2005])
    • Triage [Dave Rempis]: Twenty Minute Cliff (2003)
    • Triage: American Mythology (2004) [A]
    • School Days [Vandermark]: Crossing Division (2000)
    • School Days: In Our Times (2001 [2002])
    • Steelwool Trio [Vandermark]: International Front (1994 [1998])
    • Ken Vandermark/Kent Kessler/Ingebrigt Hĺker Flaten/Nate McBride/Wilbert De Joode: Collected Fiction (2008 [2009])
  • [06-26] Midweek pick, June 26th, 2024: Gayle, Graves and Parker's WEBO: What I'm listening to to calm my nerves while writing about Gaza and Biden.

Phil Overeem: June 2024: Halfway there + "old reggae albums I'd never heard before were my June salvation."

Robert Sullivan: [06-24] The Sun Ra Arkestra's maestro hits one hundred: "Marshall Allen, the musical collective's sax-playing leader, is celebrating with a deep-spacey video installation during the Venice Biennale."

Werner Trieschmann: [06-20] Fox Green score hat trick with excellent third album, Light Over Darkness.

Midyear Lists:

Sunday, June 30, 2024

Speaking of Which

Delayed, probably July 1, which will in turn push Music Week back another day.

Saturday, June 29, 2024

Daily Log

Nathan Cadman mentioned on Facebook that he bought a wok, and asked for advice and recipes. I wrote:

I didn't learn how to cook Chinese until I threw away my wok, and I still don't use one, but I've learned enough to appreciate them. Although you can do pretty much everything with it, the one thing it's really good for is all-in-one stir-fries. A cheap steel one is better than expensive stainless or anything nonstick -- assuming you maintain the patina. The fact that the steel does not retain heat like All Clad is a virtue, allowing you to turn the heat up or down efficiently. (Of course, if you have an electric, except perhaps for induction, you won't be able to do that.) In any case, the key is to get it really hot, then work really fast. That means you have to do all of your prep ahead of time, and arrange it so you can grab whatever you need exactly when you need it. Chinese is 90% prep, 10% fire drill. Once you understand that, it's easy. Some of your prep is pre-cooked, which can be done at leisure. For instance, boil or steam your rice, let it cool, break it up, then lay it out with everything else for a quick stir-fry. Some things can cook during the stir-fry, but others should be partly-cooked ahead of time -- eggs, velvet shrimp, peppers and carrots and zucchini that need more than a minute to cook on their own, peas (which I parboil for about 30 seconds). Fried rice is probably the best dish to start with. My standard one is with diced ham, fried egg, sauteed red bell pepper, scallions, some peas, and pine nuts. Another uses leeks and velvet shrimp (marinated in egg white/wine/corn starch then boiled 45 seconds; it will finish cooking in the stir-fry). But those are mostly sides for me. For a single dish, you can load it up with more veggies and/or meats. Another good wok dish is pad thai. Here's my recipe.

Wednesday, June 26, 2024

Music Week

Expanded blog post, June archive (in progress).

Tweet: Music Week: 46 albums, 12 A-list

Music: Current count 42549 [42503] rated (+46), 22 [22] unrated (+0).

Updated: look for change bar below.

I perhaps foolishly agreed to write up an article on William Parker, this year's deserving recipient of a Lifetime Achievement Award, and a feature evening of performances, at the 2024 Vision Festival, in New York last week. I figured I could dust off the Parker/Shipp Consumer Guide I wrote up back in 2003, and add a few odds and ends about later albums. It turned out not to be not quite that simple.

For one thing, when I finally rounded up all the reviews I had written on albums he had played on, the count came to 249. I then had to go back and check for false positives (the 2003 CG also included albums with Shipp but no Parker, and a few extras by artists in their circle), and for omissions. In this, I was massively aided by being able to consult Rick Lopez's William Parker Sessionography, but I was also slowed by its completeness and accumulation of fascinating detail. Back in the notes for my 2003 CG, I collected a select but fairly extensive discogrpahy. As I needed something similar to keep track of what I was doing, I started to update it, and that wound up taking a lot of time.

By last Thursday, I had gotten so flustered and panicked that I decided I had to give up trying to multitask and just focus on the Parker essay. I had started to write some introductory comments for the week's Speaking of Which, so I stopped there, and vowed to do no more until the piece was done. (I'm belatedly posting that introduction today, but with no news links or comments. Second, I resolved to only play Parker albums until I finished. I later relaxed that to allow myself to play and review albums I hadn't heard before, which is where most of the albums below came from.

I finally sent the essay in yesterday. No word yet on when (or I suppose if) it will be published. I decided that the best way to proceed from here is to post the partial Speaking of Which intro (which already had a sequence number) along with the Music Week reviews, then start on new blog posts for the usual dates next week. Of course, it's never that simple. This also turns out to be the last Music Week in June, so I have to wrap up one month's Streamnotes archive, and open up another.

I also have a jammed up pile of other work I need to crack on with, more email problems, plus home tasks, health troubles, etc. More stuff in flux, but I've droned on enough for here and now.

PS: [06-27] My piece on William Parker has been posted on ArtsFuse now: Jazz Commentary: Celebrating Bassist William Parker's Lifetime of Achievement. I have some notes to go along with this, but they're not really ready for presentation yet, so I'll work on them and have more to say later. Note that I did add the two books I referred at the end to my Recent Reading sidebar and roll.

I changed the status of June Streamnotes to "final," added the Music Week text, and compiled the 2024 and Artists indexes.

Next on my plate is to do some work on the Carola Dibbell and Robert Christgau websites, or maybe something with email, or maybe just get dinner first -- things I need to square away before getting to the mid-year Jazz Critics Poll (which I should send out notices on by Monday, assuming email works by then). But I'm really itching to open up a Speaking of Which draft file, as even with my recent blackout it's pretty obvious that there's an insane amount of important news to note and (mostly) bemoan.

PPS: I was going to apologize for not being able to figure out how to move the right-margin change mark inside the album cover pics so it's clearly tied to the changed text, but then it dawned on me to allow an option to put the change bar on the left, which should be good enough for now.

If the change bar doesn't appear for you, that's because your browser is using a cached CSS file. CTRL-SHIFT-R fixes this in Firefox. I also had to fix a ton of mistakes in the aforelinked Parker-Shipp CG file. I knew it wasn't ready, but should at least have made sure it loaded. That much is fixed now.


New records reviewed this week:

  • Fox Green: Light Over Darkness (2024, self-released): [cdr]: A-
  • Joel Futterman/William Parker: Why (2020 [2024], Soul City Sounds): [sp]: B+(***)
  • Andrea Grossi Blend 3 + Jim Black: Axes (2023 [2024], We Insist!): [sp]: B+(***)
  • Jared Hall: Influences (2022 [2024], Origin): [cd]: B+(***) [06-21]
  • Jihee Heo: Flow (2023 [2024], OA2): [cd]: B+(**) [06-21]
  • Arushi Jain: Delight (2024, Leaving): [sp]: B-
  • Kneecap: Fine Art (2024, Heavenly): [sp]: A-
  • Jim Kweskin: Never Too Late: Duets With Friends (2024, Storysound): [sp]: B+(***)
  • Jon Langford: Gubbins (2023, self-released): [sp]: B+(***)
  • Jon Langford & the Bright Shiners: Where It Really Starts (2024, Tiny Global Productions): [bc]: B+(**)
  • Joe McPhee With Ken Vandermark: Musings of a Bahamian Son: Poems and Other Words (2021 [2024], Corbett vs. Dempsey): [bc]: B+(*)
  • Star Splitter [Gabriele Mitelli/Rob Mazurek]: Medea (2022 [2024], We Insist!): [sp]: B

Recent reissues, compilations, and vault discoveries:

  • Tony Oxley: Angular Apron (1992 [2024], Corbett vs. Dempsey): [bc]: B+(***)
  • Tomasz Stanko Quartet: September Night (2004 [2024], ECM): [sp]: B+(***)
  • Mars Williams & Hamid Drake: I Know You Are but What Am I (1996 [2024], Corbett vs. Dempsey): [bc]: A-
  • Mars Williams/Darin Gray/Chris Corsano: Elastic (2012, Corbett vs. Dempsey): [bc]: B+(***)

Old music:

  • Peter Brötzmann/William Parker/Hamid Drake: Song Sentimentale (2015 [2016], Otoroku): [bc]: B+(***)
  • Rob Brown Trio: Breath Rhyme (1989, Silkheart): [r]: B+(**)
  • Rob Brown Quartet: The Big Picture (2003 [2004], Marge): [r]: B+(**)
  • Dave Cappello & Jeff Albert With William Parker: New Normal (2015 [2016], Breakfast 4 Dinner): [sp]: B+(***)
  • Kevin Coyne/Jon Langford/The Pine Valley Cosmonauts: One Day in Chicago (2002 [2005], Spinney): [sp]: B+(***)
  • Jeremy Danneman: Lady Boom Boom (2013 [2016], Ropeadope): [sp]: B+(***)
  • Jeremy Danneman: Help (2013 [2016], Ropeadope): [sp]: B+(**)
  • Jeremy Danneman: Lost Signals (2013 [2016], Ropeadope): [sp]: A-
  • Jeremy Danneman and Sophie Nzayisenga: Honey Wine (2015 [2017], Ropeadope): [sp]: A-
  • Jeremy Danneman and the Down on Me: The Big Fruit Salad (2022, Ropeadope): [sp]: B+(*)
  • Die Like a Dog Quartet Featuring Roy Campbell: From Valley to Valley (1998 [1999], Eremite): [sp]: B+(*)
  • Sophia Domancich/Hamid Drake/William Parker: Washed Away: Live at the Sunside (2008 [2009], Marge): [sp]: B+(***)
  • Hamid Drake & Sabir Mateen: Brothers Together (2000 [2002], Eremite): [sp]: A-
  • Farmers by Nature [Gerald Cleaver/William Parker/Craig Taborn]: Love and Ghosts (2011 [2014], AUM Fidelity, 2CD): [sp]: B+(***)
  • Peter Kuhn: Ghost of a Trance (1979-80 [1981], Hat Hut): [yt]: B+(**)
  • Jon Langford & the Men of Gwent: The Legend of LL (2015, Country Mile): [bc]: A-
  • Jon Langford & the Men of Gwent: President of Wales (2019, Country Mile): [bc]: B+(***)
  • Jemeel Moondoc Quintet: Nostalgia in Times Square (1985 [1986], Soul Note): [r]: B+(***)
  • Jemeel Moondoc Vtet: Revolt of the Negro Lawn Jockeys (2000, Eremite): [sp]: B+(**)
  • Jemeel Moondoc & the Jus Grew Orchestra: Spirit House (20000, Eremite): [sp]: A-
  • Jemeel Moondoc With Dennis Charles: We Don't (1981 [2003], Eremite): [sp]: B+(***)
  • Joe Morris/William Parker/Gerald Cleaver: Altitude (2011 [2012], AUM Fidelity): [sp]: B+(**)
  • William Parker & the Little Huey Creative Music Orchestra: Mass for the Healing of the World (1998 [2003], Black Saint): [sp]: A-
  • William Parker Quartet: Live in Wroclove (2012 [2023], ForTune): [sp]: B+(***)
  • William Parker: For Those Who Are, Still (2000-13 [2013], AUM Fidelity, 3CD): [r]: A-
  • William Parker/David Budbill: What I Saw This Morning (2014 [2016], AUM Fidelity): [bc]: B+(***)
  • The Cecil Taylor Unit: Live in Bologna (1987 [1988], Leo): [r]: A-
  • The Cecil Taylor Unit: Live in Vienna (1987 [1988], Leo): [r]: B+(***)
  • Cecil Taylor: Tzotzil Mummers Tzotzil (1987 [1988], Leo): [r]: B+(*)
  • David S. Ware Trio: Passage to Music (1988, Silkheart): [r]: B+(***)
  • David S. Ware Quartet: Cryptology (1994 [1995], Homestead): [yt]: A-
  • David S. Ware: Organica (Solo Saxophones, Volume 2) (2010 [2011], AUM Fidelity): [r]: B+(**)


Grade (or other) changes:

  • Jon Langford & the Men of Gwent: Lost on Land & Sea (2023, Country Mile): [bc]: [was: B+(**)] B+(***)


Unpacking: Found in the mail last week:

  • Fox Green: Holy Souls (self-released '22)
  • Fox Green: Light Darkness (self-released)
  • Frank London/The Elders: Spirit Stronger Than Blood (ESP-Disk) [06-07]
  • Michael Pagán: Paganova (Capri) [07-19]
  • Jerome Sabbagh: Heart (Analog Tone Factory) [08-30]
  • Natsuki Tamura/Satoko Fujii: Aloft (Libra) [07-12]
  • Thollem: Worlds in a Life, Two (ESP-Disk) [04-05]

 

Saturday, June 22, 2024

Speaking of Which

Blog link.

I woke up Thursday morning with my usual swirl of thoughts, but the one I most felt like jotting down is that I prefer to take an optimistic view of the 2024 elections, contrary to the prospect of doom and gloom many rational people fear. I find it impossible to believe that most Americans, when they are finally faced with the cold moment of decision, will endorse the increasingly transparent psychopathology of Donald Trump. Sure, the American people have been seduced by right-wing fantasy before, but Reagan and the Bushes tried to disguise their aims by spinning sunny yarns of a kinder, gentler conservatism.

Even Nixon, who still outranks Trump as a vindictive, cynical bastard, claimed to be preserving some plausible, old-fashioned normality. All Trump promises is "taking back" the nation and "making America great again": empty rhetoric lent gravity (if not plausability) by his unbridled malice toward most Americans. Sure, he got away with it in 2016, partly because many people gave him the benefit of doubt but also because the Clinton spell wore off, leaving "crooked Hillary" exposed as a shill for the money-grubbing metro elites. But given Trump's media exposure, both as president and after, the 2024 election should mostly be a referendum on Trump. I still can't see most Americans voting for him.

That doesn't mean Trump cannot win, but in order to do so, two things have to happen: he has to make the election be all about Biden, and Biden has to come up seriously short. One can ponder a lot of possible issues that Biden might be faulted for, and come up with lots of reasons why they might but probably won't matter. (For example, the US may experience a record bad hurricane season, but will voters blame Biden for that and see Trump as better?) But we needn't speculate, because Biden already has his albatross issue: genocide in Gaza. I'm not going to relitigate his failures here, but in terms of my "optimistic view," I will simply state that if Biden loses -- and such an outcome should be viewed not as a Trump win but as a Biden loss -- it will be well deserved, as no president so involved in senseless war, let alone genocide, deserves another term.

So it looks like the net effect of my optimism is to turn what may look like a lose-lose presidential proposition into a win-win. We are currently faced with two perilous prospects: on the one hand, Biden's penchant for sinking into foreign wars, which he tries to compensate for by being occasionally helpful or often just less miserable on various domestic policies; on the other, Republicans so universally horrible we scarcely need to list out the comparisons. Given that choice, one might fervently hope for Biden to win, not because we owe him any blanket support, but because post-election opposition to Biden can be more focused on a few key issues, whereas with Trump we're back to square one on almost everything.

But if Biden loses, his loss will further discredit the centrist style that has dominated the Democratic Party at least since Carter. There are many problems with that style, most deriving from the need to serve donors in order to attract them, which lends them an air of corruption, destroying their credibility. Sure, Republicans are corrupt too, even more so, but their corruption is consistent with their values -- dog-eat-dog individualism, accepting gross inequality, using government to discipline rather than ameliorate the losers -- so it comes off as honest, maybe even courageous. But Democrats are supposed to believe in public service, government for the people, and that's hard to square with their individual pursuit of power in the service of wealth.

So, sure, a Trump win would be a disaster, but it would free the Democrats from having to defend their compromised, half-assed status quo, and it would give them a chance to pose a genuine alternative, and a really credible one at that. I'd like to think that Democrats could get their act together, and build that credible alternative on top of Biden's half-hearted accomplishments. It would be nice to not have to start with the sort of wreckage Trump left in 2021, or Bush left in 2009, or that other Bush left in 1993 (and one can only shudder at the thought of what Trump might leave us in 2029). But people rarely make major changes based on reasoned analysis. It usually takes a great shock to force that kind of change -- like what the Great Depression did to a nation previously in love with Herbert Hoover, or like utter defeat did to Germany and Japan in WWII.

If there was any chance that a Trump win in 2024 would result in a stable and prosperous America, even if only for the 51% or so it would take for Republicans to continue winning elections, we might have something to be truly fearful of. But nothing they want to do works. The only thing they know how to do is to worsen problems, which are largely driven by forces beyond their control -- business, culture, climate, war, migration -- and all their lying, cheating, and outright repression only rub salt into the wounds. When people see how bad Republican rule really is, their support will wither rapidly.

The question is what Democrats have to do to pick up the support of disaffected Trumpers. One theory is to embrace the bigotry they showed in embracing Trump. A better one would be promise the grit, integrity, independence, and vision that Trump promised by couldn't deliver on, partly because he's a crook and con man who never cared, but largely because he surrounded himself by Republicans who had their own corrupt and/or deranged agendas.


I had more thoughts I wanted to write up, mostly involving what I like to think of as dialectics, but which can be defined as how seemingly stable states can suddenly be transformed into quite different states. One example was how Germans went from being Nazis to fawning Israelphiles, while Israelis became the new Nazis. Alas, no time for that here, but the theme is bound to recur.


I didn't get around to gathering the usual links and adding my various comments this week. Better luck next time.

Tuesday, June 18, 2024

Daily Log

Transcribing a bit of mail from RogueArt on William Parker. They list four books of interviews. The albums in the email (all on RogueArt, my grades in brackets):

  • Steve Swell's Fire Into Music: For Jemeel Fire From the Road (2004-2005) (2023) [A-]
  • William Parker/Matthew Shipp: Re-union (2021) [-]
  • Matthew Shipp String Trio: Symbolic Reality (2019) [-]
  • Steve Swell Soul Travelers: Astonishments (2020) [A]
  • Matthew Shipp: Magnetism(s) (2017) [-]
  • Eloping With the Sun: Counteract This Turmoil Like Trees and Birds (2016) [-]
  • Matthew Shipp Quartet/Declared Enemy: Our Lady of the Flowers (2015) [-]
  • Steve Swell Quintet: Soul Travelers (2016) [A-]
  • The Turbine!: Entropy/Enthalpy (2015) [-]
  • Alexandre Pierrepont/Mike Ladd: Maison Hantée (2008) []
  • Hamid Drake & Bindu: Blissful (2008) []
  • William Parker Double Quartet: Alphaville Suite (2007) [-]
  • Steve Swell's Fire Into Music: Swimming in a Galaxy of Goodwill and Sorrow (2007) [-]
  • Peter Kowald/Laurence Petit-Jouvet: Off the Road (2007)
  • Declared Enemy: Salute to 100001 Stars: A Tribute to Jean Genet (2006)

The email continues:

CELEBRATING WILLIAM PARKER
ROULETTE, BROOKLYN
TUESDAY JUNE 18th, 6 pm
Mantra, Roots & Rituals, Trail of Tears (excerpt),
Raining on the Moon, The Ancients,
William Parker & Huey's Pocket Watch

So, Vision Festival 2024 will start on Tuesday June 18th with the night dedicated to William Parker and will end on Sunday June 24 with Marshall Allen & the Sun Ra Arkestra to celebrate Marshall Allen 100th anniversary.

And also in between Devalois Fearon Dance, James Brandon Lewis, Chad taylor, Mattthew Shipp Trio, Tarbaby (O. Evans, E. Revis, N. Waits), Jen Shyu, Ingrid Laubrock, Darius Jones Quintet, James Blood Ulmer Black Rock Trio, Isaiah Barr duo "Red Zone", Miriam Parker Core-Edge Quartet, Fred Moten, Cooper-Moore, Ava Mendoza, Melanie Dyer's Incalculable Likelihood, Amina Claudine Myers, Jason Kao Hwang, Oliver Lake, Patricia Nicholson, Matana Roberts Coin Coin, Thollem McDonas, Isaiah Collier, Rob Brown/Steve Swell quartet . . .

Nate Chinen has done an interview with Parker: William Parker, Sound Sage. Full audio seems to require a subscription, but page has a 1:07 excerpt, plus a transcript from Sept. 23, 2022.

Arts for Art founded Vision Festival in 1996 in New York City. This year is their 26th.

Parker is described here as "legendary bassist, composer, improvisor, multi-instrumentalist, author and community leader." Further down, also mentions: poet, educator.

Gargi Shindé notes: "To the community he calls home in the Lower East Side of New York City, the professional accomplishments of William Parker are not separate from his humanitarian vision to heal a world severed by capitalistic greed and hyper commodification of culture. Global consequences of American imperialism, labor exploitation, disenfranchisement in literacy and education, and aggressive urban gentrification -- William's creative repertoire is an unceasing response to the perpetually shifting targets of socio-political disenfranchisement."

Past winners of Vision Festival's Lifetime Achievement Award:

  • past: Amina Claudine Myers, Andrew Cyrille, Dave Burrell, Peter Brötzmann, Milford Graves
  • 2022: Wadada Leo Smith, Oliver Lake
  • 2024: William Parker

Opening night (6/18/2024) schedule:

  • 6:00: Mantra: Lisa Sokolov
  • 6:30: Roots & Rituals: Parker, Joe Morris, Joshua Abrams, Mixashawn Rozie, Jackson Krall, Juma Sultan, Michael Wimberly, Hamid Drake, Isaiah Parker
  • 7:15: Trail of Tears (excerpt): Andrea Wolper, AnneMarie Sandy, Mara Rosenbloom, James Brandon Lewis, Rozie, Parker, Drake
  • 8:30: Raining on the Moon: Parker, Rob Brown, Steve Swell, Eri Yamamoto, Drake, Leena Conquest
  • 9:15: The Ancients: Parker, Isaiah Collier, William Hooker, Dave Burrell, Miriam Parker (dance)
  • 10:00: William Parker & Huey's Pocket Watch: Brown, Aakash Mittal, Isaiah Barr, Alfredo Colon, Dave Sewelson, Swell, Colin Babcock, Taylor Ho Bynum, Diego Hernandez, Colson Jimenez, Hans Young Binter, Juan Pablo Carletti, Ellen Christi, Kyoko Kitamura, Patricia Nicholson

Programs continue for six days, until Sunday 6/23, when "Marshall Allen & the Arkestra: Celebrates Marshall's 100th Birthday."

Monday, June 17, 2024

Music Week

Expanded blog post, June archive (in progress).

Tweet: Music Week: 43 albums, 9 A-list

Music: Current count 42503 [42460] rated (+43), 22 [31] unrated (-9).

Going through a very busy stretch, but not sure what I really have to talk about here. I do have a fairly hefty bunch of records to report on, partly aided by recent consumer guides by Robert Christgau, Christian Iszchak, Brad Luen, and Michael Tatum. Still, I'm not sure I've caught up with any of them. I barely got through the I Am Three records Chris Monsen recommended -- their first album I previously had at B+(***) but it, too, sounds terrific, as is often the case with freewheeling Mingus.

The Jasmine In Session comps were recommended by Clifford Ocheltree. I resisted the Eddie Taylor until this morning, when I woke up with songs from it in my head. The recommendation list goes deeper, but so far that's all I've sprung for.

I have a request to write something about William Parker, on the occasion of his Vision Fest Lifetime Achievement Award. Back in 2003 I wrote a fairly extensive consumer guide to the work of Parker and/or Matthew Shipp (who was more my initial interest), and I've tried to keep up since then, including his two new albums below. So I figured: write 3-4 paragraphs of glowing intro, then tack on a dozen (or two) capsule reviews. Whether it's as easily done as said remains to be seen. All I've done so far has been to collect the reviews from the work files: current count is 249, but at the moment I'm listening to a 2009 record I had missed, and I'll probably come up with a few more. (RogueArt sent out email highlighting their 15 Parker albums, of which I've only heard 3 -- thanks mostly to Steve Swell).

What research I've done so far has mostly been humbling. Parker has four volumes of Conversations that I can't begin to get to. I just ordered a copy of Cisco Bradley's Universal Tonality: The Life and Music of William Parker, but won't have time to get very deep into. I do have a copy of Rick Lopez's marvelous The William Parker Sessionography (to 2014; also online, but only up to 2020). But I could easily fritter away all of my scant remaining time just checking items off -- although the annotation is so distracting I might never finish.

Meanwhile, I've burned up a fair amount of time with my metacritic file, to which I've started to add mid-year best-of ("so far") lists. It's still pretty spotty at present, and skewed toward the Christgau-friendly Expert Witness critics -- which has paid off in elevating Waxahatchee over Smile, with Billie Eilish and Beyoncé gaining ground, followed by Vampire Weekend, Adrianne Lenker, Hurray for the Riff Raff, and Maggie Rogers. I only have three A-list albums in the top ten, but Christgau has five in the top six (even though I haven't factored his grades in yet).

The mid-year lists I have are noted in the legend. While the first ones started showing up around June 1, in past years they've peaked in late June, with a few stragglers in July. I haven't noticed any jazz lists yet, so I'm thinking about running my own. I have the mailing list and software from the Francis Davis Jazz Critics Poll, and evidently have time to kill.

The biggest time-kill remains Speaking of Which, which again topped 10,000 words on Sunday, with minor additions today.


New records reviewed this week:

  • Actress: Statik (2024, Smalltown Supersound): [sp]: B+(*)
  • Africatown, AL: Ancestor Sounds (2024, Free Dirt): [sp]: B+(**)
  • Bruna Black/John Finbury: Vă Revelaçăo (2024, Green Flash): [cd]: B+(**)
  • Anthony Branker & Imagine: Songs My Mom Liked (2024, Origin): [cd]: B+(***) [06-21]
  • Etienne Charles: Creole Orchestra (2018 [2024], Culture Shock): [cd]: B+(*)
  • Charli XCX: Brat (2024, Atlantic): [sp]: B+(***)
  • Devouring the Guilt: Not to Want to Say (2021 [2024], Kettle Hole): [cd]: B+(***)
  • DJ Anderson do Paraiso: Queridăo (2023 [2024], Nyege Nyege Tapes): [sp]: B
  • Ducks Ltd.: Harm's Way (2024, Carpark): [sp]: B+(**)
  • Phillip Golub: Abiding Memory (2024, Endectomorph Music): [cd]: B+(**) [06-21]
  • Grandaddy: Blu Wav (2024, Dangerbird): [sp]: B
  • Alex Harding/Lucian Ban: Blutopia (2024, Sunnyside): [sp]: B+(**)
  • Hermanos Gutiérrez: Sonido Cósmico (2024, Easy Eye Sound): [sp]: A-
  • Mike Holober & the Gotham Jazz Orchestra: This Rock We're On: Imaginary Letters (2023, Palmetto, 2CD): [cd]: B
  • Homeboy Sandman: Rich II (2024, self-released): [sp]: B+(**)
  • I Am Three: In Other Words (2024, Leo): [sp]: A-
  • Kaytranada: Timeless (2024, RCA): [sp]: B+(***)
  • The Libertines: All Quiet on the Eastern Esplanade (2024, Casablanca/Republic): [sp]: B
  • Raul Midón: Lost & Found (2024, ReKondite ReKords): [sp]: C+
  • Andy Milne and Unison: Time Will Tell (2024, Sunnyside): [sp]: B+(**)
  • Ol' Burger Beats: 74: Out of Time (2024, Coalmine): [sp]: B+(**)
  • Alicia and Michael Olatuja: Olatuja (2022-24 [2024], Whirlwind): [sp]: B+(*)
  • One for All: Big George (2022 [2024], Smoke Sessions): [sp]: B+(*)
  • William Parker/Cooper-Moore/Hamid Drake: Heart Trio (2021 [2024], AUM Fidelity): [cd]: A- [06-21]
  • William Parker & Ellen Christi: Cereal Music (2024, AUM Fidelity): [cd]: B+(***) [06-21]
  • Rob Parton's Ensemble 9+: Relentless (2023 [2024], Calligram): [cd]: B+(*)
  • Porij: Teething (2024, Play It Again Sam): [sp]: B+(**)
  • Kenny Reichert: Switch (2023 [2024], Calligram): [cd]: B+(**)
  • Brandon Ross Phantom Station: Off the End (2024, Sunnyside): [sp]: B+(**)
  • Shaboozey: Where I've Been, Isn't Where I'm Going (2024, Republic/Empire): [sp]: B+(*)
  • Flavio Silva: Eko (2024, Break Free): [cd]: B+(**)
  • Uncle Waffles: Solace (2023, Ko-Sign/Encore): [sp]: B+(**)
  • Kiki Valera: Vacilón Santiaguero (2024, Circle 9 Music): [cd]: B+(***)
  • Matt Wilson: Matt Wilson's Good Trouble (2023 [2024], Palmetto): [cdr]: A-

Recent reissues, compilations, and vault discoveries:

  • Broadcast: Spell Blanket: Collected Demos 2006-2009 (2006-09 [2024], Warp): [sp]: B
  • Love Child: Never Meant to Be 1988-1993 (1988-93 [2024], 12XU): [sp]: B+(***)

Old music:

  • Big Walter Horton: In Session: From Memphis to Chicago 1951-1955 (1951-59 [2019], Jasmine): [cd]: A-
  • Ducks Ltd.: Get Bleak (2019 [2021], Carpark, EP): [sp]: B+(**)
  • Floyd Jones/Eddie Taylor: Masters of Modern Blues (1966 [1994], Testament): [sp]: B+(***)
  • Maggie Nicols/Silke Eberhard/Nikolaus Neuser/Christian Marten: I Am Three & Me: Mingus' Sounds of Love (2018 [2019], Leo): [sp]: A-
  • Skikamoo Jazz: Chela Chela Vol. 1 (1993-95 [1995], RetroAfric): [sp]: B+(***)
  • Shikamoo Jazz: East African Legends Live (1995 [2022], RetroTan): [sp]: A-
  • Eddie Taylor: In Session: Diary of a Chicago Bluesman 1953-1957 (1953-57 [2016], Jasmine): [cd]: A-
  • Eddie Taylor: I Feel So Bad (1972, Advent): [sp]: B+(**)
  • Jody Williams: In Session: Diary of a Chicago Bluesman 1954-1962 (1954-62 [2018], Jasmine): [cd]: A-


Unpacking: Found in the mail last week:

  • Kim Cass: Levs (Pi) [06-28]
  • Jon De Lucia: The Brubeck Octet Project (Musćum Clausum) [07-12]
  • Mathias Hřjgaard Jensen: Is as Is (Fresh Sound New Talent) [05-31]
  • Brian Landrus: Plays Ellington & Strayhorn (Palmetto) [07-12]
  • Miles Okazaki: Miniature America (Cygnus) [07-19]
  • Matthew Shipp: The Data (RogueArt) * [06-17]

 

Sunday, June 16, 2024

Speaking of Which

Blog link.

I picked up a couple new projects this week, which has put me in a dither, but I got up Sunday morning and stuck with this, making my usual rounds (though not much time on X), and figure I've collected and written enough. (Would be nice to add some more music mid-year lists, but I may add them in a Monday update.)

I'm reading Steve Hahn's Illiberal America: A History, well into the chapter on neoliberals who proved their "neo" by going "il" -- quite a bit of Bill Clinton there, but not so much Buchanan/Perot, who pop up in a book review toward the end here. No doubt there's still a lot of Trump to come.

PS: Laura Tillem reposted a poem she wrote for "a poetry slam, for international day of peace celebration in Wichita."


Initial count: 202 links, 9,929 words.

Local tags (these can be linked to directly): on music.


Top story threads:

Israel: This remains, as it has since the Hamas revolt on Oct. 7, 2023, our top story, both in terms of its overall impact and the extent and volatility of news coverage. After going through several permutations, I've found it useful to break the stories up into three groups. This one covers the political concerns and the conflicts within Israel (including Gaza, and neighboring areas like Lebanon that Israel is in direct conflict with). We should be clear that what the IDF is doing in Gaza is genocide, and is intended as such. We should also be clear that Israel practices systematic discrimination and sporadic terror against Palestinians outside of Gaza which, while not rising to the intensity of genocide, should be universally condemned.

The most common word for these policies and practices is "apartheid" -- a word used by South Africa to describe their peculiar implementation of racist segregation, drawn largely on the American example. While there are subtle differences in Israel's implementation, the word is good enough for practical use. One major problem with genocide in Gaza is that it provides cover for increasing violence in the broader practice of apartheid.

The second section concerns diplomatic relations between Israel and the US, and political directives regarding Israel within the US. Israel's ability to carry out genocide in Gaza is directly related to US military, political, and diplomatic support, and this extends to efforts to suppress free speech and to influence elections within the US. (It is, for instance, impossible to see AIPAC as an American interest group given that it operates in lockstep with Israeli foreign policy.)

Student demonstrations, on the other hand, fall into a third subject grouping, "Israel vs. world opinion." This also includes the ICC/ICJ genocide cases, world diplomatic activity aside from that by Israel and the US, and more general discussions of what charges of genocide and antisemitism mean.

America's Israel (and Israel's America):

  • As'ad AbuKhalil: [06-11] Biden's Saudi deal.

  • Michael Arria:

  • Ramzy Baroud: [06-15] America crawls further into global isolation by backing Gaza genocide.

  • Jonathan Chait: [06-08] Why on Earth is Chuck Schumer inviting Netanyahu to address Congress? "It's hard for me to think of an explanation for Schumer's action other than sheer spinelessness."

  • Isaac Chotiner: [06-11] Is Biden's Israel policy cynical or naďve? "Evaluating eight months of the President's attempt to moderate Netanyahu's bombing campaign in Gaza." Interview with Matt Duss, of the Center for International Policy, former chief foreign-policy adviser to Bernie Sanders. Worth quoting at length when asked "what can you imagine a different Democratic Administration doing?":

    Well, I think a different Democratic Administration could have taken this issue more seriously before October 7th. That's not to say we needed another round of the usual peace process. But there have been alarms sounded about Gaza for many, many years by international N.G.O.s; certainly by Palestinians, constantly; by Israeli security officials; by members of Congress, including my former boss. The idea that we could just kind of kick the Palestinians into the corner and manage the problem without any real consequences -- that was revealed as a fantasy on October 7th.

    After October 7th, I hope and think any Democratic Administration would've done immediately what President Biden did: show full support, full solidarity, and really spend time with what occurred on October 7th in all its horror, and stand by Israel as it defended its people.

    At some point though, and fairly quickly, it became clear that what was going to be carried out in Gaza was not just self-defense. It became clear very quickly that this was a war of revenge. We have countless statements from Israeli government officials, many of which have been collected in South Africa's case in the International Court of Justice, which includes accusations of genocide. And we can see with our own eyes the kind of tactics that are being used on densely populated civilian areas in Gaza. A different Democratic Administration might've taken that much more seriously and acted with much more urgency much sooner.

    It's hard to imagine what a different Democrat could have done pre-October 7th. Obama, who almost certainly knew better, managed next to nothing helpful in eight years. There have been ways for an American president to impress upon Israel the need to take some constructive steps, but there has been little political urgency to do so, especially given the influence of pro-Israel donors in our oligarchic political system. While Sanders certainly knows better, I doubt he would have risked whatever political capital he had to bang his head against against a very recalcitrant Netanyahu.

    The next two paragraphs fairly describe what Sanders did, but ineffectively without the portfolio of the presidency. The rush to rally to Israel's defense was nearly universal in Washington, although what was really needed was to lean hard -- starting in private -- against Israel's armed response, as it was instantly clear that the intent would be genocidal, and that would lock Israel into a disastrous public relations spiral while doing virtually nothing for Israel's long-term security.

    One more point to stress here: Biden's failure to anticipate and correct for Israel's horrific response -- indeed, his failure to comprehend the problem despite following Israel closely for over fifty years -- is not simply attributable to the corrupt influence of the Israel lobby. It is deeply ingrained in America's own habitual response to security issues, which especially with the neocons under Clinton and Bush took Israel as the model for managing the threat of terrorism.

  • Zachary Cohen/Katrie Bo Lillis: [06-07] CIA assessment concludes Netanyahu is likely to defy US pressure to set a post-war plan for Gaza.

  • Juan Cole: [06-15] How Netanyahu and fascists in his coalition shot down the Biden peace plan.

  • Joshua Keating: [06-12] The perplexing state of Gaza ceasefire negotiations, explained: "The problem is that it's not clear either side wants a ceasefire." Beware of explanations that start off with a patently false subhed. Literally every single Palestinian, even ones claiming to represent whatever's left of Hamas, want a ceasefire, and have been pleading for one ever since the rupture on Oct. 7 was closed. It's Israel that doesn't want a ceasefire, which is due to three factors: the first is that they're doing well over 99% of the firing, and they like those odds; they also think that the more Palestinians they kill, and the more of Gaza they destroy and render uninhabitable, the closer they'll be to their goal, which is the complete the removal of Palestinians from Eretz Israel; and as long as the US is willing to provide ammo and run diplomatic cover, they see no need for restraint, let alone for disengagement. Much of Netanyahu's power in Israel is tied to the reputation he's built as someone who can cower American presidents, and in that regard, Biden has been a very dependable ally.

    The "negotiations" also involve hostages, but this, too, is very asymmetrical. Hamas took 250 during the Oct. 7 attacks, not so much to exchange them for Palestinians imprisoned by Israel (thousands of them, a number which has increased rapidly since Oct. 7) as to inhibit Israel's attacks. In short, their value was to press for a truce (Hamas likes the term "hudna"), but trades for temporary ceasefires and prisoners offer little respite and diminished protection. And now, after eight months, with half of the hostages exchanged, and many more killed by Israeli fire, the remaining hostages are down to about 80. And at this point, Netanyahu is unwilling to give up his war just to get hostages back. If anything, the hostages do Netanyahu more good if "Hamas" keeps them, as they give him an excuse to keep attacking. At this point, Palestinians would be better off just freeing the hostages, in the probably vain hope that doing so might generate some good will. But that's hard for "Hamas" to do, because without the hostages, do they even exist any more?

    More on Biden's proposal and the "negotiations":

    • Dave DeCamp:

    • Adam Hanieh: [06-14] Why the fight for Palestine is the fight against US imperialism in the region: There is a lot of useful history in this piece, but I don't particularly subscribe to its thesis and drift. US imperialism was real enough but has become increasingly incoherent, especially once it lost its Cold War compass in the 1990s, so that these days it's mostly a sleazy game of graft, with a hugely expensive logistics network but no coherent vision, at least beyond nursing a few old grudges (like Iran and North Korea). British colonialism is even more of a ghost. That you can find echoes and innuendos in Israel is no surprise, but these days it's the Israelis who are pulling American and British strings, for their own purposes, with hardly any regard for whatever the West may want. The article claims that Israel and the Gulf monarchies are "two pillars [that] remain the crux of American power in the region today." But they're really just playing their own games, as likely to trip the US up as to help it.

    • David Hearst: [06-14] Blinken is dragging the US ever deeper into Israel's quagmire.

    • Adam Johnson: [06-11] Media keeps playing along with fiction there is an "Israel ceasefire deal" "Don't squint too hard, one may notice Israel is clear they have no intention to 'end the war.'" By the way, Johnson also published an interesting piece by "a Palestinian-American quantitative researcher focusing on disinformation and censorship in mass media," under the pseudonym "Otto": [2023-11-15] "Massacred" vs "Left to Die": Documenting media bias against Palestinians Oct 7-Nov 7: "A quantitative analysis of the first month of conflict, reveals how dehumanization is baked into the ideoogical cake of cable news."

    • Fred Kaplan:

      • [06-12] Why there's so much confusion about the Israeli peace plan: Uh, because as articulated it's not actually an Israeli plan. Because there is no Israeli plan -- not for peace, anyway. And since permanent conflict with periodic acts of war doesn't much need forethought, there's no plan for that either.

      • [06-13] Hamas's counteroffer is neither realistic nor serious. But only if you start from the assumption that Israel's demands -- which, though never clearly articulated, are roughly: Hamas frees all the hostages, gives up its struggle for Palestinian rights, and surrenders its leader for summary execution -- are the very definition of serious and realistic. In any normal world, the argument that Israel should withdraw its military from Gaza and refrain from further attacks would be completely reasonable.

    • MEE Staff: [06-13] Hamas demands Israel end Gaza blockade as part of ceasefire deal.

    • Mitchell Plitnick: [06-15] Blinken's lies about Hamas rejecting a ceasefire reveal the Biden administration's true intentions: "The Biden administration is playing a shell game with the Gaza ceasefire that aims to trick the Democratic base into thinking meaningful action is taking place to end fighting while still allowing Israel to continue its genocidal campaign."

    • Ishaan Tharoor: [06-12] Israel shrugs at Palestinian civilian casualties. So does Hamas. "In new report, Hamas's leader in Gaza is said to describe Palestinian civilian deaths as 'necessary sacrifices.'" I'm inclined to dismiss anything attributed to Hamas, as I regard them as a spent force, one at present only being propped up by Israel in their need to identify an enemy not quite as inclusive as every Palestinian. But the idea that martyrdom is preferable to subjection and slavery runs deep in the human psyche, so we shouldn't be surprised to find it articulated by Hamas speakers (especially ones removed from the fray). We should reject such sentiments, of course, but also be clear that the blame for them, and for the sacrifices they demand, belongs squarely on those whose power has made only those choices seem possible.

    • Spencer Ackerman: [06-03] 'Phase 2': The shape of Israeli rejectionism to come: "Biden has declared that Israel's reasonable war aims have been achieved. Netanyahu is in no position to agree."

  • Jim Lobe: [06-12] That stinks: Global opinion of US goes down the toilet.

  • Blaise Malley: [06-14] GOP trying to drive wedge between Dems with Israel votes.

  • Stephen Semler: [06-12] Washington is not telling truth about the Gaza pier: "They say food is 'flowing' to the people, but data shows the opposite."

    • Tareq S Hajjaj: [06-14] The story of the US 'floating dock' built from the rubble of Gaza's homes: "The U.S. said it was constructing a floating pier off Gaza's coast to deliver humanitarian aid to the people of Gaza. However, the real reason it exists is to protect American interests in the region."

    • Ahmed Omar: [06-11] Gaza resistance sources say fear is rising US pier will be used for forced displacement of Palestinians: "Critics warn the U.S.-constructed pier off Gaza's coast is being used for military purposes. Now a source in the Gaza resistance says there are indications it will be used to facilitate the forced displacement of Palestinians." They have good reason to be fearful. Most of the Palestinian refugees in Beirut were stampeded onto British ships in Jaffa, as they fled the indiscriminate shelling by the Irgun in 1948, the Israelis having their preference for killing all Palestinians at Deir Yassin. With Egypt resisting their efforts to drive Gazans out through the Sinai, the pier and the ever-obliging Americans will increasingly look like some kind of final solution.

  • Emily Tamkin:

  • Prem Thakker: House votes to block US funding to rebuild Gaza.

Israel vs. world opinion:

Election notes:

Trump:

And other Republicans:

Biden and/or the Democrats:

  • Yasmeen Abutaleb: [06-16] Biden, Obama warn of Trump dangers in star-studded L.A. fundraiser.

  • David Atkins: [06-07] Democrats should run against the Supreme Court: "And they should take on more than the overturning of Roe v. Wade. They ought to campaign against the whole Trump-enabled, rights-stealing, gift-taking conservative supermajority." Of course they should, and to some extent they clearly are, although their message hasn't been fully articulated yet. But it shouldn't be: if we win, we're going to pack the Court. It should be to win big in Congress and the Presidency, then pass popular laws, daring the Court to strike them down. Either the Court will back down, or discredit itself. Either way, win more elections, and appoint better judges. Eventually, like FDR, you will win.

  • Zachary D Carter: [06-10] Inflation is not destroying Joe Biden.

  • David Dayen:

  • Chauncey DeVega:

  • Pramila Jayapal: [06-03] The Congressional Progressive Caucus agenda for 2025.

  • Eric Levitz: [06-13] Biden is on track to beat inflation and lose the presidency: "The data on prices is getting better, but the public's disapproval of the president remains unchanged."

  • David Masciotra: [06-14] Hillary Clinton, truth teller: "Republicans, the media, and plenty of Democrats were shocked -- shocked! -- to hear her say anti-Israel protestors don't know Middle Eastern history and to suggest prejudice might animate a large swatch of Trump voters." As soon as I saw this title, my mind offered a quick edit to the title: "truth teller for sale." Of course, that's not totally accurate: she is so attuned to the whims and wishes of her donors that she doesn't have to wait for the checks to clear. But is what she says about those who protest against Israeli policies true? I don't doubt that she's a very smart person who has been thoroughly schooled in the fine arts of hasbara, but I'm pretty sure I know a lot more Middle Eastern history than she does, and for good measure I'd drop American history into the mix. (Actually, her quote seems to be "that most 'young people' don't know the history of 'many area of the world, including our own country.'")

    Or at least, I understand what I know a lot better than she does. Not for a minute did I ever think invading Iraq would be a good idea. As for other protestors, some may be less knowledgeable, but some know even more than I do: for instance, the author picks on Juan Cole ("an academic popular with the hard left who consistently defends the brutality of Iran and flirts with antisemitism" -- link on Iran, which actually goes to a 2006 article by neocon-convert Christopher Hitchens, but not on antisemitism), who has written many useful books on the region and who runs a website that has consistently earned its "Informed Comment" moniker for more than 20 years.

    While understanding history can help you sort out arguments, which side you take depends more on how you respond to one very simple question: does the sympathy/respect you feel for Jews in Israel allow for or deny sympathy/respect for Palestinians? Or you can reverse the question either way (swap the people, or swap the sentiment to "disdain/disinterest"). Any way you slice it, people who respect all others as people will recoil from the treatment of Israelis against Palestinians, and therefore be critical of the current Israeli regime. History may help you to understand why this particular state happened, and maybe even how it might be changed. It will certainly suggest much about what happens if the current hatreds are allowed to continue and fester. But whether you care depends more on what kind of person you are. And Hillary Clinton's insensitivity and arrogance tells you much about what kind of person she is, which is someone whose only guiding principle is the pursuit of power. The willingness to say unpleasant things in that cause doesn't make you an oracle. It may just mean you're an asshole.

    By the way, Masciotra doesn't stop with Clinton's shilling for the Israel lobby. He still wants to defend her 2016 campaign "basket of deplorables" gaffe, which even she apologized for at the time. He seems to think that if she hadn't spilled the beans, nobody would have realized that lots of racists supported Trump because they recognized in him a fellow racist. (Clinton didn't put it that precisely. She said "deplorable" instead of racist, a code that her fellow liberals recognized while it just seemed snobby to the racists. And by saying "many" she got taken for "most," leaving the rest free to take umbrage over the generalization.) He also bothers to quote and defend Clinton's "truth" about Bernie Sanders: "Nobody likes him, nobody wants to work with him. He got nothing done." You'd think that a truther would be more concerned with what Sanders was proven right about than with how much lobby-backed legislation he lent his name to, but evidently not. What did Clinton ever accomplish that wasn't in the service to well-heeled lobbyists? I mean, aside from losing an election to Donald Trump?

  • Nicole Narea: [06-11] Biden's overlooked campaign to protect Americans from Big Business: "Many Americans are focused on inflation, but from Big Tech to junk fees, Biden is advancing a pro-consumer agenda." I think this sort of thing is very important, and a very stark contrast to the Trump embrace of kleptocracy, fraud, and business criminality (which, as should be clear by now, he not only enables and excuses, but has vast experience engaging in).

  • Christian Paz: [06-12] Are LGBTQ voters about to abandon Biden? One of those things I refuse to worry about. If Democrats could ever figure out how to get most of the votes from all the people who would be better served by Democrats rather than Republicans winning, they wouldn't have to subdivide their message into constituent identity groups, many of which don't want to hear about each other, let alone what they perceive as pandering to others. On the other hand, if you do identify as a member of a group Republicans are orchestrating hate against, are you really going to hurt yourself just so you can spite Biden? At some point between now and November, you're going to have to wake up and smell the sewer, and decide whether drown in it or escape. Then do the grown up thing and vote.

  • Stephen Prager:

  • Michael Tomasky: [06-14] There's a new "silent majority" out there -- and it is not conservative: "Ever since Richard Nixon used the phrase, it's been a Republican thing. But the Republicans are the extremists now, and the Silent Majority isn't what it was in 1969." I think there's a lot to be said for this point, but it's hard to figure out how to use it.

  • Dylan Wells: [06-15] Meet the 24-year-old trying to solve Biden's problems with young voters: "Eve Levenson, the Biden campaign's national youth engagement director, may have one of the hardest jobs in American politics." Maybe because it's defined by a meaningless artifact of polling?

Hunter Biden: The jury convicted him on all three counts, with a possible maximum sentence of 25 years in jail. I'm surprised that I find this as disturbing as I do. I never liked the father, and find the son to be nothing but nepotistic scum. But he was charged with a crime that shouldn't be illegal, and convicted on evidence that shouldn't be admissable, only because Republicans in Congress (and the Special Prosecutor's office, and evidently the courts) through a hissy fit when he agreed to plead the charge down to near-nothing (more of a compromise than he should have had to do). That the jury went along with this sham is just more evidence of how rigged the system is against defendants. Moreover, because the defendant isn't Trump, Democrats are biting their tongues and expressing their pride in a very corrupt justice system, while Biden won't consider a pardon because he believes that would look bad (like he's playing politics with justice) -- totally the opposite of what Trump has done all along.

Legal matters and other crimes:

Climate and environment:

Economic matters:

  • American Prospect: Their June 2024 issue promises to expose: "How Pricing Really Works: The many innovations corporations have devised to get you to pay more." Here are some articles:

    • [06-14] The underbelly of the grocery store: "Nothing you see on the shelves is there by accident." How "junk fees, price-fixing, shrinkflation, personalization, and data collection -- come together at the grocery store. Every product's placement, every advertisement, every coupon is a function of marketing wizardry and hardball tactics, in a bid for the eyes and wallets of consumers."

    • [06-14] Lina Khan: Extraction exterminator: "The Federal Trade Commission chair plays a key role in preventing exploitative pricing schemes from taking root." An interview.

    • Bilal Baydoun: [06-14] Taming the pricing beast: "The government has a variety of strategies to protect the public from price-gouging and information advantages over the consumer."

    • David Dayen: [06-04] One person one price: "Digital surveillance and customer isolation are individualizing the prices we pay."

    • David Dayen/Lindsay Owens: [06-03] The age of recoupment: "How power, technology, and opportunity have come together to gouge consumers."

    • Jarod Facundo: [06-12] War in the aisles: "Monopolies across the grocery supply chain squeeze consumers and small-business owners alike. Big Data will only entrench those dynamics further."

    • Luke Goldstein: [06-05] Three algorithms in a room: "A growing number of industries are using software to fix prices. Law enforces are beginning to fight back."

    • Sarah Jaffe: [06-07] The urge to surge: "Businesses are hiking prices to take advantage of consumers. They learned it from Uber."

    • Hassan Ali Kanu: [06-06] Loaded up with junk: "Extra profits are the only explanation for many fees businesses charge."

    • Robert Kuttner: [06-13] Fantasyland general: "Hospital pricing is impenetrable to consumers and regulators alike. The result: increased costs and profits, and wasteful reliance on armies of middlemen."

    • Joanna Marsh: [06-10] The one-click economy: "Digital subscriptions are here to stay. What should we do about that?"

    • Kalena Thomhave: [06-11] What we owe: "The big banks behind the rising cost of credit."

Ukraine War and Russia:

America's empire and the world:

  • Jess Craig: [06-12] We're in a new era of conflict and crisis. Can humanitarian aid keep up? "Utter neglect of displaced people has become the new normal."

    Last year, more than 360 million people worldwide needed humanitarian assistance. To cover the costs of aid, the United Nations appealed to global donors -- primarily governments but also philanthropic individuals and institutes -- for a record $56 billion.

    But even as humanitarian needs peaked, funding for aid dwindled to its lowest levels since 2019. Less than half of that $56 billion was raised. As a result, the gap between global humanitarian funding needs and donor contributions reached its highest level in more than 20 years.

    And that's not the worst part. What funding was available was not allocated equitably across the world's crises. Conflicts in the Global South went vastly underfunded. Last week, the Norwegian Refugee Council (NRC), a major humanitarian organization, published its annual ranking of the world's most neglected displacement crises. Nine of 10 were in Africa.

  • Ellen Ioanes:

    • [06-10] Why Europe is lurching to the right: "Far-right parties made big gains in EU Parliament elections -- and that's already having an effect." One thing I'll admit is that I've never had the slightest understanding of how the EU Parliament works or what, if anything, it is capable of doing. As near as I've been able to figure out, the EU seems to be a cloistered bureaucracy mostly concerned with economic matters, tightly controlled by a neoliberal oligarchy that is very well insulated against possible encroachments from the Democratic left -- who when they do manage to win elections, get beat down like Syriza in Greece. It is similarly unclear whether the right can have any real impact in the EU Parliament, although I suppose it might afford them an arena the one thing they specialize in, which is irritable gesticulating. Also on the EU elections:

    • [06-13] The fracturing of South African politics, explained: "What the defeat of the party that ended apartheid means for South Africa."

  • Hafsa Kanjwal: [06-13] How India is implementing the 'Israel model' in Kashmir.

  • Peter Oborne: [06-11] Tory Britain is about to fall. But what follows could be far worse: "The Conservatives have traditionally acted as a buffer against fascist forces. But after the impending electoral defeat, Farage and the far right are poised to win control of the party."

  • Vijay Prashad: [06-07] Migrating workers provide wealth for the world.


Other stories:

Erin Blakemore: [06-08] Tens of millions of acres of cropland lie abandoned, study shows: "The biggest changes took place around the Ogallala Aquifer, whose groundwater irrigates parts of numerous states, including Colorado, Texas and Wyoming."

Vivian Gornick: [06-06] Orgasm isn't my bag: A review of Trish Romano: The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture. If it seems like I'm collecting reviews of this book, perhaps that means I should write my own. I read it, and perhaps more importantly, I lived it -- starting as a clueless subscriber in the 1960s.

Balaji Ravichandran: [06-12] Imperialilsm isn't in the past. Neither is the damage it did. A review of Charlotte Lydia Riley: Imperial Island: An Alternative History of the British Empire. Few subjects are more deserving of "a withering indictment" than the British Empire. The "damage done" to the rest of the world has been extensively documented, although little of it has sunk into the Churchill-worshipping cliques in the US and UK. What's far less well understood are the lingering distortions within British politics, and not just for the feedback immigration, which has become conspicuous of late.

Nathan J Robinson: [2018-12-07] Lessons from Chomsky: "Some things I've learned from his writings . . ."

Becca Rothfeld: [06-13] Donald Trump didn't spark out current political chaos. The '90s did. Review of John Ganz: When the Clock Broke: Con Men, Conspiracists, and How America Cracked Up in the Early 1990s. Histories of 1990s US politics tend to feature the main event of Gingrich vs. Clinton, but I can see where focusing on fringe-crazy might offer some insights. Also on Ganz:

Music and other arts:

David Hajdu: [06-11] Seeing ourselves in Joni Mitchell: Review of Ann Powers' "deeply personal biography of Joni Mitchell": Traveling: On the Path of Joni Mitchell. For another review:

Brad Luen: [06-16] Semipop Life: A very high shelf.

Michael Tatum: Books read (and not read): June 2024: I jumped straight to Trish Romano's The Freaks Came Out to Write, as that's the one I've actually read.

Midyear reports: I've been factoring these into my metacritic file.


A friend posted this on Facebook:

I am super critical of Biden's kneejerk support for Netanyahu but I agree 100% with my friend Linda L. Gebert who write this . . . "Please anyone, tell a young person that not voting or voting for a third-party candidate will only help Trump win -- we have to vote for Biden if we want to preserve women's health rights, our healthy economy, good relations with leaders of other countries, etc. . . ."

I offered this comment:

Rather than trying to weigh out positives and negatives on issues, or pondering the curse of lesser-evilism, another way to approach this is to accept that whoever wins is going to do lots of things that you oppose, so ask yourself who would you rather protest against? Biden's not so great on anything you mentioned, but at least with him, you don't have to start with arguments that even Biden agrees with.

I also added a link to Nathan J Robinson: No Leftist Wants a Trump Presidency.

Monday, June 10, 2024

Music Week

Expanded blog post, June archive (in progress).

Tweet: Music Week: 39 albums, 3 A-list

Music: Current count 42460 [42421] rated (+39), 31 [36] unrated (-5).

I published a pretty long Speaking of Which Sunday night (209 links, 12260 words). I fixed a couple typos, added a few more items, and a lot of words today -- the latter mostly came from extensive quotes of two articles I had flagged to include but didn't get to in time. I've also been including links to music pieces, which lately have mostly been mid-year lists I've factored into my metacritic file.

I lost a couple days of listening time when I fixed a couple of small dinners, one mostly Chinese, the second more Italian. I rarely cook, let alone entertain, these days, so it's nice to see that I still have some skills.

When I did manage to listen, I racked up records fast, possibly because I did more EPs than usual (7), and also because quite a few records inspired minimal commentary.

I mentioned it in Speaking of Which, but let me add an extra plug for the return of Michael Tatum's A Downloader's Diary, this one (52). In the aforementioned metacritic file, I'm giving his grades the same weight I give Robert Christgau's and my own's (although I haven't added many in yet).


New records reviewed this week:

  • Altus: Mythos (2024, Biophilia): [cdr]: B+(***)
  • Oren Ambarchi/Johan Berthling/Andreas Werlin: Ghosted II (2024, Drag City): [sp]: B+(***)
  • Bab L' Bluz: Swaken (2024, Real World): [sp]: B+(*)
  • Evan Nicole Bell: Runaway Girl (2024, Humingbird, EP): [sp]: B+(*)
  • Blue Lab Beats: Blue Eclipse (2024, Blue Adventure): [sp]: B
  • Aziza Brahim: Mawja (2024, Glitterbeat): [sp]: B+(**)
  • Cakes Da Killa: Black Sheep (2024, Young Art): [sp]: B+(**)
  • Madi Diaz: Weird Faith (2024, Anti-): [sp]: A-
  • John Escreet: The Epicenter of Your Dreams (2023 [2024], Blue Room Music): [cd]: B+(***)
  • Maria Faust Jazz Catastrophe: 3rd Mutation: Moth (2023 [2024], Bush Flash): [sp]: A-
  • Sierra Ferrell: Trail of Flowers (2024, Rounder): [sp]: B+(***)
  • Margaret Glaspy: The Sun Doesn't Think (2024, ATO, EP): [sp]: B+(***)
  • Ariana Grande: Eternal Sunshine (2024, Republic): [sp]: B+(**)
  • The Haas Company [Featuring Andy Timmons]: Vol. 1: Galactic Tide (2024, Psychiatric): [cd]: B
  • Marika Hackman: Big Sigh (2024, Chrysalis): [sp]: B+(**)
  • Jake Hertzog: Longing to Meet You (2024, self-released): [cd]: B+(**)
  • Home Counties: Exactly as It Seems (2024, Submarine Cat): [sp]: B+(*)
  • Simone Keller: Hidden Heartache (2022 [2024], Intakt): [sp]: B+(**)
  • Lola Kirke: Country Curious (2024, One Riot, EP): [sp]: B+(*)
  • Jon Langford & the Men of Gwent: Lost on Land & Sea (2023, Country Mile): [bc]: B+(**)
  • The Bruce Lofgren Group: Earthly and Cosmic Tales (2024, Night Bird): [cd]: B
  • Lucy Rose: This Ain't the Way You Go Out (2024, Communion): [sp]: B+(*)
  • MIKE & Tony Seltzer: Pinball (2024, 10k, EP): [sp]: B+(*)
  • Mk.gee: Two Star & the Dream Police (2024, R&R Digital): [sp]: B+(**)
  • Willie Nelson: The Border (2024, Legacy): [sp]: A-
  • Nubiyan Twist: Find Your Flame (2024, Strut): [sp]: B+(*)
  • Yvonnick Prené/Geoff Keezer: Jobim's World (2023 [2024], Sunnyside): [sp]: B+(*)
  • Bruno Rĺberg Tentet: Evolver (2024, Orbis Music): [cd]: B+(**)
  • Rapsody: Please Don't Cry (2024, Jamla/Roc Nation): [sp]: B+(**)
  • Raze Regal & White Denim Inc.: Raze Regal & White Denim Inc. (2023, Bella Union): [sp]: B
  • A. Savage: The Loft Sessions (2024, Rough Trade, EP): [sp]: B+(*)
  • Shygirl: Club Shy (2024, Because Music, EP): [sp]: B+(*)
  • Ballaké Sissoko/Derek Gripper: Ballaké Cissoko & Derek Gripper (2024, Matsuli Music): [sp]: B+(***)
  • Connie Smith: Love, Prison, Wisdom and Heartaches (2024, Fat Possum): [sp]: B+(**)
  • Vince Staples: Dark Times (2024, Def Jam/Blacksmith): [sp]: B+(***)
  • Oded Tzur: My Prophet (2023 [2024], ECM): [sp]: B+(**)
  • Faye Webster: Underdressed at the Symphony (2024, Secretly Canadian): [sp]: B+(*)
  • Amber Weekes: A Lady With a Song: Amber Weekes Celebrates Nancy Wilson (2024, Amber Inn): [cd]: B+(*)
  • Kelly Willis/Melissa Carper/Brennen Leigh: Wonder Women of Country (2024, Brooklyn Basement, EP): [sp]: B+(**)

Recent reissues, compilations, and vault discoveries:

  • The Power of the Heart: A Tribute to Lou Reed (2024, Light in the Attic): [sp]: B+(**)

Old music:

  • None


Unpacking: Found in the mail last week:

  • Bruna Black/John Finbury: Vă Revelaçăo (Green Flash) [05-14]
  • Kiki Valera: Vacilón Santiaguero (Circle 9 Music) [05-31]